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Theater Souvenir Programs Guide [1881-1979]
Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Sauce Template
Number 73 March 2015 ‘What Ho’ Causing Offence? by Allen Hunter own here in sunny Queensland, Australia, I I also knew that if one thinks of a number plate tried to obtain a personalized number plate and doesn’t acquire it right away, someone else tDhat would, I thought, honour the worthwhile will beat you to it. So straight away I got onto the tradition of P G Wodehouse. Government website and typed in ‘WHAT HO’ to An old Army friend helps organize an annual see if it was available. You might imagine my Bentley meet. As I aspire to own one, I go along to excitement to discover that it was. So I paid the enjoy the cars and to have tea and scones in the necessary fee and had the purchase confirmed. park-like grounds of an historic home. It’s all very Now all I had to do was work out how I was nice; very civilized. going to acquire the car. If I may digress briefly, I After the last such meet, I started thinking I should point out that the Director of Purchasing in should prepare for eventual Bentley ownership by our humble financial empire had not given prior at least acquiring a suitable number plate. And approval to said purchase, but I considered that wouldn’t ‘What Ho’ be perfect (even if it is not on merely an obstacle to overcome. After all, I a Hispano-Suiza)? This would let other PG fans reasoned, there are many ways to skin a cat, as we know that there is someone out there doing their say down here. -
Day 1, Wednesday 24 June, Lots 1-500
DAY 1, WEDNESDAY 24 JUNE, LOTS 1-500 Lot Description Estimate Trade cards, A&BC Gum, Footballers, Quiz 1-49 (set, 49 cards) (gd/vg, checklist £60-70 1 unmarked) (49) (plus BP*) Trade cards, A&BC Gum, Footballers, Quiz 50-98 (set, 49 cards) (gd/vg, £80-120 2 checklist unmarked) (49) (plus BP*) Trade cards, A&BC Gum, Footballers (Black back, 1-42) (set, 42 cards) (gd/vg, £50-70 3 checklist unmarked) (42) (plus BP*) Trade cards, A&BC Gum, Footballers (Black back, 43-84) (set, 42 cards) (gd/vg, £80-120 4 checklist unmarked) (42) (plus BP*) Trade cards, A&BC Gum, Footballers (Did You Know?, Scottish, 1-73) (set, 73 £80-100 5 cards) (ex, checklist unmarked) (73) (plus BP*) Trade cards, A&BC Gum, Footballers (Did You Know?, Scottish, 74-144) (set, 71 £200-300 6 cards) (ex, checklist unmarked) (71) (plus BP*) Trade cards, A&BC Gum, Footballers (Green back, Scottish, Rub Coin) (set, 132 £250-350 7 cards) (vg, checklist unmarked) (132) (plus BP*) £40-60 8 Trade cards, News Chronicle, Footballers, Bury (set, 13 cards) (vg) (plus BP*) £40-60 9 Trade cards, News Chronicle, Footballers, Exeter (set, 12 cards) (vg) (plus BP*) £40-60 10 Trade cards, News Chronicle, Footballers, Leicester City (set, 12 cards) (vg) (plus BP*) £40-60 11 Trade cards, News Chronicle, Footballers, Lincoln City (set, 11 cards) (vg) (plus BP*) Trade cards, News Chronicle, Footballers, Northampton Town (set, 12 cards) £40-60 12 (vg) (plus BP*) Trade cards, News Chronicle, Footballers, Rotherham United (set, 12 cards) £40-60 13 (vg) (plus BP*) £40-60 14 Trade cards, News Chronicle, Footballers, Southampton (set, 12 cards) (vg) (plus BP*) Trade cards, News Chronicle, Footballers, Wolverhampton Wanderers (set, 12 £40-60 15 cards) (vg) (plus BP*) Cigarette cards, Smith's, Footballers (Brown back, 1906), Aston Villa, four £60-80 16 cards, no 3 J. -
Consuming Fantasies: Labor, Leisure, and the London Shopgirl
Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page i CONSUMING FANTASIES Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page ii Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page iii Consuming Fantasies: LABOR, LEISURE, AND THE LONDON SHOPGIRL, 1880–1920 Lise Shapiro Sanders The Ohio State University Press Columbus Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page iv Copyright © 2006 by The Ohio State University Press. All rights reserved. Library of Congress Cataloging-in-Publication Data Sanders, Lise, 1970– Consuming fantasies : labor, leisure, and the London shopgirl, 1880–1920 / Lise Shapiro Sanders. p. cm. Includes bibliographical references and index. ISBN 0-8142-1017-1 (alk. paper) — ISBN 0-8142-9093-0 (cd-rom) 1. English literature—19th century—History and criticism. 2. Women sales personnel in literature. 3. English literature—20th centu- ry—History and criticism. 4. Women sales personnel—England— London—History. 5. Working class women—England—London— History. 6. Department stores—England—London—History. 7. Retail trade—England—London—History. 8. Women and literature— England—London. 9. London (England)—In literature. 10. Sex role in literature. I. Title. PR468.W6S26 2006 820.9'3522—dc22 2005029994 Cover design by Jeff Smith. Type set in Adobe Garamond. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page v CONTENTS List of Illustrations vii Acknowledgments ix Introduction 1 1. -
Open a PDF List of This Collection
LONDON METROPOLITAN ARCHIVES Page 1 LONDON MUSIC HALLS LMA/4237 Reference Description Dates Postcard Collection LMA/4237/A/001 Images of Theatres, Music Halls and 19-- entertainers. {Please wear gloves when viewing to prevent scratching the negatives} 1 box of 202 copy negatives LMA/4237/A/001/001 Tate Library and gardens, Brixton LMA/4237/A/001/002 Ritzy Cinema, Brixton LMA/4237/A/001/003 Tate Public Library LMA/4237/A/001/004 Sir Henry Irving LMA/4237/A/001/005 The Palace, Denmark Hill LMA/4237/A/001/006 The Palace, Denmark Hill LMA/4237/A/001/007 The Palace, Denmark Hill LMA/4237/A/001/008 (Unidentified) LMA/4237/A/001/009 Denmark Hill and Theatre Metropole LMA/4237/A/001/010 (Unidentified) LMA/4237/A/001/011 Harry Tate LMA/4237/A/001/012 Empire Music Hall, Camberwell LMA/4237/A/001/013 Peckham Crown Theatre LMA/4237/A/001/014 Hippodrome, Peckham LMA/4237/A/001/015 Advert for Miss Marie Lloyd in Dick Whittington at the Crown Theatre, Peckham 1898-99 LMA/4237/A/001/016 Bingo Club, Peckham LMA/4237/A/001/017 High Street, Peckham LONDON METROPOLITAN ARCHIVES Page 2 LONDON MUSIC HALLS LMA/4237 Reference Description Dates LMA/4237/A/001/018 Empire, New Cross Road LMA/4237/A/001/019 Empire, New Cross Road LMA/4237/A/001/020 (Unidentified) LMA/4237/A/001/021 (Unidentified) LMA/4237/A/001/022 Broadway Theatre, Deptford LMA/4237/A/001/023 Miss Kitty Colyer as Cinderella at The Broadway Theatre, Deptford LMA/4237/A/001/024 Broadway Theatre, Deptford LMA/4237/A/001/025 Broadway Theatre, Deptford LMA/4237/A/001/026 Wellington Street, Woolwich LMA/4237/A/001/027 Wellington Street and Town Hall, Woolwich LMA/4237/A/001/028 Town Hall and Hippodrome, Woolwich LMA/4237/A/001/029 Grand Theatre, Woolwich LMA/4237/A/001/030 Grand Theatre, Woolwich LMA/4237/A/001/031 Hippodrome and Brownhill Road, Catford LMA/4237/A/001/032 Hippodrome and Brownhill Road, Catford LMA/4237/A/001/033 Lewisham LMA/4237/A/001/034 Eros House LMA/4237/A/001/035 Poster for 'Lady of Ostend' LMA/4237/A/001/036 Production of 'The Hon. -
University Miaonlms International
INFORMATION TO USERS Tins reproduction was made from a copy o f a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality o f the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “ target" for pages apparently lacking from the document photographed is “ Missing Pagc(s)". If it was possible to obtain the missing pagc(s) or section, they arc spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication o f either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part o f the material being photographed, a definite method o f “ sectioning" the material has been followed. It is customary to begin filming at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
Fashion Behind the Footlights: the Influence of Stage
FASHION BEHIND THE FOOTLIGHTS: THE INFLUENCE OF STAGE COSTUMES ON WOMEN'S FASHIONS IN ENGLAND FROM 1878-1914 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Karen Adele Recklies, B.A., M.A. * * * * * The Ohio State University 1982 Reading Committee: Approved By Alan Woods George Crepeau Firman Brown, Jr. Advisor Department of Theatre Copyright Karen Adele Recklies 1982 I I I l I ~ ACKNOWLEDGMENTS I would like to thank the following, people for their help in preparing the dissertation: my advisor Alan Woods, George Crepeau, Firman Brown, Jr., Mary Millican, and my husband Don for his preparation of the illustrations. ii VITA 1971 ...................... B.A., Kent State University, Kent, Ohio 1971-72................... Teaching Assistant, Department of Theatre, Kent State Univer sity, Kent, Ohio 1974 ............... M.A., Kent State University, Kent, Ohio 1976-80 ................. Graduate Teaching Associate, Graduate Administrative Associ ate, Department of Theatre, The Ohio State University, Columbus, Ohio 1981-82 ................. Graduate Administrative Associ ate, Center for Medieval and Renaissance Studies, The Ohio State University, Columbus, Ohio PUBLICATIONS AND PRESENTATIONS "Lillie Langtry's Stage Costumes: Examples of Contemporary Fashions in England and America, 1895-1900." Part of the Competitive Costume Panel at the American Theatre Association National Convention, August 1981. "Lillie Langtry's Stage Costumes: Examples of Contemporary Fashions in England and America, 1895-1900." Accepted for publication in Theatre Studies. FIELDS OF STUDY Major Field; Theatre Studies in Costume Design and Costume History. Professor Michelle Guillot Studies in Literature and Criticism. Professor John Morrow Studies in History. -
1 'Believe ME OR Not'
1 ‘Believe me or not’ Actresses, female performers, autobiography and the scripting of professional practice Maggie B. Gale Confessing the professional Borrowed for the title of my chapter, Believe Me or Not! was the first of two autobiographies written by the Gaiety Girl, stage and screen performer, writer and celebrity raconteur Ruby Miller (1889–1976). Published in 1933, after the early death of her husband, the pianist Max Darewski, the book takes the reader on a chronological journey through Miller’s career, from objectified ‘stage beauty’ to silent film star and society celebrity – with an uncanny onscreen resemblance to the film ‘vamp’ Pola Negri (Darewski [Miller], 1933: 178; Miller, 1962: 111–12). Miller’s intense autho- rial voice shifts in register between a woman concerned to assert her professional achievements and one still grieving for a love lost too soon. Her second autobiography, Champagne from My Slipper (Miller, 1962), repeats numerous anecdotes from the 1933 autobiography, but covers an additional thirty years of professional activity: it speaks to an altered market and an ageing, differently nuanced readership. Both autobiogra- phies articulate a professional presence in an industry transformed from one end of the century to another – by war, the emancipation of women, the development of the film industry and its impact on live theatre, by class conflict and shifts in the relationship between class and leisure, and by changed understandings of the social and cultural function of theatre. Miller challenges us to ‘believe her or not’ – and questions, up front, the precarious and fluid relationship between fact and fiction, through time and within the frame of autobiographical writing. -
Introduction
Notes Abbreviations: Imperial War Museum - IWM; British Library - BL INTRODUCTION I. J. C. Kemp 17ze British Repertory 17zeatre [Birmingham: Cornish, 1943] p.2. 2. Ibid., p. 4. 3. C. B. Purdom Harlry Granville Barker [London: Rockliff, 1955] p. 26. 4. G. Rowell and A. Jackson 17ze Repertory Movement [Cambridge: CUP, 1984], p. 47. 5. Rex Pogson Miss Homiman and the Gaiery 17zeatre, Manchester [London: Rockliff, 1952] pp. 22-38. 6. Arthur Marwick 17ze Deluge - British Sociery and the First World War [Basingstoke: Macmillan, 1965] pp. 125-127. 7. Ibid., p. 140. 8. Phyllis Hartnoll A Concise History qf the 17zeatre [Norwich: Thames and Hudson, 1968] pp. 186-239. 9. Allardyce Nicoll English Drama 1900--1930 [Cambridge: CUP, 1973] and British Drama [London: Harrap, 1925]. 10. Hugh Hunt 17ze Revefs History qf Drama in English [London: Methuen, 1978] T. W. Craik (gen ed) pp. 29-31. 11. J. C. Trewin 17ze Edwardian 17zeatre [London: Dakers, 1976] and Theatre in the Twenties l London: Dakers, 1958]. 12. Ernest Short Sixry Years qf 17zeatre [London: Eyre and Spottiswoode, 1951], pp. 152-161. 13. W. Macqueen-Pope Ghosts and Greasepaint [London: Haie, 1951], pp. 295-308. 14. Lynton Hudson 17ze English Stage 1850--1950 [London: Harrap, 1951] p.169. 15. Arthur Marwick, op. cit., p. 144. 16. G. T. Watts 'The Tradition of Theatre' 17ze Englishwoman November 1916, in M. Sanders on From Irving to Olivier [London: Athlone, 1984] p. 163. 17. CentraI StatisticaI Office (HMSO) Retail Prices 1914-1990 [prices rose enormously du ring the First World War; in 1915 the Retail Price Index doubled to 41. -
Full Text Document (Pdf)
Kent Academic Repository Full text document (pdf) Citation for published version Brooks, Helen E.M. and Hanna, Emma (2019) 'A Night in the West End, 1914-1918': A Lecture-Concert. Performance type: Musical event A Night in the West End, 1914-1918: A Lecture-Concert, 27 April 2019, Westgate Hall, Canterbury. Script. DOI Link to record in KAR https://kar.kent.ac.uk/73664/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html A NIGHT IN THE WEST END 1914-1918 PRESENTED BY Emma Hanna & Helen Brooks ------------------------- IMAGE GATEWAYS SLIDE [Band Enter] IMAGE - TITLE SLIDE with music BAND: Overture to Arcadians [ALL ENTER] ACT I SPEAKER 1: Welcome to ‘A Night in the West End, 1914-1918’, a lecture-concert written and produced by Gateways to the First World War at the University of Kent, in collaboration with the Invicta Concert Band and the Westgate Community Trust. -
J. M. Barrie and the Theatre
Eg H.M.Wedbrook I I i I a i i i TO MY WIFE. : y > - ' . : . -.. -. '. V_ . -J ; . J SIR J. M. BARRIE, Bart., O.M. Front a Photo by G. C. Btresford. d-M-fSARRIfe :*.= H.M.WALBROOK,-' I? Author of "GILBERT AND SULLIVAN OPERA." With Original Illustrations by W. W. LENDON. :p-V- LONDON WHITER CO -IBjj 17- BUCKINGHAM- STREET- STRAND-W-C * * First Edition. May, 1922, ^W>*K Contents. CHAPTER. PAGE. PROLOGUE 9 I. AN IBSEN BURLESQUE .. 17 II. J. L. TOOLE AND THE CUCKOO .. 27 III. A FAILURE AND A SUCCESS 39 IV. BABBIE AND HER MINISTER .. 49 V. A PROBLEM PLAY ... 59 VI. BILL CRICHTON PLAYS THE GAME .. 67 VII. PHCEBE OF THE RINGLETS .. 79 VIII. AN UNCOMFORTABLE PLAY .. 89 5 6414T9 Contents (continued). CHAPTER. PAGE. IX. THE NEVER-NEVER LAND 97 X. Miss ELLEN TERRY SITS BY THE FIRE ... 107 XI. THE MAN WHO COULD NOT LAUGH ... 115 XII. A GlLBERTIAN JEST 121 XIII. ENTER MDLLE. GABY DESLYS 127 XIV. CINDERELLA'S BALI 131 XV. THE MAGIC WOOD 139 XVI. THE CALL OF THE ISLAND 145 XVII. FOUR LITTLE MASTERPIECES 153 XVIII. OTHER SHORT PLAYS 163 EPILOGUE ... ... ... ... ... 173 BIBLIOGRAPHY ... ... ... ...183 INDEX... ... ... ... ... 184 List of Illustrations. PORTRAIT OF SIR JAMES MATTHEW BARRIE, ) BART., O.M. J "SiR, THE DICTATES OF MY HEART ENJOIN ME TO ACCEPT YOUR Too FLATTERING A HORN OF ELF-LAND P. 104 WHERE DREAM-FIGURES HOLD REVEL p. 148 Losh, losh, but it's a queer warld ! J. M. BARRIE AND THE THEATRE. 1902, the year of the production SINCEof The Admirable Crichton, Sir J.