DOCSLIB.ORG

U N I V E R S I T Y P R E

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
U N I V E R S I T Y P R E vanderbilt U N I V E R S I T Y P R E S S New for Spring & Summer 2012 New Title Subject Index Anthropology 4, 8, 10 Archaeology 11 Biography 5 Caregiving 2 Cultural Studies 5 Education 10 Ethnology 8, 10 Gender Studies 3, 4, 10 Global Health 8 E-VUP Hispanic Studies 11 V��������� U��������� P���� �� ������� History 5, 6, 7 �� �������� � ��� ���������� ����������. Human Rights 1 Th e goal: to provide our books to readers in their preferred reading Human Services 2 environment—paper or screen. We welcome your feedback. Please email us International Development 10 at [email protected]. And of course, please visit us on the web: International Relations 6, 7 VanderbiltUniversityPress.com. Journalism 5 Latin American Studies 4, 6, 9, 10, 11, 12 Literature 3, 6, 9, 10 E��������� B���� Media Studies 3 VanderbiltUniversityPress.com now features online previews of many Mental Health 1 of our books. Look for titles with this button, click, and start reading: Popular Culture 9, 12 Look inside the book Political Science 6, 7 Online viewing of VUP books powered by Race Relations 6 Religion 2, 7 Electronic editions of many Vanderbilt University Press titles Reproductive Health 8 are now available at e-vendors including: Sexuality 2, 4 Sociology 3 Transatlantic Studies 9, 11 In addition, we are making the contents of many books available for Transnational Migration 4 custom print or electronic course packs via AcademicPub.com: Women’s Studies 5 E��������� C������� Our seasonal and subject catalogs are now available in e-versions, not just cover illustration: From Anonymous in Their Own readable online, but mark-up-able, share-able, and personalize-able. Names (see page 5). Sign in and browse at edelweiss.abovethetreeline.com. Jane Grant Photographs, PH 141, Special Collections and University Archives, University of Oregon, Eugene, Oregon 97403-1299. E��������� C������������� Sign up for catalogs, new book alerts, special off ers, and news at: V���������U���������P����.��� HUMAN RIGHTS / MENTAL HEALTH A Muslim psychiatrist and a Jewish journalist join together to tell a story of genocide and healing Wounded I Am More Awake Finding Meaning after Terror JULIA LIEBLICH AND ESAD BOšKAILO ounded I Am More Awake follows turned on friends. She documents his the story of Esad Boškailo, a doctor harrowing experiences in the camps, W who survives six concentration where the men he once joined for coffee camps in Bosnia and emerges with murder his best friend from childhood. powerful new lessons for healing in an But the story does not end there. age of genocide. Boškailo moves to the United States and This gripping account raises ques- decides to become a psychiatrist so he tions for healers, survivors, and readers can guide survivors through the long- striving to understand the reality of war term process of restoring hope. Today, and the aftermath of terror. Is it possible inspired by the late psychiatrist and to find meaning after enduring crimes Holocaust survivor Viktor Frankl, April 2012 against humanity? Can people heal after Boškailo uses his own experience to 192 pages, 5.5 x 8.5 inches trauma? help patients mourn their losses and index Human rights journalist Julia Lieblich find meaning in the aftermath of terror. cloth $39.95s ISBN 978-0-8265-1825-5 takes the reader through Boškailo’s early paper $19.95t ISBN 978-0-8265-1826-2 years under Tito to the wars when friends ebook $18.99 ISBN 978-0-8265-1827-9 “I have just turned the last page. I feel drained, enraged, despairing for humanity—but also enriched, confirmed, and, in a way, elated. This unlikely couple, a journalist who wrote the story and a psychiatrist who lived the story, have accomplished something that is remarkable and Julia Lieblich is necessary. They relived and recorded one man’s survival of genocide in a an award-winning narrative that conveys such well-chosen detail that you smell the stench human rights and sweat of bodies in a concentration camp, but you have just enough journalist whose air to breathe and distance to carry you through the darkness. work has appeared in the New York “We must acknowledge the extremes of human evil, and face the history Times Magazine, the Agovic Nusret by Photo of collective atrocity. We must understand the impact of cruelty and loss Washington Post, Time, on those who escape and endure. And the only way to learn the hardest Life, and Ms. A former lessons of inhumanity is for the tale to be told so well that we permit religion writer for ourselves to take it in, to appreciate the dignity of those who have been Photo by Robert by Photo Potter the Chicago Tribune deliberately debased, but who act in small, decent ways. They share bread. and the Associated They restrain anger that could damage a fellow prisoner. They testify and Press, she is an risk the reprisal of others and, even worse, the reprisal of unforgiving assistant professor of Esad Boškailo is a Clinical Associate Professor in the memory. This is my world, the world of those who witness trauma and journalism at Loyola Department of Psychiatry at the University of Arizona terror and loss. These are my people, the victims who prevail, the therapists University Chicago. College of Medicine-Phoenix and Associate Director of who listen, the journalists who witness, perceive, and relate. Psychiatric Residency Training at the Maricopa Integrated Health System. Trained in family medicine in Bosnia, he “Read this book. It will take you where you would rather not go, but you works with survivors of trauma from domestic abuse to war. will be better for going there.” —Frank Ochberg, MD, founder of the Dart Center for Journalism and Trauma 1-800-627-7377 • Sign up for our e-catalogs at VanderbiltUniversityPress.com 1 CAREGIVING / HUMAN SERVICES / SEXUALITY / RELIGION How a two-year recovery community for women with histories of abuse, Magdalene House addiction, and involvement in street-based sex work can empower and heal A PLACE ABOUT MERCY Magdalene House A Place about Mercy SARAH VANHOOSER SUITER omen come to Magdalene House free to speak their truth—even to complain in Nashville when they are ready to sometimes about how their storytelling is W leave the streets. They live together— exploited “for the good of the community.” unsupervised and free of charge—for two Magdalene House is a participant- Sarah VanHooser Suiter years. During that time, the women are observation account of the history of this given time, space, and the resources they remarkable community founded in 1997, its need to heal from what have often been structure, its Thistle Farms beauty products lifelong experiences with suffering. (Of the operation, and Reverend Becca Stevens’s May 2012 twenty-two women now in residence, 80 communal and spiritual vision. The book is 200 pages, 6 x 9 inches percent have a diagnosed mental illness finally about what it means to walk the path references, index other than addiction, 40 percent are receiv- of healing with a group of unlikely women cloth $45.00s ISBN 978-0-8265-1837-8 paper $22.50s ISBN 978-0-8265-1838-5 ing treatment for hepatitis C, and one-third as guide. ebook $21.99 ISBN 978-0-8265-1839-2 are HIV positive.) However, the story of the Magdalene Magdalene House was the subject of community is not about these statistics, a multiple-part documentary “Sarah Suiter’s book documents a healing community but about the stories the women tell. They on National Public Radio. that creates a home for women who have used drugs say they thrive in the community because and sold sex and are desperate for a safe place, helping it is a place where they are free to be them- hands, and loving hearts to help them change their lives. selves, safe to give and receive love, and The ingredients for the development and evaluation of similar effective communities for women are well and passionately described in the book. Hopefully they will be heeded.” —Jean J. Schensul, Senior Scientist and Founding Director, Institute for Community Research, Hartford, and author, with Margaret LeCompte, of The Ethnographer’s Toolkit Sarah VanHooser Suiter became lead Program Evaluator at Centerstone research institute in nashville after completing a postdoctoral fellowship in religion, spirituality, and Health at Duke University Medical Center. VANDERBILT UNIVERSITY PRESS • New for Spring & Summer 2012 GENDER STUDIES / MEDIA STUDIES / SOCIOLOGY / LITERATURE Feminist takes on depictions of violence against women and changing gender roles in Stieg Larsson’s thrillers Men Who Hate Women and Women Who Kick Their Asses Stieg Larsson’s Millennium Trilogy in Feminist Perspective EDITED BY DONNA KING AND CARRIE LEE SMITH tieg Larsson was an unabashed feminist secretive institutions. How do readers and in his personal and professional life and moviegoers react to these depictions, and S in the fictional world he created, but what do they make of the women who fight The Girl with the Dragon Tattoo, The Girl back, the complex masculinities in the Who Played with Fire, and The Girl Who trilogy, and the ambiguous gender of the Kicked the Hornet’s Nest are full of graphic elusive Lisbeth Salander? depictions of violence against women, These lively and accessible essays expand July 2012 including stalking, sexual harassment, the conversation in the blogosphere about 192 pages, 6 x 9 inches child abuse, rape, incest, serial murder, the novels and films by connecting the con- references, index sexual slavery, and sex trafficking, commit- troversies about gender roles to social trends cloth $44.95s ISBN 978-0-8265-1849-1 ted by vile individual men and by corrupt, in the real world.
Load more

Recommended publications
  • Full Diss Reformatted II
    “NEWS THAT STAYS NEWS”: TRANSFORMATIONS OF LITERATURE, GOSSIP, AND COMMUNITY IN MODERNITY Lindsay Rebecca Starck A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Gregory Flaxman Erin Carlston Eric Downing Andrew Perrin Pamela Cooper © 2016 Lindsay Rebecca Starck ALL RIGHTS RESERVED ii ABSTRACT Lindsay Rebecca Starck: “News that stays news”: Transformations of Literature, Gossip, and Community in Modernity (Under the direction of Gregory Flaxman and Erin Carlston) Recent decades have demonstrated a renewed interest in gossip research from scholars in psychology, sociology, and anthropology who argue that gossip—despite its popular reputation as trivial, superficial “women’s talk”—actually serves crucial social and political functions such as establishing codes of conduct and managing reputations. My dissertation draws from and builds upon this contemporary interdisciplinary scholarship by demonstrating how the modernists incorporated and transformed the popular gossip of mass culture into literature, imbuing it with a new power and purpose. The foundational assumption of my dissertation is that as the nature of community changed at the turn of the twentieth century, so too did gossip. Although usually considered to be a socially conservative force that serves to keep social outliers in line, I argue that modernist writers transformed gossip into a potent, revolutionary tool with which modern individuals could advance and promote the progressive ideologies of social, political, and artistic movements. Ultimately, the gossip of key American expatriates (Henry James, Djuna Barnes, Janet Flanner, and Ezra Pound) became a mode of exchanging and redefining creative and critical values for the artists and critics who would follow them.
    [Show full text]
  • 79Th, Anaheim, CA, August 10-13, 1996)
    DOCUMENT RESUME ED 401 568 CS 215 576 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (79th, Anaheim, CA, August 10-13, 1996). Newspaper and Magazine Division. INSTITUTION Association for Education in Journalism and Mass Communication. PUB DATE Aug 96 NOTE 316p.; For other sections of these proceedings, see CS 215 568-580. PUB TYPE Collected Works Conference Proceedings (021) EDRS PRICE MFO1 /PC13 Plus Postage. DESCRIPTORS Feminism; *Journalism; *Mass Media Effects; Mass Media Role; *Newspapers; *Periodicals; Popular Culture; Presidential Campaigns (United States); Sex Bias; Victims of Crime IDENTIFIERS Audiotex; *Journalists; Media Bias; *Media Coverage; News Bias; News Sources; Popular Magazines ABSTRACT The Newspaper and Magazine section of the proceedings contains the following 11 papers: "Real-Time Journalism: Instantaneous Change for News Writing" (Karla Aronson and others); "Names in the News: A Study of Journalistic Decision-Making in Regard to the Naming of Crime Victims" (Michelle Johnson); "The Daily Newspaper and Audiotex Personals: A Case Study of Organizational Adoption of Innovation" (Debra Merskin); "What Content Shows about Topic-Team Performance" (John T. Russial); "Have You Heard the News? Newspaper Journalists Consider Audiotex and Other New Media Forms" (Jane B. Singer); "Who Reports the Hard/Soft News? A Study of Differences in Story Assignments to Male and Female Journalists at 'Newsweek'" (Dan Alinanger); "Welcome to Lilliput: The Shrinking of the General Interest in Magazine Publishing" (Erik Ellis); "The Retiring Feminist: Doris E. Fleischman and Doris Fleischman Bernays" (Susan Henry); "'Of Enduring Interest': The First Issue of 'The Readers Digest' as a 'Snapshot' of America in 1922--and its Legacy in a Mass-Market Culture" (Carolyn Kitch); "News Magazine Lead Story Coverage of the 1992 Presidential Campaign" (Mark N.
    [Show full text]
  • Genêt Unmasked : Examining the Autobiographical in Janet Flanner
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OPUS: Open Uleth Scholarship - University of Lethbridge Research Repository University of Lethbridge Research Repository OPUS http://opus.uleth.ca Theses Arts and Science, Faculty of 2006 Genêt unmasked : examining the autobiographical in Janet Flanner Gaudette, Stacey Leigh Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2006 http://hdl.handle.net/10133/531 Downloaded from University of Lethbridge Research Repository, OPUS GENÊT UNMASKED: EXAMINING THE AUTOBIOGRAPHICAL IN JANET FLANNER STACEY LEIGH GAUDETTE Bachelor of Arts, University of Lethbridge, 2003 A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfillment of the Requirements of the Degree MASTER OF ARTS Department of English University of Lethbridge LETHBRIDGE, ALBERTA, CANADA © Stacey Leigh Gaudette, 2006 GENÊT UNMASKED: THE AUTOBIOGRAPHICAL IN JANET FLANNER STACEY LEIGH GAUDETTE Approved: • (Print Name) (Signature) (Rank) (Highest Degree) (Date) • Supervisor • Thesis Examination Committee Member • External Examiner • Chair, Thesis Examination Committee ii Abstract This thesis examines Janet Flanner, an expatriate writer whose fiction and journalism have been essential to the development of American literary modernism in that her work, taken together, comprises a remarkable autobiographical document which records her own unique experience of the period while simultaneously contributing to its particular aesthetic mission. Although recent discussions have opened debate as to how a variety of discourses can be read as autobiographical, Flanner’s fifty years worth of cultural, political, and personal observation requires an analysis which incorporates traditional and contemporary theories concerning life-writing. Essentially, autobiographical scholarship must continue to push the boundaries of analysis, focusing on the interactions and reactions between the outer world and the inner self.
    [Show full text]
  • The First Issue of the New Yorker Appeared on February 21,1925
    He had liked working on a publication that was written The first issue of The New for a small, well-defined group of readers—in that case, Yorker appeared on February soldiers—by a similarly small and well-defined group, 21,1925. Afterthe fashion of also soldiers. After the war he wanted to continue in Vanity Fair, which also the same vein; he imagined a magazine, written for a disdained what it called small community, that would present information “hon­ the “old lady from Du­ estly” without inflated rhetoric and without paying buque,” or provincial mo­ homage to conventional pieties. rality, The New Yorker Having tried unsuccessfully to do this with Home announced itself as the Sector, he had wandered from the American Legion voice of the young, the fit, Weekly to the humor magazine Judge. But he remained the urbane, the cognos­ determined to start something different. Impressed by centi: “It hopes to reflect the repartee of his Algonquin round table compatriots the metropolitan life, to and perspicacious enough to consider exploiting their keep up with events and af­ wit in his own venture, he found a backer in Raoul fairs of the day, to be gay, hu­ Fleischmann, one of the occasional Algonquinites who morous, satirical but to be more frequented their card party, the Thanatopsis Poker and than just a jester. It will publish Frank Flanner. Inside Straight Club. Fleischmann’s father had in­ facts that it will have to go behind the John Monhoff vented the “breadline,” both word and concept, by giv­ scenes to get, but it will not deal in scandal for the sake ing away each day’s unsold of scandal nor sensation for the sake of sensation.
    [Show full text]
  • Mystic Mah Jong
    Mystic Mah Jong Mystic Mah Jong 9 Agata Stanford A Jenevacris Press Publication Mystic Mah Jong A Dorothy Parker Mystery / June 2011 Published by Jenevacris Press New York This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. 7 All rights reserved Copyright © 2011 by Agata Stanford Edited by Shelley Flannery Typesetting & Cover Design by Eric Conover ISBN 978-0-9827542-5-2 Printed in the United States of America www.dorothyparkermysteries.com For my husband, Richard. Also by Agata Stanford The Dorothy Parker Mysteries Series: The Broadway Murders Chasing the Devil vii Contents Cast of Characters … ... ... … … … … … Page ix Chapter One … … ... … … … … … … … Page 1 Chapter Two … … ... … … … … … … … Page 53 Chapter Three … … … … … … … … … Page 89 Chapter Four … … ... … … … … … … … Page 109 Chapter Five … … ... … … … … … … … Page 153 Chapter Six … … ... … … … … … … … Page 165 Chapter Seven … … … … … … … … … Page 203 Chapter Eight … … … … … … … … … Page 227 Chapter Nine … … … … … … … … … Page 253 Chapter Ten ... … … … … … … … … … Page 299 Chapter Eleven … … … … … … … … Page 316 Chapter Twelve … … … … … … … … Page 381 The Final Chapter … ... … … … … … … Page 417 Glossary of British Slang ... … … … … … Page 431 Glossary of American Slang… … … … … Page 435 About the Author … … ... … … … … … Page 438 9 ix Who’s Who in the Cast of Dorothy Parker Mysteries The Algonquin Round Table was the famous as- semblage of writers, artists, actors, musicians, newspaper and magazine reporters, columnists, and critics who met for luncheon at one P.M. most days, for a period of about ten years, starting in 1919, in the Rose Room of the Algonquin Hotel on West 44th Street in Manhattan.
    [Show full text]
  • Lois Long, 1925-1939
    LOIS LONG, 1925-1939: PLAYING “MISS JAZZ AGE” by MEREDITH LOUISE QUALLS MATTHEW D. BUNKER, COMMITTEE CHAIR MARGOT O. LAMME DIANNE M. BRAGG A THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Journalism in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2013 Copyright © 2013 by Meredith Louise Qualls All rights reserved ABSTRACT This study demonstrate’s how Lois Long’s career at the New Yorker, which lasted 45 years, serves as evidence of Long’s place in the annals of New Yorker history, past her initial success as a society writer. Her work, including the popular “Tables for Two” and “On and Off the Avenue” features, as well as her longevity with the magazine show Long was unique in that she outlasted many of the original New Yorker writers, eventually falling into a workhorse role rather than glorified writer. This paper uses Long’s published work in the New Yorker and additional unpublished sources to provide depth to the story of Long’s professional career and personal life, from 1925 to 1939. Going beyond her initial success as fashion critic and nightclub writer, it demonstrates how Long’s career evolved as her own life and the society around her changed throughout the early twentieth century. ii DEDICATION For my parents, whose protective guidance gave me a lens to understand the speakeasy era, namely the understanding that had I lived in 1920s Manhattan, I would have never been allowed such radical moral freedoms. Thank you. iii ACKNOWLEDGEMENTS This project could not have been done without the encouragement and enthusiasm I received from my thesis committee, Dr.
    [Show full text]
  • A MOVEABLE FEAST of MURDER
    A MOVEABLE FEAST of MURDER A Moveable Feast of MURDER 9 Agata Stanford A JENEVACRIS PRESS PUBLICATION A MOVEABLE FEAST OF MURDER A Dorothy Parker Mystery / June 2012 Published by Jenevacris Press New York This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. 7 All rights reserved Copyright © 2012 by Agata Stanford Edited by Shelley Flannery Typesetting & Cover Design by Eric Conover ISBN 978-0-9827542-9-0 Printed in the United States of America www.dorothyparkermysteries.com For Brenda Bright, who loves a good mystery. Also by Agata Stanford The Dorothy Parker Mysteries Series: The Broadway Murders Chasing the Devil Mystic Mah Jong Death Rides the Midnight Owl Acknowledgments I am fortunate to have the expert technical and artistic skills of Shelley Flannery and Eric Conover, who work as a team with me to bring my stories to my readers. Thank you, Shelley, for suggesting the title of this book. Thank you, Jeannette Sinibaldi, for “pardoning my French,” correcting my French spelling and applying the appropriate accents where required, answering my questions, and helping me to map out a parade route through the streets of Paris. Thanks also go to Gina Grant for additional assistance on the Paris section of this book. I send heartfelt thanks to architect and artist Benedetto Puccio for pho- tographing the Paris landmarks featured in this book, and to author Anatole Konstantin (A Red Boyhood: Growing Up Under Stalin) for sharing his insights and knowledge of the Soviet Union and communist activity in Europe in the 1920s.
    [Show full text]
  • Algonquin Round Table Members
    Algonquin Round Table Members How scroddled is Ole when asymmetrical and mealier Waiter phlebotomize some delfs? Silent Xavier interpolated, his plesiosaur sputters arraign readably. Is Frederico capitular or sellable when raised some mouth depolarize powerlessly? The occasion to eat it will increase your first attempt to be a table members, he knew whose book Dorothy Parker In hell later years: These children no giants. Dorothy parker was especially her fame and algonquin members. This restaurant is currently not taking orders. It seems like everyone had no opinion, as professor as the romances that grew out of the round three, women are victims of and participants in this dozen of sexism. It has unlocked doors of course ancient castles in Europe and mud huts on a edge brought the Sahara. Upgrade your consult with a Premium plan to educate this element live site your site. Theater press agent and publicist. Life slim the priest was primitive the first. Each partygoer draws a stump to be detective, Cassatt observed the straightforward of electrically run trains in underground tunnels. Already beautiful star composer and conductor, stories, the muzzle he carried or two odd attire. KAYAK hotel savings as more. When a fell of tourists made the has of pulling their boat onto the private feature for a picnic, critics, and Marc Connelly. As a columnist, thought leader should occupy itself with through more serious than chitchat. Woollcott was he himself. And even more information about the round table members played piano at night when an ellery queen award for! WHEN adultery WAS IN STYLE Tampa Bay Times.
    [Show full text]
  • Volume 16 Number 038 the Algonquin Roundtable - I
    Volume 16 Number 038 The Algonquin Roundtable - I Lead: In the years following World War I, a group of future literary stars began to meet for lunch at the fabled Algonquin Hotel in New York. Intro.: A Moment in Time with Dan Roberts. Content: World War I helped transform society, culture, religion, manners and literary standards into what became the modern era. In America, New York was the center of this transforming spirit and for a decade in the 1920s driving this revolution in thought and energy was the Algonquin Roundtable or as one author has described them, “the vicious circle.” This informal lunch gathering got its start when writers John Peter Toohey and Dorothy Parker and columnist Franklin Pierce Adams organized a celebration and lampooning of the wartime service of their friend Alexander Woollcott, critic for the New York Times. He was so enthusiastic about his his service, that the duty of friendship required them to shut him up. The Algonquin, just off Broadway on Forty-fourth Street, was already a prestigious gathering place for actors and the literary set so it was a logical place for the event. When he found their friendly sarcasm hugely amusing, one of their number suggested that they meet daily for lunch and a historic tradition commenced. All of the main participants were born in the 1880s or 1890s, yet their influence reached far into the twentieth century. Humorist Robert Benchley was the managing editor of Vanity Fair, Harold Ross cofounded with his wife Jane Grant The New Yorker. They were joined by Edna Ferber, author of Showboat and Giant, playwright George Kaufman and his socialite wife Beatrice.
    [Show full text]
  • Feminist Futures
    CENTER FOR THE STUDY OF WOMEN IN SOCIETY Annual Review 2013 Special 40th Anniversary Section: Feminist FutuRes A WArm ThAnk You! CSWS thanks the many individuals and organizations who have contributed funds, energy, and enthusiasm to CSWS over the past 40 years. You do make a difference! To support CSWS Call (541) 346-2262 or email [email protected] for more information. To send a check, mail to: Center for the Study of Women in Society 1201 University of Oregon Eugene, OR 97403-1201 csws.uoregon.edu From the center CENTER FOR THE STUDY This is a season of celebration and change for the Center for the Study of Women OF WOMEN IN SOCIETY in Society. We’re celebrating 40 years of feminist research, teaching, and activism at the University of Oregon with a three-day series of symposia, including a new documentary by CSWS’s Gabriela Martínez and Sonia De La Cruz about the founding of the center. In honoring our beginnings, we also pay tribute to the incredible support of our university partners. I am thankful to our many generous sponsors for helping us make this possible: the Sally Miller Gearhart Fund; Department of Women’s and Gender Studies; College of Arts and Sciences; University of Oregon Libraries; Oregon Humanities Center; School of Architecture and Allied Arts; Robert D. Clark Honors College; Office of Equity and Inclusion; Office for Research, Innovation and Graduate Education; Vice President of Academic Affairs; Center on Diversity and Community; School of Journalism and Communication; Jordan Schnitzer Museum of Art; the Departments of English, Ethnic Studies, Romance Languages, Anthropology, Sociology, International Studies, Political Science, and Psychology; and the Comparative Literature journal (sponsors correct at time of printing).
    [Show full text]
  • For Love of a Feminist: Jane Grant, William Harris, and the “Fund for the Study of Women”
    FoR Love oF a Feminist: Jane Grant, William Harris, and the “Fund for the Study of Women” by Jenée Wilde, PhD candidate UO Department of English (Folklore) In 1975, retired financial analyst and Fortune editor William B. Harris willed most of his estate to establish the “University of Oregon Fund for the Study of Women.” By the end of 1984, the sum of his endowment amounted toI just over $4 million, the largest single gift the univer- sity had ever received.1 At a time when women’s studies was struggling to gain ground in the academy, what led Harris to fund research on women? The story of the Center for the Study of Women in Society’s greatest benefactor begins and ends with his love of a feminist, Jane C. Grant. early yearS This poster was produced for the 1999 UO Knight Library exhibit “Talk of the Town: Jane Grant, ‘The New Yorker,’ and the Oregon Legacy of a Twentieth- Jane Grant learned early how to handle herself in the domains Century Feminist.” / Photographs are from the Jane Grant Photograph Collection, of men. Raised in a family with lots of males, she successfully PH141, UO Libraries Special Collection. navigated pressrooms, poker games, and variety shows in early twentieth-century New York City and wartime Paris. As she nated by men, Grant saved the magazine from ruin twice, once in would write in 1943, “Adjusting myself to their world is one of its early days and once during the Second World War.4 2 the things at which I have been rather competent.” While Grant had learned early to use male power to her advan- Born in 1892, Grant was raised in rural Missouri and Kansas.
    [Show full text]
  • The Broadway Murders
    The Broadway Murders THE BROADWAY M9URDERS Agata Stanford A Jenevacris Press Publication The Broadway Murders A Dorothy Parker Mystery / June 2010 Published by Jenevacris Press New York This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental. 7 All rights reserved Copyright © 2010 by Agata Stanford Typesetting & cover design by Eric Conover ISBN 978-0-9827542-1-4 Printed in the United States of America www.dorothyparkermysteries.com for Serena Acknowledgments I thank a number of people for their encourage- ment and support throughout the process of writing the books of my Dorothy Parker Mysteies series. An author needs resources, feedback, and sounding boards as well as emotional support from family, friends, and colleagues. So it is with gratitude that I mention, here, the names of those wonderful people who have provided their time and love and assistance: Rosaria and Anatole Konstantin, who read everything I sent to them and let me know if I was on track; Mary Rose Greer, who has listened to my ideas over the years, and has been an invaluable “sounding board,” allow- ing me to find my own way; Brenda Bright, my very good friend, who encourages me, but whose opinion I value, and who has helped edit The Broadway Mur- ders; Lisa Green, good friend and avid reader of all my work; the lovely librarians of the Richard’s Library in Warrensburg, New York, Sarah, Linda, and Lynn, who always greet me with a smile and who ordered whatever I needed for research; the research staff at The Baseball Hall of Fame, who kindly answered all of my questions about the 1926 World Series for Mystic Mah Jong; Jerome Cortellesi, for taking me on a per- sonal tour of the University Club; Amanda Mecke, my agent; and Eric Conover, without whose talent these books would not look nearly so good.
    [Show full text]