Casas Grandes Ceramics at the Milwaukee Public Museum
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Ubicación E Integración De Mesas Directivas De Casillas (ENCARTE)
Ubicación e Integración de Mesas Directivas de Casillas (ENCARTE) Estado: CHIHUAHUA Proceso Electoral 2020-2021 Fecha y Hora de Generación: 17/05/2021 17:27:04 hrs Distrito Federal: 2) JUAREZ Distrito Federal: 2) JUAREZ Distrito Local: 1) NUEVO CASAS GRANDES Distrito Local: 1) NUEVO CASAS GRANDES Municipio: 13) CASAS GRANDES Municipio: 13) CASAS GRANDES Localidad: 1) CASAS GRANDES Localidad: 1) CASAS GRANDES Sección: 238 B1 Sección: 238 C1 Ubicación: ESCUELA PRIMARIA BENITO JUÁREZ, CALLE VEINTIUNO DE Ubicación: ESCUELA PRIMARIA BENITO JUÁREZ, CALLE VEINTIUNO DE MARZO NÚMERO 714, BARRIO SAN ANTONIO, CÓDIGO POSTAL 31850, MARZO NÚMERO 714, BARRIO SAN ANTONIO, CÓDIGO POSTAL 31850, CASAS GRANDES, CHIHUAHUA, ENTRE CALLES SINALOA Y CHIAPAS CASAS GRANDES, CHIHUAHUA, ENTRE CALLES SINALOA Y CHIAPAS Presidenta/e: ANEL MARISSA ARCHULETA GALAZ Presidenta/e: VICTOR BEJARANO ORTEGA 1er. Secretaria/o: GABRIELA DOMINGUEZ CORRAL 1er. Secretaria/o: BLANCA AIME SALAZAR RUIZ 2do. Secretaria/o: NORA ANGELICA CEBALLOS HERNANDEZ 2do. Secretaria/o: MARIA DEL SOCORRO CORDOVA ZAMARRON 1er. Escrutador: MARGARITA DIAZ SANCHEZ 1er. Escrutador: MARIA DEL SOCORRO ORTEGA CAPERON 2do. Escrutador: BIANCA IRANY AMARO MORALES 2do. Escrutador: BERTHA DELGADO OLIVAS 3er. Escrutador: DANIEL GAMEZ PARRA 3er. Escrutador: CONSEPCION SILVAS VASQUEZ 1er. Suplente: BERTHA MELERO DOMINGUEZ 1er. Suplente: JESUS MENDOZA PARRA 2do. Suplente: PRICILA IRAIN RAMIREZ VARGAS 2do. Suplente: MARTHA RIOS PEREZ 3er. Suplente: MARIA AURORA SIERRA RAMIREZ 3er. Suplente: FLOR MEJIA MARMOLEJO Distrito -
Original Pottery by Artists of Mata Ortiz, Mexico Will Be on View April 6-24 in Grove Gallery at UCSD
Original pottery by artists of Mata Ortiz, Mexico will be on view April 6-24 in Grove Gallery at UCSD March 15, 1999 Media Contact: Jan Jennings (619) 822-1684, [email protected] ORIGINAL POTTERY BY ARTISTS OF MATA ORTIZ, MEXICO WILL BE ON VIEW APRIL 6-24 IN GROVE GALLERY AT UCSD The Pottery of Mata Ortiz, an exhibition of approximately 100 original pieces of pottery by artists from the Mexican village of Mata Ortiz, will be on view April 6 through April 24 in Grove Gallery at the University of California, San Diego. A reception will be held April 9 from 5 to 7 p.m. Admission to the exhibition and the reception are free and open to the public. San Diego-based collector Ron Schneider selected the pottery to be shown. Schneider owns Puerta Vallarta's Galeria de 0llas (gallery of pots), devoted exclusively to Mata Ortiz pottery, also referred to as Casas Grandes pottery. Most pieces in the UCSD exhibit will be for sale. Sizes will range from two inches to 18 inches high and prices from $18 to $3,000. Schneider, who describes his feelings when viewing the decorative pottery of Mata Ortiz as those "of exhilaration and peace," will lecture and give a slide presentation at 7 p.m. April 9. He will discuss the origins of the pottery in the ancient civilization at Paquime, the reinvention of the tradition by Juan Quezada, the development of the pottery-making tradition in the village of Mata Ortiz, and the various maturing artists who are adding to the growing pool of creativity. -
The Artifact
The Artifact A publication of the Archaeological Institute of America - Milwaukee Society Vol. 13 No. 2 Contents Letter from the President Letter from the President 1 - 2 Dr. Derek B. Counts, Assistant Professor of Power, Ideology, and the Emergence of the State in Classical Art and Archaeology, University of the Oaxaca Valley, Mexico 3 Wisconsin - Milwaukee The Archaeological Excavations at Kilteasheen, Ireland 4 Happy New Year and Greetings from the Blood and Power: Arena Spectacle and the Roman Milwaukee Society of the AIA. They say that Empire 5 in life few things are guaranteed; while that may be true for credit card interest rates and a The Forty Years of AIA in Milwaukee 6 - 8 Packers victory over New York, you can always count on a full and diverse annual Cyprus & the Antiquities Trade: An Interview lecture program from the Milwaukee Society! with Dr. Pavlos Flourentzos 8 - 10 On Sunday, February 10 we welcome th Professor Jason Sherman from UWM’s 109 Archaeological Institute of America Annual Meeting 11 Anthropology Department (local talent!), who will speak to us on recent archaeological work AIA-Milwaukee’s Field Trip to Oriental Institute in the Oaxaca Valley (Mexico) and what it can Museum 11 tell us about the emergence of the Zapotec state in the later first millennium B.C.E. In AIA-Milwaukee Society Lecture Calendar 12 March and April, we will host Professors Thomas Finan (Saint Louis University) and 2007-2008 Milwaukee Officers Alison Futrell (University of Arizona). On Derek Counts, President Sunday March 2, Professor Finan will [email protected] highlight the latest discoveries at Kilteasheen, Bettina Arnold, Vice-President Co. -
The Milwaukee Public Museum's Leopardi Collection
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2017 Melita in Milwaukee: the Milwaukee Public Museum’s Leopardi Collection Stephan Noureddine Hassam University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Archaeological Anthropology Commons, and the Library and Information Science Commons Recommended Citation Hassam, Stephan Noureddine, "Melita in Milwaukee: the Milwaukee Public Museum’s Leopardi Collection" (2017). Theses and Dissertations. 1483. https://dc.uwm.edu/etd/1483 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. MELITA IN MILWAUKEE: THE MILWAUKEE PUBLIC MUSEUM’S LEOPARDI COLLECTION by Stephan Noureddine Hassam A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee May 2017 ABSTRACT MELITA IN MILWAUKEE: THE MILWAUKEE PUBLIC MUSEUM’S LEOPARDI COLLECTION by Stephan Noureddine Hassam The University of Wisconsin-Milwaukee, 2017 Under the Supervision of Professor Bettina Arnold The Phoenician/Punic occupation of Malta is an important period in the nation’s history. The Phoenicians first settled the Maltese islands sometime in the early to late seventh century B.C., and their material culture left a lasting influence on the island for nearly a millennium. Beginning in the early 1600s, Phoenician material culture began to be recognized as such. Following wider trends in the Enlightenment era in Europe, Maltese nobility and clergy began collecting antiquities. -
A Preliminary Museological Analysis of the Milwaukee Public Museum's
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2015 A Preliminary Museological Analysis of the Milwaukee Public Museum's Euphrates Valley Expedition Metal Collection Jamie Patrick Henry University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Archaeological Anthropology Commons, Islamic World and Near East History Commons, and the Library and Information Science Commons Recommended Citation Henry, Jamie Patrick, "A Preliminary Museological Analysis of the Milwaukee Public Museum's Euphrates Valley Expedition Metal Collection" (2015). Theses and Dissertations. 1054. https://dc.uwm.edu/etd/1054 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. A PRELIMINARY MUSEOLOGICAL ANALYSIS OF THE MILWAUKEE PUBLIC MUSEUM’S EUPHRATES VALLEY EXPEDITION METAL COLLECTION by Jamie Patrick Henry A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Anthropology at The University of Wisconsin-Milwaukee December 2015 ABSTRACT A PRELIMINARY MUSEOLOGICAL ANALYSIS OF THE MILWAUKEE PUBLIC MUSEUM’S EUPHRATES VALLEY EXPEDITION METAL COLLECTION by Jamie Patrick Henry The University of Wisconsin-Milwaukee, 2015 Under the Supervision of Professor Bettina Arnold Destruction of ancient sites along the Euphrates River in northern Syria due to the construction of the Tabqa Dam and the formation of Lake Assad led to many international salvage expeditions, including those conducted between 1974 and 1978 by the Milwaukee Public Museum (MPM) at the site of Tell Hadidi, Syria under the direction of Dr. -
Amerind Quarterly Vol. 4, No. 3
Amerind quarterly The Newsletter of the Amerind Foundation summer 2007 ( vol. 4, no. 3 ) Obstructions to Arizona’s Progress? My great-grandparents immigrated to Arizona in the “primitive” peoples could be legitimately pushed aside if 1890s like so many before and after them, for health rea- they stood in the way of progress. In the words of anthro- sons, and they made and carefully placed in albums hun- pologist Robin Fox, “To be fully human it was not enough dreds of black-and-white photographs of their new home to possess culture, one must possess our culture.” in the desert. Tucked Attitudes to- into the back of an al- ward Apaches have bum that came to me changed since the recently from a cous- days of my great- in was the postcard grandparents. that is reproduced on Now, whenever the this page. The card Amerind Museum was probably printed presents a program in the late nineteenth on Apache culture, or early twentieth galleries and lecture century as part of an rooms are filled to organized campaign overflowing. Coch- to convince a skepti- ise and Geronimo cal Eastern establish- are now American ment that the Arizona icons, but I doubt Territory had finally that the mythologies solved its “Indian created by Holly- problems” and could wood screen writers now be considered for statehood. are any closer to reality than those enshrined by a printer The hand-colored photographs on the card were of postcards a hundred years ago. originally made by A. Frank Randall at or near the San In our continuing quest to challenge cultural Carlos Indian Agency in 1884. -
Joel W. Palka Curriculum Vitae
JOEL W. PALKA CURRICULUM VITAE CURRENT POSITION HOME ADDRESS Associate Professor 8850 S Los Feliz Dr. School of Human Evolution and Social Change Tempe, AZ 85284 Arizona State University 708-602-0154 900 S. Cady Mall, #233 1/23/2020 Tempe, AZ 85287-2402 (480) 965-1052 [email protected] POSITIONS HELD 2018-present Associate Prof., School of Human Evolution and Social ChanGe, Arizona State University (ASU) 2018 Interim Director, Latin American and Latino Studies, UIC (SprinG semester; summer) 2014-2018 Professor, Anthropology/Latin American and Latino Studies, University of Illinois-ChicaGo (UIC) 2016 ActinG Director, Latin American and Latino Studies, UIC (Spring semester) 2014-2015 ActinG Head, AnthropoloGy, University of Illinois-ChicaGo (ended Jan. 15, 2015) 2005-2014 Associate Professor, AnthropoloGy and Latin American and Latino Studies, UIC 1999-2018 Adjunct Curator, AnthropoloGy, The Field Museum 1999-2005 Assistant Professor, AnthropoloGy and Latin American and Latino Studies, UIC 1996-1999 VisitinG Assistant Professor, AnthropoloGy and Latin American Studies, UIC 1996-1999 Research Associate, AnthropoloGy, The Field Museum 1995-1996 VisitinG Assistant Professor, AnthropoloGy, Vanderbilt University RESEARCH INTERESTS Mesoamerica; Maya archaeoloGy and ethnohistory; unconquered Maya history and culture; Maya hieroGlyphs and art; culture contact and culture change; social inequality; historical archaeology; colonialism in Latin America; pilgrimaGe; indigenous archaeology and history; political collapse; anthropology of art; ceramics; -
Mata Ortiz, Mexico, Is Changing, but Its Spirit Is Rooted in Ancient Ways
← Back to Original Article MEXICO Town shaped from clay The pottery that remade Mata Ortiz, Mexico, is changing, but its spirit is rooted in ancient ways January 13, 2013 By Alison DaRosa MATA ORTIZ, MEXICO — The place felt so familiar. The air was dry and warm and slightly smoky. Streets were unpaved, rutted, edged with weeds below ramshackle wooden fences. Swaybacked horses and muscled pickup trucks dueled for right of way on the dusty roads. I was invited almost immediately into the humble homes of extraordinary artists and encouraged to inspect pieces of delicate pottery displayed on oilcloth-covered kitchen tables or arranged on sagging beds. I looked over the shoulders of men and women who shaped, polished and painted at tiny sunlit work stations. I caressed their art, held their children. I embraced the artists' warmth, spirit, gentle humility and exquisite talent. They touched my soul. It was as though nothing in Mata Ortiz had changed, but after a few days I learned how much had changed. Pottery put Mata Ortiz on the map. This village, in the northern state of Chihuahua, sits on the edge of a high-desert plain that once was home to the thriving pre-Columbian Paquime culture. (For travel warnings on this area, go to travel .state.gov.) In the late 1950s and early '60s, as Paquime ruins were being excavated, impoverished residents learned there was a market for ancient pottery. Even simple pots were sold to local merchants for $5 or $6 apiece -- the equivalent of wages for several days' labor. When supplies eventually dwindled and a law prohibited the sale of antiquities, a few locals began making pots that merchants and Mexican traders passed off as the real thing. -
Milwaukee County-Funded Parks and Cultural
MILWAUKEE COUNTYFUNDED PARKS AND CULTURAL INSTITUTIONS A FISCAL ASSESSMENT: 2000‐2008 AND BEYOND Study authors: Robert E. Henken, President Michele Derus, Researcher Jeffrey K. Schmidt, Researcher Amy Schwabe, Researcher Table of Contents I. EXECUTIVE SUMMARY ......................................................................................................... 2 II. AN OVERVIEW OF MILWAUKEE COUNTY FINANCES .................................................. 4 III. CULTURAL INSTITUTIONS ............................................................................................... 12 MILWAUKEE PUBLIC MUSEUM .................................................................................... 12 MARCUS CENTER FOR THE PERFORMING ARTS ..................................................... 27 WAR MEMORIAL CENTER .............................................................................................. 38 MILWAUKEE COUNTY HISTORICAL SOCIETY.......................................................... 48 CHARLES ALLIS/VILLA TERRACE ART MUSEUMS .................................................. 58 MILWAUKEE COUNTY CULTURAL ARTISTIC AND MUSICAL PROGRAMMING ADVISORY COUNCIL (CAMPAC) ................................ 66 MILWAUKEE COUNTY ZOO ........................................................................................... 69 IV. PARKS DEPARTMENT ....................................................................................................... 85 V. QUALITY OF LIFE EXPENDITURES IN SOUTHEASTERN WISCONSIN: A COUNTY-BY-COUNTY COMPARISON -
Redalyc.Contribution to a History of Mexican Dipterology Part II.- The
Acta Zoológica Mexicana (nueva serie) ISSN: 0065-1737 [email protected] Instituto de Ecología, A.C. México Papavero, Nelson; Ibáñez Bernal, Sergio Contribution to a History of Mexican Dipterology Part II.- The Biologia Centrali-Americana Acta Zoológica Mexicana (nueva serie), núm. 88, 2003, pp. 143 - 232 Instituto de Ecología, A.C. Xalapa, México Available in: http://www.redalyc.org/articulo.oa?id=57508806 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Acta Zool. Mex. (n.s.) 88:143-232 (2003) CONTRIBUTIONS TO A HISTORY OF MEXICAN DIPTEROLOGY. PART II.- THE BIOLOGIA CENTRALI-AMERICANA Nelson PAPAVERO1 & Sergio IBÁÑEZ-BERNAL2 1 Museu de Zoologia & Instituto de Estudos Avançados, Universidade de Sao Paulo, Sao Paulo, SP, BRAZIL Pesquisador do Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq, Proc. Nº 1 300994/79) 2 Instituto de Ecología, A.C. Departamento de Entomología, km 2.5 carretera antigua a Coatepec N/ 351, Congregación El Haya, 91070, Xalapa, Veracruz, MÉXICO RESUMEN En esta segunda contribución a la historia de la Dipterología mexicana, se presentan datos generales de la obra Biologia-Centrali Americana, de sus autores, colectores y de los viajes efectuados para la obtención del material. Específicamente con respecto a Diptera, se incluyen algunos aspectos de la vida y obra de los contribuidores de este trabajo. Aquí se enlistan todos los nombres de especies de los Diptera mexicanos propuestos por Karl Robert Romanovitch Baron von den Osten Sacken (78 especies), Samuel Wendell Williston (200 especies), John Merton Aldrich (47 especies), William Morton Wheeler y Axel Leonard Melander (18 especies), y Frederik Maurits Van Der Wulp (610 especies). -
Julio Galán: El Motivo Del Doble 85 Carmen Gómez Del Campo
FORROS LAS MIRADA.pdf 1 31/01/14 11:09 C M Y CM MY CY CMY K FORROS LAS MIRADA.pdf 1 31/01/14 11:09 C M Y CM MY CY CMY K FORROS LAS MIRADA.pdf 1 31/01/14 11:09 C M Y CM MY CY CMY K La mirada ante lo invisible, libro coletivo[1].indd 1 07/01/2014 13:56:18 La mirada ante lo invisible, libro coletivo[1].indd 2 07/01/2014 13:56:18 La mirada ante lo invisible La mirada ante lo invisible, libro coletivo[1].indd 3 07/01/2014 13:56:18 La mirada ante lo invisible, libro coletivo[1].indd 4 07/01/2014 13:56:18 Esther Cimet S., María Elena Durán Carmen Gómez del Campo, Eréndira Meléndez Ana María Rodríguez, Alicia Sánchez Mejorada Graciela Schmilchuk, Leticia Torres La mirada ante lo invisible La mirada ante lo invisible, libro coletivo[1].indd 5 07/01/2014 13:56:18 Director de arte Enrique Hernández Nava Cuidado de la edición Marta Hernández y Juan Ariel Rodríguez Peñafiel Asistencia editorial Carlos Martínez G., José Luis Rojo y Amadís Ross Formación Marta Hernández R. Corrección Margarita González A. Imagen de cubierta Alba Rojo Cama, Ventana, 2013 La mirada ante lo invisible © Esther Cimet S., María Elena Durán, Carmen Gómez del Campo, Eréndira Meléndez, Ana María Rodríguez, Alicia Sánchez Mejorada, Graciela Schmilchuk y Leticia Torres Primera edición: 2013 D. R. © Instituto Nacional de Bellas Artes y Literatura Reforma y Campo Marte s/n Col. Chapultepec Polanco Del. -
Maya: Hidden Worlds Revealed at the Milwaukee Public Museum
Maya: Hidden Worlds Revealed at the Milwaukee Public Museum Limited Engagement: February 10 – May 28, 2018 Facts about the Maya of Belize Evidence suggests that people of Maya culture first settled in Belize between 2000 and 1200 B.C. They likely migrated into the area from the highlands of Guatemala or from southern Chiapas in Mexico. Maya religion was polytheistic and animistic, meaning the people believed in many gods, in the power of ancestral spirits and that both inanimate objects and living beings had an inner force or spirit. The Maya perceived their universe as having three levels: The heavens, earth and the underworld. At the center of the universe was the sacred Ceiba tree, whose limbs touched the heavens and whose roots descended into the underworld. Heaven was the abode of the sacred gods and deified ancestors. Earth was the home of humans, forests and all other creatures. The underworld was a place of death and diseases. Human sacrifice was an important aspect of ancient Maya ritual. People were sacrificed and placed as offerings during the commemoration of monumental buildings. They were sometimes sacrificed during the funeral rites of rulers, during ceremonies that celebrated victory in war and to appease the gods. They were also sacrificed in caves when the community petitioned their gods for rain, bountiful harvests, and continued sustenance. To the ancient Maya, no stone was more precious than jade. Its light green color embodied all that nourished life on earth. The largest carved jade object discovered in Belize is a jade head depicting the sun god Kinich Ahau.