Henry Prinsep's Empire Parents
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ART XVI.—On the Identity of Xandrames and Krananda
447 ART XVI.—On the Identity of Xandrames and Krananda. By EDWARD THOMAS, ESQ. AT the meeting of the Royal Asiatic Society, on the 21st Nov., 1864,1 undertook the task of establishing the identity of the Xandrames of Diodorus Siculus and Quintus Curtius, the undesignated king of the Gangetic provinces of other Classic Authors—with the potentate whose name appears on a very extensive series of local mintages under the bilingual Bactrian and Indo-Pali form of Krananda. With the very open array of optional readings of the name afforded by the Greek, Latin, Arabic, or Persian tran- scriptions, I need scarcely enter upon any vindication for con- centrating the whole cifcle of misnomers in the doubly autho- ritative version the coins have perpetuated: my endeavours will be confined to sustaining the reasonable probability of the contemporaneous existence of Alexander the Great and the Indian Krananda; to exemplifying the singularly appro- priate geographical currency and abundance of the coins themselves; and lastly to recapitulating the curious evidences bearing upon Krananda's individuality, supplied by indi- genous annals, and their strange coincidence with the legends preserved by the conterminous Persian epic and prose writers, occasionally reproduced by Arab translators, who, however, eventually sought more accurate knowledge from purely Indian sources. In the course of this inquiry, I shall be in a position to show, that Krananda was the prominent representative of the regnant fraternity of the " nine Nandas," and his coins, in their symbolic devices, will demonstrate for us, what no written history, home or foreign, has as yet explicitly de- clared, that the Nandas were Buddhists. -
Derbyshire. Croxall
• DIRECTORY.] DERBYSHIRE. CROXALL. 103 is at Lea Bridge & telegraph office Cromford; sundays, C. Arkwright esq. Henry Tissington, master; Miss Kate dispatched 7.5 p.m Bastwick, infants' mistress Church of England School, erected about r83o, for 300 boys Railway Station, Lewis Wright, station master • & girls '& roo infants; average attendance, 155 boys & CARRIER TO DERBY, Thomas Holmes ~of Mattock Town), girls & 6o infants. The school is partly supported by F. every monday & thursday, returning tuesday & friday U'he residents of Scarthin row & Chapel hill Duckmanton J n. plumber, Scarthin row Pearson Jose ph, shopkeeper, Chapel hill are in Matlock Bath Local Board district. Evans ·william, jeweller, Market place Potter .Anthony, farmer Willersley, & those names marked thus • *F G f M d d p 'tch dE ·1 (-:\''' ) t t" & t are in thepa.rish of :Matlock but all receive ox eorge, arm er, ea ow woo rr ar nu y .d!SS ,s a wner pos - letters through Cromford) 1 *Fox Wm.farmer,,Voodseats, Willersley mistress _.Arkwright Fredc. Cbas. J.P. Willersley Fryer John, draper, tail...,r, hatter, out- Reading Room (Abel Bodeh, sec) .Arkwright James Charles, Oak hill fitter&funeral furnisher,Scarthin row Reeds Jas. & Son, grocers &c, North st Arkwright Rev. William Harry M.A. Gould Geo. Clement, shnpkpr. The Hill Hobinson .Ann (Mrs.), baker [vicar], Oak hill Gregory Elizabeth .Ann (Mrs.), milliner Raper George, whitesmith Furniss Edward, Greenhill terrace & haberdasher Smith Samuel & Son ,general drapers &c *Hill Charles, Bridge house Hall John Thomas, Prudential agent, Smith Hannah(.Miss),grocr.Scarthin rw Holmes John, Rose cottage, Derby road Cromford hill Smith Waiter Edwin,stationer & printr. -
192. Great Stupa at Sanchi Madhya Pradesh, India. Buddhist, Maurya
192. Great Stupa at Sanchi Madhya Pradesh, India. Buddhist, Maurya, late Sunga Dynasty. c. 300 B.C.E. – 100 C.E. Stone masonry, sandstone on dome The Great Stupa at Sanchi is the oldest stone structure in India[1] and was originally commissioned by the emperor Ashoka the Great in the 3rd century BCE built over the relics of the Buddha It was crowned by the chatra, a parasol-like structure symbolising high rank, which was intended to honour and shelter the relics 54 feet tall and 120 feet in diameter The construction work of this stupa was overseen by Ashoka's wife, Devi herself, who was the daughter of a merchant of Vidisha. Sanchi was also her birthplace as well as the venue of her and Ashoka's wedding. In the 1st century BCE, four elaborately carved toranas (ornamental gateways) and a balustrade encircling the entire structure were added With its many tiers it was a symbol of the dharma, the Wheel of the Law. The dome was set on a high circular drum meant for circumambulation, which could be accessed via a double staircase Built during many different dynasties . An inscription records the gift of one of the top architraves of the Southern Gateway by the artisans of the Satavahana king Satakarni: o "Gift of Ananda, the son of Vasithi, the foreman of the artisans of rajan Siri Satakarni".[ o Although made of stone, they were carved and constructed in the manner of wood and the gateways were covered with narrative sculptures. They showed scenes from the life of the Buddha integrated with everyday events that would be familiar to the onlookers and so make it easier for them to understand the Buddhist creed as relevant to their lives At Sanchi and most other stupas the local population donated money for the embellishment of the stupa to attain spiritual merit. -
Ashoka and the Mauryan Empire
Ashoka and the Mauryan Empire Investigation 1. Mysterious messages from the past [1.1] Ashokan edict at Girnar Have you seen writing like this before? What language could it be? Who wrote it and when? What does it mean? We’re going to find out. http://commons.wikimedia.org/wiki/File:Ashoka_Girnar.png S: Ashoka_Girnar © The University of Melbourne – Asia Education Foundation, 2013 [1.2] Girnar hill To do that, we have to imagine going to India. This is Girnar, and at the bottom of the hill you can still see the same writing. Because it is cut into the surface of a rock, it is called an ‘inscription’. http://upload.wikimedia.org/wikipedia/commons/e/e1/Girnar_1.jpg S: Girnar_1.jpg © The University of Melbourne – Asia Education Foundation, 2013 [1.3] Girnar rock in 1869 Here’s the rock itself, in an old photo, taken in 1869. You can only just see the inscription, and part of the rock has been blasted away to be used to build a road. Whoever did that obviously didn’t think it was important to look after the inscription. http://www.bl.uk/onlinegallery/onlineex/apac/photocoll/a/largeimage63066.html S: Ahoka_inscription_on_rock.jpg © The University of Melbourne – Asia Education Foundation, 2013 [1.4] Girnar rock in 1900 You can see the inscription itself more clearly in this photo, taken in 1900. Can you see any changes? http://www.bl.uk/onlinegallery/onlineex/apac/photocoll/t/largeimage63961.html S: The_ashoka_Rock_Inscription.jpg © The University of Melbourne – Asia Education Foundation, 2013 [1.5] Girnar edict in 2007 And you can see the inscription much more clearly here. -
Role of Gandhara in Spread of Styles, Influence of Gandhara Art and Influences on Gandhara Art
2013 Hawaii University International Conferences Arts, Humanities, & Social Sciences January 6th to January 8th Ala Moana Hotel Honolulu, Hawaii Role of gandhara in spread of styles, Influence of Gandhara Art and Influences on Gandhara Art SAMINA SALEEM Quaid-i-Azam University, Islamabad, Pakistan Role of Gandhara in spread of styles (Its influences) 1 Samina Saleem Academic Qualification: Masters in Fine Arts from University of Punjab, Pakistan. Presently: student of M.Phil in Asian Studies, Taxila Institute of Asian Civilizations, Quaid-i-Azam University, Islamabad, Pakistan. Personal Position: Working as Assistant Professor in Fine Arts, in Government Post Graduate College for Women Satellite Town, Rawalpindi, Pakistan. Date of Birth: 18th April, 1963 Nationality: Pakistani Address (Work): Taxila Institute of Asian Civilizations, Quaid-i-Azam University, Islamabad, Pakistan. Title of Research: Role of Gandhara in spread of styles (Comparison of South Asian Civilization of Gandhara; and its influences on Later Eastern and Western Art) Role of Gandhara in spread of styles (Its influences) 2 ABSTRACT BY SAMINA SALEEM Role of gandhara in spread of styles, Influence of Gandhara Art and Influences on Gandhara Art Basic purpose of this paper is to provide the students and researcher a new dimension to look into the art of South Asian region. This art which is known as Gandhara art flourished here from 1st Millennium to the of the 11th century AD. First part of Paper is comprised of brief history of this area, that is a part of subcontinent specially Pakistan. This area has been a trade route from west to East, also been having a magnetic attraction for West since long, because it has versatility in its Geography, climate and also its inhabitants. -
How Buddhist Records Helped Recreate the History of India
How Buddhist Records Helped Recreate The History of India Jawhar Sircar Thimphu, Bhutan, 20th November, 2107 Distinguished Visitors Programme of the India Bhutan Foundation Your Excellency, the Ambassador of India, respected members of the audience and friends, I thank the India Bhutan Foundation for having invited me to driver a talk on a subject that is so close to my heart. For the last two decades I chose a rather unusual combination of subjects for my research, namely, History and Religion, and it feels satisfying to see some positive results emanating out of this combination. This is not the first occasion when I have expressed India‟s indebtedness to Buddhist records for reconstructing Indian history in the last two centuries. Those who are familiar with this issue would be aware of the basic problem of deciphering history as an empirical discipline from materials that were never meant to serve as historical records or documents. I refer toIndian texts, more specifically the genre of sacred texts. We must remember that in ancient India which covers the period from 3500 BC to 1200 AD, i.e, more that four-fifth of India‟s recorded history, the chronicling of events was primarily the task of what we call the Brahmanical intelligentsia that was also the keeper of religious traditions. For various reasons, history was not their focus and though we get large volumes of literature, primarily sacred, from the Vedas, the Upanishads, the Sutras, the Puranas and numerous commentaries thereof, we hardly get any historical narratives. The Puranas do recite genealogies and some parts are substantiated by facts, but they mix up a lot of fiction and religion and cannot, therefore, qualify as historical texts. -
The Stūpa of Bharhut
CORNELL UNIVERSITY LIBRARY GIFT OF Alexander B. Griswold FINE ARTS Cornell Univ.;rsily Library NA6008.B5C97 The stupa of Bharhut:a Buddhist monumen 3 1924 016 181 111 ivA Cornell University Library Al The original of this bool< is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31 92401 6181111 ; THE STUPA OF BHARHUT: A BUDDHIST MONUMENT ORNAMENTED WITH NUMEROUS SCULPTURES ILLUSTRATIVE OF BTJDDHIST LEGEND AND HISTOEY IN THE THIRD CENTURY B.C. BY ALEXANDER CUNNINGHAM, C.S.I., CLE., ' ' ' ^ MAJOE GENERAL, EOYAL ENGINEERS (BENGAL, RETIRED). DIRECTOR GENERAL ARCHffiOLOGICAL SURVEY OF INDIA. " In the sculptures ancL insorvptions of Bharliut we shall have in future a real landmarh in the religious and literary history of India, and many theories hitherto held hy Sanskrit scholars will have to he modified accordingly."— Dr. Max Mullee. UlM(h hu Mw af i\( Mx(hx^ tii ^tate Ux %nVm in €mml LONDON: W^ H. ALLEN AND CO., 13, WATERLOO PLACE, S.W. TRUBNER AND CO., 57 & 59, LUDGATE HILL; EDWARD STANFORD, CHARING CROSS; W. S. WHITTINGHAM AND CO., 91, GRACECHURCH STREET; THACKER AND CO., 87, NEWGATE STREET. 1879. CONTENTS. page E.—SCULPTURED SCENES. PAGE PREFACE V 1. Jata^as, oe pebvious Bieths of Buddha - 48 2. HisTOEicAL Scenes - - - 82 3. Miscellaneous Scenes, insceibed - 93 I.—DESCRIPTION OF STUPA. 4. Miscellaneous Scenes, not insceibed - 98 1. Position of Bhakhut 1 5. HuMOEOUS Scenes - - - 104 2. Desckipiion of Stupa 4 F.— OF WORSHIP 3. Peobable Age of Stupa - 14 OBJECTS 1. -
Henry Prinsep's Empire: Framing a Distant Colony
Henry Prinsep’s Empire: Framing a distant colony Henry Prinsep’s Empire: Framing a distant colony Malcolm Allbrook Published by ANU Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Allbrook, Malcolm, author. Title: Henry Prinsep’s empire : framing a distant colony / Malcolm Allbrook. ISBN: 9781925021608 (paperback) 9781925021615 (ebook) Subjects: Prinsep, Henry Charles 1844-1922. East India Company. Artists--Western Australia--Biography. Civil service--Officials and employees--Biography. Western Australia--Social life and customs--19th century. India--Social life and customs--19th century. Dewey Number: 759.994 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Nic Welbourn and layout by ANU Press Printed by Griffin Press This edition © 2014 ANU Press Contents Dedication . vii Acknowledgments . ix Biographical Sketches of the Family of Henry Charles Prinsep (1844‑1922) . xi 1 . Introduction—An Imperial Man and His Archive . 1 Henry Prinsep’s colonial life . 1 Histories across space, place and time . 8 Accessing the Prinsep archive . 13 2 . Images of an Imperial Family . 27 A novelised and memorialised India . 27 Governing the others . 35 Scholarliness and saintliness . 42 A place to make a fortune . 48 Military might: The limits of violence . 54 A period of imperial transformation . 57 3 . An Anglo‑Indian Community in Britain . -
Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati
Component-I (A) – Personal details: Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. & Dr. K. Muniratnam Director i/c, Epigraphy, ASI, Mysore Dr. Sayantani Pal Dept. of AIHC, University of Calcutta. Prof. P. Bhaskar Reddy Sri Venkateswara University, Tirupati. Component-I (B) – Description of module: Subject Name Indian Culture Paper Name Indian Epigraphy Module Name/Title Kharosthi Script Module Id IC / IEP / 15 Pre requisites Kharosthi Script – Characteristics – Origin – Objectives Different Theories – Distribution and its End Keywords E-text (Quadrant-I) : 1. Introduction Kharosthi was one of the major scripts of the Indian subcontinent in the early period. In the list of 64 scripts occurring in the Lalitavistara (3rd century CE), a text in Buddhist Hybrid Sanskrit, Kharosthi comes second after Brahmi. Thus both of them were considered to be two major scripts of the Indian subcontinent. Both Kharosthi and Brahmi are first encountered in the edicts of Asoka in the 3rd century BCE. 2. Discovery of the script and its Decipherment The script was first discovered on one side of a large number of coins bearing Greek legends on the other side from the north western part of the Indian subcontinent in the first quarter of the 19th century. Later in 1830 to 1834 two full inscriptions of the time of Kanishka bearing the same script were found at Manikiyala in Pakistan. After this discovery James Prinsep named the script as ‘Bactrian Pehelevi’ since it occurred on a number of so called ‘Bactrian’ coins. To James Prinsep the characters first looked similar to Pahlavi (Semitic) characters. -
General Historical and Analytical / Writing Systems: Recent Script
9 Writing systems Edited by Elena Bashir 9,1. Introduction By Elena Bashir The relations between spoken language and the visual symbols (graphemes) used to represent it are complex. Orthographies can be thought of as situated on a con- tinuum from “deep” — systems in which there is not a one-to-one correspondence between the sounds of the language and its graphemes — to “shallow” — systems in which the relationship between sounds and graphemes is regular and trans- parent (see Roberts & Joyce 2012 for a recent discussion). In orthographies for Indo-Aryan and Iranian languages based on the Arabic script and writing system, the retention of historical spellings for words of Arabic or Persian origin increases the orthographic depth of these systems. Decisions on how to write a language always carry historical, cultural, and political meaning. Debates about orthography usually focus on such issues rather than on linguistic analysis; this can be seen in Pakistan, for example, in discussions regarding orthography for Kalasha, Wakhi, or Balti, and in Afghanistan regarding Wakhi or Pashai. Questions of orthography are intertwined with language ideology, language planning activities, and goals like literacy or standardization. Woolard 1998, Brandt 2014, and Sebba 2007 are valuable treatments of such issues. In Section 9.2, Stefan Baums discusses the historical development and general characteristics of the (non Perso-Arabic) writing systems used for South Asian languages, and his Section 9.3 deals with recent research on alphasyllabic writing systems, script-related literacy and language-learning studies, representation of South Asian languages in Unicode, and recent debates about the Indus Valley inscriptions. -
Copyright by Matthew David Milligan 2010
Copyright by Matthew David Milligan 2010 The Thesis Committee for Matthew David Milligan Certifies that this is the approved version of the following thesis: A Study of Inscribed Reliefs within the Context of Donative Inscriptions at Sanchi APPROVED BY SUPERVISING COMMITTEE: Supervisor: Oliver Freiberger Janice Leoshko A Study of Inscribed Reliefs within the Context of Donative Inscriptions at Sanchi by Matthew David Milligan, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin August 2010 Dedication In memory of Dr. Selva J. Raj, and for all of my teachers, past, present, and future. Acknowledgements I’d like to begin by thanking my two co-supervisors, Dr. Oliver Freiberger and Dr. Janice Leoshko. Their comments, insights, and--most of all, patience--have given me the opportunity to learn much during this process. I am grateful to other professors at the University of Texas at Austin who have taught me much these past few years, including the arduous task of teaching me Sanskrit. For this, I am indebted to Dr. Edeltraud Harzer, Dr. Patrick Olivelle, and Dr. Joel Brereton. I extend much appreciation to those in India who have helped me research, travel, and learn Prakrit. First, I thank Dr. Narayan Vyas (Retd. Superintending Archaeologist, ASI Bhopal), for helping to arrange my research opportunity at Sanchi in 2009. Also at Sanchi, S.K. Varma--who may yet prove to be the incarnation of Emperor Aśoka-- assisted a great deal, as well as P.L. -
Loot: in Search of the East India Company, the World's First
THE FIRST TRANSNATIONAL CORPORATION Loot: in search of the East India Company, the world’s first transnational corporation Nick Robins Nick Robins is head of SUMMARY: This article charts the growth of the world’s first transnational research with the Socially Responsible Investment corporation, the East India Company, and the resonance this has for today’s glob- Team at Henderson Global alization agenda. Starting as a speculative company to import spices, the East Investors in the City of India grew to rule one-fifth of the world’s population. The paper also discusses London. He is also an associate editor of the implications, for India and Britain, of its profit-driven development achieved Resurgence magazine. He through trade, taxes and conquest. It also describes how the Company’s wealth writes in a personal capacity. An earlier version of this allowed it to manipulate and even bring down governments. article appeared in the January-February 2002 edition of Resurgence. He is planning a ceremony of I. INTRODUCTION remembrance dedicated to the East India Company’s THE GOVERNANCE OF transnational corporations is one of the central victims in Summer 2002. challenges facing the global economy. The 1990s saw, first, the removal of ADDRESS: 4 Broadgate, attempts at the international regulation of corporations (notably with the London, EC2M 2DA, UK; closure of the UN Centre for Transnational Corporations following the e-mail: nick.robins@ henderson.com 1992 Earth Summit). But this was followed by the reluctant reintroduc- tion of voluntary measures to encourage companies to introduce respon- sible practices, such as the UN Global Compact.