6.776 High Speed Communication Circuits Lecture 2 Tranceiver
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Valves Were Expensive in the Early Days of Radio and So Designers
By RODNEY CHAMPNESS, VK3UG would become gassy. Occasionally, even today, a valve with a purple glow inside it will be seen and this is often an indication that the glass to metal pin seal is not perfect and air has leaked VICTORIA into the valve. Incandescent light globes were the first items to have metal pins or wires protruding through a glass envelope. However, this created no real problem, since the vacuum created was satisfac- tory for their operation and the glass- to-metal seals were not as critical. In some cases, the globe was filled with an inert gas such as nitrogen to prevent Above: the Kriesler 11-41 was a popular evaporation of the filament. 4-valve reflex receiver from the 1950s. One problem with valves was that the metals used inside them (ie, for the elements and filaments) had to Valves were expensive in the early be carefully selected, otherwise they days of radio and so designers came up could emit gases when they became hot. These gases could then "poison" with clever techniques to minimise the a valve and adversely affect its per- valve count. One technique was known formance. So early attempts at making valves as "reflexing" and involved using the into viable amplifying devices encoun- same valve to work as both an RF or IF tered many difficulties. However, their potential to revolutionise radio was amplifier and as an audio amplifier. obvious and so a great deal of effort was put into solving these problems. It is for these and other reasons that valves were by far the most expensive nOMPONENTS such as tuning ca- had a small amount of gas left inside, and fragile components in early valve pacitors, inductors (both fixed and due to manufacturing limitations. -
RF Communications : Systems & Circuits
ELEN 665 RF Communications : Systems & Circuits Edgar Sánchez-Sinencio [email protected] Analog and Mixed-Signal Center,Texas A&M University 1 Fall 2009 WHAT ARE THE MAIN TOPICS INVOLVED TO FULLY UNDERSTAND RF DESIGN ? IC DES S IGN ON TI AND CA DEV NI ICES U MM CO N ICROWAVE G M SI E D TECHNIQUES F R SIGNAL PROCESSING APPLICATIONS 2 Analog and Mixed Signal Center, TAMU ELEN 665 (ESS) INTRODUCTION AND MOTIVATION • HOW DO LIVING BEINGS COMMUNICATE ? • HOW CAN WE MIMIC HUMAN COMMUNICATIONS ? • WHAT ARE THE FUNDAMENTAL ARCHITECTURES OF WIRELESS RECEIVERS AND TRANSMITTERS ? • WHAT ARE THE FUNDAMENTAL PROBLEMS IN A RECEIVER? How does non-linearity play a role? 3 Analog and Mixed Signal Center, TAMU HowHow dodo livingliving beingsbeings communicate?communicate? • Communicating is something that all animals, including humans, do. It could be a dog barking a warning, a cat arching its back, or crickets chirping, animals are always sending messages to each other. • Animals and plants react to stimuli which might come from other living things or from the environment. A stimulus usually causes the organism which receives it to respond to it. Animals use all their senses to communicate. • For example, some male birds develop colorful plumage so that the females will be attracted by a visual stimulus as well as by sound. • Bees (dogs) communicate by means smelling (sniffing). • Dolphins communicate through sounds. 4 • The signals which an organism uses can be visual (sight), sensual (touch), auditory (sound) or chemical Marine mammals establish contact with specific individuals using short-range vocalizations. The most singular example of marine mammals using sound to make or maintain contact is between mother and offspring. -
Energy-Detecting Receivers for Wake-Up Radio Applications
Energy-Detecting Receivers for Wake-Up Radio Applications Vivek Mangal Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2020 © 2019 Vivek Mangal All Rights Reserved Abstract Energy-Detecting Receivers for Wake-Up Radio Applications Vivek Mangal In an energy-limited wireless sensor node application, the main transceiver for communication has to operate in deep sleep mode when inactive to prolong the node battery lifetime. Wake-up is among the most efficient scheme which uses an always ON low-power receiver called the wake-up receiver to turn ON the main receiver when required. Energy-detecting receivers are the best fit for such low power operations. This thesis discusses the energy-detecting receiver design; challenges; techniques to enhance sensitivity, selectivity; and multi-access operation. Self-mixers instead of the conventional envelope detectors are proposed and proved to be op- timal for signal detection in these energy-detection receivers. A fully integrated wake-up receiver using the self-mixer in 65 nm LP CMOS technology has a sensitivity of −79.1 dBm at 434 MHz. With scaling, time-encoded signal processing leveraging switching speeds have become attractive. Baseband circuits employing time-encoded matched filter and comparator with DC offset compen- sation loop are used to operate the receiver at 420 pW power. Another prototype at 1.016 GHz is sensitive to −74 dBm signal while consuming 470 pW. The proposed architecture has 8 dB better sensitivity at 10 dB lower power consumption across receiver prototypes. -
1991-07: the Story of Reflexes
VII liliLdi gp e IRa~dln~o by PETER LANKSHEAR The story of `Reflexes' This month's column is not about rubber hammers and kneecaps, but a technology that persisted throughout the history of valve radio, and one that was exploited to its greatest extent in Australia. With semiconductors available today tal detector and then reflexed the audio valves coincided with a boom in at only a few cents apiece, it is difficult back to the grid of the valve to again `midget' radios, and an increasing de- to appreciate just how expensive ampli- amplify the signal. Any problems like mand for car radios. Economies in space fication was in the early days of radio. erratic operation and distortion were of and battery consumption became import- Not only valves, but every milliampere- little consequence. ant, providing an incentive to resurrect hour of precious battery power cost a lot reflexing. of money. Any way to economise was Early superhet use From late 1933 the Americans, espe- well received. An early 'high tech' application of re- cially RCA, made some use of the 6B7 in During World War 1, much research flexing was in Edwin Armstrong's first car radios as a reflexed IF and trans- went into triode valve applications. One generation of RCA superheterodynes, in former-coupled audio amplifier, with the US Navy worker, W.H. Priess, patented 1924. To keep the number of valves to a one valve providing IF and AF amplifi- the concept of passing a signal twice minimum, the first valve was used as an cation, diode detection and AGC. -
EE426/506 Class Notes 4/23/2015 John Stensby
EE426/506 Class Notes 4/23/2015 John Stensby Chapter 2: Basic Modulation Techniques In most communication systems, the modulated signal has the form xcc (t) A(t)cos[ t (t)], (2-1) where c is known as the carrier frequency, A(t) is the envelope and (t) is the phase. Amplitude A(t) and phase (t) may depend on message m(t). When A(t) depends linearly on the message, and is a constant independent of m, we have linear modulation. When (t) depends on m(t), we have nonlinear modulation. Linear Modulation Double Sideband (DSB) is the first form of linear modulation we will consider. The general form of a DSB signal is x(t)Am(t)cos[tDSB cc0 ], (2-2) where Ac and are constants. For convenience, we will assume that = 0. Figures 2-1a through 2-1c depict a block diagram of a DSB modulator, a sinusoidal message m and the DSB time domain wave form xDSB(t), respectively. Note that every sign change in m(t) results in a ° 180 phase shift in the transmitted signal xDSB(t). DSB is very popular when used to transmit digital data. In this application, m(t) is a digital waveform that switches between +1 and -1 volts. Hence, m(t) switches the phase of the transmitted carrier by radians. For this reason, for a ±1 binary message, the modulation is called phase-shift keying. The Fourier transform of xDSB is A X(j)x(t)M(jj)M(jj)F c , (2-3) DSB DSB2 c c Latest Updates at http://www.ece.uah.edu/courses/ee426/ 2-1 EE426/506 Class Notes 4/23/2015 John Stensby m(t) a) xDSB(t) = Acm(t)cosct Accosct m(t) b) t (t) DSB x c) t Figure 2-1: a) Block diagram of a DSB modulator. -
Build an Old Time One-Valve Radio T
•~ a.. e e Ifito .ega'3a, . tr Ssc~ . a~:r"..,`'r"'~g~~ t.~.= ~ y~~..i•'`'E~;sr,:~ .?-~`.r ;~'~I:i'Y ~~":'-:2i:5'-~'r:" *: ap~ i d -.t e -•i' e'•,y`. z'a--'~ ~a.r •~`,`'t ,'-yerk',t"3-c .rLt ~`u"r. ,~,`.~f'F' 06***104r"' G: _•ad2r. r,`r,*•r--,.x-00-fti;,s -,yr-4.o o-+J-0,0_4 03-c?'rv7-F * Special `nostalgia' project: BUILD AN OLD TIME ONE-VALVE RADIO T There's a lot of interest nowadays in building simple valve-based radio sets, of the type that were popular from the 1920s right up until the 1960s. Here's the first of two articles which give all the information you'll need to construct an authentic one-valver starting with a basic `grid-leak' set and progressing to a regenerative circuit with surprisingly good performance. Enough information is given to allow you to use almost any old valve or other components to hand. by PETER LAUGHTON Cleaning out my radio `shack' (read had, and how much I'd learned. This, cussion is the following project. mess) the other day, I came across a along with several recent Letters to The circuits described can be built number of radio receivers that I con- the Editor asking for more vintage using almost any combination of com- structed years ago based on valves, radio projects, resulted in me talking ponents, even from junked valve TV and remembered how much fun I'd to Jim Rowe, and the result of that dis- sets. -
Signi\L PURITY CONS IDERI\TIONS for FREQUEN<:Y Sn1 Tiles I ZED Llel\DEND EQU I Pr1ent David L. Kel:Na General Instrument
SIGNi\L PURITY CONS IDERI\TIONS FOR FREQUEN<:Y Sn1 TilES I ZED llEl\DEND EQU I Pr1ENT David L. Kel:na General Instrument, Jerrold Division ABSTRACT BASIC OVERVIEW OF THE PLL As cabl~ television system band Before we evoluate the system for wirlths increase and frequency plans pro its noise performance, let us first re liferate, more manufacturers are turning view the b~sic operation of a chase to synth~sized frequency agile head~nd locked loop. A simple phase-locked loop channel converters. Uith this new ap consists of a voltage controlled oscil proach using phased lo~ked loops and dual lator, or VCO, a digital divider, a chase conversion come spurious signals and detector, a reference frequency sour~e, nois~ sources not encountered before in and an integrator or loop filter. Figure crystal controlled channel converters. 1 represents such a system. Important characteristics of these These system components function ~s headend converters including phas~ noise, a s~rvo loop sue~ that when the·vco is spurious sign3ls generated by the compar phase-locked to the reference, the output ison frequ~ncy, and residual frequency frequency and phase of the digital divi a~d phase modulation, are evaluated for der is equal to the frequency and phase their subjective impact on the output of the referenc~. This makes the average signal to the cable. D3ta is presented output of the phase detector zero and, which shows the correlation between sub therefore, the output of the loop filter jective picture degradation and measured remains unchanged. Should a disturbance headend synthesizer noise contribution. -
Amplitude Modulation “AM” with Envelope Detector
Amplitude Modulation “AM” with Envelope Detector Large S/N limit m1< s(t) ≅ sin ωm t ≤ 1 Recei ved = y(t) = Ac [1 + m s( t)] cos ωc t + nc (t)cos ωc t + ns (t)s in ωct j ωct = Re {Y (t)e } slowly varying y, low-pass filtered (envelope) “overmodulation” = distortion (“undermodulation = wasted power) Lec 16b.6-1 2/2/01 T1 Amplitude Modulation “AM” with Envelope Detector Recei ved = y(t) = Ac [1 + m s( t)] cos ωc t + nc (t)cos ωc t + ns (t)s in ωct j ωct = Re {Y (t)e } slowly varying Im {Y (t)} Y(f ) 2W Y(t) ns(t) n(t) R e {Y(t) } f 0 0 fc A [1 + m s(t)] nc(t) N = kT c o 2 Lec 16b.6-2 2/2/01 T2 Amplitude Modulation “AM” with Envelope Detector Im {Y (t)} Y(f ) 2W Y(t) ns(t) n(t) R e {Y(t) } f 0 0 fc A [1 + m s(t)] nc(t) N = kT c o 2 Y(t) ≅ A [1 + m s(t)] + n (t) N c c envelope = detected signal + noise 2 2 2 2 2 Note: 4WNo = nc cos ωc t + ns sin ωc t = nc 222 Sout 222 2 Ac ms (t) ≅ Ac m s (t) nc (t) = Nout 4WNo Lec 16b.6-3 2/2/01 T3 Amplitude Modulation “AM” with Envelope Detector 222 Sout 222 2 Ac ms (t) ≅ Ac m s (t) nc (t) = Nout 4WNo 2 2 A 2 (1 + m s(t)) Sin ( c ) 2 ≅ where Sin = y signal(t) Nin 4WNo 22 ∆ SNi i 1m+ s (t) 11+ 2 Noi se figure FAM = = ≥ = 3 2 ⇒ FAM ≥ 3 2 SNo o 2m 22s 1 provided that Ac >> nc (large S/N limit) Lec 16b.6-4 2/2/01 T4 AM Performance (small S/N limit) Im {Y } φ (t) n A1c [ + m s(t)] n(t) ≅ Ac [1 + m s( t)] cos φn (t) φn (t) R e {}Y Y(t) ≅ n(t) + A cos φ (t) + A m s( t)cos φ (t) c n c n multiplicative noise! Want Sin Nin ≥ 10 for fully i ntel ligibl e AM ⇒ "AM threshold" ( i.e. -
Acme.Pdf (8.05Mb)
Amplification without Distortion A Discussionon Radio with Particular Refer- ence to the Construction and Operation of Radio Audio and "REFLEX" Amplifiers and Sets. Have you ever stopp€d to cousider what makee it poseible for you to hear the distant broadcasting station, to fill the room with music, to communicate with the amateur hundreds of miles away? It is amplification-the key to Radio, Amplification is used on both the transmitter and receiver, and with it thc ringer's voice in New York is transported to the farm in Ohio, or the President of the United States talks to the whole country just as though he werc in milliona of homes at the same time. But Radio without amplification would be a ship without a sail ! Amplification eliminates distance and permits a room or hall full of peoplc to be entertained simultaneously, but the limits of radio and amplification should be clearly understood, especially in regard to distance. The transmission rangc of radio varies greatly between day and night, city and country, summer and winter, and from oight to night, and in such a manner that no €ract rante can be specified for aoy particular aet. August, 1924 At-ti'n .. s the most eimple radio e€t will pick up broadcasting ltations at con- sidersble distancesaway, but usually this reception is a freak, anJcannut be dupli. cated at will. As the set becomes more elaborate (that is. as amplification'sreater is added) the reliable distance over which it will operate becomeg and treater up to a safeestimate of 300 to 500 miles in the winter eveningswhen using a loud speaking telephone and loop antenna. -
Low-Power RFED Wake-Up Receiver Design for Low-Cost Wireless Sensor Network Applications
sensors Article Low-Power RFED Wake-Up Receiver Design for Low-Cost Wireless Sensor Network Applications David Galante-Sempere , Dailos Ramos-Valido, Sunil Lalchand Khemchandani and Javier del Pino * Institute for Applied Microelectronics (IUMA), University of Las Palmas de Gran Canaria (ULPGC), 35017 Las Palmas de Gran Canaria, Spain; [email protected] (D.G.-S.); [email protected] (D.R.-V.); [email protected] (S.L.K.) * Correspondence: [email protected] Received: 28 September 2020; Accepted: 6 November 2020; Published: 10 November 2020 Abstract: The development of wake-up receivers (WuR) has recently received a lot of interest from both academia and industry researchers, primarily because of their major impact on the improvement of the performance of wireless sensor networks (WSNs). In this paper, we present the development of three different radiofrequency envelope detection (RFED) based WuRs operating at the 868 MHz industrial, scientific and medical (ISM) band. These circuits can find application in densely populated WSNs, which are fundamental components of Internet-of-Things (IoT) or Internet-of-Everything (IoE) applications. The aim of this work is to provide circuits with high integrability and a low cost-per-node, so as to facilitate the implementation of sensor nodes in low-cost IoT applications. In order to demonstrate the feasibility of implementing a WuR with commercially available off-chip components, the design of an RFED WuR in a PCB mount is presented. The circuit is validated in a real scenario by testing the WuR in a system with a pattern recognizer (AS3933), an MCU (MSP430G2553 from TI), a transceiver (CC1101 from TI) and a T/R switch (ADG918). -
Electronic Home Music Reproducing Equipment
Electronic Home Music Reproducing Equipment Daniel R von Recklinghausen Copyright © 1977 by the Audio Engineering Society. Reprinted from the Journal of the Audio Engineering Society, 1977 October/November, pages 759...771. This material is posted here with permission of the AES. Internal or personal use of this material is permitted. However, permission to reprint/republish this material for advertising or promotional purposes or for creating new collective works for resale or redistribution must be obtained from the AES by contacting the Managing Editor, William McQuaid., [email protected]. By choosing to view this document, you agree to all provisions of the copyright laws protecting it. John G. (Jay) McKnight, Chair AES Historical Committee 2005 Nov 07 Electronic Home Music Reproducing Equipment DANIEL R. VON RECKLINGHAUSEN Arlington, MA The search for amplification and control of recorded and transmitted music over the last 100 years has progressed from mechanical amplifiers to tube amplifiers to solid-state equipment. The AM radio, the record player, the FM receiver, and the tape recorder have supplemented the acoustical phonograph and the telephone. An incomplete summary of important developments in the past is presented along with challenges for the future. Home music reproduction began when Bell invented the tromechanical repeater caused it to be used for 20 years telephone in 1876 and Edison invented the phonograph in more as a hearing-aid amplifier [5, pp. 64-69]. 1877. Instruments were manufactured soon thereafter and C.A. Parsons of London, England, inventor of the leased or sold to the public. Yet the listener had very little Auxetophone, marketed in 1907 a phonograph where the control over the reproduction and the volume of sound, the playback stylus vibration caused a valve to modulate a tone quality being predetermined by the manufacturer of stream of compressed air which was fed to a reproducing the phonograph and record or by the telephone company horn [6]. -
Easy Fourier Analysis
SpectrumDCInformationSignal term at 2won signal cthe positivenegative Half is up This half is .3 x-axis .5 shifted. down shifted. Charan Langton, TheEditor Carrier fm = -1 fm = 1 -9 9 -9, fc-9, -8, = -8, -8-7 -7 -7 7, fc7 7,8,= 8 8,9 9 -9, -8, -7 7, 8, 9 SIGNAL PROCESSING & SIMULATION NEWSLETTER Baseband, Passband Signals and Amplitude Modulation The most salient feature of information signals is that they are generally low frequency. Sometimes this is due to the nature of data itself such as human voice which has frequency components from 300 Hz to app. 20 KHz. Other times, such as data from a digital circuit inside a computer, the low rates are due to hardware limitations. Due to their low frequency content, the information signals have a spectrum such as that in the figure below. There are a lot of low frequency components and the one-sided spectrum is located near the zero frequency. .......... Figure 1 - The spectrum of an information signal is usually limited to low frequencies The hypothetical signal above has four sinusoids, all of which are fairly close to zero. The frequency range of this signal extends from zero to a maximum frequency of fm. We say that this signal has a bandwidth of fm. In the time domain this 4 component signal may looks as shown in Figure 2. Figure 2 - Time domain low frequency information signal Now let’s modulate this signal, which means we are going to transfer it to a higher (usually much higher) frequency. Just as information signals are characterized by their low frequency, the transmission medium, or carriers are characterized by their high frequency.