STROLLING ON :

downtown’s historic thoroughfare

Historic postcards from the Marlene Laskey Collection

eventh Street in downtown Los The predominant architectural style seen on Seventh Angeles is dynamic corridor with an exciting Street is Beaux Arts, a formal style based on classical (mainly Shistory. The street spans four commercial districts Greek and Roman) forms that experienced a popular revival (Financial, Jewelry, Theatre, and ), grew very quickly in the early twentieth century. Most of the street had been along with the rest of the city center, and has remained developed by the time reached the mainstream in highly intact for more than a century. the late 1920s. The street’s few Art Deco façades resulted Located nearly a mile south of the original pueblo, from 1930s makeovers of Beaux Arts structures. the area that is now Seventh Street was once agricultural As with many city centers, downtown gradually land on the outskirts of . With the arrival of lost favor to postwar suburbs, which offered and the Southern Pacific Railroad in 1876, the city’s population entertainment closer to home. Increasingly, downtown exploded, and the rural fields began to give way to residences. businesses closed and buildings became dormant. As the city’s commercial center continued to expand, In the 1960s and ’70s, redevelopment incentives Seventh evolved from residential to commercial use. The fostered the new commercial center on Bunker Hill, leaving street’s first major commercial building, the eight-story Seventh Street virtually deserted. Fortunately, it was also Lankershim Hotel, opened in 1905 at Seventh and left alone, with few historic structures demolished to make (it was demolished in the early 1990s). way for new construction. More than seventy-five percent In 1906, John Bullock opened his flagship of the buildings on Seventh between Figueroa and Los at the corner of Seventh and Broadway. Angeles Streets were built before 1929, creating an invaluable Bullock’s paved the way for Seventh Street to develop into an architectural trove, historic record, and filming location. upscale shopping street distinct from the bustling on Today, Seventh Street is the latest frontier in . ongoing revitalization of downtown. Renewed interest, along By the end of the teens, Seventh was home to several with incentives such as the city’s Adaptive Reuse Ordinance, major retailers as well as dozens of smaller stores. The corner have fueled the conversion of historic buildings for new of Seventh and Broadway was one of the busiest intersections uses along Broadway, Spring, Main, and Seventh Streets. in Los Angeles for many years. Thousands of shoppers and Since 2003, nearly a dozen former commercial structures theatregoers arrived daily, many on the famed Red Car trolley on Seventh have reopened as apartments or condominiums. system. This increase in housing is in turn drawing new restaurants, Office development took hold along Seventh in the nightlife, and retail to the area. Seventh Street is a 1920s, with thirteen large office buildings opening between kaleidoscope of old and new, history and vibrancy, adding 1920 and 1928. By 1929, every single plot on Seventh from new layers to the story of . Figueroa to Los Angeles Streets had been developed. STROLLING ON 7TH STREET:

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#01 Barker Bros. Building (818 Building) #05 (The Roosevelt) 818 . Seventh Street 727 W. Seventh Street Curlett and Beelman (1926) Curlett and Beelman (1927) Los Angeles Historic-Cultural Monument #356 Los Angeles Historic-Cultural Monument #355/ his Renaissance Revival structure National Register of Historic Places Twas the sixth and final downtown his massive Renaissance Revival building home of Barker Bros., a Los Angeles- Twas purported to be the largest office based furniture company founded building in Southern when it opened. in 1880. Advertised at the time of Architects Curlett and Beelman were prolific its construction as one of the largest downtown practitioners, designing six buildings furniture stores in the country, the on Seventh Street alone. In 2008, the Roosevelt building was converted into offices underwent conversion to 222 residential units, when Barker Bros. closed in the 1980s. restoring the original entry lobby with its The building’s magnificent exterior spectacular mosaic marble floors. remains in nearly original condition. Bruce Boehner Bruce Boehner

#06 J. W. Robinson Company (600 W. Seventh Street) #02 Home Savings of America Tower 600 W. Seventh Street (Figueroa Tower) Noonan and Richards (1915), Edgar Mayberry with 831 W. Seventh Street Allison and Allison (1934 remodel) Albert . Martin and Associates (1989) Los Angeles Historic-Cultural Monument #357 n this postmodern tribute to the French ounded in Los Angeles in 1883 as the Boston Dry Goods store, Ichateaux of the Loire Valley, designer Fthe J. W. Robinson Company was the first major department Tim Vreeland paid homage to “the enduring store to move to Seventh Street west of Broadway. The building architectural quality” of Seventh Street. Original encompasses nearly nine acres of floor space on seven floors. The tenant Home Savings had a tradition of upscale store was immediately successful and spurred the further integrating public art with architecture as seen development of the area as a shopping district. In 1934, a major here in the Venetian glass mosaic murals by Joyce remodel gave the store its current Moderne façade, replacing the Kozloff, a trompe l’oeil Metro entry mural by original Beaux Arts design. The building’s upper floors now house Terry Shoonhoven, and many other works of art telecommunications and data storage equipment. in and around the building. LAC Archives

#03 Fine Arts Building 811 W. Seventh Street Walker and Eisen (1926) Los Angeles Historic-Cultural Monument #125 ntending to “create a grouping of Ithe highest class specialty shops and studios in America,” no expense was spared in this stylish and unique building LAC Archives Bruce Boehner dedicated to the fine arts. Walker and Robinson’s before and after the 1934 remodel. Eisen’s Romanesque exterior is graced with monumental figures by sculptor Burt #07 Union Oil Building (617 W. Seventh Street) Johnson, and the foyer is a tour de force by the era’s preeminent tile master, Ernest 617 W. Seventh Street Batchelder. Although the concept of a Curlett and Beelman (1923) dedicated artists’ space was short-lived, nion Oil Company the building has served for many years as Umoved its corporate architecturally distinctive office space. offices to Los Angeles in Bruce Boehner 1901, one of the first of the major oil companies to #04 Broadway Plaza (Macy’s Plaza) do so. The firm occupied 700 W. Seventh Street several buildings before this Associates (1973) one, including 215 Seventh Street, now known as The overing an entire city block, the Bartlett. The massing and CBroadway Plaza includes a twenty- understated elegance of three-story hotel, a thirty-two-story the Union Oil Building is office tower, and an eight-story brick- a precursor of Curlett and clad department store/parking structure, Beelman’s later Seventh linked by a two-level atrium shopping Street office blocks, Barker plaza. Charles Luckman served as both the Bros. (1926) and the architect and developer of the project, an Roosevelt Building (1927). unusual arrangement at the time. The hotel originally featured a revolving restaurant named Angel’s Flight with 360-degree views of downtown. Bruce Boehner Bruce Boehner STROLLING ON 7TH STREET:

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#08 #12 Bronson Building 530 W. Seventh Street (The Collection) Barnett, Haynes and Barnett (1912) 527 W. Seventh Street National Register of Historic Places Austin and Pennell (1913) ith the construction he Bronson Building stood nearly Wof this building Tempty until 1915, when it was leased and plans for several others, to the Brack Shops, a then-novel collection developer John Brockman of independent shops in a department helped position Seventh store-like setting. Still home to above-the- Street as an up-and-coming street retail, the building became known as district. This Renaissance The Collection in the 1970s. Revival structure is clad Annie Laskey in dark brick with cream- colored terra cotta accents. #13 Brock and Company Building (Mas Malo/ It has housed a succession of Seven Grand) upscale clothiers, including 515 W. Seventh Street longtime tenant Brooks Bruce Boehner Dodd and Richards (1922) Brothers. It later went Los Angeles Historic-Cultural Monument #358 through an extended vacancy and several preservation struggles, before being converted into eighty loft-style apartments. uilt for Brock and Company, one Bof the city’s most successful jewelry companies, this building has an ornate #09 Henning Building (The Mandel) terra cotta façade. The luxurious interior showrooms featured murals of Versailles 518 W. Seventh Street and Art Nouveau-inspired display cases. Dodd and Richards (1917) Clifton’s Silver Spoon cafeteria occupied his modest four-story brick-clad building the space from 1974-1997, keeping many Thas a long retail history. Over the years, of the interior details intact. The second it housed Swobdi Millinery, the elegant floor reopened in 2007 as Seven Grand, woman’s clothing store Citrin’s, and Mandel’s one of many hip new bars revitalizing the Fascinating Slippers. The Henning Building nightlife scene downtown. The ground floor and its neighbor to the east, the former reopened as the restaurant Mas Malo in Coulter Dry Goods Company, were converted LAC Archives 2010. into fifty-five loft-style apartments, now known as The Mandel. Annie Laskey #14 Bank of Italy (Giannini Place) 505 W. Seventh Street Morgan, Walls and Morgan (1922) #10 Coulter Dry Goods Company (The Mandel) Los Angeles Historic-Cultural Monument #354 500 W. Seventh Street uilt for the Bank of Italy Dodd and Richards (1917) B(which later merged with his gracefully curved Bank of America), this formal, Tstructure was built Neoclassical structure was designed as the sixth location for by Morgan, Walls and Morgan, an the prominent retailer, influential architecture firm with the Coulter Dry Goods roots in Los Angeles dating back Company. Later home to to the 1870s. Notice the whimsical Dohrmann’s and then Lane images of American coins sculpted Bryant, the building was in the terra cotta that frames the repeatedly threatened with elaborate bronze front doors. demolition. It was joined to Annie Laskey its neighbor the Henning Bruce Boehner Building, and the two buildings reopened in 2007 as The Mandel, a #15 Ville de Paris (L.A. Jewelry Mart) complex of fifty-five loft-style apartments. 420 W. Seventh Street Dodd and Richards (1917)

#11 Quinby Building ounded by Frenchman A. Fusenot in 1893, the 529 W. Seventh Street Ville de Paris had a Broadway Meyer and Holler (1926) address until the construction uilt as an office tower, the in 1917 of this brick and terra BQuinby Building now houses cotta-clad six-story store on telecommunications data centers. The Seventh Street. The business charming Grand Avenue entry and lobby and building were sold two retain many of their 1920s marble and years later to B. H. Dyas, decorative elements. a sporting goods retailer.

Advertised as “The Most Bruce Boehner Interesting Store in California,” Dyas’ store featured a log cabin, an indoor rifle range, and an aquarium of rainbow trout, as well as stuffed and mounted game animals. Annie Laskey STROLLING ON 7TH STREET:

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#16 Huntsberger-Mennell Building #20 Sun Drug Building (International Jewelry Mart) (Great Western Jewelry Plaza) 412 W. Seventh Street 700 S. Hill Street Dodd and Richards (1917) Curlett and Beelman (1922) odd and Richards, he Sun Drug Company built and owned Darchitects of many of the Tmany properties downtown, several of buildings on Seventh Street, which housed Sun Drug stores at street level, as designed this two and a half- this one did. Great Western Savings was a major story structure. According to a tenant of the twelve-story Beaux Arts structure newspaper article at the time of for many years. The building now houses its construction, the delicate and jewelry and retail. colorful terra cotta ornamentation Bruce Boehner represents the “fruits and flowers of California.” Annie Laskey #21 Dunn-Williams Building (Spreckels Building) 714 W. Seventh Street Samuel Heiman (1922) #17 Foreman and Clark Building Los Angeles Historic- (Jewelry Design Center) Cultural Monument #984 400 W. Seventh Street eveloped by real estate speculators, this Curlett and Beelman (1928) Duniquely designed L-shaped building his Gothic Revival-style structure fronts both Seventh and Hill Streets. It was Twas built for Foreman and Clark, a sold in 1924 to the prominent Spreckels company that manufactured and sold men’s family, famous throughout California for clothing. In a novel approach, Foreman their sugar, real estate, and railroad ventures. and Clark’s retail store was on the second Despite many owners and tenants over the floor, while the ground floor was available years, the building remains remarkably intact. as income-producing rental space. In 1978, Annie Laskey the building was remodeled for jewelry retail. #22 Loew’s State Theatre

Bruce Boehner 300 W. Seventh Street Weeks and Day (1921) Los Angeles Historic-Cultural Monument #522/ #18 Los Angeles Athletic Club National Register of Historic Places 431 W. Seventh Street (Broadway Historic Theatre and Commercial District) Parkinson and Bergstrom (1912) he corner of Broadway and Seventh Los Angeles Historic-Cultural Monument #69 Twas reputed to be the busiest he Los Angeles Athletic Club has been intersection in Los Angeles when this Ta local institution since its founding theatre was built. Boasting entrances in 1880. The current structure was built on both streets, the Loew’s State was as a clubhouse, athletic facility, and hotel. enormously successful, due partly to its Immediately famous for the location and partly to its presentation of feat of placing a nearly Olympic-size pool MGM films and live performances. The on the sixth floor, the building has hosted twelve-story office building that wraps innumerable celebrities over the years. around the auditorium was reportedly Several remodels have changed the street- one of the largest brick-clad structures level façade and parts of the interior, yet the in the city when built. The theatre now building, including the historic pool and hosts church services, while the upper gymnasium, retains its historic character. floors house jewelry manufacturers. Bruce Boehner Security Pacific National Bank Collection/Los Angeles Public Library

#19 Pantages Theatre (Jewelry Theater Center) #23 Western Terminus of Route 66 401 W. Seventh Street Seventh Street at Broadway B. Marcus Priteca (1920) (1926-1936) laborate floral decoration istoric Route 66, also Eand Greek-inspired Hknown as the “Mother sculpture cover the façade of Road,” was established in 1926. this twelve-story L-shaped office Starting in Chicago, Route 66 building, which wraps around the originally ended at Seventh Street theatre’s auditorium. Designed and Broadway in downtown Los by prolific theatre architect B. Angeles (and was later extended Marcus Priteca for the Pantages to Santa Monica). Route 66 was circuit, it was sold in officially removed from the U.S.

1929 to Warner Bros. In 1977, as Bruce Boehner Annie Laskey Highway system in 1985, but it Hill Street was transforming into is memorialized in many places the important jewelry district it is now, the building and auditorium with historic markers and National were converted into a jewelry center. A significant amount of the Scenic Byway status. theatre’s original decoration remains, including the former stage, original balcony, and decorative ceiling. STROLLING ON 7TH STREET:

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#24 Bullock’s (St. Vincent Jewelry Center) #27 Haas Building 319 W. Seventh Street 219 W. Seventh Street Parkinson and Bergstrom (1906) Morgan, Walls and Morgan (1915) National Register of Historic Places uilt by businessman Abraham Haas as an (Broadway Historic Theatre and Commercial District) Boffice building, this twelve-story structure roadway Department was designed in the classical Beaux Arts style, BStore owner Arthur with terra cotta ornamentation typical of its era. Letts bankrolled his top The current metal skin was added in the 1970s, manager, John Bullock, to although a small portion of the original terra open a new store in which cotta is still visible on the Seventh Street façade. Letts would be a silent The building was converted in 2009 into sixty- partner. Specializing in eight apartment units, with a rooftop penthouse. high-end merchandise and LAC Archives customer service, Bullock’s opened on the northwest #28 Union Oil Building (The Bartlett) corner of Broadway and 215 W. Seventh Street Seventh Streets, eventually Parkinson and Bergstrom (1911) expanding to six adjoining National Register of structures. The downtown Historic Places (Spring Street store closed in 1983, Financial District) about the time that most department stores were classic Beaux Arts office block, the leaving the city center. After AUnion Oil Building was sold to an extensive remodel, the prominent businessman and civic leader complex reopened later that Bruce Boehner A. G. Bartlett in 1921. The look of the year as a jewelry center. building significantly changed in 1937 when the first three floors received a Moderne facelift. The building was converted in 2002 into 139 condominiums. #25 St. Vincent’s Court Security Pacific National Bank Alley off Seventh Street between Broadway and Hill Collection/Los Angeles Public Library California State Landmark #567 #29 Financial Center Building t. Vincent’s Court, the 140 W. Seventh Street small alley that runs S Norton and Wallis (1924) through the center of the National Register of former Bullock’s complex, Historic Places (Spring Street dates back to the 1860s, when Financial District) the site was occupied by St. Vincent’s College (now Loyola ocated in the heart of the then- Marymount University). This Lfinancial district, this building was alley was the main entrance originally designed to house financial into campus. In 1956, a offices. In classic Beaux Arts tradition, coalition of city boosters contrasting stories of terra cotta and pressed Annie Laskey funded a remodel of the alley brick define the base, shaft, and attic of this that added murals, awnings, and flowers, precursors of the cafe scenes office building. Delicate metal detailing still that line the alley today. graces the façade. Annie Laskey #26 I. N. Van Nuys Building (Van Nuys Apartments) #30 Hellman Commercial Trust and Savings Bank 210 W. Seventh Street (SB Spring) Morgan, Walls and Morgan (1911) 650 S. Spring Street Los Angeles Historic-Cultural Monument #898/ Schultze and Weaver (1925) National Register of Historic Places National Register of Historic Places (Spring Street Financial District) (Spring Street Financial District) eportedly the largest and saias Hellman spared no expense in the design, materials, or Rmost expensive office block Iamenities for the new headquarters of his bank, which cost a constructed in Los Angeles at the reputed $2.5 million to construct. The main banking area remains time, this Beaux Arts structure was mostly intact, with financed by I. N. Van Nuys, who, elaborate marble, wood, with his partner Isaac Lankershim, and metal details in a had made a fortune on land in the Spanish Revival style. In . The building 2009, the offices above was converted to apartments in were converted into 174 1982. The exquisite elevator lobby apartments. The former remains, complete with marble, banking lobby now stained glass skylight, and bronze serves as an event space elevator doors. and a popular filming location.

Bruce Boehner LAC Archives STROLLING ON 7TH STREET:

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#31 Board of Trade Building #35 Santee Court (SB Main) 714, 716, 720, and 724 S. 111 W. Seventh Street Arthur W. Angel (1911) Curlett and Beelman (1926) Los Angeles Historic-Cultural Monument #710 uge winged creatures guard the attic-level n ambitious adaptive Hcorners of the Board of Trade building, Areuse project begun later known as the California Stock Exchange. in 2003, Santee Court and Converted into 200 loft-style apartments, the Village transformed a large building reopened in 2009. block of industrial buildings LAC Archives into a mixed-use complex with residential, commercial, retail, #32 Heywood Bros. & Wakefield Company and arts tenants, facing onto (Dearden’s Home Furnishings) a courtyard. 700-710 S. Main Street Annie Laskey Architect unknown (ca. 1899); John Parkinson remodel (ca. 1902) #35a Cooper, Coate & Casey Dry Goods Company Hulse, Bradford & Company (Connell Building, Santee Court) (Dearden’s Home Furnishings) 714 S. Los Angeles Street 712-718 S. Main Street Arthur W. Angel (1911), William Kernan (1935, R. B. Young (1901) Moderne remodel) earden’s Home Los Angeles Historic-Cultural Monument #710 DFurnishings was riginally designed in an understated founded in 1909, a few OItalianate style as a wholesaler’s doors south of its current warehouse, this structure was given a location, in what was then Moderne façade in a 1935 remodel. a bustling furniture district. The present store comprises three buildings, all of which previously housed furniture Annie Laskey stores: Heywood Bros. &

Wakefield Company (circa Brent C. Dickerson Archive. Used by permission. #35b & c Brownstein-Louis Company [factory] 1899) on the corner, which (Bailey Hat Building, Santee Court) become Overell’s in 1906; Hulse, Bradford & Company (1901) just 716 S. Los Angeles Street to the south; and a third industrial structure to the rear. For over Brownstein-Louis Company [warehouse] a century, Dearden’s has specialized in personal service, eventually (Brownstein-Louis Building, Santee Court) expanding to nine stores across Los Angeles County. 720 S. Los Angeles Street Arthur W. Angel (1911) Los Angeles Historic-Cultural Monument #710 #33 Transportation Building (Mercantile Center) eveloper M. J. Connell built seven 122 E. Seventh Street Dbuildings on Los Angeles Street between Walker and Eisen (1924) Seventh and Eighth Streets. Two were for the ow home to various fashion Brownstein-Louis company, a manufacturer of Nindustry tenants, this overalls and sportswear. The building at 720 S. building was originally named for Los Angeles Street the many transportation companies was intended that had offices here, including as a wholesale the Pullman Company and the showroom. The American-Hawaiian Steamship rear building, 716 S. Los Angeles Company. Annie Laskey Annie Laskey Street (now known as the Bailey Hat Building after a later tenant), served as the factory. #34 Builders’ Exchange Building Annie Laskey (Terminal Plaza Building) 209 E. Seventh Street #35d Brodin Millinery Company Walker and Eisen (1925) (Brownstein-Louis Building, Santee Court) his thirteen-story Beaux Arts office 724 S. Los Angeles Street Tbuilding was commissioned by the Frank Stiff (1912) Los Angeles Builders’ Exchange, which Los Angeles Historic-Cultural Monument #710 originally occupied its two top floors. Architects Walker and Eisen designed his building, which served many buildings in the downtown area, Tas Brodin’s Millinery, was including the nearby Transportation an addition to the Brownstein- Building (1924) and the Fine Arts Louis building directly to the Building (1926) on Seventh near north. As a result, the former Figueroa. exterior walls are now interior walls featuring Brownstein-Louis “ghost signs.”

Annie Laskey Myk Mishoe STROLLING ON 7TH STREET:

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About the The Los Angeles Conservancy is a membership-based nonprofit organization that works through advocacy and to recognize, preserve, and revitalize the historic architectural and cultural resources of Los Angeles County. The Conservancy was formed in 1978 as part of the community-based effort to prevent demolition of the Los Angeles Central Library. It is now the largest local historic preservation organization in the U.S., with 6,000 members and hundreds of volunteers. For more information, please visit laconservancy.org.

Los Angeles Conservancy 523 West Sixth Street, Suite 826 Los Angeles, CA 90014 213.623.2489

laconservancy.org Bank of Italy (Annie Laskey) © 2010 Los Angeles Conservancy. All rights reserved.

“Strolling on Seventh Street” is generously sponsored by: Bronson Building (Bruce Boehner)

Additional tour support provided by Los Angeles City Councilmembers José Huizar and Jan Perry.

Major funding for the Los Angeles Conservancy’s educational programs is provided by the Kenneth T. and Eileen L. Norris Foundation.

This booklet was produced in conjunction with a tour held on November 7, 2010.

Special thanks to the building owners, representatives, tenants, and residents who so graciously opened their buildings for this tour: Dearden’s: Ronny Bensimon, Angel Lopez Fine Arts Building: Mark & Brian Enterprises, LLC; Lala Asheghie, Roxanne Hampton, Leslie A. McNeal The Roosevelt: Milbank Real Estate Services, Randelle Green, Raymond Yashouafar Fine Arts Building (Bruce Boehner) Santee Court: Andrew Ruiz, Sarah Cahill SB Spring: Barry Shy Seven Grand: 213, Cedd Moses, Stephen Dorame, Tiffany Haugen Fine Arts Building (Annie Laskey) Sheraton Los Angeles Downtown Hotel/Macy’s Plaza: Jim Boitnott, Pantages Theatre (Annie Laskey) Meredith Sherman, Sandy Nam

Also, thanks to those who so generously shared their time and resources with the Conservancy: Hal Bastian and the Downtown Center Business Improvement District; Marsel Watts and Peggy Jo Pabustan, VEDC, and the Historic Downtown L.A. Retail Project; Kent Smith and the Fashion District Business Improvement District; Aaron Kahlenberg and the Student Advocates of the John F. Kennedy High School Architecture and Digital Arts magnet program; Conservancy interns Derek Marks and Rebecca Streeter; Brenda Varda and Wordspace; and of course the many loyal and dedicated Conservancy volunteers, without whom our tours would not be possible.

Tour materials designed by Amy Inouye, Future Studio Los Angeles Tour booklet printed by Jano Graphics Union Oil Bldg./ The Bartlett (Annie Laskey) STROLLING ON 7TH STREET:

FIGUEROA

I Home Savings of America Tower #02 800 #01 Barker Bros. Bldg. I I Fine Arts Bldg. #03

FLOWER

700 I Roosevelt Bldg. #05

#04 Broadway Plaza I

HOPE

I Union Oil Bldg. #07 600 #06 J. W. Robinson Company I

GRAND I Quinby Bldg. #11

#08 Brockman Bldg. I I Bronson Bldg. #12 500 #09 Henning Bldg. I I Brock and Co. Bldg. #13

#10 Coulter Dry Goods Co. I I Bank of Italy #14

OLIVE

#15 Ville de Paris I I Los Angeles Athletic Club #18 400

#16 Huntsberger-Mennell Bldg. I I Pantages Theatre #19 #17 Foreman and Clark Bldg. I

HILL #20 Sun Drug Bldg. I I Bullock’s #24 #21 Dunn-Williams Bldg. I 300 I St. Vincent’s Court #25 #22 Loew’s State Theatre I

#23 Western Terminus of Route 66 I BROADWAY

I Haas Bldg. #27 200

#26 I. N. Van Nuys Bldg. I I Union Oil Bldg. #28

SPRING

I Hellman Commercial Trust

#29 Financial Center Bldg. I 100 and Savings Bank #30

I Board of Trade Bldg. #31

MAIN #32 Heywood Bros. & Wakefield Co./

Hulse, Bradford & Co. I 100E

#33 Transportation Bldg. I

LOS ANGELES SANTEE COURT #35a Cooper, Coate & Casey Dry Goods Co. I I Builders’ Exchange Bldg. #34 #35b/c Brownstein-Louis Co. I 200E #35d Brodin Millinery Co. I