Hindi Movie Song List

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Hindi Movie Song List Classics Superhits ● Aao Huzoor Tumko (Kismat) ● Sanam Re ( Movie: Sanam Re) ● Aapki Nazron Ne ● Suno na sang mar mar (Youngistan) ● Raat Kali Ek Khwaab Mein Aayi(Buddha Mil ● Jag Ghoomeya (Sultan) Gaya) ● Sun Sathiya (ABCD 2) ● Na Jiya Lage Na(Anand) ● Tere Sang Yaara (Rustom) ● Lag Ja Gale (Woh Kaun Thi) ● Moha Moha Ke Dhage ( Dum Laga Ke ● Chura Liya Hain Haisha) ● Shirdi Wale Sai Baba (Amar Akbar Anthony) ● Khamoshiyan (Movie: Khamoshiyan) ● Abhi Na Jaao ● Haareya(Meri Pyari Bindu) ● Tere Mere Sapne (Guide) ● Raabta ( Agent Vinod) ● Chhod Do Aanchal (Paying Guest) ● Bolna Mahi Bolna (Kapoor and Sons) ● Tum Itna Jo ● Muskurane Ki Wajah ( City Lights) ● Aane Wala Pal Jaane Wala Hai (Golmaal) ● Kabira ( Yeh Jawani Hai Diwani) ● Rim Jhim Gire Saawan (Manzil) ● Ae Dil Hai Mushkil ( Ae Dil Hai Mushkil) ● Aaiye Meherbaan (Howrah Bridge) ● Soch Na Sake (Airlift) ● O Saathi Re ● Bahara Bahara ( I hate love stories) ● Haal Kaisaa Hai Janaab Ka (Chalti Ka Naam ● Iktara ( Wake up Sid) Gaadi) ● Sun Raha Hai Na Tu (Aashiqui 2) ● Pal Pal Dil Ke Paas ( Blackmail ) ● Aaoge Jab Tum ( Jab We Met) ● Ajeeb Dastan Hai ● Teri Ore ● Itti Si Hansi (Film: Barfi) ● Behti Hawa Sa ● Dil Hai Chota Sa (Roja) ● Aao Na Aao Na(Kyun Ho Gaya Na) ● Papa Kehte Hain ● Tere Mast Mast Do Nain ● Gazab Ka Hai Din ● Pee Loon ● Saathiya ● Chup Chup Ke ( Bunty aur Babli ) ● Sawaar Loon Shankar -Ehsaan-Loy Devotional ● Taare Zameen Par (Taare Zameen Par) ● Om Jai Jagadish Hare ● Maa (Taare Zameen Par) ● Allah Tero Naam (Hum Dono) ● Rock On ● Ae Maalik Tere ● Dil Chahta Hai ● Yashomati Maiyya Se (Satyam Shivam ● Mitwa Sundaram) ● De Ghumake (WCC 2011 Theme Song) ● Humko Mann Ki Shakti Dena (Guddi) ● Kal Ho Na Ho ● Gananayaka ● O Palan Hare .

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Volume-04 ISSN: 2455-3085 (Online) Issue-03 RESEARCH REVIEW International Journal of Multidisciplinary March-2019 www.rrjournals.com[UGC Listed Journal] Effect of Visuality of Indian Cinema on Society and Individual Psychology Anchal Dahiya M.A (English), D.U. ________________________________________________________________________________________________________ Visuality simply means the state or property of being Bollywood is the most important aspect of Indian cinema. visual. The word was coined by a Scottish historian Thomas Other branches include Tamil Cinema, Bhojpuri cinema, Carlyle. These days the term is much used in the field of visual Parallel cinema etc. For years Bollywood has been affecting culture which includes films, sculptures, paintings etc. Cinema the popular culture of India. From the coming out of the bobby is an immensely popular element of visual culture. colour after the film Bobby to Salman Khan‟s hairstyle in the film Tere Naam and Kareena Kapoor‟s size zero figure in the It embraces limitless possibilities for the expression and film Tashan, Bollywood has never failed to sway the audience representation of ideas, especially in a country like India with and act as a trendsetterfor fashion and music sense of the diverse languages, religions and cultures. Indian cinema binds nation. this diversity in one common thread. It is not only a major source of entertainment but if deployed wisely, it has enormous Let‟s have a look at some of the Bollywood films from the potential of bringing about social changes. last decade that helped in bringing about major cultural changes in India. Films like Girlfriend and Dostana brought Woodman Taylor in his essay, „Penetrating Gazes: Sight forward the gay culture to the popular discourse.
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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions
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Part 05.Indd
PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi.
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Depiction of Real Life Misery Through the Lens of Hindi Film “ Dastak( (1970)”: an Analysis Neema Negi DSVV Uttrakahnd [email protected]
Everant.in/index.php/sshj Survey Report Social Science and Humanities Journal Depiction of Real life misery through the lens of Hindi Film “ Dastak( (1970)”: An Analysis Neema Negi DSVV Uttrakahnd [email protected] ABSTRACT ABSTRACT: Cinema is considered as the tool of social transformation, changing Corresponding Author: agent and the reflection of society. The different eras of Hindi Cinema Neema Negi illustrate the different concern of a common man and their struggle. The various themes represent the image of India with a different approach. Social issues in the earlier eras were the dominant one theme on poverty , unemployment, problem of urban spaces, exploitation of peasants ,corruption, nation and nationalism were the main subject and each storytellers represent those emotions and problems in an ideal way .The present paper analyse the social issues and struggle of a common man and moreover how the director execute the human drama the agony faced by an ordinary people who live in the metropolis and their aspirations of life with the use of metaphors.. Keywords: social issues, metaphors, urban space I- Thematic trends of Hindi Cinema Hindi Cinema deals with diverse themes from last magnificent 100 years . Variety of socially relevant issues cultural issues are addressed by combining them with a fantasies, tradition and myths. Hindi film can be used to know the history of society and culture of India . Indian Cinema has been reflecting social, political and economic dynamics of the national community in it’s narrative since the beginning of the 20th century. The themes such as globalization nation and nationalism, caste, class, gender, terrorism and social issues themes but also suggest cinematic interpretation to solve the problems.
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A New Strategy for Child Development: a Study on Montessori Educational System and the Film Taare Zameen Par
www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal Impact Factor: 2.24 (IIJIF) A New Strategy for Child Development: A Study on Montessori Educational System and the Film Taare Zameen Par VINU C. JAMES M.Phil Scholar CMS College Coimbatore Abstract The child development is expandable and its potential may differ with the environment. Every child is different and hence, special. The distribution curve shows that most of the children who undergo dyslexia seem to be average in many traits. Few children deviate from the generally accepted norms in many ways. These deviations may give rise to multi factorial problems of adjustments at home, school and social setting and thus, leads to addition of problems in divergence. Deviation can be in terms of physical, social, emotional and mental characteristics. In the film Taare Zameen Par, the director Aamir Khan tried to disclose the present scenario of education. The director enhances his vision and mission through the film and he teaches about unconventional Montessori teaching. Teaching should not force the student to conform to the existing pattern of the world. The students should be equipped to think out of the box and define their own goals instead of fitting their ideas with the prevailing ones. Curricula and assessment should be flexible and encourage critical thinking on the part of the students so that they become compassionate and sensitive human beings. Keywords: Child development, dyslexia, traits, Montessori teaching, curricula Vol. 2, Issue 4 (March 2017) Dr. Siddhartha Sharma Page 595 Editor-in-Chief www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal Impact Factor: 2.24 (IIJIF) A New Strategy for Child Development: A Study on Montessori Educational System and the Film Taare Zameen Par VINU C.
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UTV Inks Library Syndication Deals Worth Over $1 Million (Which Is Over Rs 4 Crores)
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Hindu-Muslim Relationship in Bollywood in Post 26/11: a Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3
Hindu-Muslim Relationship in Bollywood in post 26/11: A Content Analysis of Movies (2008-2018) Maziar Mozaffari Falarti,1 Hamideh Molaei,2 Asra Karim3 1. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran (Corresponding author) ([email protected]) 2. Assistant Professor of South, East Asia and Oceania Studies, University of Tehran, Tehran, Iran ([email protected]) 3. M. A. in Indian Studies, University of Tehran, Tehran, Iran ([email protected]) (Received: Jan. 2, 2019 Revised: Feb. 28, 2019 Accepted: Ma r. 28, 2019) Abstract This study investigates the representations of Hindu-Muslim relationship in Bollywood movies from 2008 to 2018. It is assumed that after 2008 Mumbai terrorist attacks, which are known as 26/11, conflicts between Hindus and Muslims have escalated. Since Indian people are extreme fans of movies, especially Bollywood movies, in this regard, it is expected that media could play a significant role in increasing or alleviating the conflicts by influencing people’s attitudes and opinions. This research seeks to examine the extent and modality of the representation of Hindu-Muslim relationships in Bollywood after the 2008 Mumbai attacks. The study was conducted through a content analysis of 11 Bollywood movies, which were selected from 70 Muslim-characters-based movies. Favorable, unfavorable, neutral and unclear were the four factors through which the movies’ contents were analyzed. The overall analysis of these factors indicate that 66.17% of the scenes were favorable, 14.70% were unfavorable, 2.94% were neutral, and 16.17% presented unclear images of Hindu-Muslim relationship in Bollywood movies.
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Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr.
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Indian Streams Research Journal
Vol 5 Issue 1 Feb 2015 ISSN No : 2230-7850 ORIGINAL ARTICLE International Multidisciplinary Research Journal Indian Streams Research Journal Executive Editor Editor-in-Chief Ashok Yakkaldevi H.N.Jagtap Welcome to ISRJ RNI MAHMUL/2011/38595 ISSN No.2230-7850 Indian Streams Research Journal is a multidisciplinary research journal, published monthly in English, Hindi & Marathi Language. All research papers submitted to the journal will be double - blind peer reviewed referred by members of the editorial board.Readers will include investigator in universities, research institutes government and industry with research interest in the general subjects. International Advisory Board Flávio de São Pedro Filho Mohammad Hailat Hasan Baktir Federal University of Rondonia, Brazil Dept. of Mathematical Sciences, English Language and Literature University of South Carolina Aiken Department, Kayseri Kamani Perera Regional Center For Strategic Studies, Sri Abdullah Sabbagh Ghayoor Abbas Chotana Lanka Engineering Studies, Sydney Dept of Chemistry, Lahore University of Management Sciences[PK] Janaki Sinnasamy Ecaterina Patrascu Librarian, University of Malaya Spiru Haret University, Bucharest Anna Maria Constantinovici AL. I. Cuza University, Romania Romona Mihaila Loredana Bosca Spiru Haret University, Romania Spiru Haret University, Romania Ilie Pintea, Spiru Haret University, Romania Delia Serbescu Fabricio Moraes de Almeida Spiru Haret University, Bucharest, Federal University of Rondonia, Brazil Xiaohua Yang Romania PhD, USA George - Calin SERITAN Anurag Misra Faculty of Philosophy and Socio-Political ......More DBS College, Kanpur Sciences Al. I. Cuza University, Iasi Titus PopPhD, Partium Christian University, Oradea,Romania Editorial Board Pratap Vyamktrao Naikwade Iresh Swami Rajendra Shendge ASP College Devrukh,Ratnagiri,MS India Ex - VC. Solapur University, Solapur Director, B.C.U.D.
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A Bollywood Commercial for Ireland: Filming Ek Tha Tiger in Dublin
Technological University Dublin ARROW@TU Dublin Books/Book chapters School of Media 2018 A Bollywood Commercial for Ireland: Filming Ek Tha Tiger in Dublin Giovanna Rampazzo Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/aaschmedbk Part of the Film and Media Studies Commons Recommended Citation Rampazzo, G. (2018) A Bollywood Commercial for Ireland: Filming Ek Tha Tiger in Dublin S. Dibeltulo and C. Barrett ( eds. ), Rethinking Genre in Contemporary Global Cinema, DOI:10.1007 /978-3-319-90134-3_12 165 This Book Chapter is brought to you for free and open access by the School of Media at ARROW@TU Dublin. It has been accepted for inclusion in Books/Book chapters by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License 164 P. KAA PA Kaapa, Pietari, and Guan Wenbo. 2011. Santa Claus in China and Wu X' in Finland: Translocal Reception Networks Between Finland and Chinia Participations 8 ( 2): 24- 51. a. Kaukomaa, Tero. 2015. Skype Interview with Pietari Kaapa. April 5. Kinnuen, Kalle. 2015. Big Game. Kuinka Hollywood tuotiin Suomeen. Helsinki· Johnny Kniga. · Kulturkontakt Nord. 2015. 362000 in KreaNord Grants. Kulturkontakt A Bollywood Commercial for Ireland: Nord. Retrieved on April 5, 2017 from http:/ /www.kulturkontaktnord org/lang-en/nordic-culture-point/news/20-nyheter-om-programme: Filming Ek Tha Tiger in Dublin ne / 17 82-kreanord-uddeler-362-000 -euro-til- nordiske-projekter. Larsson, Mariah, and Anders Marklund.
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Relationships Which Have No Name’: Family and Sexuality in 1970S Popular film Ulka Anjaria*
South Asian Popular Culture Vol. 10, No. 1, April 2012, 23–35 ‘Relationships which have no name’: Family and sexuality in 1970s popular film Ulka Anjaria* Brandeis University, Waltham, MA This essay argues that popular film of the 1970s opened up a space for representing new kinds of social relationships specifically by means of its use of melodramatic formulas. Against a dominant periodization of the decade which emphasizes rupture, I argue that over the course of the long 1970s we see a process of repetition and resignification whereby formulas such as the ‘lost-and-found’ plot and the love triangle were re-presented and their constitutive elements rearranged in order to generate alternatives to conventional kinship and romantic paradigms. Discussing several films from this decade, including Sangam, Yaadon ki Baaraat, Deewaar, Sholay, Amar Akbar Anthony and Silsila, I show how Hindi cinema in the 1970s was engaged in considering how to represent human relationships outside of social sanction or conventionally accepted kinship terms, thus offering a new paradigm from which to read popular film at large. In the closing moments of Farhan Akhtar’s 2001 blockbuster Dil Chahta Hai, the dying Tara describes her connection to Siddharth (Sid) by saying, ‘There are some relationships which have no name.’1 This is a redemptive moment in an otherwise tragic scene, as Tara grasps on to the last few minutes of her life and Sid struggles to convey how much she has meant to him. The communication is particularly meaningful for Sid, whose relationship with Tara, throughout the film, exceeded conventional understandings of relationships between men and women, and which, when it was briefly forced into the paradigm of romantic love, all but fell apart.
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Choosing the Arranged One, Arranging the Chosen One – Imagining an Indian Modernity: Reconciling Love, Marriage and Family on and Off the Screen
Choosing the Arranged One, Arranging the Chosen One – Imagining an Indian Modernity: Reconciling Love, Marriage and Family On and Off the Screen Riikka Koutaniemi Faculty of Social Sciences Social and Cultural Anthropology Master´s Thesis May 2011 Tiedekunta/Osasto – Fakultet/Sektion – Faculty Laitos – Institution – Department Faculty of Social Sciences Department of Sociology Tekijä – Författare – Author Riikka Koutaniemi Työn nimi – Arbetets titel – Title Choosing the Arranged One, Arranging the Chosen One – Imagining an Indian Modernity: Reconciling Love, Marriage and Family On and Off the Screen Oppiaine – Läroämne – Subject Social and Cultural Anthropology Työn laji – Arbetets art – Level Aika – Datum – Month and year Sivumäärä – Sidoantal – Number of pages Master´s Thesis May 2011 112 Tiivistelmä – Referat – Abstract This is a study on the changing practices of kinship in Northern India. The change in kinship arrangements, and particularly in intermarriage processes, is traced by analysing the reception of Hindi popular cinema. Films and their role and meaning in people´s lives in India was the object of my research. Films also provided me with a methodology for approaching my other subject-matters: family, marriage and love. Through my discussion of cultural change, the persistence of family as a core value and locus of identity, and the movie discourses depicting this dialogue, I have looked for a possibility of compromise and reconciliation in an Indian context. As the primary form of Indian public culture, cinema has the ability to take part in discourses about Indian identity and cultural change, and alleviate the conflicts that emerge within these discourses. Hindi popular films do this, I argue, by incorporating different familiar cultural narratives in a resourceful way, thus creating something new out of the old elements.
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​Hindi Movie Song List

Hindi Movie Song List