Center 25 Center of Art National Gallery Arts Study in the Visual Center for Advanced
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Italianpod101.Com Learn Italian with FREE Podcasts
1 ItalianPod101.com Learn Italian with FREE Podcasts Beginner S2 Italian Lessons 1-20 1-20 2 ItalianPod101.com Learn Italian with FREE Podcasts Introduction This is Innovative Language Learning. Go to InnovativeLanguage.com/audiobooks to get the lesson notes for this course and sign up for your FREE lifetime account. The course consists of lessons centered on a practical, real-life conversation. In each lesson, first, we'll introduce the background of the conversation. Then, you'll hear the conversation two times: One time at natural native speed and one time with the English translation. After the conversation, you'll learn carefully selected vocabulary and key grammar concepts. Next, you'll hear the conversation 1 time at natural native speed at the end of the lesson. Finally, practice what you have learned with the review track. In the review track, a native speaker will say a word or phrase from the dialogue, wait three seconds, and then give you the English translation. Say the word aloud during the pause. Halfway through the review track, the order will be reversed. The English translation will be provided first, followed by a three-second pause, and then the word or phrase from the dialogue. Repeat the words and phrases you hear in the review track aloud to practice pronunciation and reinforce what you have learned. Before starting the lessons, go to InnovativeLanguage.com/audiobooks to get the lesson notes for this course and sign up for your FREE lifetime account. LC: ABS_S1L1-25 © www.ItalianPod101.com - All Rights Reserved 3 ItalianPod101.com Learn Italian with FREE Podcasts Beginner How Will You Spend Your Saturday Night in Italy? Italian 2 English 2 1 Vocabulary 2 Grammar Points 3 Cultural Insight 5 4 ItalianPod101.com Learn Italian with FREE Podcasts Italian Anna Allora usciamo sabato sera? Peter Si, si. -
Creativity Over Time and Space
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Serafinelli, Michel; Tabellini, Guido Working Paper Creativity over Time and Space IZA Discussion Papers, No. 12644 Provided in Cooperation with: IZA – Institute of Labor Economics Suggested Citation: Serafinelli, Michel; Tabellini, Guido (2019) : Creativity over Time and Space, IZA Discussion Papers, No. 12644, Institute of Labor Economics (IZA), Bonn This Version is available at: http://hdl.handle.net/10419/207469 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu DISCUSSION PAPER SERIES IZA DP No. 12644 Creativity over Time and Space Michel Serafinelli Guido Tabellini SEPTEMBER 2019 DISCUSSION PAPER SERIES IZA DP No. 12644 Creativity over Time and Space Michel Serafinelli University of Essex, IZA and CReAM Guido Tabellini IGIER, Università Bocconi, CEPR, CESifo and CIFAR SEPTEMBER 2019 Any opinions expressed in this paper are those of the author(s) and not those of IZA. -
TEFAF New York Fall 2017 Stand 95 TEFAF New York — Fall 2017
TEFAF New York Fall 2017 Stand 95 TEFAF New York — fall 2017 October 27 2pm – 9pm VIP preview " 28 noon – 8pm " 29 noon – 6pm The Park Avenue Armory " 30 noon – 8pm 643 Park Avenue, at 67th Street, " 31 noon – 8pm New York City, 10065 NY November 1 noon – 6pm visit us at stand 95 Extensive descriptions and images available on request. All offers are without engagement and subject to prior sale. All items in this list are complete and in good condition unless stated otherwise. Any item not agreeing with the description may be returned within one week after receipt. Prices are us dollars ($). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer or bankcheck. Arrange- ments can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <http://www.ilab.org/eng/ilab/code.html> New customers are requested to provide references when ordering. Tuurdijk 16 3997 ms ‘t Goy – Houten The Netherlands Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 E-mail: [email protected] Web: www.forumrarebooks.com www.forumislamicworld.com front cover no. 15 back cover no. 14 v 1.01 · 18 Oct 2017 The most important source for the Philippines and the Moluccas in the early colonial period, with matter relating to Sir Francis Drake and American voyages 1. -
FIA Usage Interne Surname First Name Categorization Abbott Hunter
2016 DRIVERS' CATEGORIZATION LIST Valid as from 1st January 2016 Drivers in red : revised categorization Drivers in blue : new categorization Surname First name Categorization Abbott Hunter Bronze Abelli Julien Silver Abergel Gabriele Bronze Abra Richard Silver Abreu Attila Gold Abril Vincent Gold Abt Daniel Gold Accary Thomas Silver Adam Jonathan Gold Adams Rudi Bronze Aeberhard Juerg Silver Afanasiev Sergei Silver Aguas Rui Silver Ahrabian Darius Bronze Ajlani Karim Bronze Aksenov Stanislas Silver Al-Azhari Karim Bronze Al Faisal Abdulaziz Silver Al Harthy Ahmad Bronze Al Masaood Humaid Bronze Al Qubaisi Khaled Bronze Albers Christijan Platinum Albert Michael Silver Albuquerque Filipe Platinum Alder Brian Silver Aleshin Mikhail Platinum Alessi Diego Silver Alexander Iradj Silver Alguersuari Jaime Platinum Alleman Cyndie Silver Allemann Daniel Bronze Allgàuer Egon Bronze Allmendinger AJ Gold Almond Michael Silver Almudhaf Khaled Bronze Altenburg Jeff Silver FIA Usage Interne Surname First name Categorization Altevogt Peter Bronze Al-Thani Abdulrahman Silver Aluko Kolawole Bronze Alvarez Juan Cruz Silver Alzen Uwe Gold Amado Ulric Gold Amaral Miguel Bronze Amberg Zoel Gold Ammermüller Michael Gold Amos Eugenio Silver Anapoli Giovanni Bronze Andersen Dennis Bronze André Didier Silver Andreasi Paolo Bronze Ang Dominic Silver Ang Gilbert Ding Feng Silver Angelelli Massimiliano Gold Annala Juho Gold Antinucci Richard Silver Antunes Nathan Silver Apicella Marco Gold Appleby James Silver Ara Seiji Gold Ardagna Perez Gaetano Bronze Arzeno Mathieu -
Thirty Years After: American Vietnam War Literature
RossoManoaNov. 2005p. 1 Thirty Years After: American Vietnam War Literature in Italian Stefano Rosso (University of Bergamo) [email protected] (23.000 bytes, including notes and bibliography) It is well known that the American War in Vietnam had a great impact in Europe from 1966 up to the American withdrawal and the fall of Saigon. The Vietnam War triggered off an unprecedented antiimperialist political awareness in Italy, too. Several books and essays on history and politics –some translated from English and French– 1 came out between the mid sixties and the early seventies and were the most important references on imperialism until the coup d’état against Salvador Allende and Chile’s legitimate government aided by the CIA in 1973. Seminars on the Vietnam War became frequent in schools and universities; newspapers and journals, not necessarily leftoriented, continued publishing articles critical of American intervention. The slogan “Yankees Go Home!”, chanted during the major Italian antiimperialist mass demonstrations, came to mean only one thing: “Americans Get Out of Vietnam!” 2 In the publishing world, the socalled “Sessantotto”, the 1968 protest movement, was also characterized by the end of the “editori protagonisti” (protagonist publishers), such as Mondadori, Einaudi, Garzanti and, later, Feltrinelli, that is, the end of a long period – from the 1930s to the 1960s – dominated by a few publishers with a strong, articulated and recognizable cultural project involving intellectuals and thinkers. The late sixties saw, on the one hand, the birth of several small and very small publishers, and on the other, a strong process of concentration among the major companies. -
English Authors
Middlebury College Classics Department Library Catalog: English Titles - Sorted by Author Publish Title Subtitle Author TranslatorLanguage Binding Pages Date The Holy Bible Revised Standard Version English 1952 Hardcover 1,300 A New Aristotle J. L. Ackrill English 01/01/1988 Paperback 600 Reader The Paideia Proposal An Educational Manifesto Mortimer J. Adler English 09/01/1982 Paperback 96 Lucan An Introduction Frederick M. Ahl English 04/01/1976 Hardcover 379 Frederick Ahl & David To Read Greek... English 1969 Paperback 360 Armstrong Arab Political Thought and The Arab Predicament Fouad Ajami English 05/29/1981 Hardcover 240 Practice since 1967 Ekrem Akurgal & Max The Art Of The Hittites English 1962 Hardcover 315 Hirmer (Illustrator) The Archaeology Of W. F. Albright English 1961 Paperback 271 Palestine The Egyptians Cyril Aldred English 1963 Paperback 267 The Story Of The Famous Manuscript Discoveries And The Dead Sea Scrolls Their Momentous J. M. Allegro English 1961 Paperback 199 Significance For Students Of The Bible The First Year Of James Turney Allen English 1931 Hardcover 383 Greek Publish Title Subtitle Author TranslatorLanguage Binding Pages Date The Pronunciation of Vox Graeca W. Sidney Allen English 09/24/1987 Paperback 179 Classical Greek A Guide to the Pronunciation Vox Latina W. Sidney Allen English 08/17/1989 Paperback 152 of Classical Latin According To The Masoretic Text, A New Translation With The Aid Of Previous Versions Jewish Publication The Holy Scriptures English 1955 Hardcover 1,257 And With Constant Society Of America Consultation Of Jewish Authorities The Makers of Hebrew David Amram English 12/1988 Hardcover 418 Books in Italy Human Being and Essays on Virtue, Freedom, George Anastaplo English 04/01/1981 Paperback 0 Citizen and the Common Good Essays on Roman William S. -
Girolamo Muziano, Scipione Pulzone, and the First Generation of Jesuit Art
journal of jesuit studies 6 (2019) 196-212 brill.com/jjs Girolamo Muziano, Scipione Pulzone, and the First Generation of Jesuit Art John Marciari The Morgan Library & Museum, New York [email protected] Abstract While Bernini and other artists of his generation would be responsible for much of the decoration at the Chiesa del Gesù and other Jesuit churches, there was more than half a century of art commissioned by the Jesuits before Bernini came to the attention of the order. Many of the early works painted in the 1580s and 90s are no longer in the church, and some do not even survive; even a major monument like Girolamo Muzia- no’s Circumcision, the original high altarpiece, is neglected in scholarship on Jesuit art. This paper turns to the early altarpieces painted for the Gesù by Muziano and Scipione Pulzone, to discuss the pictorial and intellectual concerns that seem to have guided the painters, and also to some extent to speculate on why their works are no longer at the Gesù, and why these artists are so unfamiliar today. Keywords Jesuit art – Il Gesù – Girolamo Muziano – Scipione Pulzone – Federico Zuccaro – Counter-Reformation – Gianlorenzo Bernini Visitors to the Chiesa del Gesù in Rome, or to the recent exhibition of Jesuit art at Fairfield University,1 might naturally be led to conclude that Gianlorenzo 1 Linda Wolk-Simon, ed., The Holy Name: Art of the Gesù; Bernini and His Age, Exh. cat., Fair- field University Art Museum, Early Modern Catholicism and the Visual Arts 17 (Philadelphia: Saint Joseph’s University Press, 2018). -
Isabel Clara Eugenia and Peter Paul Rubens’S the Triumph of the Eucharist Tapestry Series
ABSTRACT Title of Document: PIETY, POLITICS, AND PATRONAGE: ISABEL CLARA EUGENIA AND PETER PAUL RUBENS’S THE TRIUMPH OF THE EUCHARIST TAPESTRY SERIES Alexandra Billington Libby, Doctor of Philosophy, 2013 Directed By: Professor Arthur K. Wheelock, Jr., Department of Art History and Archeology This dissertation explores the circumstances that inspired the Infanta Isabel Clara Eugenia, Princess of Spain, Archduchess of Austria, and Governess General of the Southern Netherlands to commission Peter Paul Rubens’s The Triumph of the Eucharist tapestry series for the Madrid convent of the Descalzas Reales. It traces the commission of the twenty large-scale tapestries that comprise the series to the aftermath of an important victory of the Infanta’s army over the Dutch in the town of Breda. Relying on contemporary literature, studies of the Infanta’s upbringing, and the tapestries themselves, it argues that the cycle was likely conceived as an ex-voto, or gift of thanks to God for the military triumph. In my discussion, I highlight previously unrecognized temporal and thematic connections between Isabel’s many other gestures of thanks in the wake of the victory and The Triumph of the Eucharist series. I further show how Rubens invested the tapestries with imagery and a conceptual conceit that celebrated the Eucharist in ways that symbolically evoked the triumph at Breda. My study also explores the motivations behind Isabel’s decision to give the series to the Descalzas Reales. It discusses how as an ex-voto, the tapestries implicitly credited her for the triumph and, thereby, affirmed her terrestrial authority. Drawing on the history of the convent and its use by the king of Spain as both a religious and political dynastic center, it shows that the series was not only a gift to the convent, but also a gift to the king, a man with whom the Infanta had developed a tense relationship over the question of her political autonomy. -
Music Patronage in Italy from the 15Th to the 18Th Century
International Conference MUSIC PATRONAGE IN ITALY TH TH FROM THE 15 TO THE 18 CENTURY LUCCA, Complesso Monumentale di San Micheletto 16-18 November 2019 CENTRO STUDI OPERA OMNIA LUIGI BOCCHERINI www.luigiboccherini.org The present conference has been made possibile with the friendly support of the CENTRO STUDI OPERA OMNIA LUIGI BOCCHERINI www.luigiboccherini.org International Conference MUSIC PATRONAGE IN ITALY TH TH FROM THE 15 TO THE 18 CENTURY Organized by Centro Studi Opera Omnia Luigi Boccherini, Lucca Lucca, Complesso Monumentale di San Micheletto 16-18 November 2019 Programme Committee Roberto Illiano (Centro Studi Opera Omnia Luigi Boccherini) Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini) Massimiliano Sala (Centro Studi Opera Omnia Luigi Boccherini) ef Keynote Speakers Iain Fenlon (University of Cambridge) Reinhard Strohm (University of Oxford) SATURDAY 16 NOVEMBER 9.30-10.00 Welcome and Registration 10.00-10.15 Opening • Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini) 10.15-11.15 Keynote Speaker 1 • Iain Fenlon (University of Cambridge), «Coelorum Imitatur Concentum»: Collective Patronage in the Academies of Early Modern Venice and the Veneto ef Coffee Break 11.45-12.45 Keynote Speaker 2 • Reinhard Strohm (University of Oxford), Hosting Foreigners – and the History of Italian Music ef 13.00 Lunch 15.00-16.30 Patronage, Diplomacy and Power Relationships (Chair: Reinhard Strohm, University of Oxford) • Galliano Ciliberti (Conservatorio ‘Nino Rota’ di Monopoli), «Les Goûts réunis». Diplomazia e mecenatismo -
Names in Greenland As of 1 July 2011
Population Statistics 2011 Names in Greenland as of 1 July 2011 Table of Contents 1. Introduction 3 2. First Names 4 3. Middle Names 6 4. First and Middle Names 8 5. Last Names 9 6. Geographical Distribution of First and Last Names 10 7. First and Last Names through the Years 11 8. First and Last Names by Locality 13 9. Special Greenlandic First Names 14 10. Method 15 11. Appendix 16 12. Statistics on Names 29 13. Other Sources of Information on Names 30 1. Introduction This publication is a count of names in Greenland as of 1 July 2011. Contents The publication starts with a count of the most popular first names in Greenland and their distribution among generations (section 2). Statistics on middle names then follow (section 3) as well as a count of first and middle names taken as a whole (section 4) and a list of the most common last names (section 5). Next, the geographical distribution of names among districts is presented (section 6). Furthermore, two detailed tables show the distribution of names with respect to year of birth and locality (sections 7 and 8). Finally, statistics on names with the frequent Greenlandic suffixes, -raq and -nnguaq, are compiled (section 9). The method upon which the publication is based is finally described (section 10). An appendix contains an In an appendix, an alphabetical list of all first names in Greenland with a frequency of alphabetical list of names five or more is shown (section 11). Names as of 1 July 2011 Page 3 2. -
Press Kit (PDF, 1.66MB)
Content Rembrandt’s Orient: West Meets East in Dutch Art of the Seventeenth Century Press Conference March 11, 2021, 11 a.m. Online press conference on Zoom With: Ortrud Westheider, director, Museum Barberini Michael Philipp, head curator, Museum Barberini Dorothee Entrup and Andrea Schmidt, education, Museum Barberini Contents of the Press Kit: • Press Release • Sections of the Exhibition • Interview with Guest Curator Gary Schwartz • Facts and Figures • Publication • Press Images • Exhibition Preview 2021/22 To download images, please visit: www.museum-barberini.de/presse Press contact: Achim Klapp, Marte Kräher Museum Barberini Humboldtstr. 5–6, 14467 Potsdam, Germany T +49 331 236014 305/308 [email protected] www.museum-barberini.de Rembrandt’s Orient Content Press release Press Rembrandt’s Orient: West Meets East in Dutch Art of the Seventeenth Century March 13 to June 27, 2021 Potsdam, March 11, 2021––Rembrandt and his contemporaries were fascinated by the distant lands from which a great number of novel goods were imported to the Netherlands beginning in the seventeenth century. The enthusiasm for things foreign became fashionable and resulted in a new type of art that combined painted realism with idealized images and fantastical projections. Paintings illustrating biblical stories were also enriched with exotic elements. From today’s perspective, the drawbacks of this way of appropriating the world are apparent: the imbalance of power between cultures, which was manifest in slavery, violence, exploitation, and trade wars, was not represented. Rembrandt’s paintings with “Oriental” touches reflect the Dutch fascination with the exotic. Both true to life and alienated, they represent an alternative realm that contrasted with everyday life in the Calvinist Netherlands. -
Preliminary Inventory to the David Coffin Papers, 1918-2003
Preliminary Inventory to the David Coffin Papers, 1918-2003 Collection includes: 11 boxes of notebooks; 3 boxes of offprints; 3 boxes of catalog cards; 7 boxes of negatives; 3 boxes of slides; 11 boxes of unprocessed materials, papers and photographs. The collection has not been processed and is only partially rehoused. Biographical note: David Coffin (1918-2003) was an American historian of Renaissance gardens and landscape architecture. Coffin taught at Princeton University from 1949-1988, serving as chair of the art and archaeology department from 1964-1970. In addition, Coffin was the first chairman of the Garden Advisory Committee for Dumbarton Oaks, which led to the establishment of a scholarly program for garden and landscape studies in 1971. Coffin also organized the first garden symposium at Dumbarton Oaks in 1971, which focused on his métier, Italian gardens. Scope and Content: The collection consists of Coffin's personal papers and materials relating to his teaching career at Princeton University and his scholarly research interests in Renaissance architecture and garden history. Materials include notebooks, index cards, correspondence, typescripts, course syllabi, class and lecture notes, and offprints. Of particular note are Coffin's notebooks, which contain extensive research notes on English, French, and Italian gardens. There is also a significant amount of visual material, including photographs, slides, microfilm, and negatives. Inventory of Notebook Boxes: Box #1: Notebooks #1 – 13 + one unidentified Notebook #1 (brown):