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The Disturbing Victims of Chuck Palahniuk
The Disturbing Victims of Chuck Palahniuk Anders Westlie Master thesis at ILOS UNIVERSITETET I OSLO 16.11.2012 II The Disturbing Victims of Chuck Palahniuk III © Anders Westlie 2012 The Disturbing Victims of Chuck Palahniuk Anders Westlie http://www.duo.uio.no/ Trykk: CopyCat Express, Oslo IV Abstract The writings of Chuck Palahniuk contain a large variety of strange and interesting characters. Many of them are victims of the choices they or others made, which is how their lives become interesting. I aim to see if there is any basis in reality for some of the situations and fears that happen. I also mean that Palahniuk thinks people are afraid of the wrong things, and afraid of too many things in general, and will approach this theory in my discussion. V VI Introduction This thesis has been through an abundance of versions and changed shape and content very many times over the years; from being all psychoanalysis to pure close reading, and ended with a study of victims, fears and reactions. In the end, the amount of close reading that has gone into it has bypassed the use of theory. This is mostly a reaction to past criticism to my over-use of critics, and focusing on that rather than the texts at hand. I find my time disposition in the production process of this paper to be shame, but life will sometimes get in the way of good intentions. As such, I hope that you, dear reader, find my efforts not in vain and take some interest in what my efforts have produced. -
Department of English and American Studies English Language And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Petra Mašínová The Element of Violence in Chuck Palahniuk’s Works Bachelor‟s Diploma Thesis Supervisor: Mgr. Veronika Pituková 2013 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author‟s signature Acknowledgement I would like to thank my supervisor, Mgr. Veronika Pituková, for all her help, advice and willingness. Table of Contents Introduction .......................................................................................................................... 5 1. Violence in Popular Culture and Literature .............................................................. 7 1.1. Definition of Violence ............................................................................................ 7 1.2. Violence and the Media ......................................................................................... 8 1.3. Violence and Pleasure ......................................................................................... 10 2. Chuck Palahniuk and Violence ................................................................................. 12 2.1. Palahniuk’s Writing ............................................................................................. 13 2.2. Transgressive Fiction .......................................................................................... 16 3. Analyses of Palahniuk’s Novels with -
Chuck Palahniuk: Beyond the Body a Representation of Gender in Fight
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives Chuck Palahniuk: Beyond the Body A Representation of Gender in Fight Club, Invisible Monsters and Diary By Kjersti Jacobsen A Thesis Presented to The Department of Literature, Area Studies and European Languages In Partial Fulfillment of the Requirements For the Master of Arts Degree University of Oslo Thesis supervisor: Rebecca Scherr Spring Term 2013 II Chuck Palahniuk: Beyond the Body A Representation of Gender in Fight Club, Invisible Monsters and Diary Kjersti Jacobsen III © Kjersti Jacobsen 2013 Chuck Palahniuk: Beyond the Body Kjersti Jacobsen http://www.duo.uio.no/ Print: Reprosentralen, University of Oslo IV Abstract The main focus of this essay will be to discuss how Chuck Palahniuk presents gender in three of his books: Fight Club, Invisible Monsters and Diary, and how his presentation of gender often involves the deconstruction of such terms. My aim is to show how Palahniuk deals with different aspects of gender in American society, be it the dichotomous relationship between femininity/masculinity and gay/straight, and also to show how his writing unearths an underlying critique of American society as a whole. The chapters will focus on the main characters of the three novels; depicting the characters’ journey to achieving both physical and spiritual freedom, and thus authenticity, by deconstructing normative notions of gender. The binary categories of gender have come to serve as a means of structuring society in a convenient and simple way, yet complicating the situation for those who fall on the outside of such categories. -
Mere Christianity by C.S
Mere Christianity By C.S. Lewis Contents: Book Cover (Front) (Back) Scan / Edit Notes Preface Book I. Right And Wrong As A Clue To The Meaning Of The Universe 1. The Law of Human Nature 2. Some Objections 3. The Reality of the Law 4. What Lies Behind the Law 5. We Have Cause to Be Uneasy Book II What Christians Believe 1. The Rival Conceptions of God 2. The Invasion 3. The Shocking Alternative 4. The Perfect Penitent 5. The Practical Conclusion Book III. Christian Behaviour 1. The Three Parts of Morality 2. The "Cardinal Virtues" 3. Social Morality 4. Morality and Psychoanalysis 5. Sexual Morality 6. Christian Marriage 7. Forgiveness 8. The Great Sin 9. Charity 10. Hope 11. Faith 12. Faith Book IV. Beyond Personality: Or First Steps In The Doctrine Of The Trinity 1. Making and Begetting 2. The Three-Personal God 3. Time and Beyond Time 4. Good Infection 5. The Obstinate Toy Soldiers 6. Two Notes 7. Let's Pretend 8. Is Christianity Hard or Easy? 9. Counting the Cost 10. Nice People or New Men 11. The New Men Scan / Edit Notes Versions available and duly posted: Format: v1.0 (Text) Format: v1.0 (PDB - open format) Format: v1.5 (HTML) Format: v1.5 (PDF - no security) Format: v1.5 (PRC - for MobiPocket Reader - pictures included) Genera: Religion / Christian - Theology Extra's: Pictures Included (for all versions) Copyright: 1952 First Scanned: 2002 Posted to: alt.binaries.e-book Note: 1. The Html, Text and Pdb versions are bundled together in one zip file. -
Real Diaries of Young People Who Lived During the Holocaust
Study Guide to the MTV film I'm Still Here: Real Diaries of Young People Who Lived During the Holocaust Based on the book Salvaged Pages: Young Writers' Diaries of the Holocaust by Alexandra Zapruder Table of Contents Acknowledgements pp. ii - iii Facing History and Ourselves Introduction by Margot Stern Strom pp. 1 - 2 Introduction to Study Guide pp. 3 - 4 Letter from Alexandra Zapruder, Author of Salvaged Pages: Young Writers’ Diaries of the Holocaust pp. 5 - 6 Pre-View Exploring Perspective and Voice p. 7 Why Write? pp. 8 - 12 Reproducible 1 Historical Context pp. 13 - 15 Related Resources pp. 16 - 17 View - I’m Still Here: Real Diaries of Young People Who Lived During the Holocaust Map p. 18 Timeline pp. 18 - 20 Viewing the Film pp. 21 - 22 Diarists’ Biographies pp. 23 - 43 Reproducibles 2-12 Historical References p. 44 Post-View Literary Lens pp. 45 - 51 Perspective and Scope: Reading What Survived Reproducibles 13-16 Historical Lens: Examining Separation-Emigration, Hiding, and Ghetto life pp. 52 - 57 Reproducible 17 Moral Complexity in a Time of Crisis pp. 58 - 65 Final Projects pp. 65 - 66 i Acknowledgements Facing History and Ourselves would like to gratefully acknowledge Alexandra Zapruder for her contributions and ongoing guidance for this entire project and Fran Sterling, the principal writer of the guide, who worked in collaboration with the Facing History team of Jan Darsa, Natasha Greenberg, Marc Skvirsky, Jocelyn Stanton, Chris Stokes, and Adam Strom; Cynthia Platt and Erica Beloungie provided editorial and design services. Facing History and Ourselves and MTV would like to offer special thanks to the following: Lauren Lazin, Director and Producer of the film I’m Still Here: Real Diaries of Young People Who Lived During the Holocaust; Alexandra Zapruder, Producer and Writer of the film; Allison Leikind, Producer, and Katy Garfield, Co-Producer. -
Chuck Palahniuk
To Amy Hempel— —There is no other cheese. He alone, who owns the youth, gains the future. —Adolf Hitler Dispatch First Begins here first account of operative me, agent number 67, on arrival Midwestern American airport greater area. Flight . Date . Priority mission top success to complete. Code name: Operation Havoc. Fellow operatives already pass immigrant control, exit through secure doors and to embrace own other host family people. Operative Tibor, agent 23; operative Magda, agent 36; operative Ling, agent 19. All violate United States secure port of entry having success. Each now embedded among middle-income corrupt American family, all other homes, other schools and neighbors of same city. By not after next today, strategy web of operatives to be established. Passport man, officer nothing behind bullet glass, open and reading passport book of operative me, matching to paper facts of visa, man down look upon this agent, say, “You’re a long ways from home, son.” Man, ancient penned animal dying of too tall, pooled heavy blood hanging in leg veins. Trapped all day, then could be next walk to toilet, pow-pow, clot knock out brain. Passport man say, “So, you’re an exchange student?” Man say, “How old are you, my boy?” On fingers of operative me, am to count one, two until thirteen. “So you’re thirteen?” say passport man. Behind glass, say, “Awful small for your age, aren’t you?” Operative me say, One-three. Hold fingers straight and say repeat, Thirteen. Iron fist of operative me, could be, flash fire explode, pow-bang. Burst bullet glass. -
Chuck Palahniuk: Beyond the Body
Chuck Palahniuk: Beyond the Body A Representation of Gender in Fight Club, Invisible Monsters and Diary By Kjersti Jacobsen A Thesis Presented to The Department of Literature, Area Studies and European Languages In Partial Fulfillment of the Requirements For the Master of Arts Degree University of Oslo Thesis supervisor: Rebecca Scherr Spring Term 2013 II Chuck Palahniuk: Beyond the Body A Representation of Gender in Fight Club, Invisible Monsters and Diary Kjersti Jacobsen III © Kjersti Jacobsen 2013 Chuck Palahniuk: Beyond the Body Kjersti Jacobsen http://www.duo.uio.no/ Print: Reprosentralen, University of Oslo IV Abstract The main focus of this essay will be to discuss how Chuck Palahniuk presents gender in three of his books: Fight Club, Invisible Monsters and Diary, and how his presentation of gender often involves the deconstruction of such terms. My aim is to show how Palahniuk deals with different aspects of gender in American society, be it the dichotomous relationship between femininity/masculinity and gay/straight, and also to show how his writing unearths an underlying critique of American society as a whole. The chapters will focus on the main characters of the three novels; depicting the characters’ journey to achieving both physical and spiritual freedom, and thus authenticity, by deconstructing normative notions of gender. The binary categories of gender have come to serve as a means of structuring society in a convenient and simple way, yet complicating the situation for those who fall on the outside of such categories. My aim, then, is to show how the shunning of the binary gender categories ultimately leads to reconnection between humans and a restoration of individuality for the characters. -
Remaining Men Together: Chuck Palahniuk's Ethic of Masculinity In
Remaining Men Together: Chuck Palahniuk’s Ethic of Masculinity in Fight Club and Survivor Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Fall 2013 By Taylor Sluder ____________________ Thesis Director Deborah James ____________________ Thesis Advisor Kirk Boyle Sluder 2 Abstract: Chuck Palahniuk has managed to startle his readers since the 1996 release of Fight Club, continuously depicting the grotesque reality of contemporary American society. The film adaptation of Fight Club in 1999 garnered him a cult-like following. Palahniuk’s fame may be the result of his challenging current thought about what it means to be a “man.” His postmodern gothic style in the novels Fight Club and Survivor challenges the reader to redefine stereotypical definitions of masculinity. Set in a post-generation X world, Fight Club depicts the internal rage men know as a direct result of societal repression and Survivor represents the ultimate social effects that choosing to not deal with such emasculation and repression can cause. Through these works, Palahniuk exposes the problem of gender essentialist thought and showcases the need for a society that recognizes the fluidity of gender identity. Sluder 3 Introduction: Contextualizing Chuck Palahniuk’s Work Since his inception as such a prominent writer about and commentator on American culture, Chuck Palahniuk has transgressed the typical boundaries of genre. From his first published work Fight Club (1996) to his most recent Doomed (2013), Palahniuk’s work demands the attention of the critical eye to discern the genre of each individual piece. -
Fbea8d554e.Pdf
Annotation "I need to rebel against myself. It's the opposite of following your bliss. I need to do what I most fear." Beleaguered reporter Carl Streator is stuck writing about SIDS and grieving for his dead wife and child; he copes by building perfect model homes and smashing them with a bare foot. But things only get worse: Carl accidentally memorizes an ancient African "culling song" that kills anyone he focuses on while mentally reciting it, until killing "gets to be a bad habit." His only friend, Nash, a creepy necrophiliac coroner, amuses himself with Carl's victims. Salvation of a sort comes in the form of Helen Hoover Boyle, a witch making a tidy living as a real estate broker selling-and quickly reselling-haunted houses. She, too, knows the culling song and finances her diamond addiction by freelancing as a telepathic assassin. Carl and Helen hit the road with Helen's Wiccan assistant, Mona, and her blackmailing boyfriend, Oyster, on a search-and-destroy mission for all outstanding copies of the culling song, as well as an all-powerful master tome of spells, a grimoire. Hilarious satire, both supernatural and scatological, ensues, the subtext of which seems to be Palahniuk's conviction that information has become a weapon ("Imagine a plague you catch through your ears"), and the bizarre love affair between Helen and Carl offers the lone linear thread in a field of narrative flak bursts. But the chief significance of this novel is Palahniuk's decision to commit himself to a genre, and this horror tale of both magic and mundane modernity plants him firmly in a category where previously he existed as a genre of one. -
Review Essays on Recent Scholarship: Kavadlo on Palahniuk Criticism's Defensiveness; Muždeka on Unplaisirable Postmodern Tran
orbit. Review How to Cite: Kavadlo, J, Muždeka, N and Chetwynd, A 2020 Review Essays on Recent Scholarship: Kavadlo on Palahniuk Criticism’s Defensiveness; Muždeka on UnPlaisirable Postmodern Translation; Chetwynd on Unnatural Narratol- ogy’s Postmodern Potential. Orbit: A Journal of American Literature, 8(1): 6, 1–52. DOI: https://doi.org/10.16995/orbit.3378 Published: 19 October 2020 Peer Review: Orbit’s book reviews are handled by the reviews editor and do not go through the same blind peer-review process as its scholarly articles. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Orbit: A Journal of American Literature is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Kavadlo, J, et al. 2020 Review Essays on Recent Scholarship: Kavadlo on Palahniuk Criticism’s Defensiveness; Muždeka on UnPlaisirable orbit. Postmodern Translation; Chetwynd on Unnatural Narratology’s Postmodern Potential. Orbit: A Journal of American Literature, 8(1): 6, 1–52. DOI: https://doi.org/10.16995/orbit.3378 REVIEW Review