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Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church Model
Women Who Lead Black Panther Party “We Want Freedom” - Mumia Abu-Jamal Black Church model: ● “A predominantly female membership with a predominantly male clergy” (159) Competition: ● “Black Panther Party...gave the women of the BPP far more opportunities to lead...than any of its contemporaries” (161) “We Want Freedom” (pt. 2) Invisibility does not mean non existent: ● “Virtually invisible within the hierarchy of the organization” (159) Sexism does not exist in vacuum: ● “Gender politics, power dynamics, color consciousness, and sexual dominance” (167) “Remembering the Black Panther Party, This Time with Women” Tanya Hamilton, writer and director of NIght Catches Us “A lot of the women I think were kind of the backbone [of the movement],” she said in an interview with Michel Martin. Patti remains the backbone of her community by bailing young men out of jail and raising money for their defense. “Patricia had gone on to become a lawyer but that she was still bailing these guys out… she was still their advocate… showing up when they had their various arraignments.” (NPR) “Although Night Catches Us, like most “war” films, focuses a great deal on male characters, it doesn’t share the genre’s usual macho trappings–big explosions, fast pace, male bonding. Hamilton’s keen attention to minutia and everydayness provides a strong example of how women directors can produce feminist films out of presumably masculine subject matter.” “In stark contrast, Hamilton brings emotional depth and acuity to an era usually fetishized with depictions of overblown, tough-guy black masculinity.” In what ways is the Black Panther Party fetishized? What was the Black Panther Party for Self Defense? The Beginnings ● Founded in October 1966 in Oakland, Cali. -
The History of the Black Panther Party 1966-1972 : a Curriculum Tool for Afrikan American Studies
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1990 The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies. Kit Kim Holder University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Holder, Kit Kim, "The history of the Black Panther Party 1966-1972 : a curriculum tool for Afrikan American studies." (1990). Doctoral Dissertations 1896 - February 2014. 4663. https://scholarworks.umass.edu/dissertations_1/4663 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE HISTORY OF THE BLACK PANTHER PARTY 1966-1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES A Dissertation Presented By KIT KIM HOLDER Submitted to the Graduate School of the■ University of Massachusetts in partial fulfills of the requirements for the degree of doctor of education May 1990 School of Education Copyright by Kit Kim Holder, 1990 All Rights Reserved THE HISTORY OF THE BLACK PANTHER PARTY 1966 - 1972 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES Dissertation Presented by KIT KIM HOLDER Approved as to Style and Content by ABSTRACT THE HISTORY OF THE BLACK PANTHER PARTY 1966-1971 A CURRICULUM TOOL FOR AFRIKAN AMERICAN STUDIES MAY 1990 KIT KIM HOLDER, B.A. HAMPSHIRE COLLEGE M.S. BANK STREET SCHOOL OF EDUCATION Ed.D., UNIVERSITY OF MASSACHUSETTS Directed by: Professor Meyer Weinberg The Black Panther Party existed for a very short period of time, but within this period it became a central force in the Afrikan American human rights/civil rights movements. -
50Th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr
50th Anniversary of the Assassination of Illinois Black Panther Chairman Fred Hampton with Dr. Jakobi Williams: library resources to accompany programs FROM THE BULLET TO THE BALLOT: THE ILLINOIS CHAPTER OF THE BLACK PANTHER PARTY AND RACIAL COALITION POLITICS IN CHICAGO. IN CHICAGO by Jakobi Williams: print and e-book copies are on order for ISU from review in Choice: Chicago has long been the proving ground for ethnic and racial political coalition building. In the 1910s-20s, the city experienced substantial black immigration but became in the process the most residentially segregated of all major US cities. During the civil rights struggles of the 1960s, long-simmering frustration and anger led many lower-class blacks to the culturally attractive, militant Black Panther Party. Thus, long before Jesse Jackson's Rainbow Coalition, made famous in the 1980s, or Barack Obama's historic presidential campaigns more recently, the Illinois Chapter of the Black Panther Party (ILPBB) laid much of the groundwork for nontraditional grassroots political activism. The principal architect was a charismatic, marginally educated 20-year-old named Fred Hampton, tragically and brutally murdered by the Chicago police in December 1969 as part of an FBI- backed counter-intelligence program against what it considered subversive political groups. Among other things, Williams (Kentucky) "demonstrates how the ILPBB's community organizing methods and revolutionary self-defense ideology significantly influenced Chicago's machine politics, grassroots organizing, racial coalitions, and political behavior." Williams incorporates previously sealed secret Chicago police files and numerous oral histories. Other review excerpts [Amazon]: A fascinating work that everyone interested in the Black Panther party or racism in Chicago should read.-- Journal of American History A vital historical intervention in African American history, urban and local histories, and Black Power studies. -
Oral History Bill Brent Bill Brent Was a Captain in the Black Panther Party
Student Handout Oakland Museum of California What’s Going On? California and the Vietnam Era Lesson Plan #2 1968: Year of Social Change and Turning Point in Vietnam and the U.S. Oral History Bill Brent Bill Brent was a Captain in the Black Panther Party. My name is Brent, Bill Brent and I a Captain of the Black Panther Party associated with the Central Headquarters of the Black Panther Party, located in Oakland California. Oakland, population 400,000—32% black. In Merritt College two students, Huey Newton and Bobby Seale. Later they began to organize their brothers against their closest enemy, the police whom they call the PIGS. In 1966, taking advantage of a law, which authorized the carrying of visible arms patrols of the Black Panther Party for Self- Defense, cruised in the ghetto following police cars. As soon as a black is arrested they check the procedure making sure the law is observed and their brother knows his rights. As a result, the police hate them and the black community admires them. But the law has changed; they no longer carry arms even if they speak of them often, quoting Mao dreaming of obtaining power through guns and justice through power. The Black Panther Party are not anarchists we believe in government for the People. In the Black community we want government to serve the people, we gonna first start with [inaudible]…They killed brother Bobby Hutton, shot Brother Eldridge Cleaver, shot Brother Warren Wells, arrested Brother David Hilliard our National Captain of the Black Panther Party, they are making it their business through the process of arresting me and my wife, through the process of arresting numerous Panthers on the block… the Oakland. -
Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement
Journal of Undergraduate Research at Minnesota State University, Mankato Volume 9 Article 15 2009 Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement Melissa Seifert Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/jur Part of the American Art and Architecture Commons, and the Modern Art and Architecture Commons Recommended Citation Seifert, Melissa (2009) "Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement," Journal of Undergraduate Research at Minnesota State University, Mankato: Vol. 9 , Article 15. Available at: https://cornerstone.lib.mnsu.edu/jur/vol9/iss1/15 This Article is brought to you for free and open access by the Undergraduate Research Center at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Journal of Undergraduate Research at Minnesota State University, Mankato by an authorized editor of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Seifert: Political Art of the Black Panther Party: Cultural Contrasts in t Political Art of the Black Panther Party: Cultural Contrasts in the Nineteen Sixties Countermovement By: Melissa Seifert The origins of the Black Power Movement can be traced back to the civil rights movement’s sit-ins and freedom rides of the late nineteen fifties which conveyed a new racial consciousness within the black community. The initial forms of popular protest led by Martin Luther King Jr. were generally non-violent. However, by the mid-1960s many blacks were becoming increasingly frustrated with the slow pace and limited extent of progressive change. -
Page 1 of 4 Popmatters | Columns | Mark Reynolds | Negritude 2.0 | Re
PopMatters | Columns | Mark Reynolds | Negritude 2.0 | Re-Seizing the Time Page 1 of 4 Features | Columns | Blogs | News | Music | Film | TV | DVDs | Books | Comics | Multimedia | Events | PopComix | Front about contributors submissions book imprint advertising contests PopShop Media Center CALL FOR COLUMNISTS: PopMatters Seeks Intelligent Misfits. Deadline: Mid-to-late January 2007. TO FEATURES | recent :. Readers’ Delig :. Slipped Discs COLUMNS | recent NEGRITUDE 2.0: Re GLOBAL BEAT FUSIO BLOGS | recent SHORT ENDS AND L This - Yvonne D POPCOMIX ANNEX: premiere] CONDENSED VERSI PERIPATETIC POST MUSIC | recent | s :. Deerhoof: Frie :. David Kilgour :. Voice: Gumbo :. Akon: Konvict :. Steve Turner: :. The Frank He :. Johannes Lins EVENTS | recent :. Art with a Vie TELEVISION | recen NEGRITUDE 2.0: Re-Seizing the Time :. Gay, Straight [15 January 2007] :. Lincoln Heigh by Mark Reynolds For all the gains we’ve made in electoral DVDS | recent | S Email Print Comments (0) politics and community leadership, there :. Return to the :. Archie Shepp has yet to be a successor to the Black William Lee Brent isn’t one of those names quickly Panther Party as a nationally organized, BOOKS | recent associated with the furious tenor of ‘60s counter- politically oriented body speaking out and :. 31 Days: The culture. His face isn’t fodder for dorm-room posters working on the vanguard in the name of We Have Today like Che Guevara’s, his rhetoric isn’t burned into the black progress, directly confronting and MULTIMEDIA | rece history books like Stokely Carmichael’s. Many people :. Spider Man: B probably didn’t realize that Brent enjoyed any challenging the powers-that-be. -
All Power to the People! the Black Panther Party and Beyond (US, 1998, 115 Minutes) Director: Lee Lew Lee Study Guide
All Power To The People! The Black Panther Party and Beyond (US, 1998, 115 minutes) Director: Lee Lew Lee Study Guide Synopsis All Power To The People! examines problems of race, poverty, dissent and the universal conflict of the “haves versus the have nots.” US government documents, rare news clips, and interviews with both ex-activists and former FBI/CIA officers, provide deep insight into the bloody conflict between political dissent and governmental authority in the US of the 60s and 70s. Globally acclaimed as being among the most accurate depictions of the goals, aspirations and ultimate repression of the US Civil Rights Movement, All Power to the People! Is a gripping, timeless news documentary. Themes in the film History of the Civil Rights Movement Black Panther Party FBI’s COINTELPRO American Indian Rights Movement Political Prisoners in the US Trials of political dissidents such as the Chicago 7 trial Study Questions • Why did the FBI perceive the Black Panther Party as a threat? • How did the FBI’s COINTELPRO contribute to the destruction of the Black Panther Party? • What do you know about Fred Hampton? • Can you name any former members of the Black Panther Party? • Throughout US history, what are some of the organizations that have been labeled as “troublemakers” by the FBI? • In your opinion, why were these groups the target of FBI investigations and operations such as COINTELPRO? • Do you think this kind of surveillance and disruption of dissent exists today? • In this film, we see clips of leaders like Martin Luther King, Jr., Malcolm X and Huey Newton. -
An Unfinished Journey William Minter
An Unfinished Journey William Minter he early morning phone call came on Febru- 1973; Patrice Lumumba in 1961; Malcolm X in 1965; ary 4, 1969, the day after I arrived back from Martin Luther King Jr. in 1968; Steve Biko in 1977; Tanzania to my parents’ house in Tucson, Ruth First in 1982; and Samora Machel in 1986—to Arizona. “Eduardo has been assassinated.” name only a few. TThe caller was Gail Hovey, one of the co-editors Memories of those who gave their lives can bind of this book. She was then working with the South- together and inspire those who carry on their lega- ern Africa Committee in New York, a group sup- cies. So can highly visible public victories, such as porting liberation movements in Mozambique and the dramatic release of Nelson Mandela from prison other Southern African countries. Eduardo, as he in February 1990 and the first democratic election was known to hundreds of friends around the world, in South Africa in April 1994. The worldwide anti- was Eduardo Mondlane. At the time of his death by apartheid movement, which helped win those victo- a letter bomb, he was president of the Mozambique ries, was arguably the most successful transnational Liberation Front, known as Frelimo. Had he lived to social movement of the last half century. All of us see the freedom of his country, he would likely have engaged in this book project were minor actors in joined his contemporary and friend Nelson Mandela that movement, and our roles will become clear as as one of Africa’s most respected leaders. -
JOANNE DEBORAH CHESIMARD Act of Terrorism - Domestic Terrorism; Unlawful Flight to Avoid Confinement - Murder
JOANNE DEBORAH CHESIMARD Act of Terrorism - Domestic Terrorism; Unlawful Flight to Avoid Confinement - Murder Photograph Age Progressed to 69 Years Old DESCRIPTION Aliases: Assata Shakur, Joanne Byron, Barbara Odoms, Joanne Chesterman, Joan Davis, Justine Henderson, Mary Davis, Pat Chesimard, Jo-Ann Chesimard, Joanne Debra Chesimard, Joanne D. Byron, Joanne D. Chesimard, Joanne Davis, Chesimard Joanne, Ches Chesimard, Sister-Love Chesimard, Joann Debra Byron Chesimard, Joanne Deborah Byron Chesimard, Joan Chesimard, Josephine Henderson, Carolyn Johnson, Carol Brown, "Ches" Date(s) of Birth Used: July 16, 1947, August 19, 1952 Place of Birth: New York City, New York Hair: Black/Gray Eyes: Brown Height: 5'7" Weight: 135 to 150 pounds Sex: Female Race: Black Citizenship: American Scars and Marks: Chesimard has scars on her chest, abdomen, left shoulder, and left knee. REWARD The FBI is offering a reward of up to $1,000,000 for information directly leading to the apprehension of Joanne Chesimard. REMARKS Chesimard may wear her hair in a variety of styles and dress in African tribal clothing. CAUTION Joanne Chesimard is wanted for escaping from prison in Clinton, New Jersey, while serving a life sentence for murder. On May 2, 1973, Chesimard, who was part of a revolutionary extremist organization known as the Black Liberation Army, and two accomplices were stopped for a motor vehicle violation on the New Jersey Turnpike by two troopers with the New Jersey State Police. At the time, Chesimard was wanted for her involvement in several felonies, including bank robbery. Chesimard and her accomplices opened fire on the troopers. One trooper was wounded and the other was shot and killed execution-style at point-blank range. -
I Am a Revolutionary Black Female Nationalist
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication Spring 5-10-2013 I am a Revolutionary Black Female Nationalist: A Womanist Analysis of Fulani Sunni Ali's Role as a New African Citizen and Minister of In-formation in the Provisional Government of the Republic of New Africa Rondee Gaines Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Recommended Citation Gaines, Rondee, "I am a Revolutionary Black Female Nationalist: A Womanist Analysis of Fulani Sunni Ali's Role as a New African Citizen and Minister of In-formation in the Provisional Government of the Republic of New Africa." Dissertation, Georgia State University, 2013. https://scholarworks.gsu.edu/communication_diss/44 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. I AM A REVOLUTIONARY BLACK FEMALE NATIONALIST: A WOMANIST ANALYSIS OF FULANI SUNNI ALI’S ROLE AS A NEW AFRICAN CITIZEN AND MINISTER OF IN- FORMATION IN THE PROVISIONAL GOVERNMENT OF THE REPUBLIC OF NEW AFRICA by RONDEE GAINES Under the Direction of M. Lane Bruner ABSTRACT Historically, black women have always played key roles in the struggle for liberation. A critical determinant of black women’s activism was the influence of both race and gender, as the- se factors were immutably married to their subjectivities. African American women faced the socio-cultural and structural challenge of sexism prevalent in the United States and also in the black community. -
The Black Power Movement
A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and Sharon Harley The Black Power Movement Part 1: Amiri Baraka from Black Arts to Black Radicalism Editorial Adviser Komozi Woodard Project Coordinator Randolph H. Boehm Guide compiled by Daniel Lewis A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data The Black power movement. Part 1, Amiri Baraka from Black arts to Black radicalism [microform] / editorial adviser, Komozi Woodard; project coordinator, Randolph H. Boehm. p. cm.—(Black studies research sources) Accompanied by a printed guide, compiled by Daniel Lewis, entitled: A guide to the microfilm edition of the Black power movement. ISBN 1-55655-834-1 1. Afro-Americans—Civil rights—History—20th century—Sources. 2. Black power—United States—History—Sources. 3. Black nationalism—United States— History—20th century—Sources. 4. Baraka, Imamu Amiri, 1934– —Archives. I. Woodard, Komozi. II. Boehm, Randolph. III. Lewis, Daniel, 1972– . Guide to the microfilm edition of the Black power movement. IV. Title: Amiri Baraka from black arts to Black radicalism. V. Series. E185.615 323.1'196073'09045—dc21 00-068556 CIP Copyright © 2001 by University Publications of America. All rights reserved. ISBN 1-55655-834-1. ii TABLE OF CONTENTS Introduction ............................................................................................................................ -
Still Black Still Strong
STIll BLACK,STIll SfRONG l STILL BLACK, STILL STRONG SURVIVORS Of THE U.S. WAR AGAINST BLACK REVOlUTIONARIES DHORUBA BIN WAHAD MUMIA ABU-JAMAL ASSATA SHAKUR Ediled by lim f1elcher, Tonoquillones, & Sylverelolringer SbIII01EXT(E) Sentiotext(e) Offices: P.O. Box 629, South Pasadena, CA 91031 Copyright ©1993 Semiotext(e) and individual contributors. Printed in the United States of America. ISBN 978-0-936756-74-5 1098765 ~_.......-.;,;,,~---------:.;- Contents DHORUDA BIN W"AHAD WARWITIllN 9 TOWARD RE'rHINKING SEIl'-DEFENSE 57 THE CuTnNG EDGE OF PRISONTECHNOLOGY 77 ON RACISM. RAp AND REBElliON 103 MUM<A ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsON-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 P ANIllER DAZE REMEMBERED 193 ASSATA SHAKUR PRISONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRIBUTORS 272 THE CAMPAIGN TO FREE BLACK POLITICALPRISONERS 272 Contents DHORUBA BIN "W AHAD WAKWITIllN 9 TOWARD REnnNKINO SELF-DEFENSE 57 THE CurnNG EOOE OF PRISON TECHNOLOGY 77 ON RACISM, RAp AND REBEWON 103 MUMIA ABU-JAMAL !NrERVIEW FROM DEATH Row 117 THE PRIsoN-HOUSE OF NATIONS 151 COURT TRANSCRIPT 169 THE MAN MALCOLM 187 PANTHER DAZE REMEMBERED 193 ASSATA SHAKUR PJusONER IN THE UNITED STATES 205 CHRONOLOGY OF THE BLACK PANTHER PARTY 221 FROM THE FBI PANTHER FILES 243 NOTES ON CONTRmUTORS 272 THE CAMPAIGN TO FREE BUCK POLITICAL PRISONERS 272 • ... Ahmad Abdur·Rahmon (reIeo,ed) Mumio Abu·lomol (deoth row) lundiolo Acoli Alberlo '/lick" Africa (releosed) Ohoruba Bin Wahad Carlos Perez Africa Chorl.. lim' Africa Can,uella Dotson Africa Debbi lim' Africo Delberl Orr Africa Edward Goodman Africa lonet Halloway Africa lanine Phillip.