A Typical Digger a Digger’S Belongings Newspapers, Magazines and Books Were Full of Advice About What Diggers Should Take to the Goldfields
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Hats Off to You, Ladies!
HATS OFF TO YOU, LADIES! by Rhonda Wray 2 Copyright Notice CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Christian Publishers. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Christian Publishers. Questions concerning other rights should be addressed to Christian Publishers. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Christian Publishers. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged. -
Yiwu Longfashijia Industry&Trade Co
Price list Yiwu LongfaShijia Industry&Trade Co., Ltd TEL: +86-579-85876168 Contact: Andy Wang; TEL: +86-15372998684; E-mail: [email protected] ADD: No. 483 DianKou Village Chengxi Street Yiwu Zhejiang China FOB Net NAME OF head Sample item# PHOTO: finish material QTY (shangha Packing weight(g NO/CTN Carton Size: PRODUCT: size Date: i) usd$ ) Fashion paper paper 90101022 straw fedora hat beige 56cm 1000 $1.65 hangtag 108 60 28*28*78 5-7 days straw; with silver band Fashion paper straw fedora hat paper 90101023 pink 56cm 1000 $1.98 hangtag 120 60 28*28*80 5-7 days with braided straw band Fashion paper paper 90101024 straw fedora hat pink 56cm 1000 $1.82 hangtag 145 60 31*31*70 5-7 days straw with silver band Wide Brim paper Straw Hat straw; 90101025 Floppy Foldable beige 56cm 1000 $2.03 hangtag 180 60 32*32*73 5-7 days flower Summer Beach band flower Sun Hats Womens Wide paper Brim Straw Hat straw; 90101026 FloppyFedora ivory 56cm 1000 $2.03 hangtag 159 60 31*31*75 5-7 days shell Summer Beach band Sun Hats paper fringe Wide straw, Brim Straw Hat 90101027 ivory 56cm fabric 1000 $1.89 hangtag 140 60 32*32*75 5-7 days Floppy Fedora pom pom Beach Sun Hats band 5-7days Spray painting paper paper straw hat straw; 90101028 coffee 56cm 1000 $2.35 hangtag 155 60 31*31*72 with back ribbon fabric band band 5-7days Gold color paper Fedora paper straw, 90101030 straw summer Gold 56cm 1000 $2.82 hangtag 126 60 32*32*76 5-7 days fabric hat with leopard band print fabric band Fedora wide paper brim summer straw, 90101029 Pink 56cm 1000 $2.08 hangtag -
The BOLLI Journal
The BOLLI Journal Volume Ten 2019-2020 Brandeis Osher Lifelong Learning Institute 1 The BOLLI Journal 2019-2020 Table of Contents Editorial Committee WRITING: Creative Nonfiction Sue Wurster, Production Editor Joanne Fortunato, Artistic Editor Short-Changed, Marty Kafka............................................7 The Kiss, Larry Schwirian...............................................10 Literary Editors The Cocoanut Grove, Wendy Richardson.......................12 Speaking of Shells, Barbara Jordan..... ...........................14 Them Bones, Them Bones Marjorie Arons-Barron , Donna Johns........................16 The Hoover Dam Lydia Bogar , Mark Seliber......................................18 Betsy Campbell Dennis Greene Donna Johns THREE-DIMENSIONAL ART Marjorie Roemer Larry Schwirian Shaker Cupboard, Howard Barnstone.............................22 Sue Wurster Fused Glass Pieces, Betty Brudnick...............................23 Mosaic Swirl, Amy Lou Marks.......................................24 Art Editors WRITING: Memoir Helen Abrams Joanne Fortunato A Thank You, Sophie Freud..............................................26 Miriam Goldman Excellent Work, Jane Kays...............................................28 Caroline Schwirian Reaching the Border, Steve Asen....................................30 First Tears, Kathy Kuhn..................................................32 An Unsung Hero, Dennis Greene....................................33 BOLLI Staff Harry, Steve Goldfinger..................................................36 My -
NFHS Basketball Equipment/Apparel Specifications 2020-2021
NFHS Basketball Equipment/Apparel Specifications 2020-2021 IESA Sleeves/Tights/Compression Shorts 3-5-3: Arm sleeves, knee sleeves, lower leg sleeves, compression shorts and tights are permissible. • Anything worn on the arm and/or leg is a sleeve, except a knee brace, and must meet the color restrictions. • Sleeves/tights, compression shorts shall be black, white, beige or the predominant color of the jersey and the same color sleeves/tights must be worn by teammates. • All sleeves/tights, compression shorts must be the same solid color and must be the same color as any headband or wristband worn. • Sleeves/tights and compression shorts must meet the logo requirements. See NFHS Rule 3-6. • Note: A brace is defined as anything worn for a medical purpose to increase stability. In general, it is made of neoprene or elastic knit with an insert embedded to support the joint. It may or may not have a hinge and/or straps or an opening over the knee cap. Wristbands and Headwear 3-5-4: Wristbands and headwear must meet the following guidelines: • Headbands and wristbands may be white, black, beige or the predominant color of the jersey and must be the same color for each item and all participants. They must also be the same color as any sleeve/tights worn. • A headband is any item that goes around the entire head. It must be a circular design without extensions. If worn, only one headband is permitted, it must be worn on the forehead/crown. It must be nonabrasive and unadorned and may be a maximum of 3 inches wide. -
A Short History of the Wearing of Clerical Collars in the Presbyterian Tradition
A Short History of the Wearing of Clerical Collars in the Presbyterian Tradition Introduction There does not seem to have been any distinctive everyday dress for Christian pastors up until the 6th century or so. Clergy simply wore what was common, yet muted, modest, and tasteful, in keeping with their office. In time, however, the dress of pastors remained rather conservative, as it is want to do, while the dress of lay people changed more rapidly. The result was that the dress of Christian pastors became distinct from the laity and thus that clothing began to be invested (no pun intended) with meaning. Skipping ahead, due to the increasing acceptance of lay scholars in the new universities, the Fourth Lateran council (1215) mandated a distinctive dress for clergy so that they could be distinguished when about town. This attire became known as the vestis talaris or the cassock. Lay academics would wear an open front robe with a lirripium or hood. It is interesting to note that both modern day academic and clerical garb stems from the same Medieval origin. Councils of the Roman Catholic church after the time of the Reformation stipulated that the common everyday attire for priests should be the cassock. Up until the middle of the 20th century, this was the common street clothes attire for Roman Catholic priests. The origin of the clerical collar does not stem from the attire of Roman priests. It’s genesis is of protestant origin. The Origin of Reformed Clerical Dress In the time of the Reformation, many of the Reformed wanted to distance themselves from what was perceived as Roman clerical attire. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
Spring/Summer 20/21 Featuring the Very Glamorous & Versatile Summer Poncho
ARCHER HOUSE Spring/Summer 20/21 Featuring the Very Glamorous & Versatile Summer Poncho Here is our NEW SPRING/SUMMER COLLECTION. • Stunning range of lightweight and colourful scarves in this season’s fashion colours. • Our new summer Poncho can be worn 3 ways plus it can be used as a lightweight scarf. • Bags and a great range of new summer hats. • Jewellery including bracelets, necklaces and earrings. Our difficult winter is behind us - let’s look forward to a warm, colourful and very successful summer. kind regards, Paul Refer to the jewellery order form for pricing of jewellery highlighted throughout this scarf order form. Order Form : Summer 2020/2021 Invoice : Customer : Phone No. : Date : Email. : Delivery Address : 1SC642 : Block Leaf Print Scarf 3 SC644 : Rectangles and Circles Scarf 100% Viscose, 70 x 180cm Qty Cost Total $ 100% Viscose, 70 x 180cm Qty Cost Total $ White/Orange/Aqua/Yellow $39.90 White/Olive/Mustard/Tan $39.90 SOLD OUT Total $ White/Yellow/Navy/Orange $39.90 Total $ 2 SC643 : Summer Animal Print Scarf 4 SC645 : Spots and Stripes Scarf 100% Viscose, 70 x 180cm Qty Cost Total $ 100% Viscose, 70 x 180cm Qty Cost Total $ White/Grey/Pale Pink $39.90 White/Lemon/Aqua/Navy/ $39.90 Grey White/Pale Blue/Lemon $39.90 White/Orange/Lime/Navy/ $39.90 Total $ Grey Total $ 20-143 : Genuine Stone 20-153 : Leather Bracelet $19.90 each 18-124 : Button Stud 19-146 : Genuine Dainty Freshwater Pearl Hook Earrings $19.90pr Earrings $19.90pr Hook Earrings $19.90pr 2 of 16 Order Form : Summer 2020/2021 Invoice : Customer : Phone No. -
Design Guidelines Manufacturer Guidelines
Congratulations on your participation in the tenth annual Prêt-A-Porter fashion event! Friday May 12th, 7:00 PM EXDO 1399 35th Street Denver, CO 80205 _________________________________________________________________________________________ This document should answer most of your questions about design, materials, and event logistics including: 1. Design Teams 6. Critical Dates 2. Manufacturer Guidelines 7. Model Information 3. Judging Criteria 8. Run-through of the event 4. Prizes 9. Frequently Asked Questions 5. Tickets __________________________________________________________________________________________ ► Design Guidelines Each Design Team will be comprised of up to five members plus a model. We encourage the model to be an integral part of the team and someone with your firm or manufacturer. No hired professional models. The intent of the event is to showcase your manufacturer’s product by using it in a unique and creative way. Look to media coverage of the couture and ready-to-wear fashion shows in New York, Paris, London and Milan for inspiration. Fabrication of the materials into a garment is the responsibility of the design team. We encourage your team to sew and assemble your creation using your own methods. With that said, however, you are allowed to have a seamstress outside of your team help you assemble your garment. This cost would be the responsibility of the design team. However only 10% of the entire garment can be sewn or fabricated by someone outside of your team. ► Manufacturer Guidelines The manufacturer’s only responsibility to the team is to supply the materials for the construction of the garment. The manufacturer is not required to help fabricate the garment; however, with past events, the most successful entries have featured collective collaboration between the design team and the manufacturer and pushed materials to perform in new ways. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
Ahead Corporate HEADWEAR & ACCESSORIES SECOND EDITION
Ahead Corporate HEADWEAR & ACCESSORIES SECOND EDITION 20 19 WWW.AHEADCORPORATE.COM INTRODUCING SONICWELD! SONIC BOOM! Use AHEAD’s new SONICWELD technique to add POP to your logo with texture, dimension, & dynamic color. This proprietary technique offers a modern alternative to traditional embroidery. ORNAMENTATION - MIX IT UP Nobody has more ways than AHEAD to help you present your logo in so many eye catching, and innovative ways. With variety like this, Ahead can offer you a multitude of was to transform and present your logo. Direct Embroidery Name Drop Name Drop w/ Logo 3D/Bounce Embroidery Printed Label-Coolmax Printed Label-Canvas 3D Printed Vintage Label Custom Vin Therm Vintage Label w/Embroidery 3D Printed Label w/Embroidery Applique W/ Embroidery Open Edge Printed Applique Woven Applique Label Rubber Applique Sonic Weld Grafix Weld *Please contact your AHEAD Sales Representative for pricing. TABLE OF CONTENTS 04 MODERN TREND HATS 37 KATE LORD 50 MONEY CLIPS/HAT CLIPS/BAG TAGS 06 CLASSIC COTTONS 41 PRIVATE LABEL 51 STOCK LEATHER/POKER CHIPS 13 FITTED 42 PERSONALIZATION 52 TOWELS/BLANKETS/BAGS 14 PERFORMANCE 43 T-SHIRT CAP COMBO 53 CHROMAPLATE 24 CASUALS 44 TOURNAMENT GIFT PACKS 54 APPAREL 29 VISORS 47 CORPORATE ACCESSORIES 56 T-SHIRTS 32 BRIMMED HATS 48 BALLMARKER/COMMEMORATIVE 58 PANTONE MATCHES 34 KNITS 49 DIVOT TOOLS 59 INDEX Icon Legend GRAFIXWELD SONIC WELD SO MANY WAYS TO GET AHEAD! LADIES’ APPAREL MEN’S APPAREL HEADWEAR ACCESSORIES & GIFTS CORPORATE HEADWEAR TEAM/COLLEGIATE HEADWEAR ASI#33220 PPAI#552592 EVEN MORE REASONS TO GET AHEAD! Corporate Social Responsibility AHEAD, LLC is committed to a platform corporate responsibility, striving for business solutions that integrate financial responsibility with long term social and environmental perspectives. -
Title Clergy Shirt Cross Cassock Chimere Rochet Bishops Scarf Seal
Jurisdi ction Title Clergy Shirt Cross Cassock Chimere Rochet Bishops Scarf Seal Seal Zuchetto Cope/Mitre Red White/Red Wrist Bands Gold Cross w/Gold Red Almy# Almy# 59002TM Rochet Red Presiding Prelate Red Chain Almy #34015M 34802M 59005PM Wrist Bands Red 6" No Almy# 32234 Yes White/Red Wrist Bands Red-Purple Red Almy# 59002TM Rochet Jurisdiction/Board Red-Purple Gold Cross w/Gold Almy #34015M Almy# (Traditional) Black Red-Purple One Bishop Almy # 31125 Chain (Roman Style) 34802M 59005PM Wrist Bands Almy# 5911 6" Yes Almy# 32234 Yes Red- White/Red- Purple Wrist Red-Purple Purple Bands Almy # 59002TPM Non Board One Blue- Purple Gold Cross w/Gold Almy Almy# Rochet 59004PPCM Wrist Black Red-Purple Bishops Almy 31125 Chain #34018PM 34802PM Bands Almy# 5911 6" No Almy# 32234 Yes Red- White/Red- Purple Wrist Red-purple Purple Bands Almy # 59002TPM Blue-Purple Gold Cross w/Gold Almy Almy# Rochet 59004PPCM Wrist Black Red-Purple Bishop-Elect Almy #31125 Chain #34018PM 34802PM Bands Almy# 5911 6" Yes Almy# 32234 No Title Clergy Shirt Cross Cassock Chimere Rochet Scarf Seal White Silver Cross Black White Surplice Black Superintendents Almy # 31013 w/silver chain Almy# 31502 No Almy# 31604 (Old English) Almy# 32410 3" No N/A N/A Light Blue Silver Cross Black Black Pastors Almy # 31013 w/Black Cord Almy# 31502 No No Almy# 32410 3" No N/A N/A White Alb with white rope cincture Almy # 30520 (Alb) Black Neckband Silver Cross Almy #30510 Ordained Elders Almy #31013 w/Black Cord (Cincture) No No No No No N/A N/A Black Tab Collar Licensed Ministers Almy -
The Evolution of Cassock, Gown, Habit and Hood As Academic Dress
Transactions of the Burgon Society Volume 5 Article 5 1-1-2005 Layer upon Layer: The Evolution of Cassock, Gown, Habit and Hood as Academic Dress Alex Kerr University of Oxford Follow this and additional works at: https://newprairiepress.org/burgonsociety Recommended Citation Kerr, Alex (2005) "Layer upon Layer: The Evolution of Cassock, Gown, Habit and Hood as Academic Dress," Transactions of the Burgon Society: Vol. 5. https://doi.org/10.4148/2475-7799.1038 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 5 (2005), pages 42–58 Layer upon Layer: The Evolution of Cassock, Gown, Habit and Hood as Academic Dress by Alex Kerr Writers on the history of academic dress sometimes mistake which medieval garments were the antecedents of those worn in modern times. This happens especially when they misinterpret the evidence from memorial brasses and other pictorial sources. The situation is complicated by the fact that several Latin terms are used for a single article of dress in early university and college regulations and one term may refer to quite different articles at different periods. Now, as then, it is common to use words for clothing in both a narrow and a broad sense: for example, in modern English we use ‘jacket’ and ‘coat’ with various meanings, some of them overlapping or interchangeable. Similarly, in writing about medieval dress ‘gown’ or ‘robe’ may be a very specific item distinct from ‘cassock’ or ‘habit’ at one point, but any long, loose garment at another.