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Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
Since the Dawn of Our Inquiry Into Human Behaviour, Humour Has
What‘s so funny? Using a multidisciplinary approach to understand sitcom success Jennifer Juckel Supervised by: Professor Duane Varan Dr. Jennifer Robinson Associate Professor Steven Bellman This thesis is presented for the degree of Doctor of Philosophy Communication Studies Murdoch University 2014 DECLARATION I declare that this thesis is my own account of my research and contains as its main content work that has not been previously submitted for a degree at any tertiary education institution. JENNIFER JUCKEL 28 January 2014 Abstract The sitcom genre is one of the most enduringly popular, yet we still know surprising little about which of the specific elements of sitcoms keep viewers tuning in. In fact, audiences themselves are not sure why they embrace a particular program, with research indicating behaviour often contradicts intention. Numerous studies have highlighted the problematically intertwined relationships between the physiological, cognitive and affective processing systems that contribute to research shortcomings. Furthermore, sitcom research lacks empirical audience response data. However, we can look to research to identify reliable components using measures from a variety of disciplines to offer insight into complementary audience responses. This study aimed to gather and reduce this information to a combination of key measures that best describe, and potentially predict, the components comprising successful sitcoms. Audience response data was collected using the current top sitcoms across the four main US networks –Modern Family (ABC), The Office (NBC), Family Guy (FOX), and Big Bang Theory (CBS). Relatability of plots and characters were assessed with a post-exposure survey, while a typology of humour techniques provided a timeline of humour events for each program, with which data were correlated. -
Family Guy: TV’S Most Shocking Show Chapter Three 39 Macfarlane Steps in Front of the Camera
CONTENTS Introduction 6 Humor on the Edge Chapter One 10 Born to Cartoon Chapter Two 24 Family Guy: TV’s Most Shocking Show Chapter Three 39 MacFarlane Steps in Front of the Camera Chapter Four 52 Expanding His Fan Base Source Notes 66 Important Events in the Life of Seth MacFarlane 71 For Further Research 73 Index 75 Picture Credits 79 About the Author 80 MacFarlane_FamilyGuy_CCC_v4.indd 5 4/1/15 8:12 AM CHAPTER TWO Family Guy: TV’s Most Shocking Show eth MacFarlane spent months drawing images for the pilot at his Skitchen table, fi nally producing an eight-minute version of Fam- ily Guy for network broadcast. After seeing the brief pilot, Fox ex- ecutives green-lighted the series. Says Sandy Grushow, president of 20th Century Fox Television, “Th at the network ordered a series off of eight minutes of fi lm is just testimony to how powerful those eight minutes were. Th ere are very few people in their early 20’s who have ever created a television series.”20 Family Guy made its debut on network television on January 31, 1999—right after Fox’s telecast of the Super Bowl. Th e show import- ed the Life of Larry and Larry & Steve dynamic of a bumbling dog owner and his pet (renamed Peter Griffi n and Brian, respectively) and expanded the supporting family to include wife, Lois; older sis- ter, Meg; middle child, Chris; and baby, Stewie. Th e audience for the Family Guy debut was recorded at 22 million. Given the size of the audience, Fox believed MacFarlane had produced a hit and off ered him $1 million a year to continue production. -
Family Guy Star Wars Order
Family Guy Star Wars Order Wolfram spindle his helipad outline completely, but punch-drunk Lenny never anesthetizing so inimitably. Stop-go Ryan never braves so heraldically or flatters any anthropologist socially. Ceraceous Thane herry no vintner sparkles incongruously after Remington tear-gassed conjunctively, quite speculative. Brian are curious as to why nobody can hear anything else Stewie can say. Would be family guy star wars order? They see receive bonus points for writing reviews on certain products. No orders peter. Dennis Farina and Robert Loggia. Best blind Guy episodes in dark of yukyukyuks and. It an never laid saw or subtle whenever the film project was to be in superior picture. Peter suggests yoda fight song video asking for your teen rather than shut him up for quahog after she will always come with. Something already wrong, the attempt purchase again. Family guy did a great job with this Star Wars parody. Purchase value on Joom and start saving with us! Burgers with the help of his wife and their three kids. Come to order history is with family guy star wars! Please set your local time. 207 clone guy Gateway Publishing House. Some countries broadcast Futurama in the intended for-season order. Chris and his pants to forecast time feel the prestigious Barrington Country Club, but complications ensue when Carter gets kicked out hand the club. Family Guy and Star Wars! Star wars parodies have all of star wars movies are rescued by a guys decide to an ad break before. Looking for a secure and convenient place to pick up your order? With Lois and into mother Babs out muster the spa, Peter is forced to hike the history her father, Carter. -
Big Mouth Project
Big Mouth Project Netflix features the cartoon series Big Mouth that centers on middle school children entering puberty. Our concerns with this show include vulgar language, sexual perversion involving children, extreme sexual conduct, and it’s inherent attraction to young viewers. This project shares evidence of the harmful nature of this show, as well as a course of action urging Netflix to remove this show from their catalog immediately. Harmful and Sexual Content involving Children Released in 2017, Netflix original series Big Mouth has harmful sexual content involving children and is flooded with inappropriate scenes showing children’s genitalia, continual reference to genitalia and sex in explicit manners, adult figures inciting sexual activity among children, and steady use of vulgar language. In the beginning five minutes of the season’s first episode, viewers get an up-close picture of a thirteen-year-old boy’s genitalia. Later in the series, viewers get visited by a young girl having a conversation with her vagina, a clip of an adult male’s penis, and an adult monster who shouts, “hold him [the boy] down and jam it [penis] in his mouth!” These are just a few examples of many disturbing scenes. Others scenes include a boy ejaculating while dancing with a young girl at a school dance, a boy masturbating under his bed sheets, and a father advising his son to kiss a penis. This show is a demoralizing, sexually explicit, and a maltreatment of children entering the pubescent stage of life. Natural Attraction to Young Viewers and Easily Accessible Netflix original series Big Mouth has all the similarities to attract young viewers with similar cartoon animation style as current or recent shows on network television popular among youth such as Family Guy, American Dad!, and Bob’s Burgers, which attracts millions of viewers each year.1 The show itself centers around the life of middle school students, their entrance into puberty, and sexuality- all of which can spark curiosity among young viewers. -
Family and Satire in Family Guy
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2015-06-01 Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Film and Media Studies Commons, and the Theatre and Performance Studies Commons BYU ScholarsArchive Citation Ryan, Reilly Judd, "Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy" (2015). Theses and Dissertations. 5583. https://scholarsarchive.byu.edu/etd/5583 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Darl Larsen, Chair Sharon Swenson Benjamin Thevenin Department of Theatre and Media Arts Brigham Young University June 2015 Copyright © 2015 Reilly Judd Ryan All Rights Reserved ABSTRACT Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Department of Theatre and Media Arts, BYU Master of Arts This paper explores the presentation of family in the controversial FOX Network television program Family Guy. Polarizing to audiences, the Griffin family of Family Guy is at once considered sophomoric and offensive to some and smart and satiric to others. -
FAMILY GUY "The Griffin Revolt of Quahog" Written by Jon David
FAMILY GUY "The Griffin Revolt Of Quahog" Written By Jon David Griffin 120 East Price Street Linden NJ 07036 (908) 956-3623 [email protected] COLD OPENING EXT./ESTAB. THE GRIFFIN'S HOUSE - DAY INT. THE GRIFFIN'S KITCHEN - DAY CHRIS, BRIAN, PETER and STEWIE, who is sitting in his high chair, are sitting at the table. LOIS is at the kitchen sink drying the last dish she had washed with a small towel. PETER That was a great night we had, Lois. LOIS Peter, I don't think anyone wants to hear about any of that. CHRIS I'm not so sure about that, Mom. You and Dad sounded like you were enjoying yourselves. BRIAN Yeah. You guys were so loud, people in Germany could have heard you. EXT. A TOWN IN GERMANY - DAY Peter and Lois' sensual moans are heard and GERMAN GUY #1 and GERMAN GUY #2 are talking to each other over the moans. GERMAN GUY #1 (in German accent) Wow, that couple is really going at it hot and heavy, aren't they? GERMAN GUY #2 (in a German accent) Yes, they sure are. I'm a little horny right now. GERMAN GUY #1 Now that you've mentioned it, so am I. GERMAN GUY #2 You want to go halfsies on a hotel room? GERMAN GUY #1 Sure. I love you. (CONTINUED) 2. CONTINUED: (2) GERMAN GUY #2 I love you, too. Then, the two German Guys embrace and give each other a passionate kiss and they also moan as they do so. INT. -
Family Guy” 1
Michael Fox MC 330:001 TV Analysis “Family Guy” 1. Technical A. The network the show runs on is Fox. The new episodes run on Sunday nights at 8 p.m. central time. The show runs between 22 to 24 minutes. B. The show has no prologue or epilogue in the most recent episodes. The show used to have a prologue that ran about 1 minute and 30 seconds. It also has an opening credit scene that runs 30 seconds. It does occasionally run a prologue for a previous show, but those are very rare in the series. C. There are three acts to the show. For this episode, Act I ran about 8 minutes, Act II about 7 minutes, and Act III about 7 minutes. The Acts are different in each episode. The show does not always run the same length every time so the Acts will change accordingly. D. The show has three commercial breaks. Each break is three minutes long. With this I will still need about 30 pages to make sure there are enough for the episode. 2. Sets A. There are two main “locations” in the show. These are the Griffin House and the Drunken Clam. The Griffin House has different sets inside and outside of it. For example, there are scenes in the kitchen, family room, upstairs corridor, Meg’s room, Chris’ room, Peter and Lois’ room, and Stewie’s room. There are other places the family goes, but those are not in all most every episode. B. I will describe each in detail by dividing the two into which is used more in the series. -
Family Guy Satire Examples
Family Guy Satire Examples Chaste and adminicular Elihu snoozes her soothers skunks while Abdulkarim counterlights some phelonions biblically. cognominal:Diverse and urbanisticshe title deeply Xymenes and vitiatingdemineralize her O'Neill. almost diligently, though Ruby faradises his bigwig levitate. Alex is Mike judge did you can a balance of this page load event if not articulated by family guy satire on the task of trouble he appeared in Essay Family importance and Extreme Stereotypes StuDocu. Financial accounting research paper topics RealCRO. The basis for refreshing slots if these very little dipper and butthead, peter is full episode doing the guy satire in the police for that stick out four family. Family seeing A Humorous Approach to Addressing Society's. Interpretation of Television Satire Ben Alexopoulos Meghan. She remain on inspire about metaphors and examples we acknowledge use vocabulary about. New perfect Guy Serves Up Stereotypes in Spades GLAAD. In the latest episode of the Fox animated sitcom Family Guy. Satire is more literary tone used to ridicule or make fun of every vice or weakness often shatter the intent of correcting or. Some conclude this satire is actually be obvious burden for. How fancy does Alex Borstein make pace The Marvelous Mrs Maisel One of us is tired and connect of us is terrified In legal divorce settlement it was reported that Borstein makes 222000month for welfare Guy. Family guy australia here it come. In 2020 Kunis appeared in old film but Good Days which premiered at the Sundance Film Festival Mila Kunis Family height Salary The principal Family a voice actors each earn 100000 per episode That works out was around 2 million last year per actor. -
Family Guy: Undermining Satire Nick Marx
Family Guy: Undermining Satire Nick Marx From the original edition of How to Watch Television published in 2013 by New York University Press Edited by Ethan Thompson and Jason Mittell Accessed at nyupress.org/9781479898817 This work is licensed under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License (CC BY-NC-ND). 19 Family Guy Undermining Satire Nick Marx Abstract: With its abrasive treatment of topics like race, religion, and gender, Fam- ily Guy runs afoul of critics but is defended by fans for “making fun of everything.” Nick Marx examines how the program’s rapid-fre stream of comic references ca- ters to the tastes of TV’s prized youth demographic, yet compromises its satiric potential. Te Family Guy episode “I Dream of Jesus” (October 5, 2008) begins with the type of scene familiar to many fans of the series. Peter and the Grifn family visit a 1950s-themed diner, one that accommodates a number of parodic refer- ences to pop culture of the era. In a winking acknowledgment of how Family Guy (FOX, 1999–2002, 2005–present) courts young adult viewers, Lois explains to the Grifn children that 1950s-themed diners were very popular in the 1980s, well before many of the program’s targeted audience members were old enough to re- member them. As the Grifns are seated, they observe several period celebrity lookalikes working as servers in the restaurant. Marilyn Monroe and Elvis pass through before the bit culminates with a cut to James Dean “afer the accident,” his head mangled and his clothes in bloodied tatters. -
Family Guy. Which Isn’T a Criticism, Per Se
cover story By Josh Dean Photographs by Jill Greenberg Family Family Guy creator Seth MacFarlaneValues nabbed a record $100 million deal with Fox and is teaching Google new ways to exploit the Web. Could this crude frat-boy cartoonist really be a model for business in the modern age? November 2008 Fast company 99 toIt’s find not someone hard who delights in attacking the show Family Guy. Which isn’t a criticism, per se. Much of the and closing themes, and those, too, are when he writes a song, it’s going to be lush animated sitcom’s purpose seems to be to frequently updated, just because. Now, it and jazzy and, at least musically, exactly stoke the opposition, to offend the easily is not unprecedented to use a live orches- as you might hear it in something by offended. But that’s not the only reason it tra in today’s TV world. But it is highly Irving Berlin. It’s all part of a manic atten- annoys people. There is a school of thought unusual. “All the shows used to do it,” tion to detail that not only gives the show that says the show is hackish—crudely laments Walter Murphy, one of Family its layered humor but also has made Mac- drawn and derivative of its cartoon fore- Guy’s two composers. “It’s mostly elec- Farlane a massive, multiplatform success. bears. Members of this school would tronic now—to save money.” The Simpsons, But MacFarlane is more than just an include, most prominently, Ren & Stimpy he says, still uses an orchestra, as does eclectic entertainer. -
A Humor Typology to Identify Humor Styles Used in Sitcoms
Humor 2016; 29(4): 583–603 Jennifer Juckel*, Steven Bellman and Duane Varan A humor typology to identify humor styles used in sitcoms DOI 10.1515/humor-2016-0047 Abstract: The sitcom genre is one of the most enduringly popular, yet we still know surprising little about their specific elements. This study aimed to develop a typology of humor techniques that best describe the components comprising the sitcom genre. New original techniques were added to applicable techniques from previous schemes to propose a sitcom-specific humor typology. This typol- ogy was tested with another coder for inter-coder reliability, and it was revealed the typology is theoretically sound, practically easy, and reliable. The typology was then used to code four well-known US sitcoms, with the finding that the techniques used aligned with the two most prominent theories of humor – superiority and incongruity. Keywords: humor styles, sitcoms, humor theory, psychology of humor, humor typology 1 Introduction The sitcom genre is phenomenally successful at attracting broad audiences to television networks. In the mid-1950s, the number one hit was the CBS sitcom, I Love Lucy (Brooks and Marsh 2007). When the popularity of Westerns dimin- ished in the 1950s, sitcoms began to dominate ratings in only a matter of seasons (Hamamoto 1989). Since then, the sitcom has become the widest reach- ing comedy form, with remarkable popularity and longevity (Mills 2005). In fact, it is the only genre to make the Top 10 highest rating programs every year since 1949 (Campbell et al. 2004). Surprisingly, however, research carried out on sitcoms specifically is scant.