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Volume 23 Kurt Weill Number 1 Newsletter Spring 2005 Volume 23 Kurt Weill Number 1 In this issue Newsletter Spring 2005 Sound on Record and Film ISSN 0899-6407 Note from the Editor 3 © 2005 Kurt Weill Foundation for Music Features 7 East 20th Street New York, NY 10003-1106 Music for The Eternal Road 4 tel. (212) 505-5240 Recording Kurt Weill . Herbert Borchardt fax (212) 353-9663 remembers 8 Published twice a year, the Kurt Weill Newsletter features articles Music and reviews (books, performances, recordings) that center on Kurt Weill but take a broader look at issues of twentieth-century music Chamber Music 13 and theater. With a print run of 5,000 copies, the Newsletter is dis- Kurt Weill Edition, Series II, Volume 1 tributed worldwide. Subscriptions are free. The editor welcomes ed. Wolfgang Rathert and Jürgen Selk Antony Beaumont the submission of articles, reviews, and news items for inclusion in future issues. A variety of opinions are expressed in the Newsletter; they do not Books necessarily represent the publisher's official viewpoint. Letters to the editor are welcome. “Ein Fremder ward ich im fremden Land. .”: Max Reinhardts Inszenierung von Franz Werfels und Kurt Weills “The Eternal Road” (Der Weg der Verheißung) 1937 in New York 15 Staff by Karin Kowalke The Literary, Cultural, and Historical Significance Elmar Juchem, Editor Carolyn Weber, Associate Editor of the 1937 Biblical Stage Play “The Eternal Road” Dave Stein, Associate Editor Teva Kukan, Production by Jonathan C. Friedman Christian Kuhnt Kurt Weill Foundation Trustees -
Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
3 Tage in Quiberon
Presseheft 3 TAGE IN QUIBERON Ein Film von Emily Atef Mit Marie Bäumer, Birgit Minichmayr, Robert Gwisdek, Charly Hübner Kinostart: 12. April 2018 Deutschland 2018, Länge 115 Min. Pressematerial erhältlich unter: www.prokino.medianetworx.de VERLEIH PROKINO Widenmayerstr. 38 80538 München Tel.: (089) 210 114 - 0 Fax: (089) 210 114 - 11 E-Mail: [email protected] PRESSEBETREUUNG VERMIETUNG lindenfels_public relations Twentieth Century Fox Reisingerstraße 6 Darmstädter Landstraße 114 80337 München 60598 Frankfurt am Main FON (089) 130 10 06-10 FON (069) 9613630 FAX (089) 130 10 06-2 E-MAIL [email protected] 1 INHALT BESETZUNG 3 STAB 3 KURZINHALT UND PRESSENOTIZ 4 LANGINHALT 5 HINTERGRUND 8 BIOGRAPHIE ROMY SCHNEIDER 9 INTERVIEW MIT AUTORIN UND REGISSEURIN EMILY ATEF 12 INTERVIEW MIT DER HAUPTDARSTELLERIN MARIE BÄUMER 17 DIE SCHAUSPIELER MARIE BÄUMER 19 BIRGIT MINICHMAYR 20 CHARLY HÜBNER 21 ROBERT GWISDEK 22 DIE CREW EMILY ATEF 24 (DREHBUCH & REGIE) KARSTEN STÖTER (PRODUZENT) 24 THOMAS W. KIENNAST (KAMERA) 25 HANSJÖRG WEISSBRICH (Schnitt) 25 MUSIK (Christoph Kaiser, Julian Maas, Amaury Bernier) 25 SILKE FISCHER (SZENENBILD) 26 JANINA AUDICK (KOSTÜME) 26 2 BESETZUNG Romy Schneider MARIE BÄUMER Hilde Fritsch BIRGIT MINICHMAYR Michael Jürgs ROBERT GWISDEK Robert Lebeck CHARLY HÜBNER Mann in Kneipe DENIS LAVANT STAB Drehbuch und Regie EMILY ATEF Produktion ROHFILM FACTORY (Deutschland) DOR FILM (Österreich) SOPHIE DULAC PRODUCTIONS (Frankreich) TITA B PRODUCTIONS (Frankreich) DEPARTURES FILMS (Deutschland) NDR/ARTE ORF Produzent KARSTEN STÖTER Koproduzenten DANNY KRAUSZ SOPHIE DULAC MICHEL ZANA FRED PREMEL UNDINE FILTER THOMAS KRÁL KURT STOCKER Kamera THOMAS KIENNAST Schnitt HANSJÖRG WEISSBRICH Szenenbild SILKE FISCHER Kostüme JANINA AUDICK 3 TAGE IN QUIBERON wurde produziert von Karsten Stöter (Rohfilm Factory) in Koproduktion mit Dor Film (Österreich), Sophie Dulac Productions (Frankreich), NDR, ARTE, ORF, Tita.B. -
JOURNAL JULY 2007 Journal ^ Association of Jewish Refugees
AJR JOURNAL JULY 2007 journal ^ Association of Jewish Refugees Remembering intemment y article on the 'Thank-You intemal security risks, largely imaginary. To Britain' Fund (May 2007), which intem as potential Nazi sympathisers Jewish Memphasised the positive side of refugees, who had been the most prominent relations between Britain and the Jewish targets of Nazi persecution and had the refugees from Hitler, provoked a letter, greatest reason to oppose the Nazi regime, published in June, reminding readers of the was almost perversely insensitive. Among mass intemment of 'enemy aliens' in the its worst aspects was the trauma that a fresh summer of 1940 - the heaviest item on the bout of detention inflicted on those of the negative side of that account. The wartime internees who had already experienced intemment and deportation of refugees were imprisonment in Nazi concentration camps. indeed the greatest stain on the record of The incompetence and inefficiency that the British government's treatment of those Internment camp. Isle of Man characterised the entire episode were who fled here to escape Nazi persecution. apparent from the outset. The process of The events of that momentous summer, now national security, as spies or as potential arresting detainees was conducted with a 67 years ago, were of such consequence for fifth columnists who might sabotage British combination of heartless bureaucracy and the refugees that I intend to devote two defences as their counterparts supposedly disorganised muddle. Refugees were often major articles to them. had in Holland and France. The defenceless detained in the early morning - some Initially, the govemment had intended to refugees fell victim to this temporary suffered the dawn knock on the door that avoid mass intemment, which had proved ascendancy of reactionary bigots and Jew- would carry them off to an uncertain fate - harsh and unjust in the First World War. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
THE CULTURE and MUSIC of AMERICAN CABARET Katherine Yachinich
Trinity University Digital Commons @ Trinity Music Honors Theses Music Department 5-2014 The ulturC e and Music of American Cabaret Katherine Anne Yachinich Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/music_honors Part of the Music Commons Recommended Citation Yachinich, Katherine Anne, "The ulturC e and Music of American Cabaret" (2014). Music Honors Theses. 5. http://digitalcommons.trinity.edu/music_honors/5 This Thesis open access is brought to you for free and open access by the Music Department at Digital Commons @ Trinity. It has been accepted for inclusion in Music Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. 2 THE CULTURE AND MUSIC OF AMERICAN CABARET Katherine Yachinich A DEPARTMENT HONORS THESIS SUBMITTED TO THE DEPARTMENT OF MUSIC AT TRINITY UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR GRADUATION WITH DEPARTMENTAL HONORS DATE 04/16/2014 Dr. Kimberlyn Montford Dr. David Heller THESIS ADVISOR DEPARTMENT CHAIR Dr. Sheryl Tynes ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES Student Copyright Declaration: the author has selected the following copyright provision (select only one): [X] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. [ ] This thesis is protected under the provisions of U.S. Code Title 17. Any copying of this work other than “fair use” (17 USC 107) is prohibited without the copyright holder’s permission. -
Subject Listing of Numbered Documents in M1934, OSS WASHINGTON SECRET INTELLIGENCE/SPECIAL FUNDS RECORDS, 1942-46
Subject Listing of Numbered Documents in M1934, OSS WASHINGTON SECRET INTELLIGENCE/SPECIAL FUNDS RECORDS, 1942-46 Roll # Doc # Subject Date To From 1 0000001 German Cable Company, D.A.T. 4/12/1945 State Dept.; London, American Maritime Delegation, Horta American Embassy, OSS; (Azores), (McNiece) Washington, OSS 1 0000002 Walter Husman & Fabrica de Produtos Alimonticios, "Cabega 5/29/1945 State Dept.; OSS Rio de Janeiro, American Embassy Branca of Sao Paolo 1 0000003 Contraband Currency & Smuggling of Wrist Watches at 5/17/1945 Washington, OSS Tangier, American Mission Tangier 1 0000004 Shipment & Movement of order for watches & Chronographs 3/5/1945 Pierce S.A., Switzerland Buenos Aires, American Embassy from Switzerland to Argentine & collateral sales extended to (Manufactures) & OSS (Vogt) other venues/regions (Washington) 1 0000005 Brueghel artwork painting in Stockholm 5/12/1945 Stockholm, British Legation; London, American Embassy London, American Embassy & OSS 1 0000006 Investigation of Matisse painting in possession of Andre Martin 5/17/1945 State Dept.; Paris, British London, American Embassy of Zurich Embassy, London, OSS, Washington, Treasury 1 0000007 Rubens painting, "St. Rochus," located in Stockholm 5/16/1945 State Dept.; Stockholm, British London, American Embassy Legation; London, Roberts Commission 1 0000007a Matisse painting held in Zurich by Andre Martin 5/3/1945 State Dept.; Paris, British London, American Embassy Embassy 1 0000007b Interview with Andre Martiro on Matisse painting obtained by 5/3/1945 Paris, British Embassy London, American Embassy Max Stocklin in Paris (vice Germans allegedly) 1 0000008 Account at Banco Lisboa & Acores in name of Max & 4/5/1945 State Dept.; Treasury; Lisbon, London, American Embassy (Peterson) Marguerite British Embassy 1 0000008a Funds transfer to Regerts in Oporto 3/21/1945 Neutral Trade Dept. -
Zeughauskino Programm
Zeughauskino ZEUGHAUSKINO PROGRAMM Deutsches Historisches Museum Unter den Linden 2 10117 Berlin Januar – März 2016 T +49 30 20304-421 (Büro) T +49 30 20304-770 (Kinokasse) F +49 30 20304-424 → Menschen im Hotel [email protected] → Die Filme von Hou Hsiao-hsien www.zeughauskino.de → Lustspiele 1930-1933 INHALT VORWORT 1 Höhepunkte 2 Lachende Erben Wer nimmt die Liebe ernst? Filmreihen Also like Life Die Filme von Hou Hsiao-hsien 4 Aus dem Fernseharchiv 20 Berlin.Dokument 24 FilmDokument 28 Jüdische Spiegelungen Ein Vergleich deutscher Spielfilme der 1960er Jahre in Ost und West 30 Ende Februar startet im Zeughauskino der erste Teil eines Projekts, das sich in diesem und im kommenden Jahr diversen Spielarten Lachende Erben: Lustspiele 1930-1933 34 des Komischen in der deutschen Filmgeschichte widmen wird. Subjek- tiven Vorlieben folgend und auch entlegenere Inseln des Komischen Menschen im Hotel 52 besuchend, erzählt Lachende Erben keine klassische Geschichte S wie Sonderprogramm 64 der deutschen Filmkomödie. Uns interessieren weniger die größten Klassenschlager und beliebtesten Komiker als vielmehr vergessene Wiederentdeckt 66 oder randständige Phänomene des Komischen, Grotesken, Ulkigen oder Albernen. Es sind meist Episoden der deutschen Filmgeschichte, die voller abgebrochener Anfänge und loser Enden sind, in denen Aktuelle Ausstellungen Volkstümliches und Hochkulturelles nebeneinander stehen können Sonderausstellungen im Deutschen Historischen Museum 73 und die Register konventioneller Filmgeschichtsschreibung nutzlos erscheinen. -
Bangor University DOCTOR of PHILOSOPHY the History of the Jewish Diaspora in Wales Parry-Jones
Bangor University DOCTOR OF PHILOSOPHY The history of the Jewish diaspora in Wales Parry-Jones, Cai Award date: 2014 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 Contents Abstract ii Acknowledgments iii List of Abbreviations v Map of Jewish communities established in Wales between 1768 and 1996 vii Introduction 1 1. The Growth and Development of Welsh Jewry 36 2. Patterns of Religious and Communal Life in Wales’ Orthodox Jewish 75 Communities 3. Jewish Refugees, Evacuees and the Second World War 123 4. A Tolerant Nation?: An Exploration of Jewish and Non-Jewish Relations 165 in Nineteenth and Twentieth Century Wales 5. Being Jewish in Wales: Exploring Jewish Encounters with Welshness 221 6. The Decline and Endurance of Wales’ Jewish Communities in the 265 Twentieth and Twenty-first Centuries Conclusion 302 Appendix A: Photographs and Etchings of a Number of Wales’ Synagogues 318 Appendix B: Images from Newspapers and Periodicals 331 Appendix C: Figures for the Size of the Communities Drawn from the 332 Jewish Year Book, 1896-2013 Glossary 347 Bibliography 353 i Abstract This thesis examines the history of Jewish communities and individuals in Wales. -
Retrospektive Romy Schneider R E D I E N H C S E Y N I C M S O I P R
Retrospektive Romy Schneider r e d i e n h c S e y N I c m S o I P R A l u z 7 n e t i e b r a h e r D n e d i e b r e d i e n h c S y m o r d n u n o l e D n i a l A , y a r e D s e u q c a J »Ich kann nichts im Leben, Für das große Publikum war Romy Schneider – »un - aber alles auf der Leinwand« sere Romy« – auch immer diese Sissi. Doch die Schau - Dass Romy Schneider zum unsterblichen Mythos ge - spielerin selbst sah das vollkommen anders: »Ich hasse worden ist, liegt auch an ihrem viel zu frühen Tod, über dieses Sissi-Image. Was gebe ich den Menschen den die Presse seinerzeit heftige Spekulationen an - schon, außer immer wieder Sissi. Sissi? Ich bin doch stellte, bis hin zum Verdacht auf Selbstmord. Ganz ähn - längst nicht mehr Sissi, ich war das auch nie. Ich bin lich wie etwa im Fall von Marilyn Monroe oder James eine unglückliche Frau von 42 Jahren und heiße Romy Dean, von Elvis Presley oder Lady Di wurde ihr Tod mys - Schneider.« Das sagte sie 1981, nur ein Jahr vor ihrem tifiziert. Von einem Mythos geht Faszination aus, die Tod. Sie selbst schrieb einmal auf einem ihrer unzähli - Faszination des Unerreichbaren, die Faszination des gen Zettel eine Liste jener Filme auf, die vor ihr selbst Singulären. Und Romy Schneider war, ist singulär. -
September 2014
O ICON September 2014 Dream on! ICON SEPTEMBER 2014 ICON SEPTEMBER ICON SEPTEMBER 2014 ICON SEPTEMBER O ICON 520x365 F-DP MIXED1 GER_A 25/08/14 09:01 Page1 -520x365 - F-DP MIXED1 - GERMANY - Issue Date: 14 SEPTEMBER -520x365 - F-DP MIXED1 - GERMANY Issue Date: 14 (39L) ICON - ICON JUERGEN TELLER Eine Fotoserie kuratiert von ANNIE LEIBOVITZ, JUERGEN TELLER und BRUCE WEBER Erhältlich ausschließlich in Louis Vuitton Geschäften. Tel. 0211 / 86 47 00 louisvuitton.com O ICON 520x365 F-DP MIXED1 GER_A 25/08/14 09:01 Page2 -520x365 - F-DP MIXED1 - GERMANY - Issue Date: 14 SEPTEMBER -520x365 - F-DP MIXED1 - GERMANY Issue Date: 14 (LWC_PLUS_V2_PT) ICON - ICON ANNIE LEIBOVITZ O ALL DP1 ICON 260X365 (X2).indd 1 14/08/2014 14:24 O ALL DP1 ICON 260X365 (X2).indd 2 14/08/2014 14:25 O O O O O O O WWW.WUNDERKIND.COM/SHOP O O moncler.com O O O O DESIGN PORTRAIT. Michel, Sitzsystem design von Antonio Citterio. www.bebitalia.com B&B Italia Stores: München, Maximiliansplatz 21 - Tel. 089 461 368 0 Berlin, Torstrasse 140 - T. +49 3024 0477377 Plz 0 1 2 3 4 5 Andreas Weber T. +49 51305840584 [email protected] Plz 5 6 7 Thomas Köber T. +49 173 7490937 [email protected] Plz 0 7 8 9 Norbert Juelicher - T. +49 172 9572772 [email protected] Icon 260X365SDMichel New.indd 2 29/07/14 15.14 O Icon 260X365SDMichel New.indd 3 29/07/14 15.14 O O ALFRED EISENSTAEDT/THE LIFE PICTURE COLLECTION/GETTY IMAGES) ALFRED EISENSTAEDT/THE Träum weiter, Darling atürlich ist das Foto oben gestellt. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.