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Greatlakereview Fall1976vol4no1.Pdf (11.98Mb)
The Great Lake Review ART EDITOR: DEBBIE SMITH FICTION EDITOR: CHARLES GANGE I CO-EDITORS POETRY EDITOR: WILFRED J. BAEZ ---.J BUSINESS MANAGER: GORDON FERGESON STAFF: PATTl WEST, SARAH DICKINSON, KAREN BELOVE This magazine is made possible, by funds provided by the Student Association of SUNY of Oswego. Editorial office, Hewitt Union. Copyright 1976, The Great Lake ReView, all copyright privileges revert to authors and artists. Artwork and manuscripts may be delivered to The Great Lake Review Office at 224 Hewitt Union, S. U. C.O. / untitled Timothy Fleming 2 THE GREAT LAKE REVIEW / [At night;] At night; heat lightning. A flicker bursts out of no-where like yesterday or tomorrow breaking out of the cycle for a flash. It is the spice I cannot identify, the dream I cannot remember, the way I touch my bare knee in the dark and wonder, "Is it mine?" . Joe Wiecha THE GREAT LAKE REVIEW 3 Mao Stiffens After the last rattle of the instruments, after the sweating faces of the terrified physicians, after the last light failed in the disinfected room, you thought of Lenin crawling in his impotence, attended but by her who only understood the Revolution. In your dreams you flew to Moscow, reliving in his heart the ruined calculations the awesome betrayals the unstilled memories of frozen blood awash in the mouths of vacant eyed sol and the last frantic orders: forgotten or ignored. - Richard Snell 4 THE GREAT LAKE REVIEW The Shield Comfortably I sit inside my car: The desolate road twists and weaves past farms. The night looks warm, and even bearable While peering through the wet, mud-spattered glast The radio and wipers battle; soft Dissonance scatters sounds of studded tires That tap the road like tails of rattlesnakes. -
The Political Kiaesthetics of Contemporary Dance:—
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective Permalink https://escholarship.org/uc/item/5gg5d9cm Author Seetoo, Chia-Yi Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective By Chia-Yi Seetoo A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Miryam Sas, Chair Professor Catherine Cole Professor Sophie Volpp Professor Andrew F. Jones Spring 2013 Copyright 2013 Chia-Yi Seetoo All Rights Reserved Abstract The Political Kinesthetics of Contemporary Dance: Taiwan in Transnational Perspective By Chia-Yi Seetoo University of California, Berkeley Doctor of Philosophy in Performance Studies Professor Miryam Sas, Chair This dissertation considers dance practices emerging out of post-1980s conditions in Taiwan to theorize how contemporary dance negotiates temporality as a political kinesthetic performance. The dissertation attends to the ways dance kinesthetically responds to and mediates the flows of time, cultural identity, and social and political forces in its transnational movement. Dances negotiate disjunctures in the temporality of modernization as locally experienced and their global geotemporal mapping. The movement of performers and works pushes this simultaneous negotiation to the surface, as the aesthetics of the performances registers the complexity of the forces they are grappling with and their strategies of response. By calling these strategies “political kinesthetic” performance, I wish to highlight how politics, aesthetics, and kinesthetics converge in dance, and to show how political and affective economies operate with and through fully sensate, efforted, laboring bodies. -
University of Exeter As a Thesis for the Degree of Doctor of Philosophy by Research in Sport & Health Sciences, August 2010
1 Fighters, Thinkers, and Shared Cultivation: Experiencing Transformation Through the Long-Term Practice of Traditionalist Chinese Martial Arts Submitted by George Bradley Jennings, to the University of Exeter as a thesis for the degree of Doctor of Philosophy by Research in Sport & Health Sciences, August 2010. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. _______________________ George Bradley Jennings 2 Acknowledgements There are so many people that deserve thanks for their individual and collective contributions to this study. To borrow a popular metaphor, this PhD has been a magnificent journey assisted by the guidance of some brilliant people who all played a role in me enrolling in University to finishing the draft after an intense three years. I’ll write these acknowledgements in an attempted chronological order of guidance, but my sincere apologies to those who I have left out. Due to ethical reasons, I cannot name some of the individuals featuring in this study, so pseudonyms will be used in various instances. However, if you’re reading this, you know who you are, and thank you so much. Without their willing enthusiasm and passion in martial arts, I probably would have never considered starting this PhD, let alone complete it. I hope the finished project does their stories justice in regards to evocativeness, vividness and respect. -
History of the Fan
History Of The Fan By George Woolliscroft Rhead History Of The Fan CHAPTER I THE ORIGIN AND USES OF THE FAN IN the beginning, before the human advent, when the earth was peopled only by the Immortals, a bright son was born to Aurora, whose soft and agreeable breath was as honey in the mouth of the gods, and the beating of whose gossamer wings imparted a delicious coolness to the air, moderating the heat of summer, and providing the first suggestion of, and occasion for, the dainty little plaything we have under consideration, somewhat waggishly described as a kind of wind instrument, not, perhaps, so much to be played upon as to be played with, and invaluable as assisting to follow out the wisest of the Sage’s maxims when he bids us keep cool. This delicate toy, this airy creation of gauze, ivory, and paint, frail and fragile almost as the flowers kissed by Aurora’s son, endowed apparently with the gift of perpetual youth, may claim a lineage older than the Pyramids; having its origin and being in the infancy of the world, before the birth of history, in that golden age when life was a perpetual summer, and care was not, when all was concord and harmony, and old age, long protracted, was dissolved in a serene slumber, and wafted to the mansions of the gods, the regions of eternal love and enjoyment. It was in these halcyon days that the human family sat in its palm groves, which afforded not only refreshing shade, during the hours when the sun is at its height, but also provided the precursor of this ‘Servant of Zephyrus’—serving further to temper those beams which are the source of all life, and light, and music, for are not all the learned agreed with the late Mr. -
H.P. Lovecraft and the Modernist Grotesque
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2008 H.P. Lovecraft nda the Modernist Grotesque Sean Elliot Martin Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Martin, S. (2008). H.P. Lovecraft nda the Modernist Grotesque (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/881 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. H.P. LOVECRAFT AND THE MODERNIST GROTESQUE A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Sean Elliot Martin December 2008 Copyright by Sean Elliot Martin 2008 H.P. LOVECRAFT AND THE MODERNIST GROTESQUE By Sean Elliot Martin Approved November 21, 2008 ________________________________ ________________________________ Anne Brannen Laura Callanan Associate Professor of English Assistant Professor of English (Committee Chair) (Committee Member) ________________________________ ________________________________ Linda Kinnahan Professor of English (Committee Member) ________________________________ ________________________________ Albert Labriola Magali Michael Dean, McAnulty College and Graduate Chair, English Department School -
Prices Correct Till May 19Th
Online Name $US category $Sing Greater Magic Volume 18 - Charlie Miller - DVD $ 30.00 Videos$ 48.00 Greater Magic Volume 42 - Dick Ryan - DVD $ 30.00 Videos$ 48.00 Greater Magic Volume 23 - Bobo - DVD $ 30.00 Videos$ 48.00 Greater Magic Volume 20 - Impromptu Magic Vol.1 - DVD $ 30.00 Videos$ 48.00 Torn And Restored Newspaper by Joel Bauer - DVD$ 30.00 Videos$ 48.00 City Of Angels by Peter Eggink - Trick $ 25.00 Tricks$ 40.00 Silk Poke Vanisher by Goshman - Trick $ 4.50 Tricks$ 7.20 Float FX by Trickmaster - Trick $ 30.00 Tricks$ 48.00 Stealth Assassin Wallet (with DVD) by Peter Nardi and Marc Spelmann - Trick$ 180.00 Tricks$ 288.00 Moveo by James T. Cheung - Trick $ 30.00 Tricks$ 48.00 Coin Asrah by Sorcery Manufacturing - Trick $ 30.00 Tricks$ 48.00 All Access by Michael Lair - DVD $ 20.00 Videos$ 32.00 Missing Link by Paul Curry and Mamma Mia Magic - Trick$ 15.00 Tricks$ 24.00 Sensational Silk Magic And Simply Beautiful Silk Magic by Duane Laflin - DVD$ 25.00 Videos$ 40.00 Magician by Sam Schwartz and Mamma Mia Magic - Trick$ 12.00 Tricks$ 19.20 Mind Candy (Quietus Of Creativity Volume 2) by Dean Montalbano - Book$ 55.00 Books$ 88.00 Ketchup Side Down by David Allen - Trick $ 45.00 Tricks$ 72.00 Brain Drain by RSVP Magic - Trick $ 45.00 Tricks$ 72.00 Illustrated History Of Magic by Milbourne and Maurine Christopher - Book$ 25.00 Books$ 40.00 Best Of RSVPMagic by RSVP Magic - DVD $ 45.00 Videos$ 72.00 Paper Balls And Rings by Tony Clark - DVD $ 35.00 Videos$ 56.00 Break The Habit by Rodger Lovins - Trick $ 25.00 Tricks$ 40.00 Can-Tastic by Sam Lane - Trick $ 55.00 Tricks$ 88.00 Calling Card by Rodger Lovins - Trick $ 25.00 Tricks$ 40.00 More Elegant Card Magic by Rafael Benatar - DVD$ 35.00 Videos$ 56.00 Elegant Card Magic by Rafael Benatar - DVD $ 35.00 Videos$ 56.00 Elegant Cups And Balls by Rafael Benatar - DVD$ 35.00 Videos$ 56.00 Legless by Derek Rutt - Trick $ 150.00 Tricks$ 240.00 Spectrum by R. -
Electronic Snap Circuits Manual
Project 242 Copyright © 2012 by ELENCO® All rights reserved. No part of this book shall be reproduced by REV-H Revised 2012 753098 any means; electronic, photocopying, or otherwise without written permission from the publisher. Patent #‘s: 7,144,255, 7,273,377, & other patents pending Table of Contents WARNING: SHOCK HAZARD - WARNING: CHOKING HAZARD - Never connect Snap Circuits® to ! Small parts. Basic Troubleshooting 1 the electrical outlets in your home Not for children under 3 years. Parts List 2 in any way! MORE About Your Snap Circuits® Parts 3 MORE DO’s and DON’Ts of Building Circuits 4 WARNING FOR ALL PROJECTS WITH A ! SYMBOL MORE Advanced Troubleshooting 5 ! Moving parts. Do not touch the motor or fan during operation. Do not lean ! Project Listings 6, 7 over the motor. Do not launch the fan at people, animals, or objects. Eye protection is recommended. Projects 102 - 305 8 - 73 ® Other Fun Elenco Products 74 WARNING: Always check your wiring before ! Batteries: turning on a circuit. Never leave a circuit Basic Troubleshooting unattended while the batteries are installed. Never • Use only 1.5V AA type, alkaline batteries connect additional batteries or any other power (not included). 1. Most circuit problems are due to incorrect assembly. sources to your circuits. Discard any cracked or Always double-check that your circuit exactly • Insert batteries with correct polarity. broken parts. matches the drawing for it. • Non-rechargeable batteries should not be recharged. Rechargeable batteries Adult Supervision: Because children’s abilities 2. Be sure that parts with positive/negative markings are should only be charged under adult vary so much, even with age groups, adults should positioned as per the drawing. -
Fire Performance Conditions
First Act – Equity fire performers Policy summary What is a policy summary? This document provides key information about the Equity fire performers liability insurance policy, underwritten by Hiscox. If you have any additional questions, then please contact First Act Insurance. Policy name: Equity members – fire performers Type of insurance: Public liability Underwritten by: Hiscox Underwriting Ltd on behalf of Hiscox Insurance Company Limited Significant features and benefits All communications, including the policy wordings, are written in plain English with no jargon to ensure that you know exactly what is and, as importantly, what is not covered. Public liability cover extends to include the following as standard: claims made against you by any third-party for bodily injury or property damage as a result of any of the following fire performing activities: body burning, fire clubs, fire eating, fire poi, fire staff, fire swinging, fire breathing, fire devil sticks, angle grinding, fire fakir, dove pan, fire fingers, fire fan, fire sword and poles, fire skipping ropes, fire hula hoop, fire whip, fire sculpture, fire Diablo, fire rope, banner burning, firework staff, fire batons, fire umbrella, fire spinning, fire book, fire knives or fire nipple tassels; claims made against you by any third-party for personal injury or denial of access; costs incurred with our prior approval for defending and action brought by any government, administrative or regulatory body against you for breach of statute or regulation directly relating to any actual or potential claim; compensation if you have to attend court as a witness in connection with a covered claim against you. -
Anthropological Records 8:4
ANTHROPOLOGICAL RECORDS 8:4 CULTURE ELEMENT DISTRIBUTIONS: XXIV CENTRAL SIERRA BY B. W. AGINSKY UNIVERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES 1943 CULTURE ELEMENT DISTRIBUTIONS: XXIV CENTRAL SIERRA BY B. W. AGINSKY ANTHROPOLOGICAL RECORDS Vol. 8, No. 4 ANTHROPOLOGICAL RECORDS EDITORS: A. L. KROEBER, E. W GIFFORD, R. H. LowIE, R. L. OLSON Volume 8, No. 4, pp. 393-468, I map Submitted by the Editors May 17, 194I Issued April 9, 1943 Price, 75 cents UNIVERSITY OF CALIFORNIA PRESS BERKELEY, CALIFORNIA CAMBRIDGE UNIVERSITY PRESS LONDON, ENGLAND The University of California publications dealing with anthro- pological subjects are now issued in two series. The series in American Archaeology and Ethnology, which was established in 1903, continues unchanged in format, but is restricted to papers in which the interpretative element outweighs the factual or which otherwise are of general interest. The new series, known as Anthropological Records, is issued in photolithography in a larger size. It consists of monographs which are documentary, of record nature, or devoted to the presentation primarily of new data. MANUFACTURED IN THE UNITED STATES OF AMERICA - CONTENTS Page Introduction ..... ....... 393 Infomants .. 394 Culture element distributions list .... ....... 395 Symbols used in the element list .... ...... 395 Subsistence, elements 1-286 .... ....... 395 Hunting, 1-121 . 395 Fishing, 122-184a . .398 Gathering, preparation, storage, 185-260a . ... 400 Pets, 267-278i. .. 402 Various, 279-286. 402 Houses, 287a-364. 403 Navigation and swimming, 385-399 ....I.. .* . ........ ... 405 Tools, utensils, technological processes, 400-505 .....................406 Weapons, 507-601 . 408 Body and dress, 602-794d .. ..... 411 Carrying, 795-813 . 416 Basketry, 814-890k ............. -
Word Pictures in the New Testament - Luke
Word Pictures in the New Testament - Luke Author(s): Robertson, A. T. (1863-1934) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Description: A. T. Robertson was a renowned Greek New Testament scholar. His work on the Greek language is still consulted today. Word Pictures in the New Testament is his insightful treatment of that book. In the Greek New Testament, there are a variety of meaningful pictorial nuances implicit in the Greek constructions. These nuances are often lost in trans- lation. Word Pictures in the New Testament explains them. Robertson examines Greek constructions from many different Testament passages. He provides background to many of the Greek words and their connotations in the original Greek, thereby shedding new light on the meaning of passages. Many readers have gained a new, richer understanding of the New Testament by studying Word Pictures in the New Testament. And although no technical knowledge is required to study this work, familiarity with the Greek language makes this work much easier to digest. Consequently, it is ideal for pastors, theologians, and students of the New Testament. Tim Perrine CCEL Staff Writer Subjects: The Bible New Testament Works about the New Testament i Contents Title Page 1 Chapter 1 2 Chapter 2 13 Chapter 3 23 Chapter 4 30 Chapter 5 42 Chapter 6 50 Chapter 7 60 Chapter 8 68 Chapter 9 77 Chapter 10 89 Chapter 11 98 Chapter 12 106 Chapter 13 115 Chapter 14 121 Chapter 15 127 Chapter 16 134 Chapter 17 140 Chapter 18 144 Chapter 19 149 Chapter 20 155 Chapter 21 160 Chapter 22 165 Chapter 23 174 Chapter 24 182 Indexes 188 ii Index of Scripture References 189 Index of Scripture Commentary 197 iii This PDF file is from the Christian Classics Ethereal Library, www.ccel.org. -
Frictions and Flows: Affective Economies of Fire Dance in the Thai Tourism Industry
FRICTIONS AND FLOWS: AFFECTIVE ECONOMIES OF FIRE DANCE IN THE THAI TOURISM INDUSTRY TIFFANY RAE POLLOCK A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN GENDER, FEMINIST AND WOMEN’S STUDIES YORK UNIVERSITY TORONTO, ONTARIO AUGUST 2018 © TIFFANY RAE POLLOCK, 2018 ii ABSTRACT This dissertation examines Thai fire dance, a form of labour in the Thai tourist industry, as a platform through which fire dancers confront and negotiate the tensions of increasing tourism, marginalization, capitalist expansion and neoliberal ideologies. In particular, this research highlights the ways in which affective, embodied and spatialized practices in fire art communities form political interventions and group solidarities that are also intimately entangled in the reproduction and recreation of social hierarchies and unequal relations of power. While fire dance communities hold utopic potentials and moments of sharing across spectrums of social difference that allow for the reimagination of geopolitical, cultural and ethnonational boundaries, they are also spaces and practices fully implicated in the issues they seek to address. The affect born and danced into being in these communities is the nexus through which these complex negotiations are worked out through the body, and is the basis for micropolitical and “messy” solidarities to form in the midst of capitalist and neoliberal times and spaces. iii DEDICATION This dissertation would have been unimaginable without the support and love from those who raised me. I am forever grateful to my parents, siblings, grandparents, aunts, uncles, cousins and friends for their encouragement. This work is dedicated to my mother, Heather. -
Inquiries Into Fire in a Burning Man Community
FIRE IN THEIR EYES: INQUIRIES INTO FIRE IN A BURNING MAN COMMUNITY By KACIE CLAIRE ALLEN A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2012 1 © 2012 Kacie Claire Allen 2 To my fire kin 3 ACKNOWLEDGMENTS I thank my committee, for their advice, patience, and encouragement. And I thank all those who shared their stories by the fireside. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF FIGURES .......................................................................................................... 7 ABSTRACT ................................................................................................................... 10 CHAPTER 1 INTRODUCTION .................................................................................................... 12 First Encounters ...................................................................................................... 12 Exploring Fire In Burner Life ................................................................................... 13 The Research Community ................................................................................ 13 The Subject Of Inquiry ...................................................................................... 14 The Project ....................................................................................................... 15 2