DOCSLIB.ORG

Dead Horse Bay Anna Gritz on Lena Henke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dead Horse Bay Anna Gritz on Lena Henke PROJECT Slowly and with purpose This scene is taken from a also chose the urban fabric the head of the Empire short animation storyboar- of New York City as a ma- State and the Chrysler buil- ded by the artist Madelon trix, clouding her intimate ding bob up and down, fel- Vriesendorp with Teri sensation of the city with lating each other in a Wehn-Damisch and develo- its public façade. In both steady rhythm. Through a ped from a body of work women’s art work the inte- panoramic window their lo- that Vriesendorp had crea- rior and exterior becomes vemaking is witnessed by a ted in the early 1970s after transposable, the city both legion of anonymous, an- she moved to Ithaca, NY interior setting and public thropomorphized Manhat- with her husband Rem Ko- domain. This strategy is tan buildings deeply olhaas.1 Her drawings epitomized in the rug in entrenched in the scene would later become part of Vriesendorp’s most famous unfolding in front of them. Koolhaas’s influential text drawing from this series, The amputated arm of the Delirious New York from Flagrant Delit, from 1975, Statue of Liberty makes a 1978. In addition to the bi- which shows the Manhat- Cocteauish appearance in zarre and surreal subject tan city grid as a structure form of the table lamp on matter, it is the treatment that runs through the in- the bedside dresser, mood- of the city of New York as a side of the apartment and lighting a scene that is har- pulsating, sweating, scre- is echoed in the view shly interrupted by the wing mass of buildings, through the panoramic spotlight that the Rockefel- that is both stage and pro- window in the geometric ler Center casts in the bed tagonist, that is so relevant blocks of the urban struc- upon entering and catching to the work of Lena Henke. ture. DEAD HORSE BAY the couple inflagranti. For Dead Horse Bay Henke It is the aerial perspective ANNA GRITZ that reduces the chaos of The tower, or tenanted van- while being an active parti- ON LENA HENKE the city to the easily navi- tage point becomes an op- cipant in it. It is as if, once gable lines and channels of tical device, a lens or observed, we carry this a map. Distance allows for camera as Beatriz Colo- perspective within us, ob- the abstraction necessary mina calls it, consolidating serving ourselves from the to gain an overview, gran- inhabitation and the view position of an elevated out- ting the order, which is so onto the exterior word.2 sider, an internalized pa- desirable when stuck amid She recounts Le Corbusier nopticon of sorts, not the inner-city chaos below. suggesting the possibility dissimilar from Jeremy The birds-eye view has to inhabit the camera as a Bentham’s and certainly a long been a tool for map- means of employing a sy- perspective encouraged by making and is also in Hen- stem of classification.3 One much recent municipal city ke’s portrait employed to might take his point further planning. And yet aside this end. It is a viewpoint and say that the mind can from suggesting an internal that beckons authority and mimic a technology upon corrective this type of split domination over the surve- experiencing it. In a similar perspective also allows for yed exterior world. Establi- manner the perspective of an incorporated view onto shed in the Flemish portrait a surveillance camera or our physical location. It is painting of the 15th Cen- the Google Earth zoom, this incorporated view that tury by painters such as once seen, can be called Henke presents in this city- Jan van Eyck, the perspec- upon at will, allowing for a scape cum map. The gaze tive signalled the reach of double entity – we can in- is multiplied and while we influence that the sitter had habit both the instrument reside in her sight down on bestowed upon himself. glancing over a cityscape the city of her “Wahl Hei- 192 mat” Manhattan, we also hoof dollhouses (#5) can iconic architecture, con- pture in the city, a place in situ alongside a cast of City of the 1970s, the work observe her through a win- be found copulating not un- stantly threatening to col- that she experienced other- auxiliary sculptures by presents a very personal vi- dow lying down on the top like Vriesendorp’s skyscra- lapse, not made to last but wise as desolate and wi- Hans Arp, Joseph Jäckel sion of the skyline of the floor of the Freedom Tower, pers on the shore of the to be rebuilt when needed. thout much public life, and Hans Bucher. (As a city, stretching and shrin- here displayed in the shape Hudson River, spewing They are like inflatable rub- Henke decided to cast the side note it is worth men- king buildings and avenues of a milk bottle that curiou- green water in the shape of ber dolls, summoned into sculptures in the public tioning that impregnation at her leisure, going so far sly resembles her own milk a spiral (jetty), a nod to an shape and existence realm as the protagonists was one risk Vriesendorp’s to transfigure the outline of bottle sculptures. She is another movement that through a mould, once de- of a photo love story, a edifices did not have to Manhattan Island to match lying there playing with her was highly reliant on the sired and easily destroyed common sub genre in Ger- fear, at least that’s what the famous anatomical dra- sculptures as if they are aerial view. All the while and stored away when not. man teenage literature. The one might assume from the wing of the head of a horse dolls in a dollhouse, while specimens of her Female The series developed out comic reframes and subti- casually cast aside ‘Good by Théodore Géricault (#9). surveying the ongoings of Fatigue Series (2015) – of a show entitled DIE, tles shots of the sculptures Year’ condom lying next to The skin pulled away to re- the city below through a New Museum, At&t Buil- after Tony Smith. Amongst in the city, tell the story of the exhausted lovers). veal the underlying muscle massive window (#2). ding, Chelsea Hotel, and other works Henke showed Marina and Paul, two pube- Inspired by the works in strands evocative of hi- Henke is employing a simi- Flat Iron Building (all #7) – large industrial size sand scent sculptures in love, Ignazio Danti’s famous Gal- ghways and the infrastruc- lar type of scale confusion are casually spread about bags, the ones’ in which one a work by Marino Ma- lery of Maps in the Vatican ture of the city grid. With here as practiced by Vrie- the lower half of the island. sand is delivered for con- rini and the other by Paul Museums, Lena Henke de- the baroque-eye of an Ar- sendorp in her drawings. struction sites. The sand Derkes. Their love story is ploys the aerial view not cimboldo the city is reali- While some of Henke’s There is something easy was kept in the industrial told as a drama, unfolding simply as an attempt to zed as an organism made sculptures appear as mi- about Henke’s Female Fati- bags, and moulded to re- through an unplanned pre- map a city, but as a portra- from a set of intertwined, niatures and others mate- gues, the way that the fe- semble fragmented female gnancy and the resulting yal of her life, yet herself in and highly symbolic com- rialize in the cityscape male bodies are slouching, bodies, an ass, a torso with quarrels with family and the very city. Not dissimilar ponents assembled to blown up to the size of cast from sand, on top of head, a crotch with her legs friends and illustrated from Saul Steinberg’s ico- create something new. The buildings, her detergent the sharp steel outlines of crossed as in Lower Part through the sculptures shot nic vistas of the New York reference to the horse goes (legs) (2014). It is another serial publication Frustra- of modernism had been far back for Henke, recal- island (#3) is taken from One of the creatures has self-portrait of sorts – Lena tion (1975-80) which pre- thoroughly exhausted.”5 ling her upbringing next to Dante Aligheri’s inscription also found its way into is assembling herself in sents women slouched on The physical manner di- a horse riding stable in onto the opening of a cave Henke’s map, (#8) guarding fragments made of sand in couches, not wearing any splayed by the buildings, rural Germany, blurring her that bears the features of a the north entrance to Fre- the gallery. The shaped bra, casually carrying a fag flaunting arousal, strain and pastoral origins with her monster with a wide-open derick Law Olmsted’s Cen- parts were then at times or breastfeeding a baby, physical exhaustion opens new urban home. The mouth as its entrance in tral Park, reminding us that embellished with works habitually not poised or up a perspective onto ar- horse motive is picked up the Sacro Bosco Park in as much as we would like from a series she calls composed but instead per- chitecture that suggests an frequently in the work, from Bomarzo, in central Italy. to see our cities as places Chainmail (2014), metallic petually irritated about the unconscious double life. her saddles and horse The saying states, “Ogni of communal decision-ma- chain nets cast in epoxy in pitfalls of modern living Their constitution as erotic blankets in works like pensiero vola”, meaning king, they were for the FedEx boxes resembling (generally the pains of li- beings is correspondent to Freeze Frame (2014) to “Every thought flies away,” most part planned accor- medieval armour.
Load more

Recommended publications
  • Reel-It-In-Brooklyn
    REEL IT IN! BROOKLYN Fish Consumption Education Project in Brooklyn ACKNOWLEDGEMENTS: This research and outreach project was developed by Going Coastal, Inc. Team members included Gabriel Rand, Zhennya Slootskin and Barbara La Rocco. Volunteers were vital to the execution of the project at every stage, including volunteers from Pace University’s Center for Community Action and Research, volunteer translators Inessa Slootskin, Annie Hongjuan and Bella Moharreri, and video producer Dave Roberts. We acknowledge support from Brooklyn Borough President Marty Markowitz and funding from an Environmental Justice Research Impact Grant of the New York State Department of Environmental Conservation. Photos by Zhennya Slootskin, Project Coordinator. Table of Contents 1. Introduction 2. Study Area 3. Background 4. Methods 5. Results & Discussion 6. Conclusions 7. Outreach Appendix A: Survey List of Acronyms: CSO Combined Sewer Overflow DEC New York State Department of Environmental Conservation DEP New York City Department of Environmental Protection DOH New York State Department of Health DPR New York City Department of Parks & Recreation EPA U.S. Environmental Protection Agency GNRA Gateway National Recreation Area NOAA National Oceanographic and Atmospheric Agency OPRHP New York State Office of Parks, Recreation & Historic Preservation PCBs Polychlorinated biphenyls WIC Women, Infant and Children program Reel It In Brooklyn: Fish Consumption Education Project Page 2 of 68 Abstract Brooklyn is one of America’s largest and fastest growing multi‐ethnic coastal counties. All fish caught in the waters of New York Harbor are on mercury advisory. Brooklyn caught fish also contain PCBs, pesticides, heavy metals, many more contaminants. The waters surrounding Brooklyn serve as a source of recreation, transportation and, for some, food.
    [Show full text]
  • “Forgotten by God”: How the People of Barren Island Built a Thriving Community on New York City's Garbage
    “Forgotten by God”: How the People of Barren Island Built a Thriving Community on New York City’s Garbage ______________________________ A Thesis Presented to The Faculty of the Department of History Brooklyn College ______________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts By Miriam Sicherman Thesis Advisor: Michael Rawson Spring 2018 Table of Contents Abstract 1 Acknowledgments 2 Introduction 3 Chapter 1: Early History, Landscape, and Population 22 Chapter 2: Outsiders and Insiders 35 Chapter 3: Work 53 Chapter 4: Recreation and Religion 74 Chapter 5: Municipal Neglect 84 Chapter 6: Law and Order 98 Chapter 7: Education 112 Chapter 8: The End of Barren Island 134 Conclusion 147 Works Cited 150 1 Abstract This thesis describes the everyday life experiences of residents of Barren Island, Brooklyn, from the 1850s until 1936, demonstrating how they formed a functioning community under difficult circumstances. Barren Island is located in Jamaica Bay, between Sheepshead Bay and the Rockaway Peninsula. During this time period, the island, which had previously been mostly uninhabited, was the site of several “nuisance industries,” primarily garbage processing and animal rendering. Because the island was remote and often inaccessible, the workers, mostly new immigrants and African-Americans, were forced to live on the island, and very few others lived there. In many ways the islanders were neglected and ignored by city government and neighboring communities, except as targets of blame for the bad smells produced by the factories. In the absence of adequate municipal attention, islanders were forced to create their own community norms and take care of their own needs to a great extent.
    [Show full text]
  • To Download Three Wonder Walks
    Three Wonder Walks (After the High Line) Featuring Walking Routes, Collections and Notes by Matthew Jensen Three Wonder Walks (After the High Line) The High Line has proven that you can create a des- tination around the act of walking. The park provides a museum-like setting where plants and flowers are intensely celebrated. Walking on the High Line is part of a memorable adventure for so many visitors to New York City. It is not, however, a place where you can wander: you can go forward and back, enter and exit, sit and stand (off to the side). Almost everything within view is carefully planned and immaculately cultivated. The only exception to that rule is in the Western Rail Yards section, or “W.R.Y.” for short, where two stretch- es of “original” green remain steadfast holdouts. It is here—along rusty tracks running over rotting wooden railroad ties, braced by white marble riprap—where a persistent growth of naturally occurring flora can be found. Wild cherry, various types of apple, tiny junipers, bittersweet, Queen Anne’s lace, goldenrod, mullein, Indian hemp, and dozens of wildflowers, grasses, and mosses have all made a home for them- selves. I believe they have squatters’ rights and should be allowed to stay. Their persistence created a green corridor out of an abandoned railway in the first place. I find the terrain intensely familiar and repre- sentative of the kinds of landscapes that can be found when wandering down footpaths that start where streets and sidewalks end. This guide presents three similarly wild landscapes at the beautiful fringes of New York City: places with big skies, ocean views, abun- dant nature, many footpaths, and colorful histories.
    [Show full text]
  • BROOKLYN COMMUNITY DISTRICT 18 Oversight Block Lot Facility Name Facility Address Facility Type Capacity / Type Agency
    Selected Facilities and Program Sites Page 1 of 23 in New York City, release 2015 BROOKLYN COMMUNITY DISTRICT 18 Oversight Block Lot Facility Name Facility Address Facility Type Capacity / Type Agency SCHOOLS Public Elementary and Secondary Schools 8158 35FRESH CREEK SCHOOL (THE) 875 Williams Ave Elementary School ‐ Public 198 Children NYC DOE 8160 22PS 114 RYDER ELEMENTARY 1077 Remsen Ave Elementary School ‐ Public 622 Children NYC DOE 8256 1PS 115 DANIEL MUCATEL SCHOOL 1500 E 92 St Elementary School ‐ Public 1167 Children NYC DOE 7786 1PS 119 AMERSFORT 3829 Ave K Elementary School ‐ Public 420 Children NYC DOE 7849 1PS 203 FLOYD BENNETT SCHOOL 5101 Ave M Elementary School ‐ Public 779 Children NYC DOE 8484 1PS 207 ELIZABETH G LEARY 4011 Fillmore Ave Elementary School ‐ Public 1272 Children NYC DOE 7706 1PS 222 KATHERINE R SNYDER 3301 Quentin Rd Elementary School ‐ Public 869 Children NYC DOE 8464 1PS 236 MILL BASIN 6302 Ave U Elementary School ‐ Public 578 Children NYC DOE 7758 1PS 251 PAERDEGAT 1037 E 54 St Elementary School ‐ Public 571 Children NYC DOE 8158 35PS 260 BREUCKELEN 875 Williams Ave Elementary School ‐ Public 28 Children NYC DOE 8329 250PS 272 CURTIS ESTABROOK 101‐24 Seaview Ave Elementary School ‐ Public 567 Children NYC DOE 8034 1PS 276 LOUIS MARSHALL 1070 E 83 St Elementary School ‐ Public 775 Children NYC DOE 8590 650PS 277 GERRITSEN BEACH 2529 Gerritsen Ave Elementary School ‐ Public 459 Children NYC DOE 8230 1PS 279 HERMAN SCHREIBER 1070 E 104 St Elementary School ‐ Public 535 Children NYC DOE 8393 1PS 312 BERGEN
    [Show full text]
  • Page 1 of 3 Comments of Brooklyn Borough President Eric L. Adams In
    Comments of Brooklyn Borough President Eric L. Adams In Response to the Proposed Scope of Work for the Draft Environmental Impact Statement for the East River Ferry—September 28, 2015 My name is Eric L. Adams, and I represent Brooklyn’s 2.6 million residents as Borough President. Thank you for the opportunity to testify today at the scoping hearing of the Environmental Impact Assessment for citywide ferry service. I am a long-time supporter of ferry service as a means to improve transit accessibility, reduce congestion, catalyze economic development, and connect communities. As a result, I support the efforts of New York City’s Economic Development Corporation to implement a Citywide Ferry Service (CFS) that would provide an affordable and convenient transit option to residents in otherwise transit-isolated neighborhoods. The introduction of a Southern Brooklyn local ferry route would provide reliable service to Bay Ridge, Sunset Park, Red Hook, Brooklyn Heights, and DUMBO communities. In addition, the Rockaway ferry would include express ferry service to Bay Ridge. Both of these additions would offer resilient transit service to communities in dire need of more transportation options. I also believe that the local route would have subsequent potential to add an additional stop in Sunset Park in proximity to the Bush Terminal complex, and that the Rockaway route could subsequently be modified after initial success to add service to the Canarsie Pier, the marina opposite Aviator Sports in Dead Horse Bay, Plumb Beach, and Coney Island (possibly West 21st Street landing in Coney Island Creek). Even though I support this effort, I also offer the following comments for the Draft Scope: Site Selection I have several concerns about the ferry landing sites included in the project description, particularly the appropriateness of the proposed landing in Red Hook.
    [Show full text]
  • Draft Memorandum of Understanding Between the NRC and National Park Service at the Great Kills, Spring Creek, And
    MEMORANDUM OF UNDERSTANDING BETWEEN THE UNITED STATES NUCLEAR REGULATORY COMMISSION AND THE NATIONAL PARK SERVICE FOR COORDINATION OF RESPONSE ACTIONS INVOLVING RADIOACTIVE MATERIALS AT THE GREAT KILLS PARK SITE, THE SPRING CREEK PARK SITE, AND THE DEAD HORSE BAY SITE ARTICLE I – PURPOSE, AUTHORITY, AND SCOPE Purpose 1. This Memorandum of Understanding (MOU) is entered into by and between the U.S. Nuclear Regulatory Commission (NRC) and the National Park Service (NPS), for the purpose of minimizing dual regulation and duplicative regulatory requirements while ensuring consideration of necessary standards for health, safety and the environment. The Comprehensive Environmental Response, Compensation and Liability Act, 42 U.S.C. §§ 9601 et seq., as amended (CERCLA), and CERCLA’s implementing regulations, the National Oil and Hazardous Substances Pollution Contingency Plan (NCP), 40 CFR Part 300, impose site remediation obligations on the NPS that may duplicate, to some degree, the obligations established by the Atomic Energy Act (AEA) of 1954, Public Law 83-703, 68 Stat, 919, as amended AEA and NRC regulations for decommissioning and remediation of sites containing licensable levels of radioactive material. Duplicative statutory obligations result in the potential imposition of duplicate regulatory requirements at the environmental response site subject to this MOU. Duplicative regulatory requirements and processes could add cost and delay to completion of the NPS CERCLA response actions without an added public health, environmental, or safety benefit. To avoid unnecessary duplication of regulatory requirements and effort, this MOU documents the roles, responsibilities, and relationship between the NPS and the NRC in regard to environmental response actions at the Great Kills Park Site in Staten Island, New York, the Spring Creek Park Site in Queens, New York, and the Dead Horse Bay Site in Brooklyn, New York (individually or collectively referred to as “Site”).
    [Show full text]
  • Restoration of Natural Resources Through the Jamaica Bay Damages Account
    New York State Department of Environmental Conservation Division of Fish, Wildlife, and Marine Resources Restoration of Natural Resources through the Jamaica Bay Damages Account 2007 Update January 2007 New York State Department of Environmental Conservation Eliot Spitzer, Governor Denise M. Sheehan, Commissioner Executive Summary The purpose of the 2007 Update is to provide a current review of the 82 tidal wetland acquisition and restoration project proposals presented in the ‘Reconnaissance Phase Report’ (1994) and ‘Response to Public Comment from the Reconnaisance Phase Report and Decisions on Project Prioritization for the Planning Phase’ (1997); the 2007 Update also presents several new projects of growing importance in the region that are deemed eligible for Jamaica Bay Damages Account (JBDA) funding. Of the 82 original proposals, three were accomplished using JBDA as the sole funding source; six were fully or partly completed using JBDA money and funds from cost-sharing partners; 14 have been fully or partly completed using other (non-JBDA) funding sources; six proposed projects are no longer available and 53 proposals have not changed in status. In addition, five new projects have been added to the list. The 2007 Update contains the following sections: Section 1: Discussion of completed, on-going, and future projects that have received JBDA funding. The means for selecting and funding projects are also discussed. Section 2: Table 1 ‘Summary of Project Proposals - Updated 2007’ is an updated version of the table issued in the original documents cited above. Section 3: Maps showing project locations: Figure 1. JBDA proposal sites in eastern Jamaica Bay Figure 2.
    [Show full text]
  • Fall 2014 2019 / /Volume Volume Xxxv Xl No
    THE NEWSLETTER OF NEW YORK CITY AUDUBON WINTER FALL 2014 2019 / /VOLUME VOLUME XXXV XL NO. NO. 3 4 THE URBAN AUDUBON Introducing Our Vision for the Future NYC Audubon Adds a New Business Model for Green Roofs Connecticut Warbler (Oporornis agilis) Fall 2019 1 NYC AUDUBON MISSION & STATEMENT Mission: NYC Audubon is a grassroots community that works for the protection of wild PRESIDENT’S PERCH Jeffrey Kimball birds and habitat in the five boroughs, improving the quality of life for all New Yorkers. Vision: NYC Audubon envisions a day when birds s we approach 2020, we at NYC Audubon look forward not only to our 40th and people in the five boroughs enjoy a healthy, livable habitat. Anniversary, but also to the implementation of our new Strategic Plan, 2020-2025: A Vision for the Future. The process of writing a new strategic plan for any orga- THE URBAN AUDUBON A Editors Lauren Klingsberg & Marcia T. Fowle nization is soul-searching. We wrapped ourselves around all that we are currently doing and Managing Editor Andrew Maas simultaneously looked forward to all that we hope to achieve in the near future. After almost Newsletter Committee Seth Ausubel; Lucienne Bloch; Ned Boyajian; Suzanne Charlé; two years of efforts by staff and board members, we are very pleased with the completed Diane Darrow; Catherine Schragis Heller; document, which you can view at www.nycaudubon.org/strategicplan2020-2025. Mary Jane Kaplan; Abby McBride; Hillarie O’Toole; Don Riepe; Carol Peace Robins A strategic plan serves as an internal guide for the organization, a roadmap for all our Printing & Mailing Kase Printing, Inc.
    [Show full text]
  • New York City W Ater Tr Ail Guide
    BRONX BROOKLYN NEW JERSEY 11 BARRETTO POINT PARK i ² _ 23 NEWTOWN CREEK 44 16TH STREET PARK i ² _ Foot of Tiffany Street, Hunts Point Provost Street & Paidge Avenue, Greenpoint West Shore Drive and West 16th Street, Bayonne Launch from a concrete ramp on a cobble beach near the Tiered steps go straight into the water at a wastewater A concrete ramp and floating dock on Newark Bay parking lot or a sandy cove at the east end of the park. treatment plant, operated by the NYC Department of providing access to the Arthur Kill and the Hackensack Strong tidal currents and heavy traffic in the main Environmental Protection, which provides access to River. Season pass required from Bayonne municipality. shipping channel; restricted access on both Brother explore the industrial banks of Newtown Creek. Heavy commercial traffic near the containerport. Islands (bird sanctuaries) and prohibited at Rikers Commercial traffic; water not suitable for swimming. 45 LIBERTY STATE PARK i ² _ ´ GUIDE Island (city’s largest jail.) 24 MANHATTAN AVENUE i 200 Morris Pesin Drive, Jersey City 12 HUNTS POINT RIVERSIDE PARK i _ Manhattan Avenue Street-end, Greenpoint This small beach next to the boat ramp on the south side Edgewater Road & Lafayette Avenue, Hunts Point This new pocket park has a floating dock on Newtown of the 1100-acre park offers a good spot from which to MANHATTAN A gravel beach offers access to the sheltered waters of the Creek providing access to the Creek and East River. There explore the west side of the Upper Harbor. It’s a half-mile 1 INWOOD HILL PARK ² _ ´ Bronx River.
    [Show full text]
  • Stories of the Saw Kill
    Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 From the Headwaters to the Bay: Stories of the Saw Kill Tierney Jo Belle Weymueller Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Environmental Studies Commons, and the Human Geography Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Weymueller, Tierney Jo Belle, "From the Headwaters to the Bay: Stories of the Saw Kill" (2018). Senior Projects Spring 2018. 330. https://digitalcommons.bard.edu/senproj_s2018/330 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. From the Headwaters to the Bay: Stories of the Saw Kill Senior Project Submitted to The Division of Social Studies of Bard College by Tierney Jo Belle Weymueller Annandale-on-Hudson, New York May 2018 To Bob Bard, Gayle and Gary Beatty, Sheila Buff, Susan Ellis, Sheryl Griffith, Erik Kiviat, Christopher and Claudine Klose, Brent Kovalchik, Dan McKenna, and Ruth and Maia Oja. Your care and presence make the Saw Kill a more beautiful place.
    [Show full text]
  • 20Th Annual International Coastal Cleanup Beach Cleanup Sites - New York City
    20th Annual International Coastal Cleanup Beach Cleanup Sites - New York City SITE CAPTAIN PHONE DATE RAIN DATE THE BRONX Bronx River Josie Burke 718-547-0804 9/17 9/18 City Is. Bridge to Orchard Bch. Pat Grondahl 212-348-4345 9/17 Crotona Park: Indian Lake Steve Cain 718-430-4675 tba Eastchester Bay Maria Karpfinger 718-430-4683 9/17 Orchard Beach: Twin Island Ranger David 718-430-4684 9/17 9/18 Kunstler Orchard Beach Alice Andrusco Orchard Beach Frances Moss SUNY Maritime College Campus Shoreline Robert Crafa 718-409-5572 9/14 9/15 & Fort Schuyler BROOKLYN Brighton Beach Sherri Greenspan 212-361-8786 tba Brooklyn Bridge City Park/Empire Fulton Dena Driver 718-802-0603 9/17 State Park Coney Is.: Aquarium East to Brighton David Rosenfeld 718-339-9061 9/18 9/25 Coney Island Creek Beach Eric Delva 718-595-4899 9/17 9/18 Coney Island: W. 17-W. 29 Streets Cathy Phillips 718-265-4048 9/17 9/24 **Denyse Wharf Thomas Greene 718-833-0102 10/2 DUMBO: Chris Cuschieri 718-858-4708 9/17 9/24 Empire Fulton Ferry State Pk. Gateway National Recreation Area Ranger 718-338-3799 9/17 9/24 Aviation Road Ranger 718-338-3799 9/17 9/24 Canarsie Pier Amrita Sen 718-684-1014 9/17 Canarsie Pol Joe Romano 718-680-4574 9/17 9/24 Dead Horse Bay Robert Newmark 718-680-9372 9/17 9/24 Dead Horse Bay Catherine Donaldson Dead Horse Bay Stacie Henry 212-262-8113 10/15 10/22 Floyd Bennett Fld: E.
    [Show full text]
  • I I I I I I I I I I I I I I I I
    I /1-5 6 ~& K/Lb &,1'\ '7 k;{\ I ~(1 I I A STAGE lA ARCHAEOLOGICAL SURVEY for the I KEYSPAN JAMAICA BAY GAS TRANSMISSION PROJECT I BOROUGHS of BROOKLYN and QUEENS, NEW YORK CITY I KINGS and QUEENS COUNTY, NEW YORK I I I PROJECT ARCHAEOLOGISTS: David J. Bernstein, Ph.D. I Daria E. Merwin, M.A., R.P.A. I The Institute for Long Island Archaeology Department of Anthropology I State University of New York at Stony Brook I Stony Brook, New York 11794-4364 March 2008 I Revised February 2009 I I I I I MANAGEMENT SUMMARY I SHPO Project Review Number N/A Involved State and Federal Agencies N/A I Phase of Survey Stage 1A; literature search and archaeological sensitivity assessment. Location Location: mostly along Flatbush Avenue, Brooklyn I Minor Civil Divisions: 04701 and 08101 County: Kings (Borough of Brooklyn) and Queens I Survey Area Two phases of proposed work: Phase I consists of a gas pipeline across Rockaway Inlet, from the west side of Flatbush Avenue opposite Floyd Bennett Dri ve to the intersection of State Road and Beach 1691h Street in Jacob Riis Park, a distance of approximately 5800 feet (1768 I meters). Phase II involves the construction of a gas pipeline from the northern terminus of Phase I along the west side of Flatbush Avenue to Avenue U, approximately 13,400 feet (4084 meters). I USGS 7.5 minute Quadrangle Maps Coney Island, New York-New Jersey (1966/1979) Recommendation A Stage 18 archaeological survey is recommended for relatively I undisturbed portions of the project area along Flatbush Avenue.
    [Show full text]