Amerind Quarterly Vol. 1, No. 3
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Ubicación E Integración De Mesas Directivas De Casillas (ENCARTE)
Ubicación e Integración de Mesas Directivas de Casillas (ENCARTE) Estado: CHIHUAHUA Proceso Electoral 2020-2021 Fecha y Hora de Generación: 17/05/2021 17:27:04 hrs Distrito Federal: 2) JUAREZ Distrito Federal: 2) JUAREZ Distrito Local: 1) NUEVO CASAS GRANDES Distrito Local: 1) NUEVO CASAS GRANDES Municipio: 13) CASAS GRANDES Municipio: 13) CASAS GRANDES Localidad: 1) CASAS GRANDES Localidad: 1) CASAS GRANDES Sección: 238 B1 Sección: 238 C1 Ubicación: ESCUELA PRIMARIA BENITO JUÁREZ, CALLE VEINTIUNO DE Ubicación: ESCUELA PRIMARIA BENITO JUÁREZ, CALLE VEINTIUNO DE MARZO NÚMERO 714, BARRIO SAN ANTONIO, CÓDIGO POSTAL 31850, MARZO NÚMERO 714, BARRIO SAN ANTONIO, CÓDIGO POSTAL 31850, CASAS GRANDES, CHIHUAHUA, ENTRE CALLES SINALOA Y CHIAPAS CASAS GRANDES, CHIHUAHUA, ENTRE CALLES SINALOA Y CHIAPAS Presidenta/e: ANEL MARISSA ARCHULETA GALAZ Presidenta/e: VICTOR BEJARANO ORTEGA 1er. Secretaria/o: GABRIELA DOMINGUEZ CORRAL 1er. Secretaria/o: BLANCA AIME SALAZAR RUIZ 2do. Secretaria/o: NORA ANGELICA CEBALLOS HERNANDEZ 2do. Secretaria/o: MARIA DEL SOCORRO CORDOVA ZAMARRON 1er. Escrutador: MARGARITA DIAZ SANCHEZ 1er. Escrutador: MARIA DEL SOCORRO ORTEGA CAPERON 2do. Escrutador: BIANCA IRANY AMARO MORALES 2do. Escrutador: BERTHA DELGADO OLIVAS 3er. Escrutador: DANIEL GAMEZ PARRA 3er. Escrutador: CONSEPCION SILVAS VASQUEZ 1er. Suplente: BERTHA MELERO DOMINGUEZ 1er. Suplente: JESUS MENDOZA PARRA 2do. Suplente: PRICILA IRAIN RAMIREZ VARGAS 2do. Suplente: MARTHA RIOS PEREZ 3er. Suplente: MARIA AURORA SIERRA RAMIREZ 3er. Suplente: FLOR MEJIA MARMOLEJO Distrito -
Original Pottery by Artists of Mata Ortiz, Mexico Will Be on View April 6-24 in Grove Gallery at UCSD
Original pottery by artists of Mata Ortiz, Mexico will be on view April 6-24 in Grove Gallery at UCSD March 15, 1999 Media Contact: Jan Jennings (619) 822-1684, [email protected] ORIGINAL POTTERY BY ARTISTS OF MATA ORTIZ, MEXICO WILL BE ON VIEW APRIL 6-24 IN GROVE GALLERY AT UCSD The Pottery of Mata Ortiz, an exhibition of approximately 100 original pieces of pottery by artists from the Mexican village of Mata Ortiz, will be on view April 6 through April 24 in Grove Gallery at the University of California, San Diego. A reception will be held April 9 from 5 to 7 p.m. Admission to the exhibition and the reception are free and open to the public. San Diego-based collector Ron Schneider selected the pottery to be shown. Schneider owns Puerta Vallarta's Galeria de 0llas (gallery of pots), devoted exclusively to Mata Ortiz pottery, also referred to as Casas Grandes pottery. Most pieces in the UCSD exhibit will be for sale. Sizes will range from two inches to 18 inches high and prices from $18 to $3,000. Schneider, who describes his feelings when viewing the decorative pottery of Mata Ortiz as those "of exhilaration and peace," will lecture and give a slide presentation at 7 p.m. April 9. He will discuss the origins of the pottery in the ancient civilization at Paquime, the reinvention of the tradition by Juan Quezada, the development of the pottery-making tradition in the village of Mata Ortiz, and the various maturing artists who are adding to the growing pool of creativity. -
Casas Grandes Ceramics at the Milwaukee Public Museum
Field Notes: A Journal of Collegiate Anthropology Volume 11 Article 10 2021 Casas Grandes Ceramics at the Milwaukee Public Museum Samantha A. Bomkamp University of Wisconsin - Milwaukee Follow this and additional works at: https://dc.uwm.edu/fieldnotes Part of the Archaeological Anthropology Commons, Biological and Physical Anthropology Commons, Linguistic Anthropology Commons, Other Anthropology Commons, and the Social and Cultural Anthropology Commons Recommended Citation Bomkamp, Samantha A. (2021) "Casas Grandes Ceramics at the Milwaukee Public Museum," Field Notes: A Journal of Collegiate Anthropology: Vol. 11 , Article 10. Available at: https://dc.uwm.edu/fieldnotes/vol11/iss1/10 This Article is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Field Notes: A Journal of Collegiate Anthropology by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. Field Notes: A Journal of Collegiate Anthropology Volume 11 Field Notes: A Journal of Collegiate Anthropology Volume 11 Number 1 May 2021 Published by the Anthropology Student Union (ASU) at the University of Wisconsin–Milwaukee, USA Editor-in-Chief Ann S. Eberwein Editors Ashley Brennaman Heather Brinkman Cody Schumacher Jessica Skinner Editorial Committee Karissa Annis Laya Liebeseller Bill Balco Ciaran McDonnell Sarah Boncal Cheri Price Josh Driscoll Joshua Rivers Adrienne Frie Katherine Santell Kevin Gartski Katrina Schmidt Dominic Greenlee Tony Schultz Alexis Jordan Faculty -
Amerind Quarterly
Amerind Quarterly THE NEWSLETTER OF THE AMERIND FOUNDATION FALL 2008 (vol. 5, no. 4) / WINTER 2009 (vol. 6, no. 1) A Gift to the Amerind In 1910, ten year-old “Pug” English and his brother were by most Apachean peoples, but little is known for sure herding goats in Guadalupe Canyon in the Peloncillo about early Chiricahua and Mescalero basketry. Their Mountains on the Arizona-New Mexico border, when traditional material culture was deeply impacted by they spotted three people staring down at them from a warfare, displacement, and population loss during the cleft in the rock halfway up the canyon wall. When they early American period. We know that the Chiricahuas hailed the people and received no response, Pug climbed made twined burden baskets and anthropologist Morris up to the rock ledge and found, instead of people, three Opler described coiled bowl-shaped baskets stitched large baskets stacked near the opening of a with yucca fibers, but there are no known surviving shallow rock shelter. Two of the baskets coiled willow baskets of the Chiricahua. were badly deteriorated from rain and Commenting on Chiricahua baskets in his mold but the third was in near perfect book on Southwestern Indian basketry, condition, and this basket was Andrew Hunter Whiteford concluded: retrieved and went home with the “The Chiricahuas may have made two boys. It would remain in other kinds of baskets at one time, Pug’s possession for the next 72 similar to Mescalero baskets or years. those of their western neighbors, In 1982, Pug English, the San Carlos Apaches. -
The Synopsis Was Written to Make Researchers Aware of the Amerind
Amerind Amerind Foundation Collection Synopsis This synopsis was written to make researchers aware of the Amerind Foundation’s holdings. Our cataloged collection consists of over 21,000 objects and tens of thousands of bulk sherd samples. This synopsis is not an exhaustive list. For more information, please contact Chief Curator Dr. Eric Kaldahl at Amerind Foundation, PO Box 400, Dragoon, AZ 85609, (520) 586- 3666, or [email protected]. Archaeological Collections Excavated Collections The Amerind conducted several excavations at prehistoric sites in southeastern Arizona. These excavations were detailed in early Amerind publications. The sites include the Gleeson Site, the Tres Alamos site, Winchester Cave, and Babocomari Village. There were also excavations conducted on Amerind Foundation property in Texas Canyon. Ceramics recovered from these sites suggest a range of periods contemporaneous with the Hohokam Sedentary through Classic periods. Archaeological Notes on Texas Canyon, by William Shirley Fulton. Museum of the American Indian, Heye Foundation, Vols. 1-3. 1934-1938. New York. An Archaeological Site near Gleeson, Arizona, by William Shirley Fulton and Carr Tuthill. Amerind Foundation Publication No. 1. 1940. A Ceremonial Cave in the Winchester Mountains, by William Shirley Fulton. Amerind Foundation Publication No. 2. 1941. The Tres Alamos Site on the San Pedro River, Southeastern Arizona, by Carr Tuthill. Amerind Foundation Publication No. 4. 1947. The Babocomari Village Site on the Babocomari River, Southeastern Arizona, by Charles C. Di Peso. Amerind Foundation Publication No. 5. 1951. The Amerind Foundation excavated at southern Arizona ancestral pueblo migrant sites known as Davis Ranch Ruin and Reeve Ruin. Ceramics recovered from these sites suggest that they are contemporaneous with the later Hohokam Classic period. -
Amerind Quarterly Vol. 4, No. 3
Amerind quarterly The Newsletter of the Amerind Foundation summer 2007 ( vol. 4, no. 3 ) Obstructions to Arizona’s Progress? My great-grandparents immigrated to Arizona in the “primitive” peoples could be legitimately pushed aside if 1890s like so many before and after them, for health rea- they stood in the way of progress. In the words of anthro- sons, and they made and carefully placed in albums hun- pologist Robin Fox, “To be fully human it was not enough dreds of black-and-white photographs of their new home to possess culture, one must possess our culture.” in the desert. Tucked Attitudes to- into the back of an al- ward Apaches have bum that came to me changed since the recently from a cous- days of my great- in was the postcard grandparents. that is reproduced on Now, whenever the this page. The card Amerind Museum was probably printed presents a program in the late nineteenth on Apache culture, or early twentieth galleries and lecture century as part of an rooms are filled to organized campaign overflowing. Coch- to convince a skepti- ise and Geronimo cal Eastern establish- are now American ment that the Arizona icons, but I doubt Territory had finally that the mythologies solved its “Indian created by Holly- problems” and could wood screen writers now be considered for statehood. are any closer to reality than those enshrined by a printer The hand-colored photographs on the card were of postcards a hundred years ago. originally made by A. Frank Randall at or near the San In our continuing quest to challenge cultural Carlos Indian Agency in 1884. -
Mata Ortiz, Mexico, Is Changing, but Its Spirit Is Rooted in Ancient Ways
← Back to Original Article MEXICO Town shaped from clay The pottery that remade Mata Ortiz, Mexico, is changing, but its spirit is rooted in ancient ways January 13, 2013 By Alison DaRosa MATA ORTIZ, MEXICO — The place felt so familiar. The air was dry and warm and slightly smoky. Streets were unpaved, rutted, edged with weeds below ramshackle wooden fences. Swaybacked horses and muscled pickup trucks dueled for right of way on the dusty roads. I was invited almost immediately into the humble homes of extraordinary artists and encouraged to inspect pieces of delicate pottery displayed on oilcloth-covered kitchen tables or arranged on sagging beds. I looked over the shoulders of men and women who shaped, polished and painted at tiny sunlit work stations. I caressed their art, held their children. I embraced the artists' warmth, spirit, gentle humility and exquisite talent. They touched my soul. It was as though nothing in Mata Ortiz had changed, but after a few days I learned how much had changed. Pottery put Mata Ortiz on the map. This village, in the northern state of Chihuahua, sits on the edge of a high-desert plain that once was home to the thriving pre-Columbian Paquime culture. (For travel warnings on this area, go to travel .state.gov.) In the late 1950s and early '60s, as Paquime ruins were being excavated, impoverished residents learned there was a market for ancient pottery. Even simple pots were sold to local merchants for $5 or $6 apiece -- the equivalent of wages for several days' labor. When supplies eventually dwindled and a law prohibited the sale of antiquities, a few locals began making pots that merchants and Mexican traders passed off as the real thing. -
The Shell and Coral Assemblage, San Pedro Preservation Project
THE SHELL AND CORAL ASSEMBLAGE, SAN PEDRO PRESERVATION PROJECT Arthur W. Vokes Arizona State Museum Cite as: Vokes, Arthur W. 2012 The Shell and Coral Assemblage, San Pedro Preservation Project. <http:// www.archaeologysouthwest.org/ap45>. The Shell and Coral Assemblage, San Pedro Preservation Project 3 Collections recovered by the Center for Desert Ar- sites. Anodonta californiensis is a moderately large, al- chaeology (now Archaeology Southwest) at sites in though very gracile, bivalve that was endemic to the Lower San Pedro River Valley included a number most of the permanent watercourses in Arizona prior of shell artifacts. The sample, from 26 sites, numbered to the development and impoundment of the rivers 227 pieces, which are estimated to represent 193 speci- that occurred early in the 1900s (Bequaert and Miller mens (Table 1). This material includes not only a sub- 1973:220-223). The San Pedro River, flowing from the stantial number of finished artifacts, but also several south through the valley, would have provided a examples of pieces that were in the process of being convenient source of freshwater shellfish for the lo- worked into artifacts and fragments of broken objects cal inhabitants. that were reworked into new forms. Additionally, sev- The presence of terrestrial gastropods in the eral unmodified shells and a fragment of coral were sample is likely fortuitous. Sonorella is a widely dis- present, which is somewhat unusual because the site tributed gastropod that inhabits much of the moun- at which they were found, 111 Ranch, AZ BB:6:73 tainous regions of the southwest, and is often found (ASM), lies a considerable distance from the coast. -
Julio Galán: El Motivo Del Doble 85 Carmen Gómez Del Campo
FORROS LAS MIRADA.pdf 1 31/01/14 11:09 C M Y CM MY CY CMY K FORROS LAS MIRADA.pdf 1 31/01/14 11:09 C M Y CM MY CY CMY K FORROS LAS MIRADA.pdf 1 31/01/14 11:09 C M Y CM MY CY CMY K La mirada ante lo invisible, libro coletivo[1].indd 1 07/01/2014 13:56:18 La mirada ante lo invisible, libro coletivo[1].indd 2 07/01/2014 13:56:18 La mirada ante lo invisible La mirada ante lo invisible, libro coletivo[1].indd 3 07/01/2014 13:56:18 La mirada ante lo invisible, libro coletivo[1].indd 4 07/01/2014 13:56:18 Esther Cimet S., María Elena Durán Carmen Gómez del Campo, Eréndira Meléndez Ana María Rodríguez, Alicia Sánchez Mejorada Graciela Schmilchuk, Leticia Torres La mirada ante lo invisible La mirada ante lo invisible, libro coletivo[1].indd 5 07/01/2014 13:56:18 Director de arte Enrique Hernández Nava Cuidado de la edición Marta Hernández y Juan Ariel Rodríguez Peñafiel Asistencia editorial Carlos Martínez G., José Luis Rojo y Amadís Ross Formación Marta Hernández R. Corrección Margarita González A. Imagen de cubierta Alba Rojo Cama, Ventana, 2013 La mirada ante lo invisible © Esther Cimet S., María Elena Durán, Carmen Gómez del Campo, Eréndira Meléndez, Ana María Rodríguez, Alicia Sánchez Mejorada, Graciela Schmilchuk y Leticia Torres Primera edición: 2013 D. R. © Instituto Nacional de Bellas Artes y Literatura Reforma y Campo Marte s/n Col. Chapultepec Polanco Del. -
Charles C. Di Peso, 1920-1982
MEMORIALS Charles C. Di Peso, 19204982 Charles C. Di Peso died of cancer on 20 November 1982, at the Tucson Medical Center. Di Peso served for 30 years as Director of the Amerind Foundation, a non-profit research center in Dragoon, Arizona, devoted to the study of Native American culture history. His work on the prehistoric and early historic peoples of southern Arizona and northern Mexico is well known and respected. Di Peso belonged to many professional organizations, including the Society for Historical Archaeology, of which he was a founding member. His participation in the Society and in the profession will be greatly missed. Di Peso was born on 20 October 1920, in St. Louis, Missouri to Charles Corradino and Emma Klein Di Peso and grew up in Chicago Heights, Illinois. While still in high school, Di Peso was invited by Paul S. Martin of the Chicago Field Museum of Natural History to participate in an archaeological project in Colorado. The experience confirmed an interest in archaeology, which he pursued at Beloit College, working as a student assistant under Paul S. Nesbitt, director of Beloit’s Logan Museum. In 1941 Di Peso again joined Paul Martin on a Field Museum expedi- tion, this time the Pine Lawn, New Mexico, project. Di Peso graduated from Beloit in 1942 with a B.A. in Anthropology and a B.S. in Geology, and in June he married Frances Teague. From 1942 to 1946 Di Peso served in the United States Air Force as a First Lieutenant, Pilot, and Instructor in Advanced Training Course and Instru- ment Flying. -
Reconstructing a Miracle: New Perspectives on Mata Ortiz Pottery Making
Reconstructing a Miracle: New Perspectives on Mata Ortiz Pottery Making JIM HILLS Memory is life, borne by living societies founded in its name. History, on the other hand, is the reconstruction, always prob- lematic and incomplete. —Pierre Nora, Realms of Memory (Les lieux des mémoires) This paper is an exploration into memory and history, and into how certain stories have evolved while a larger chorus of voices—those that permeated the kitchens, streets, and fields of Mata Ortiz, Chihuahua—have been lost over the past forty years. The project didn’t start out this way. It began in 2001, when Mata Ortiz collector Dr. Richard O’Connor suggested that I write an article on the traders of Mata Ortiz. Since I was an early trader in the village, having arrived in May 1978, I thought it was a great idea. We immediately set down on paper the names of the traders we could think of to interview: we came up with a list of twenty individuals and believed we remembered most of the relevant people. Ten years later, I have iden- tified more than 120 traders and other significant visitors to the village, and the list continues to grow (see appendix). As I began the interview process, first with traders, then with collectors and aficionados of Mata Ortiz pottery, my files quickly expanded. Today, I have collected research data and conducted interviews with more than one hundred individuals on both sides of the border, including collectors, buyers, traders, potters and their family members (including wives, ex-wives, daughters, and sons), and friends of important potters who have died. -
Travel Guide CIUDAD JUAREZ Contents
Travel Guide CIUDAD JUAREZ Contents DESCUBRA CIUDAD JUAREZ 01 CIUDAD JUAREZ PROFILE 03 CIUDAD JUAREZ ATTRACTIONS 04 CIUDAD JUAREZ DINING 09 CIUDAD JUAREZ SHOPPING 13 CIUDAD JUAREZ NIGHTLIFE 15 THINGS TO DO IN CIUDAD JUAREZ 17 CIUDAD JUAREZ DISCOVER Ciudad Juarez, officially named Heroica Ciudad Juarez, is a city located along the Rio Grande River, which serves as the border between the United States and Mexico. Together with its sister city of El Paso, Texas, it comprises a single metropolitan area of more than two million people. This stretch of border is well-served by four bridges that connect the two countries. Ciudad Juarez is the most important manufacturing city in Mexico, and along with commerce, it makes up a fundamental part of the economy. This iconic city is surrounded by beautiful natural landscapes and wildlife areas. Arriving in this prosperous border city you’ll find the vast white expanse of the Salamayuca Desert to the south and the imposing Rio Grande River to the north. Here you can also admire colonial buildings, such as the Guadalupe Mission, the beautiful city cathedral, and the monumental former customs building. In addition to being a great place to do business, Ciudad Juarez is also an excellent cultural and adventure tourism destination, thanks in large part to its close proximity to the desert. BUSINESS IN CIUDAD JUAREZ Hundreds of multinational corporations have established a presence in Ciudad Juarez to take advantage of easy access to the United States and a skilled labor market. Today, Japanese, U.S., and European companies are already part of the panorama of this city, which maintains high quality standards due to ongoing training and international certifications.