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Indigenising the Interior of Some Selected Hotels in Enugu Metropolis Through the Production of Textile, Using Igbo Motifs
International Journal of Art and Art History December 2020, Vol. 8, No. 2, pp. 24-39 ISSN: 2374-2321 (Print), 2374-233X (Online) Copyright © The Author(s).All Rights Reserved. Published by American Research Institute for Policy Development DOI: 10.15640/ijaah.v8n2p3 URL: https://doi.org/10.15640/ijaah.v8n2p3 Indigenising the Interior of Some Selected Hotels in Enugu Metropolis through the Production of Textile, using Igbo Motifs Adaeze Q. Silas-Ufelle1 and Pius A. Ntagu2 Abstract It was observed that interior of hotels in Enugu metropolis are predominantly adorned with foreign fabrics that do not reflect the culture of the host communities. The essence of actualizing and stabilizing the economy, especially the hospitality industry in Enugu metropolis implies employing all workable parameters that can restructure the cultural and economic growth of the people positively. Therefore, there is need to indigenize the interiors of hospitality industry in Enugu using Igbo traditional motifs. Selected hotels were used to mirror this attenuation by employing the Igbo unique traditional symbols and mural designs to acculturate their interior environments. Qualitative research was adopted and snowball sampling was used for the selection of hotels. As a studio area, the work employed the transfer of developed designs on fabrics with the aids of batik, tie-dye and screen printing method of fabric production. The final fabric works were produced to satisfy the various end uses relevant to hotel interiors and to provide materials for documentations as a means of projecting the esteemed culture of Enugu metropolis in particular and Ndigbo in general. The studio experimentation employed mixed media and construction techniques. -
Textile Printing
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik. -
Evaluation of Independent Mesh Modeling for Textile Composites
EVALUATION OF INDEPENDENT MESH MODELING FOR TEXTILE COMPOSITES A Thesis by JEFFREY SCOTT MCQUIEN Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Chair of Committee, John D. Whitcomb Committee Members, Mohammad Naraghi Terry Creasy Head of Department, Rodney Bowersox May 2017 Major Subject: Aerospace Engineering Copyright 2017 Jeffrey Scott McQuien ABSTRACT The Independent Mesh Method (IMM) was used to analyze stress distributions within a unit cell model for a symmetrically stacked plain weave textile composite. Results from these analyses were compared to those of conventional finite element analyses, which are well established. Preliminary comparisons showed extreme dis- agreement between the two methodologies. Further investigation into the source of these differences led to significant corrections to the IMM implementation. After these updates, much better agreement between the two methodologies was observed; however, noticeable differences were still present. The remaining differences were characterized using a simple two-inclusion model upon which the impacts of the penalty displacement method, which the IMM relies upon heavily, were more appar- ent. It was shown that the implementation of the penalty displacement method for maintaining approximate displacement continuity between two surfaces induces sig- nificant error in stress distributions close to the interface. While these effects are less noticeable in the plain weave model, they are still present and diminish the fidelity of stress information in important tow-matrix interface regions, prohibiting the reliable prediction of damage initiation and growth. ii DEDICATION This thesis is dedicated to my father, without whom, it would have never been. -
NFHS Basketball Equipment/Apparel Specifications 2020-2021
NFHS Basketball Equipment/Apparel Specifications 2020-2021 IESA Sleeves/Tights/Compression Shorts 3-5-3: Arm sleeves, knee sleeves, lower leg sleeves, compression shorts and tights are permissible. • Anything worn on the arm and/or leg is a sleeve, except a knee brace, and must meet the color restrictions. • Sleeves/tights, compression shorts shall be black, white, beige or the predominant color of the jersey and the same color sleeves/tights must be worn by teammates. • All sleeves/tights, compression shorts must be the same solid color and must be the same color as any headband or wristband worn. • Sleeves/tights and compression shorts must meet the logo requirements. See NFHS Rule 3-6. • Note: A brace is defined as anything worn for a medical purpose to increase stability. In general, it is made of neoprene or elastic knit with an insert embedded to support the joint. It may or may not have a hinge and/or straps or an opening over the knee cap. Wristbands and Headwear 3-5-4: Wristbands and headwear must meet the following guidelines: • Headbands and wristbands may be white, black, beige or the predominant color of the jersey and must be the same color for each item and all participants. They must also be the same color as any sleeve/tights worn. • A headband is any item that goes around the entire head. It must be a circular design without extensions. If worn, only one headband is permitted, it must be worn on the forehead/crown. It must be nonabrasive and unadorned and may be a maximum of 3 inches wide. -
A Short History of the Wearing of Clerical Collars in the Presbyterian Tradition
A Short History of the Wearing of Clerical Collars in the Presbyterian Tradition Introduction There does not seem to have been any distinctive everyday dress for Christian pastors up until the 6th century or so. Clergy simply wore what was common, yet muted, modest, and tasteful, in keeping with their office. In time, however, the dress of pastors remained rather conservative, as it is want to do, while the dress of lay people changed more rapidly. The result was that the dress of Christian pastors became distinct from the laity and thus that clothing began to be invested (no pun intended) with meaning. Skipping ahead, due to the increasing acceptance of lay scholars in the new universities, the Fourth Lateran council (1215) mandated a distinctive dress for clergy so that they could be distinguished when about town. This attire became known as the vestis talaris or the cassock. Lay academics would wear an open front robe with a lirripium or hood. It is interesting to note that both modern day academic and clerical garb stems from the same Medieval origin. Councils of the Roman Catholic church after the time of the Reformation stipulated that the common everyday attire for priests should be the cassock. Up until the middle of the 20th century, this was the common street clothes attire for Roman Catholic priests. The origin of the clerical collar does not stem from the attire of Roman priests. It’s genesis is of protestant origin. The Origin of Reformed Clerical Dress In the time of the Reformation, many of the Reformed wanted to distance themselves from what was perceived as Roman clerical attire. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
A Typical Digger a Digger’S Belongings Newspapers, Magazines and Books Were Full of Advice About What Diggers Should Take to the Goldfields
A typical digger A digger’s belongings Newspapers, magazines and books were full of advice about what diggers should take to the goldfields. A typical digger was a man in his 20s, either unmarried Some even provided lists of supplies. Shops in London, or with a young family. Although doctors and lawyers Sydney and Melbourne offered special digger’s kits. came to the goldfields, most diggers were tradesmen such as blacksmiths, builders, butchers, carpenters and Recommended supplies shoemakers. They were well educated and most could James Bonwick published a guide to the Australian read and write. diggings in 1852. He advised diggers not to take too Some people came to the diggings from nearby much as transport was very expensive. As most would cities and towns by coach or on foot. Others came have to walk to the diggings, they should take only from all over Australia or from overseas. For those what they could carry. Bonwick recommended: seeking their fortune, no distance was too far and • hard-wearing clothes Celebrating success no cost too great. • strong boots Some diggers had jewellery Most of the diggers who came from overseas • waterproof coat and trousers of oilskin made to celebrate their were English, but there were also Welsh, Irish and A portrait to send home success. These brooches • a roll of canvas ‘for your future home’ include many of a diggers’ Scottish diggers. Europeans were also keen to make Diggers who had left their • good jacket for Sundays essential belongings: picks their fortune and came from Germany, Italy, Poland, families far behind were keen • pick, shovel and panning dish and shovels, panning dishes, Denmark, France, Spain and Portugal. -
Exploring Livelihoods of the Urban Poor in Kampala, Uganda an Institutional, Community, and Household Contextual Analysis
Exploring livelihoods of the urban poor in Kampala, Uganda An institutional, community, and household contextual analysis Patrick Dimanin December 2012 Abstract he urban poor in Kampala, Uganda represent a large portion of the populationulationn ooff thtthehe caccapitalapipitatal ciccity,ityty, yyeyetet llilittleittttlele iiss Tdocumented about their livelihoods. The main objective of this study was to gain a generalgenerall understandingundndererststananddiingg of the livelihoods present amongst the population of the urban poor and the context in considered whichhicch theythheyy exist, so as to form a foundation for future programming. Three groups of urban poor in the city were identi ed through qualitative interviews: street children, squatters, and slum dwellers. Slum dwellers became the principal interest upon considering the context, aims and limits of the study. Qualitative interviews with key actors at community and household levels, questionnaires at a household level, and several other supplementary investigations formed the remainder of the study. Ultimately, six different livelihood strategies were identi ed and described: Non-poor Casual Labourers, Poor Casual Labourers, Non-quali ed Salary, Quali ed Salary, Vocation or Services, and Petty Traders and Street Vendors. Each of the livelihood strategies identi ed held vulnerabilities, though the severity of these varies between both the type of vulnerability and group. Vulnerabilities of the entire slum population of Kampala include land tenure issues, malnutrition monitoring, and enumeration information. Those at a community and area level include the risk of persistent ooding, unhygienic and unsanitary practices, and full realisation of bene ts of social networks. Finally, major household vulnerabilities included lack of urban agriculture, and lack of credit. -
Addie Pietrowski - 8Th Grade Mackinaw Student - Tells About Her New Normal
by Sandy Planisek Mackinaw News MI Safe Start - Governor to Restart Economy by Region and Workplaces The governor has a plan to slowly allow business to reopen based on the region of the state and the type of business. The governor extended her emergency declaration for 28 days. She announced that residential and commercial construction crews can return to work on May 7th. Also, real estate activities and outdoor work can resume as well as workers who fulfill orders for curb-side pick-up from non-necessary stores, to care for a family member or pet in another household, visit people in health-care facilities, attend a funeral with 10 or less people, attend addiction meetings, and view real estate by appointment. Prohibited is travel to vacation rentals. Read the details at https://content.govdelivery.com/attachments/MIEOG/2020/05/01/file_attachments/1441315/EO%202020-70.pdf May 3, 2020 page 1 Mackinaw News by Sandy Planisek No Prom - Help Celebrate With a Parade ! For Mackinaw’s Graduating Class Decorate your car and join a celebratory parade for Mackinaw’s graduating seniors on May 9th. Decorate your car, then proceed to the school parking lot at 7:45 pm for the line up. Parade begins at 8:30 pm. If you would rather stay home and are on the parade route, put out decorations or at least wave at the parade passes. Give these students the launch into their future that they deserve. Ron Dye May 3, 2020 page 2 Mackinaw News by Sandy Planisek MACKINAW CITY PUBLIC SCHOOLS PRESCHOOL OPEN HOUSE AND REGISTRATION INFO The preschool open house has been canceled due to COVID-19 restrictions. -
Indigo and the Tightening Thread 1 for the Journal of Weavers, Spinners and Dyers 231 Autumn 2009
Indigo and the Tightening Thread 1 For the Journal of Weavers, Spinners and Dyers 231 Autumn 2009 Jane Callender Natural indigo and synthetic Many varieties of indigo bearing plants flourish in indigo are both available to us. hot and temperate climates all over the world A key date in textile history is and more than one can be found in any one 1856 when 18 year old assistant region. The European indigo bearing plant is chemist William Perkins, Isastis Tinctoria, known as woad. stumbled upon, developed and Although there are an incredible number of patented the first synthetic species and subspecies, ‘indican’, the actual dyestuff from coal tar. ‘Perkins chemical source and precursor of indigo, a tiny Purple’ became known as organic molecule, is common to all. (A Large Mauvine. Later the German percentage in the woad precursor is also indican, chemist Adolf von Baeyer with Isatan B making up the rest) Consequently synthesized indigo which was ‘…..the resulting blue is indistinguishable even to sold on the open market in the specialist’ (Balfour-Paul) 1897. Astonishingly, the Harvesting the plants, extracting the indican molecular structure of natural present within the leaves and storage of the and synthetic indigo, as it was indigo pigment differs from country to country. then and as it is now, is the Though glycosides and enzymes vary, as does the same. alkalinity level and temperature of the water in which leaves are immersed, the following Dyeing can only be done graphics illustrates, in essence, the acquisition of with indigo in its soluble form natural indigo through fermentation. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
Digital Textile Printing Has Come of Age
diversification Digital Textile Printing Has Come of Age One only needs to look at what is happening in other parts of the world to see that now is the time for companies in North America to invest resources to participate in the projected growth of digital textile printing. Digital textile printing has officially Italy, Turkey and Spain, along with Brazil entered a new age. e global market for and India, have embraced digital textile volume of printed textile is around 27 printing to the point where they have idled billion yards per year, growing at three some of their screen printing equipment in percent. It is estimated that about 250 favor of printing textiles digitally. ey are million yards is currently printed digitally. producing yardage of all types of products e growth curve of digitally printed yards including apparel, home furnishing, has steepened over the past two to three interior decoration and signage. years and it is expected that by 2016, the The major drawbacks of printing volume will be well over one billion yards. digitally, namely speed and cost have been, Does digital textile printing finally and continue to be, addressed. Digital make sense as a mainstream solution to printers now in production reach speeds serve the needs of the signage and other of 75 yards per minute. Companies are markets? Has the technology progressed realizing running costs in the range of to the point of it being viable to more than $0.50/yard compared to $0.35/yard for a few companies that have mastered its rotary screen printing.