Yes Fragile Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Yes Fragile Mp3, Flac, Wma Yes Fragile mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Fragile Country: US Released: 2006 Style: Classic Rock, Symphonic Rock MP3 version RAR size: 1601 mb FLAC version RAR size: 1927 mb WMA version RAR size: 1756 mb Rating: 4.7 Votes: 912 Other Formats: MP2 AHX AAC WMA MPC MP1 AU Tracklist Hide Credits Definitive Edition CD 2015 Stereo Mixes Roundabout CD-1 8:33 Written-By – Jon Anderson, Steve Howe Cans And Brahms CD-2 1:40 Arranged By – Rick WakemanComposed By – Brahms* We Have Heaven CD-3 1:40 Written-By – Jon Anderson South Side Of The Sky CD-4 8:01 Written-By – Chris Squire, Jon Anderson Five Per Cent For Nothing CD-5 0:36 Written-By – Bill Bruford Long Distance Runaround CD-6 3:32 Written-By – Jon Anderson The Fish (Schindleria Praematurus) CD-7 2:38 Written-By – Chris Squire Mood For A Day CD-8 2:58 Written-By – Steve Howe Heart Of The Sunrise CD-9 11:39 Written-By – Bill Bruford, Chris Squire, Jon Anderson Additional Tracks Roundabout (Rehearsal Take, Early Mix) CD-10 8:09 Written-By – Jon Anderson, Steve Howe We Have Heaven (Full Version, Steven Wilson Mix) CD-11 2:22 Written-By – Jon Anderson South Side Of The Sky (Early Version, Steven Wilson Mix) CD-12 5:12 Written-By – Chris Squire, Jon Anderson CD-13 All Fighters Past (Steven Wilson Mix) 2:32 Mood For Another Day (Previously Unreleased Take) CD-14 3:04 Written-By – Steve Howe We Have Heaven (Acapella, Steven Wilson Mix) CD-15 2:01 Written-By – Jon Anderson Definitive Edition Blu-Ray Disc 2015 Stereo Mixes (LPCM Stereo 24/96) Roundabout BR-1 8:33 Written-By – Jon Anderson, Steve Howe Cans And Brahms BR-2 1:40 Arranged By – Rick WakemanComposed By – Brahms* We Have Heaven BR-3 1:42 Written-By – Jon Anderson South Side Of The Sky BR-4 8:02 Written-By – Chris Squire, Jon Anderson Five Per Cent For Nothing BR-5 0:35 Written-By – Bill Bruford Long Distance Runaround BR-6 3:31 Written-By – Jon Anderson The Fish (Schindleria Praematurus) BR-7 2:39 Written-By – Chris Squire Mood For A Day BR-8 2:58 Written-By – Steve Howe Heart Of The Sunrise BR-9 11:26 Written-By – Bill Bruford, Chris Squire, Jon Anderson 2015 5.1 Surround Mixes (24/96 LPCM & DTS-HD MA) Roundabout BR-10 8:33 Written-By – Jon Anderson, Steve Howe Cans And Brahms BR-11 1:40 Arranged By – Rick WakemanComposed By – Brahms* We Have Heaven BR-12 1:42 Written-By – Jon Anderson South Side Of The Sky BR-13 8:02 Written-By – Chris Squire, Jon Anderson Five Per Cent For Nothing BR-14 0:35 Written-By – Bill Bruford Long Distance Runaround BR-15 3:31 Written-By – Jon Anderson The Fish (Schindleria Praematurus) BR-16 2:39 Written-By – Chris Squire Mood For A Day BR-17 2:58 Written-By – Steve Howe Heart Of The Sunrise BR-18 11:26 Written-By – Bill Bruford, Chris Squire, Jon Anderson Original Stereo Mixes (LPCM Stereo 24/192, Flat Transfer) Roundabout BR-19 8:35 Written-By – Jon Anderson, Steve Howe Cans And Brahms BR-20 1:43 Arranged By – Rick WakemanComposed By – Brahms* We Have Heaven BR-21 1:40 Written-By – Jon Anderson South Side Of The Sky BR-22 7:54 Written-By – Chris Squire, Jon Anderson Five Per Cent For Nothing BR-23 0:39 Written-By – Bill Bruford Long Distance Runaround BR-24 3:30 Written-By – Jon Anderson The Fish (Schindleria Praematurus) BR-25 2:40 Written-By – Chris Squire Mood For A Day BR-26 3:02 Written-By – Steve Howe Heart Of The Sunrise BR-27 11:27 Written-By – Bill Bruford, Chris Squire, Jon Anderson Additional Tracks (LPCM Stereo 24/96) Roundabout (Rehearsal Take, Early Mix) BR-28 8:13 Written-By – Jon Anderson, Steve Howe We Have Heaven (Full Version, Steven Wilson Mix) BR-29 2:20 Written-By – Jon Anderson South Side Of The Sky (Early Version, Steven Wilson Mix) BR-30 5:12 Written-By – Chris Squire, Jon Anderson BR-31 All Fighters Past (Steven Wilson Mix) 2:33 Mood For Another Day (Previously Unreleased Take) BR-32 3:02 Written-By – Steve Howe We Have Heaven (Acapella, Steven Wilson Mix) BR-33 2:02 Written-By – Jon Anderson Blu-Ray Exclusive (LPCM Stereo 24/96) Roundabout (Early Rough Mix From Fragile 2003) BR-34 8:36 Written-By – Jon Anderson, Steve Howe South Side Of The Sky (Early Take) BR-35 6:22 Written-By – Chris Squire, Jon Anderson Roundabout (Heaphones Mix For Vox Overdubs) BR-36 8:33 Written-By – Jon Anderson, Steve Howe 2015 Stereo Instrumental Mixes (LPCM Stereo 24/96) Roundabout BR-37 8:33 Written-By – Jon Anderson, Steve Howe Cans And Brahms BR-38 1:40 Arranged By – Rick WakemanComposed By – Brahms* We Have Heaven BR-39 1:42 Written-By – Jon Anderson South Side Of The Sky BR-40 8:02 Written-By – Chris Squire, Jon Anderson Five Per Cent For Nothing BR-41 0:35 Written-By – Bill Bruford Long Distance Runaround BR-42 3:31 Written-By – Jon Anderson The Fish (Schindleria Praematurus) BR-43 2:39 Written-By – Chris Squire Mood For A Day BR-44 2:58 Written-By – Steve Howe Heart Of The Sunrise BR-45 11:26 Written-By – Bill Bruford, Chris Squire, Jon Anderson Original 5.1 Mix (From Rhino DVD-A Release, LPCM & DTS-HD MA 5.1 Surround 24/96, LPCM Stereo 24/96) Roundabout BR-46 8:37 Written-By – Jon Anderson, Steve Howe Cans And Brahms BR-47 1:42 Arranged By – Rick WakemanComposed By – Brahms* We Have Heaven BR-48 1:30 Written-By – Jon Anderson South Side Of The Sky BR-49 8:08 Written-By – Chris Squire, Jon Anderson Five Per Cent For Nothing BR-50 0:37 Written-By – Bill Bruford Long Distance Runaround BR-51.a 3:31 Written-By – Jon Anderson The Fish (Schindleria Praematurus) BR-51.b 2:41 Written-By – Chris Squire Mood For A Day BR-52 3:02 Written-By – Steve Howe Heart Of The Sunrise BR-53 11:29 Written-By – Bill Bruford, Chris Squire, Jon Anderson BR-54 America 10:33 Needle-Drop (A1/B1 UK Vinyl Transfer, LPCM Stereo 24/96) Roundabout BR-55 8:36 Written-By – Jon Anderson, Steve Howe Cans And Brahms BR-56 1:43 Arranged By – Rick WakemanComposed By – Brahms* We Have Heaven BR-57 1:39 Written-By – Jon Anderson South Side Of The Sky BR-58 7:41 Written-By – Chris Squire, Jon Anderson Five Per Cent For Nothing BR-59 0:38 Written-By – Bill Bruford Long Distance Runaround BR-60 3:31 Written-By – Jon Anderson The Fish (Schindleria Praematurus) BR-61 2:39 Written-By – Chris Squire Mood For A Day BR-62 3:00 Written-By – Steve Howe Heart Of The Sunrise BR-63 11:25 Written-By – Bill Bruford, Chris Squire, Jon Anderson Roundabout (US Single Edit) BR-64 3:30 Written-By – Jon Anderson, Steve Howe Long Distance Runaround (US Single Edit) BR-65 3:17 Written-By – Jon Anderson Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Licensed From – Atlantic Recording Corporation Manufactured By – Rhino Entertainment Company Marketed By – Panegyric Published By – Yessongs Recorded At – Advision Studios Credits Bass Guitar, Vocals – Chris Squire Compiled By, Coordinator – Declan Colgan Cover, Design [Logo], Photography By – Roger Dean Design [Blu-Ray Disc], Layout [Blu-Ray Disc] – Claire Bidwell Design [Panegyric Packaging], Layout [Panegyric Packaging] – Hugh O'Donnell Drums, Percussion – Bill Bruford Electric Guitar, Acoustic Guitar, Vocals – Steve Howe Engineer – Eddy Offord Engineer [Assistant] – Gary Martin Liner Notes – Sid Smith Mixed By [2015 Stereo & 5.1] – Steven Wilson Organ, Grand Piano, Electric Piano, Harpsichord, Mellotron, Synthesizer – Rick Wakeman Photography By [Bruford On Drums] – David Wright Producer – Eddy Offord, Yes Technician [Blu-Ray Authoring], Mastered By [CD Flat Transfer] – Neil Wilkes Transferred By [Vinyl Transfers Prepared By] – John Kimber Vocals – Jon Anderson Notes Definitive Edition CD/Blu-Ray. Released in a gatefold digisleeve (vinyl album replica), 16-page booklet and 8-page insert. New 5.1 surround, stereo & instrumental album mixes by Steven Wilson. Original stereo master, newly mixed album session tracks, original vinyl transfers & more, all music presented in High Resolution sound. "Can And Brahms" features excerpts from Brahms' 4th Symphony in E Minor, 3rd movement. Barcode and Other Identifiers Barcode: 633367900821 Matrix / Runout (CD): 2100005871174 GYRSP50009/GYRBD50009 Mastering SID Code (CD): IFPI LK97 Mould SID Code (CD): IFPI 9R89 Matrix / Runout (Blu-Ray - Layer 0): L0 GYRBD50009/1.2 V01 DLQ Mastering SID Code (Blu-Ray - Layer 0): IFPI L018 Matrix / Runout (Blu-Ray - Layer 1): L1 GYRBD50009/2 V01 KUK Mastering SID Code (Blu-Ray - Layer 1): IFPI L018 Mould SID Code (Blu-Ray): IFPI 057L Other versions Category Artist Title (Format) Label Category Country Year 2401019, 2401 Atlantic, 2401019, 2401 Yes Fragile (LP, Album) UK 1971 019 Atlantic 019 Fragile (CD, Album, RM, 82524-2 Yes Atlantic 82524-2 US 1993 Gol) Fragile (Cass, Album, 82667-4 Yes Atlantic 82667-4 US 1994 Club, RE, RM) Fragile (LP, Album, RE, 30.010 Yes Atlantic 30.010 Brazil 1976 Gat) Atlantic, K 50009, K50009 Yes Fragile (LP, Album, RP) K 50009, K50009 UK 1972 Atlantic Related Music albums to Fragile by Yes Yes - Union Live Yes, Friends And Relatives - Yes, Friends And Relatives Anderson Bruford Wakeman Howe - Brother Of Mine Yes - Highlights: The Very Best Of Yes London Philharmonic Orchestra, The / Steve Howe / Bill Bruford / Jon Anderson - Symphonic Music Of Yes Yes - Union Anderson Bruford Wakeman Howe - An Evening Of Yes Music Plus..
Recommended publications
  • Sandspur, Vol 90, No 05, November 22, 1983
    University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 11-22-1983 Sandspur, Vol 90, No 05, November 22, 1983 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 90, No 05, November 22, 1983" (1983). The Rollins Sandspur. 1616. https://stars.library.ucf.edu/cfm-sandspur/1616 Volume 90 Number 5 photo: jerry Uelsmann (story, page 5) Rollins College Sandspur, November 22,1983 pg. 2 The Haagen-Dazs Collection Haagen-Dazs presents the two straw mi Ik Nlv Arte shake A frosty smooth shake so thick and rich, Fine Lingerie • Foundations vou'll probably want two straws to drink it! Swimwear • Loungewear 218 Park Avenue N. Winter Park, FL 32789 Haagen-Dazs Telephone: 647-5519 ^^ Park Avenue 116 E. New England Ave. • Winter Park • 644-1611 Solar Heated Water fit FAIRBANKS EASTERN POLYCLEfiN GfiS fiND BEVERAGE Just One Block North Your Complete Laundromat of Rollins Campus Just One Block North * Discount Prices On Our of Rollins Campus Large Assortment of Domestic and Imported Beer Soda and Snacks Daily Newspapers and Magazines SELF SERVICE (New York Times, Wall Street Journal Orlando Sentinel) Wash And Dry FULL SERVICE Dry Cleaning Don't Forget To Check Oat Oar Wash, Dry.
    [Show full text]
  • The Yes Catalogue ------1
    THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13.
    [Show full text]
  • XEP-0120: Infobits
    XEP-0120: Infobits Peter Saint-Andre Matthew Miller mailto:xsf@stpeter:im mailto:linuxwolf@outer-planes:net xmpp:peter@jabber:org xmpp:linuxwolf@outer-planes:net http://stpeter:im/ 2004-01-22 Version 0.5 Status Type Short Name Retracted Standards Track infobits NOTE: This proposal was retracted by the author on 2004-02-19. Legal Copyright This XMPP Extension Protocol is copyright © 1999 – 2020 by the XMPP Standards Foundation (XSF). Permissions Permission is hereby granted, free of charge, to any person obtaining a copy of this specification (the ”Specification”), to make use of the Specification without restriction, including without limitation the rights to implement the Specification in a software program, deploy the Specification in a network service, and copy, modify, merge, publish, translate, distribute, sublicense, or sell copies of the Specifi- cation, and to permit persons to whom the Specification is furnished to do so, subject to the condition that the foregoing copyright notice and this permission notice shall be included in all copies or sub- stantial portions of the Specification. Unless separate permission is granted, modified works that are redistributed shall not contain misleading information regarding the authors, title, number, or pub- lisher of the Specification, and shall not claim endorsement of the modified works by the authors, any organization or project to which the authors belong, or the XMPP Standards Foundation. Warranty ## NOTE WELL: This Specification is provided on an ”AS IS” BASIS, WITHOUT WARRANTIES OR CONDI- TIONS OF ANY KIND, express or implied, including, without limitation, any warranties or conditions of TITLE, NON-INFRINGEMENT, MERCHANTABILITY, or FITNESS FOR A PARTICULAR PURPOSE.
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Yes - Progeny: Seven Shows from Seventy-Two
    Yes - Progeny: Seven Shows from Seventy-Two Scritto da Gianluca Livi Giovedì 18 Giugno 2015 18:49 Progeny: Seven Shows from Seventy-Two è l'ultima uscita postuma degli Yes. Si tratta delle registrazioni live da cui, in parte, fu estratto il famoso album live Yessongs del 1973. E' stato edito in tre versioni: 1) quella monumentale di 14 CD, che cattura sette spettacoli completi registrati nel 1972 nel tour di Close to the Edge. 2) una versione edit di 2-CD 3) la versione in vinile di quest'ultima, costituita da 3 LP E' qui recensita l'ultima uscita discografica, essendo chi scrive appassionato di vinile. Questa recensione deve essere scissa in due parti: Nella prima,qui l'intervista deve essere al batterista necessariamente a firma di commentata chi scrive ) ela presentando scelta criticabile una discaletta limitare deciamente l'edizione inpiù vinile completa a soli ed3 LP, esaustiva cosa che (in a particolare, mio modesto mancano avviso, Perpetualrende questo Change, titolo The un prodotto Fish e Starship quasi gemello Tropper, di Yessongs.registrati in Anzi, occasione a dirla del tutta, tour Yessongs precedente). era anche più completo raccogliendo testimonianze esecutive dell'immenso Bill Bruford ( Confrontate voi stessi: questa la scaletta di YesSongs e a seguire quella di Progeny: YESSONGS Opening (Excerpt From 'Firebird Suite') Siberian Khatru Heart Of The Sunrise Perpetual Change And You And I Mood For A Day Excerpts From 'The Six Wives Of Henry VIII' 1 / 4 Yes - Progeny: Seven Shows from Seventy-Two Scritto da Gianluca Livi Giovedì 18 Giugno 2015 18:49 Roundabout I've Seen All Good People Long Distance Runaround-The Fish (Schindleria Praematurus) Close To The Edge Yours Is No Disgrace Starship Trooper PROGENY Opening (Excerpt From Firebird Suite) Siberian Khatru I've Seen All Good People: Your Move / All Good People Heart of the Sunrise Clap/Mood For A Day And You And I Close To The Edge Excerpts From "The Six Wives of Henry VIII" Roundabout Yours is No Disgrace Tuttavia, va detto che la qualità di Progeny è decisamente superiore a quella di YesSongs.
    [Show full text]
  • Yes Highlights the Very Best of Yes Mp3, Flac, Wma
    Yes Highlights The Very Best Of Yes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Highlights The Very Best Of Yes Country: Australia Released: 1993 Style: Pop Rock, Prog Rock MP3 version RAR size: 1373 mb FLAC version RAR size: 1419 mb WMA version RAR size: 1575 mb Rating: 4.8 Votes: 675 Other Formats: ASF FLAC AHX AC3 AU ADX WAV Tracklist Hide Credits Survival Engineer – Gerald ChevinPerformer – Bill Bruford, Chris Squire, Jon 1 6:18 Anderson, Peter Banks, Tony KayeProducer – Paul Clay, YesWritten- By – Anderson* Time And A Word Arranged By [Orchestral Arrangements] – Tony CoxEngineer – Eddie 2 Offord*Performer – Bill Bruford, Chris Squire, Jon Anderson, Peter 4:31 Banks, Tony KayeProducer – Tony ColtonWritten-By – Foster*, Anderson* Starship Trooper Engineer – Eddie Offord*Performer – Bill Bruford, Chris Squire, (9:26) Jon Anderson, Steve Howe, Tony KayeProducer – Eddie Offord*, Yes Life Seeker 3a. Written-By – Anderson* Disillusion 3b. Written-By – Squire* Würm 3c. Written-By – Howe* I've Seen All Good People Engineer – Eddie Offord*Performer – Bill Bruford, Chris Squire, (6:53) Jon Anderson, Steve Howe, Tony KayeProducer – Eddie Offord*, Yes Your Move 4a. Written-By – Anderson* All Good People 4b. Written-By – Squire* Roundabout Engineer – Eddie Offord*Performer – Bill Bruford, Chris Squire, Jon 5 8:31 Anderson, Rick Wakeman, Steve HoweProducer – Eddie Offord*, YesWritten-By – Anderson*, Howe* Long Distance Runaround Engineer – Eddie Offord*Performer – Bill Bruford, Chris Squire, Jon 6 3:33 Anderson, Rick Wakeman, Steve
    [Show full text]
  • Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Retriever, November 6, 1978 15 ~ ~@UIT©Rnl~£!\[L ~@[MJ[MJ~~IJ======Red Tape Cheating UMBC Students
    Retriever, November 6, 1978 15 ~ ~@UIT©rnl~£!\[l ~@[MJ[MJ~~IJ========= Red tape cheating UMBC students Eighty-eight students were denied defernnents on their tuition and housing bills after there was still some delay in processing federal financial aid requests. That means they have been deregistered and are officially no longer stu­ dents at UMBC. What can they do now? They have attended classes for two months, all the time assuming they would receive financial aid. They've been thrown out of UMBC with bills ranging from $380 to nearly $1,200 for residence that they must pay. This doesn't even include all the other expenses they have had, such as books, gas, bus fares, parking registration, pens and paper. To top it off they have 90 days to pay their bills before the state central collection agency begins collecting. If these students had known they were ineligible- which isn't necessarily true -they could have spent the past two months earning enough to pay the spring semester tuition or to find an alternative source of income for this semester. Instead, they've spent the past two months toiling away. And for what? Nothing, apparently. They are to be taken off class lists and they can start packing. They can't pay their bills because of a snag in the federal bureaucracy. It just doesn't seem fair. Federal bureaucracy fouls things up, a "thinking" computer delays the procedures and the victims, UMBC students, must pay for it. The 88 students in this predicament should be allowed to continue attend- bureaucratic red tape.
    [Show full text]
  • PROGRESSIVE ROCK ELEMENTS in the POP-ROCK MUSIC of GENESIS, 1978-91 by Michael Paul Koss
    From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 Item Type Electronic Dissertation; text Authors Koss, Michael Paul Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 22:27:18 Link to Item http://hdl.handle.net/10150/145489 FROM PROG TO POP: PROGRESSIVE ROCK ELEMENTS IN THE POP-ROCK MUSIC OF GENESIS, 1978-91 by Michael Paul Koss _____________________________________ Copyright © Michael P. Koss 2011 A Dissertation Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Michael Koss entitled From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: April 11, 2011 Donald G. Traut ________________________________________________ Date: April 11, 2011 Pamela Decker ________________________________________________ Date: April 11, 2011 Kelland Thomas Final approval and acceptance of this dissertation is contingent upon the candidate‘s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.
    [Show full text]
  • Idvp010cd Couriernew
    Print Version Page 1 of 2 Print Page Permutations of Yes By Tom Von Malder (Created: Wednesday, August 22, 2007 11:09 PM EDT) Anderson, Bruford, Wakeman, Howe: An Evening of Yes Music Plus (Voiceprint DVD, 143 min.). Consisting of four-fifths of the classic lineup of Yes in the Seventies (only Chris Squire is missing), this quartet, put together by Jon Anderson, recorded an eponymous album in 1989 and then embarked on a worldwide tour. This generous-length show was captured on the American leg of the tour. It opens with brief solo sets by vocalist Anderson (“Time and a Word,” “Owner of a Lonely Heart”), who enters the auditorium from the rear and sings while walking down the aisle to the stage; guitarist Steve Howe (a couple of acoustic instrumentals) and keyboardist Rick Wakeman (“Catherine Parr,” “Merlin the Magician”), before the whole group launches into Yes’ classic “Long Distance Runaround” at the 24-minute mark. The song contains a solo by drummer Bill Bruford. Then comes “Birthright” from their one album (“Teakbois,” the bouncy rocker “Brother of Mine” and “Themes” also are covered from the disc). The wonderful central core is a trio of Yes songs: “And You and I,” “I’ve Seen All Good People” and a 19- minute “Close to the Edge.” The show ends with “Roundabout,” then an encore of “Starship Troop” after the credits roll. Grade A- Rick Wakeman: The Other Side of Rick Wakeman (MVD Visual DVD, 112 min.). This unusual release finds progressive rock keyboardist Wakeman on stage in a small club, with just a microphone and a grand piano.
    [Show full text]
  • Teachers OK One-Year Pact Unanimously
    THE NEW Your want ad The Zip Code is easy to place 4 for Linden is -Phone 686-7700 which became a Suburban Publishing Corp. newspaper on July 2, 1964 An Official Newspap^’> + FPor o r The City of Linden 07036 Subscription Rate $6.00 Yearly Published Each Thursday by Suburban Publishing Carp. J a y 20 Cents Per Copy LINDEN, N.J., THURSI SEPTEMBER 6, 1973- Second Class Postage Paid of Linden, N.J. VOL. 19 NO. 54 •J1P North Wood ova.. Linden, N.J. 07036 ESSO HAS DATA Teachers OK Linden air quality look*n^ Anyone who doubts that air quality over records a wealth of information concerning the Linden has improved in recent years would cleanliness of air over the local facility. one-year pact face the obstacle of research data compiled by As an example of air quality, from a pollution ERAMS-the Esso Research Air Monitoring standpoint, instruments now register ac­ Station, which has become one of the first ceptable regulatory levels for the sulfur dioxide privately-opera ted air quality monitoring units content of the atmosphere in the area, says Bob in American industry. Confer, Esso research associate involved in the Operated by the Linden company’s Medical unit. “ Five years ago,” he adds, “ we were unanimously Research Division, ERAMS gathers and frequently recording much higher sulfure dioxide levels.” About 250 teachers approved by a unanimous Linden teachers worked without a contract To prove his point, he flipped through a decision Tuesday a one-year contract which throughout U*e 1972-1973 school year, although binder containing air quality data from as far will provide them with about a five percent the board adopted a salary guide last summer, back as 1968.
    [Show full text]
  • Recording Engineer's Handbook
    THE Recording Engineer’s HANDBOOK by Bobby Owsinski This page intentionally left blank The Recording Engineer’s Handbook by Bobby Owsinski © 2005 Bobby Owsinski. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system without written permission from Thomson Course Technology PTR, except for the inclusion of brief quotations in a review. The ArtistPro Publishing and Thomson Course Technology PTR logo and related trade dress are trademarks of Thomson Course Technology PTR and may not be used without written permission. SVP, Thomson Course Technology PTR: Andy Shafran Publisher: Stacy L. Hiquet Executive Editor: Mike Lawson Senior Marketing Manager: Sarah O’Donnell Marketing Manager: Heather Hurley Manager of Editorial Services: Heather Talbot Associate Marketing Manager: Kristin Eisenzopf Marketing Coordinator: Jordan Casey Project Editor: Cathleen D. Snyder PTR Editorial Services Coordinator: Elizabeth Furbish Copy Editor: Heather Johnson Cover Designer/Interior Designer: Stephen Ramirez Proofreader: Gene Redding Cover photography: Susana Millman Special thanks to John Lucasey and Studio 880, Oakland, CA All other trademarks are the property of their respective owners. Thomson Course Technology PTR and the author have attempted throughout this book to distinguish proprietary trademarks from descriptive terms by following the capitalization style used by the manufacturer. Information contained in this book has been obtained by Thomson Course Technology PTR from sources believed to be reliable. However, because of the possibility of human or mechanical error by our sources, Thomson Course Technology PTR, or others, the Publisher does not guarantee the accuracy, adequacy, or completeness of any information and is not responsible for any errors or omissions or the results obtained from use of such information.
    [Show full text]