Chamberfest 2019
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100Th Season Anniversary Celebration Gala Program At
Friday Evening, May 5, 2000, at 7:30 Peoples’ Symphony Concerts 100th Season Celebration Gala This concert is dedicated with gratitude and affection to the many artists whose generosity and music-making has made PSC possible for its first 100 years ANTON WEBERN (1883-1945) Langsaner Satz for String Quartet (1905) Langsam, mit bewegtem Ausdruck HUGO WOLF (1860-1903) “Italian Serenade” in G Major for String Quartet (1892) Tokyo String Quartet Mikhail Kopelman, violin; Kikuei Ikeda, violin; Kazuhide Isomura, viola; Clive Greensmith, cello LUDWIG VAN BEETHOVEN (1770-1827) Trio for piano, violin and cello in B-flat Major Op. 11 (1798) Allegro con brio Adagio Allegretto con variazione The Kalichstein-Laredo-Robinson Trio Joseph Kalichstein, piano; Jamie Laredo, Violin; Sharon Robinson. cello GYORGY KURTAG (b. 1926) Officium breve in memoriam Andreae Szervánsky 1 Largo 2 Piú andante 3 Sostenuto, quasi giusto 4 Grave, moto sostenuto 5 Presto 6 Molto agitato 7 Sehr fliessend 8 Lento 9 Largo 10 Sehr fliessend 10a A Tempt 11 Sostenuto 12 Sostenuto, quasi guisto 13 Sostenuto, con slancio 14 Disperato, vivo 15 Larghetto Juilliard String Quartet Joel Smirnoff, violin; Ronald Copes, violin; Samuel Rhodes, viola; Joel Krosnick, cello GEORGE GERSHWIN (1898-1937) arr. PETER STOLTZMAN Porgy and Bess Suite (1935) It Ain’t Necessarily So Prayer Summertime Richard Stoltzman, clarinet and Peter Stoltzman, piano intermission MICHAEL DAUGHERTY (b. 1954) Used Car Salesman (2000) Ethos Percussion Group Trey Files, Eric Phinney, Michael Sgouros, Yousif Sheronick New York Premiere Commissined by Hancher Auditorium/The University of Iowa LEOS JANÁCEK (1854-1928) Mládi (Youth) Suite for Wind Instruments (1924) Allegro Andante sostenuto Vivace Allegro animato Musicians from Marlboro Tanya Dusevic Witek, flute; Rudolph Vrbsky, oboe; Anthony McGill, clarinet; Jo-Ann Sternberg, bass clarinet; Daniel Matsukawa, bassoon; David Jolley, horn ZOLTAN KODALY (1882-1967) String Quartet #2 in D minor, Op. -
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559199 bk Helps US 12/01/2004 11:54 am Page 8 Robert HELPS AMERICAN CLASSICS (1928-2001) ROBERT HELPS Shall We Dance Piano Quartet • Postlude • Nocturne Spectrum Concerts Berlin 8.559199 8 559199 bk Helps US 12/01/2004 11:54 am Page 2 Robert Helps (1928-2001) ROBERT HELPS (1928-2001) Shall We Dance • Piano Quartet • Postlude • Nocturne • The Darkened Valley (John Ireland) 1 Shall We Dance for Piano (1994) 11:09 Robert Helps was Professor of Music at the University of Minneapolis, and elsewhere. His later concerts included Piano Quartet for Piano, Violin, Viola and Cello (1997) 25:55 South Florida, Tampa, and the San Francisco memorial solo recitals of the music of renowned Conservatory of Music. He was a recipient of awards in American composer Roger Sessions at both Harvard and 2 I. Prelude 10:24 composition from the National Endowment for the Arts, Princeton Universities, an all-Ravel recital at Harvard, 3 II. Intermezzo 2:24 the Guggenheim, Ford, and many other foundations, and and a solo recital in Town Hall, NY. His final of a 1976 Academy Award from the Academy of Arts compositions include Eventually the Carousel Begins, for 4 III. Scherzo 3:02 and Letters. His orchestral piece Adagio for Orchestra, two pianos, A Mixture of Time for guitar and piano, which 5 IV. Postlude 8:12 which later became the middle movement of his had its première in San Francisco in June 1990 by Adam 6 V. Coda – The Players Gossip 1:53 Symphony No. 1, won a Fromm Foundation award and Holzman and the composer, The Altered Landscape was premièred by Leopold Stokowski and the Symphony (1992) for organ solo and Shall We Dance (1994) for 7 Postlude for Horn, Violin and Piano (1964) 9:11 of the Air (formerly the NBC Symphony) at the piano solo, Piano Trio No. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
2002-2003 Perron in Recital
CONSERVATORY OF Music presents PERRON IN RECITAL featuring: Johanne Perron, cello with Tao Lin, piano Friday, March 7, 2003 7:30 p.m. Amarnick-Goldstein Concert Hall de Hoernle International Center Program Sonata for cello and piano No. 1, in F Major .............. Beethoven Adagio sostenuto - Allegro Rondo: Allegro vivace Suite for solo cello ..................................... Cassado · Prelude - Fantasia Sardana - Danza Intennezzo e danza finale Variations on a theme ofRossini . Martinu INTERMISSION Sonata in A Major . Franck Allegro hen moderato Allegro Recitativo - Fantasia, hen moderato Allegretto poco mosso Biogra~hies J h e P rr cello Ms. Perron is well established as an important artist and teacher, enjoying a career at an international level. She has appeared with orchestras and in recitals in Canada, Brazil, the United States, and Europe, and currently maintains a concert schedule as a soloist and chamber musician. She has been featured on nationwide radio and television, and has won top prizes in numerous competitions. Born in Quebec Province, Canada, Ms. Perron made her debut in Montreal with the Montreal Symphony Orchestra at the age of seventeen. She continued her studies at the Conservatory of Quebec with Pierre Morin, and in 1978 received first prize in cello and chamber music, which was the result of a unanimous decision of the jury. She pursued her studies with Aldo Parisot at Yale University on a scholarship from the Arts Council and the Ministry of Cultural Affairs of Canada, and in 1981 she received her master of music degree from Yale, together with the coveted "Frances G. Wickes Award." She won the Prix d'Europe in 1984 and was given first prize in the string division of the "Tremplin International des Concours de Musique du Canada." She has participated in master classes with distinguished artists Janos Starker in Banff, Canada; Pierre Fournier in Geneva, Switzerland; Fritz Magg, Nathaniel Rosen, and Paul Tortelier in Los Angeles, California; and she subsequently became a special student of Leonard Rose at The Juilliard School. -
CCMA Coleman Competition (1947-2015)
THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors. -
Festival Artists
Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts. -
2000-2001 Chamber Music-Sergiu Schwartz, Laura Wilcox, Johanne
701 . LYNN UNIVERSITY Conservatory ofMusic Sponsored by Dr. Catherine Gold Chamber Music Sergiu Schwartz violin Laura Wilcox viola Johanne Perron cello Tao Lin piano 7:30 p.m. December 8, 2000 Amarnick-Goldstein Concert Hall A LA ZINGARA . (Composers Inspired by Gypsy Hungarian Music) FRANZ JOSEPH HAYDN Piano Trio _in G Major, Op. 73, No. 2 Andante Rondo ~ll'ongarese FELIX MENDELSSOHN Piano Trio in D Minor, Op. 49 Molto allegro ed agitato Andante con moto tranquillo Scherzo - Leggero e vivace Finale -Allegro assai appassionato INTERMISSION JOHANNES BRAHMS Quartet, Op. 25 (for Piano and Strings in G Minor) Allegro Intermezzo -Allegro ma non troppo Andante con moto Rondo al/a zingara SERGIO SCHWARTZ Violin Sergiu Schwarrz's acrive international career has raken him ro major music cenrers on 3 concinenrs, includ!ng 20 European counrries, Israel and over 40 U. S. srares, as soloisr wirh over 200 leading orchesrras, in recirals and chamber music concens. He has appeared in prestigious concen series wirh distinguished artists such as lrzhak Perlman, Yo-Yo Ma and Jose Carreras. Recenr solo orchesrral engagements include rhe Dresden Sraarskapelle, Jerusalem Symphony, London Symphony Orchestra, London Soloists Chamber Orchestra, Sarajevo Philharmonic, Dresden Philharmonic, Slovak Philharmonic, European Communiry Chamber Orchesrra, Florida Philharmonic, Chicago's Granr Park Fesrival, among numerous orher distinguished ensembles in rhe U.S. and worldwide. Mr. Schwarn has collaborared in performances wirh preeminent conducrors, including Sergiu Comissiona, James Judd, Perer Maag, Giuseppe Sinopoli, and Bruno Weil. He has performed in major concen halls, including Llncoln Cenrer, Carnegie Reciral Hall, and 92nd Srreer Y (New York); Kennedy Center (Washingron, DC); Barbican Hall, Queen Elizaberh Hall and Wigmore Hall (London); Kravis, Broward and Gusman Centers for rhe Performing Ans in Sourh Florida. -
SIXTH STREET at CONSTITUTION AVENUE NW WASHINGTON DC 20565 • Republic 7-4215 Extension Twenty-First American Music Festival Wi
SIXTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 • REpublic 7-4215 extension FOR IMMEDIATE RELEASE TWENTY-FIRST AMERICAN MUSIC FESTIVAL AT THE NATIONAL GALLERY OF ART WASHINGTON, D. C. April 23, 196U: John Walker, Director of the National Gallery of Art, announced today that the Gallery's Twenty-first American Music Festival will be presented on successive Sunday evenings from May 3rd through June ?th. Six concerts will be played, including orchestral, piano, and chamber music. The series is under the general direction of Richard Bales who will conduct the National Gallery Orchestra in two of the programs. These concerts will be given in the East Garden Court, beginning at 8 P. M. There is no admission charge, and tickets and reservations are not required. The Festival will be broadcast in its entirety by Station WGMS, Washington1 s Good Music Station. Programs and participating artists follow. MORE - 2 » NATIONAL GALLERY OF ART TWENTY-FIRST AMERICAN MUSIC FESTIVAL ____Concert, Sunday, May 3 S I96h s 8 p. m. ALABAMA QUARTET Wallingford Riegger Quartet No. 2 S Opus 1+3 (191+8) Ross Lee Finney « Eighth String Quartet (1961) Vincent Persichetti * Third String Quartet in One Movement, Opus 81 (1959) Alvin Etler * String Quartet (1963) 956th Concert,^ Sunday., May 10, 1961+.. 8 p. m, DAVID BURGE, PIANIST Irvin Brusletten * Nine Haiku (i960) David Surge Second Piano Sonata (1953) Aaron Copland Piano Variations (1930) Salvatore Martirano * Cocktail Music (1962) George Rochberg Twelve Bagatelles (1952) Dennis Riley * Piano Piece No. Is Six Canonic Variations (1963) Vincent Persichetti Ninth Piano Sonata (1952) 957th Concert;, Sunday, May 1? s 1961+j, 8 p. -
Chamberfest 2020
The Juilliard School Presents ChamberFest 2020 Monday, January 13, 2019, 4:30pm Paul Hall WALTON Piano Quartet in D Minor Hee Yeon Jung Violinist Hee Yeon Jung was born in Seoul and started studying the violin at age 9. She made her debut with Korea’s Guri Philharmonic Orchestra at 11. Jung won second prize at the 2010 Osaka International Music Competition. As a member of the Con Spirito string quartet, she won the 18th Kumho Asiana Cultural Foundation audition and performed at Kumho Art Hall’s young chamber series concert. Jung is pursuing her master’s at Juilliard with Sally Thomas and Ann Setzer. She received her bachelor of music degree at Yonsei University in Seoul, studying with Yoonjae Choi, and made her New York debut at Merkin Concert Hall in 2018. • Irene Diamond Graduate Fellowship, Cara and Hiram Lewine Scholarship Shuhan Wang Shuhan Wang was born in Nanjing, China, and started studying the viola at age 12 under the tutelage of Li Sheng at Middle School Affiliated to Shanghai Conservatory of Music. As a chamber music player, Wang participated in the Music Prodigy Search program at Shanghai Oriental Art Center. She also attended the Chamber Music Art Week invitational competition of Shanghai Conservatory of Music, where she received honorable mention as part of the Phoenix Quartet. She was a participant in Chamberfest and Norfolk Chamber Music Festival in 2019. Wang began studying for her bachelor’s at Juilliard under the guidance of Misha Amory and Hsin-Yun Huang in 2018. • Jody and Gerard Schwarz Scholarship, Kurt and Maria Wolter Scholarship Xinyue Zhu Chinese cellist Xinyue Zhu is a freshman at Juilliard under the guidance of Joel Krosnick. -
WESTON PUBLIC LIBRARY MUSIC COMMITTEE V I R T U a L C O N C E R T S E R I E S Julie Reimann, Cello Ellyses Kuan, Piano Sunday, January 31, 2021 at 3:00 P.M
WESTON PUBLIC LIBRARY MUSIC COMMITTEE V I R T U A L C O N C E R T S E R I E S Julie Reimann, Cello Ellyses Kuan, Piano Sunday, January 31, 2021 at 3:00 P.M. Duo Amie is a cello & piano duo dedicated to inspiring and bringing diverse people together with programs that capture the imagination through musical expression and visual thematic elements, and to supporting the mission of non-profits by organizing and performing benefit concerts. A native of Hong Kong, Ellyses Kuan began playing piano at age 3. She received a full scholarship for her master’s degree, studying with Barry Snyder at Eastman School of Music, and was selected to represent Hong Kong at the International Kirishima Music Festival, Japan. As a soloist and chamber musician, she has performed throughout the United States, and in Canada, Japan and Hong Kong, and in 2017 performed at the 42nd Annual Classical Music Festival at Esterhazy Schloss (Austria). Ellyses is also founder and music director of EKS Music School (Quincy, MA). Her goal is to build community, promote performing arts awareness, and support local young musicians through advocacy and performances (including through a music scholarship fund for students in need, at her school). In 2014, she was an invited panelist on the Boston Guitar Fest Roundtable on Making a Career in Music Work, and her school was featured in the Boston Globe the same year. In 2017, she was an invited speaker at the Piano Seminar Teacher’s Roundtable at the Eisenstadt Summer Academy. She received a Steinway & Sons Top Music Teacher award 2 years in a row (2017 & 2018) and is also immediate past president of the Massachusetts Music Teacher Association. -
Juilliard String Quartet Today, with (L to R) Smirnoff, Krosnick, Rhodes and Copes
Opposite page: The Juilliard String Quartet today, with (l to r) Smirnoff, Krosnick, Rhodes and Copes. Inset: In the late 1950s with Hillyer, Mann, Isidore Cohen and Claus Adam. he Juilliard String Quartet is arguably America’s best-known chamber music ensemble—and certainly one of the most admired. And although its current members are only in middle age, the quartet itself cannot escape the adjective “venerable.” Violinist Robert Mann founded the T group in 1946 with violist Raphael Hillyer, cellist Arthur Winograd and the late violinist Robert Koff. With Mann in the first violinist’s chair for an amazing fifty of the ensemble’s sixty-one years— and with remarkably few other personnel changes—the quartet has performed and recorded, taught aspiring chamber musicians, championed American com- posers, and introduced at least two generations of concertgoers to the European masterworks. In 1962—with Isidore Cohen as second violinist and Claus Adam as cellist—the Juilliard succeeded the legendary Budapest String Quartet as ensemble-in-residence at the Library of Congress and went on to perform there often broadcasting live concerts nationwide for 40 years. In recognition of its extraordinary contribution to the nation’s cultural #life, the Juilliard String Quartet has been named the 2008 recipient of Chamber Music America’s Richard J. Bogomolny National Service Award, the organization’s highest honor. On January 6, 2008, founding members Mann, Winograd, and Hillyer will #join Earl Carlyss (violin II from 1966 to 1986) and the current quartet— violinists Joel Smirnoff and Ronald Copes, violist Samuel Rhodes, and cellist Joel Krosnick—to receive the award at CMA’s Thirtieth Anniversary National Conference in New York City. -
DE 3041 3041Dbook.Qxd:Layout 1 7/18/12 3:46 PM Page 1
3041Dbook.qxd:Layout 1 7/18/12 3:46 PM Page 1 DE 3041 3041Dbook.qxd:Layout 1 7/18/12 3:46 PM Page 2 3041Dbook.qxd:Layout 1 7/18/12 3:46 PM Page 3 HEITOR VILLA -L OBOS Bachianas Brasileiras No. 1 for Orchestra of Violoncellos (1930) [19:18] 1. Introduction (Embolada) (6:30) 2. Preludio (Modinha) David Shamban, Claudio Jaffé, soloists (8:39) 3. Fugue (Conversa) (4:02) JOHANN SEBASTIAN BACH 4. Air on the G String (from Orchestral Suite No. 3, Arr. Aldo Parisot) (4:53) 5. Chaconne in D Minor (from Partita No. 2 for Violin Solo, Arr. Laszlo Varga) (14:15) 6. Prelude No. 22 in B-flat Minor (from The Well-Tempered Clavier, Book I, Arr. H. Villa-Lobos) (4:10) 7. Prelude and Fugue No. 8 in E-flat Minor (from The Well-Tempered Clavier, Book I, THE YALE CELLOS Arr. Laszlo Varga) (9:58) OF 8. Sarabande (from Suite No. 6 for Violoncello Solo, Arr. Colin Hampton) (5:57) ALDO PARISOT Christopher Adkins USA Emmanuel Lopez Chile Alejandro Sarda Venezuela HEITOR VILLA -L OBOS Maya Beiser Israel Xin Hua Ma China David Shamban Israel Bachianas Brasileiras No. 5 For Soprano and Orchestra of Violoncellos (1938- Matthew Brubeck USA Bejun Mehta USA David Sims USA 45) [13:08] Iseut Chuat France Hilary Metzger USA Mark Tanner USA Steven Elisha USA Mi Ri Oh Korea Steven Thomas England 9. Aria (Cantilena) Emmanuel Lopez, soloist (7:52) Amy Frost USA Johann Paetsch USA Charles Tucker USA 10. Claudio Jaffe Brazil Caryl Paisner USA Agnes Vesterman France Dansa (Martelo) (5:10) Joan Harrison USA Kyungok Park Korea Jian Wang China David Kennedy England Dennis Parker USA Mathias Wexler USA Yuhsik Kim Korea Stephen Pelkey USA Deborah Yamak USA THE YALE CELLOS Miriam Kling USA Johanne Perron Canada Owen Young USA ALDO PARISOT, conductor Jeffrey Krieger USA Andrea Reynolds USA ARLEEN AUGER, soprano TOTAL PLAYING TIME: 72:10 Producer: Thomas Frost Executive Producer: Amelia S.