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Theater Souvenir Programs Guide [1881-1979]
Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Appendix 3 Operettas with English Librettos by Composers for the German Stage
Appendix 3 Operettas with English Librettos by Composers for the German Stage Fall, Leo The Eternal Waltz, Hippodrome, London, 22 Dec. 1911, 100 perfs. Clara Evelyn & Ackerman May (as Feo Lahll). Bk & lyrs: Austen Hurgon (one act); SD: Austen Hurgon; MD: Leo Fall. The Eternal Waltz, Palace Theatre, New York, 24 Mar. 1913 (12 perfs). Opening production at Palace Theatre. Fall, Richard Arms and the Girl, London Hippodrome, 29 Apr. 1912, 95 perfs. G. P. Huntley, May de Sousa, & Jean Aylwin. Bk & lyrs: Austen Hurgon. Felix, Hugo The Merveilleuses (later, The Lady Dandies), Daly’sTheatre,London,27 Oct. 1906, 197 perfs. Robert Evett (Dorlis) & Denise Orme (Illyrine). Bk: Basil Hood (after Victorien Sardou); Lyrs: Adrian Ross; P: George Edwardes; SD: J. A. E. Malone; MD: Barter Johns; DD: Willie Warde. Tantalizing Tommy, Criterion Theatre, New York, 1 Oct. 1912, 31 perfs. Bk: Michael Morton, after Paul Gavault’s play La Petite Chocolatière; Lyrs: Adrian Ross; P: A. H. Woods; SD: George Marion; MD: Hans S. Linne. The Pearl Girl, Shaftesbury Theatre, London, 25 Sep. 1913, 254 perfs. Bk & lyrs: Basil Hood; Music by Hugo Felix & Howard Talbot; P & SD: Robert Courtneidge; MD: Arthur Wood; DD: Willie Warde. 319 Downloaded from https://www.cambridge.org/core. IP address: 170.106.33.22, on 01 Oct 2021 at 18:51:19, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614306 320 Appendix 3 Operettas with English Librettos Pom-pom, Cohan Theatre, 28 Feb. 1916, 128 perfs. Bk & lyrs: Anne Caldwell; P: Henry W. -
Mag 31 Duplex
No.31 Billy & Bogey Patrons:Patrons: EricEric Parkin, Parkin, Susan Susan Tomes Tomes PeterPeter Jacobs Jacobs Feb. 2014 2 3 Contents : Feb. 2014 Page number “Old ones, new ones, loved ones, neglected ones” Semprini ................................................................................... 3 Brian Willey takes a personal look at the life and times of pianist SEMPRINI Philip Martin CD review ......................................................... 6 Christopher Duckett concert DVD ....................................... 7 Sir Malcolm Arnold CD review .............................................. 8 Frederick Hodges concert DVD .......................................... 9 Alex Hassan concert DVD .................................................. 12 Lionel Monckton ..................................................................... 14 BMS business ........................................................................... 15 BMS calendar of events ............................................................ 16 Editorial It seems the BBC's music channel, Radio 3, are planning an emphasis Semprini on British composers in the year ahead and inviting listeners to let them know which are their favourite works by natives of these shores. This Albert Semprini was a friend. I knew him to be an exceptionally gifted pupil. seems a good opportunity to remind them that they (shamefully) from the day he began his BBC The First World War was to have a broadcasting career and was responsible material effect upon the family's life. In neglect -
The Mousmé and the Cultural Mobility of Musical Comedy
6 Henry Balme Yale University, USA Between Modernism and Japonism: The Mousmé and the cultural mobility of musical comedy Edwardian musical comedy had been sidelined in music and theatre histories due to its conservative design and frivolous narratives, but it is now being critically reassessed for the role it played in the creation of a first globalised network of theatre. The Mousmé is a work that exemplifies the process of performative re- contextualisation that accompanied musical comedies as they travelled from London’s West End across the world, as far as Yokohama and Tokyo. The work appealed to British audiences because it was held to be a realistic reconstruction of Japanese culture and society, but it was also enjoyed by Japanese audiences, despite its stereotypical portrayal of their people. This apparent dichotomy is explored in this essay, which presents little-known documents surrounding the production and its travels. It sheds light on how musical theatre became culturally mobile during the first age of globalisation. Henry Balme is a full-time Ph.D. candidate in Music History at the Department of Music of Yale University. He completed his M.St. at the University of Oxford (2015) and his B.Mus. at City, University of London. Keywords: Bandmann Opera Company, cultural mobility, Edwardian musical comedy, Florence Smithson, George Edwardes, globalisation, japonism, Maurice E. Bandmann, modernity ulture is rarely stable or fixed.1 This claim is corroborated by the global Ctransmission and reception of Edwardian musical comedy. For a long time the genre had been considered an obscure part of musical theatre history and thus demoted to the sidelines of musicology and theatre studies.2 It is now being critically re-assessed for the importance it played in the globalisation of theatre during the first fifteen years of the twentieth century: musical comedy became a medium of extraordinary mobility, transmitted via the transnational travel and communication networks that had been put into place during the nineteenth century. -
The Reception of the Affaire Dreyfus in British Literature and Culture, 1894-1940
Dipartimento di Studi Europei, Americani e Interculturali Dottorato di ricerca in Scienze del testo THE RECEPTION OF THE AFFAIRE DREYFUS IN BRITISH LITERATURE AND CULTURE, 1894-1940 Alessandra Crotti Matricola 1750394 Relatore Prof. Riccardo Capoferro A.A. 2018-2019 Abstract: La tesi propone lo studio della ricezione dell'Affaire Dreyfus (1894-1906) nella vita politica e culturale inglese della prima metà del ventesimo secolo attraverso l'analisi della sua rappresentazione nella produzione letteraria. Pur appartenendo alla vita politica e culturale della Francia moderna, l'Affaire Dreyfus divenne oggetto di ampio dibattito anche in territorio inglese, intrecciandosi con la storia della società tardo-vittoriana tra il 1897 e il 1900. In Gran Bretagna come in Francia, l'Affaire instaurò un forte legame con la letteratura, con la vita degli intellettuali e con il romanzo, entrando con forza nei testi sia a livello tematico che formale. Nonostante l'entità del fenomeno Dreyfus, la presenza dell'Affaire nella produzione letteraria inglese è raramente riconosciuta e mai studiata. La ricerca intende quindi muoversi verso una ricostruzione quanto più possibile completa della ricezione dell'Affaire Dreyfus in Gran Bretagna passando attraverso lo specchio della letteratura, sia popolare che canonica. La prima parte dell’indagine è quindi dedicata alla produzione culturale e letteraria popolare: dopo aver descritto la presenza pervasiva dell’Affaire nell’ambito dell’intrattenimento popolare, verrà analizzata l’assenza (assoluta e quindi sospetta) dell’Affaire nel romanzo gotico di fine secolo, sito preferenziale di rappresentazione delle fantasie di eliminazione dell’altro. In seguito, verrà evidenziato il ruolo chiave che il caso Dreyfus ebbe come catalizzatore della nascita della spy story inglese, rintracciando temi, motivi e caratterizzazioni ad esso ispirati. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Sauce Template
Number 73 March 2015 ‘What Ho’ Causing Offence? by Allen Hunter own here in sunny Queensland, Australia, I I also knew that if one thinks of a number plate tried to obtain a personalized number plate and doesn’t acquire it right away, someone else tDhat would, I thought, honour the worthwhile will beat you to it. So straight away I got onto the tradition of P G Wodehouse. Government website and typed in ‘WHAT HO’ to An old Army friend helps organize an annual see if it was available. You might imagine my Bentley meet. As I aspire to own one, I go along to excitement to discover that it was. So I paid the enjoy the cars and to have tea and scones in the necessary fee and had the purchase confirmed. park-like grounds of an historic home. It’s all very Now all I had to do was work out how I was nice; very civilized. going to acquire the car. If I may digress briefly, I After the last such meet, I started thinking I should point out that the Director of Purchasing in should prepare for eventual Bentley ownership by our humble financial empire had not given prior at least acquiring a suitable number plate. And approval to said purchase, but I considered that wouldn’t ‘What Ho’ be perfect (even if it is not on merely an obstacle to overcome. After all, I a Hispano-Suiza)? This would let other PG fans reasoned, there are many ways to skin a cat, as we know that there is someone out there doing their say down here. -
Day 1, Wednesday 24 June, Lots 1-500
DAY 1, WEDNESDAY 24 JUNE, LOTS 1-500 Lot Description Estimate Trade cards, A&BC Gum, Footballers, Quiz 1-49 (set, 49 cards) (gd/vg, checklist £60-70 1 unmarked) (49) (plus BP*) Trade cards, A&BC Gum, Footballers, Quiz 50-98 (set, 49 cards) (gd/vg, £80-120 2 checklist unmarked) (49) (plus BP*) Trade cards, A&BC Gum, Footballers (Black back, 1-42) (set, 42 cards) (gd/vg, £50-70 3 checklist unmarked) (42) (plus BP*) Trade cards, A&BC Gum, Footballers (Black back, 43-84) (set, 42 cards) (gd/vg, £80-120 4 checklist unmarked) (42) (plus BP*) Trade cards, A&BC Gum, Footballers (Did You Know?, Scottish, 1-73) (set, 73 £80-100 5 cards) (ex, checklist unmarked) (73) (plus BP*) Trade cards, A&BC Gum, Footballers (Did You Know?, Scottish, 74-144) (set, 71 £200-300 6 cards) (ex, checklist unmarked) (71) (plus BP*) Trade cards, A&BC Gum, Footballers (Green back, Scottish, Rub Coin) (set, 132 £250-350 7 cards) (vg, checklist unmarked) (132) (plus BP*) £40-60 8 Trade cards, News Chronicle, Footballers, Bury (set, 13 cards) (vg) (plus BP*) £40-60 9 Trade cards, News Chronicle, Footballers, Exeter (set, 12 cards) (vg) (plus BP*) £40-60 10 Trade cards, News Chronicle, Footballers, Leicester City (set, 12 cards) (vg) (plus BP*) £40-60 11 Trade cards, News Chronicle, Footballers, Lincoln City (set, 11 cards) (vg) (plus BP*) Trade cards, News Chronicle, Footballers, Northampton Town (set, 12 cards) £40-60 12 (vg) (plus BP*) Trade cards, News Chronicle, Footballers, Rotherham United (set, 12 cards) £40-60 13 (vg) (plus BP*) £40-60 14 Trade cards, News Chronicle, Footballers, Southampton (set, 12 cards) (vg) (plus BP*) Trade cards, News Chronicle, Footballers, Wolverhampton Wanderers (set, 12 £40-60 15 cards) (vg) (plus BP*) Cigarette cards, Smith's, Footballers (Brown back, 1906), Aston Villa, four £60-80 16 cards, no 3 J. -
THE TOREADOR (THE BULL FIGHTER) MUSICAL COMEDY in TWO ACTS by James T
This is a Temporary Program issued on account of the Strike of the Print- ing Press Feeders' Union ======= THE AUDITORIUM. MILWARD ADAMS, Manager. TWO WEEKS BEGINNING Monday, October 5th, 1903 Annual Benefit of the Policemen's Benevolent Association SAM S. SHUBERT AND NIXON & ZIMMERMAN Presenting Jefferson DeAngelis and Company In Mr. George Edwardes' Reigning London Gaiety Theatre Success THE TOREADOR (THE BULL FIGHTER) MUSICAL COMEDY IN TWO ACTS By James T. Tanner and Harry Nichols. Lyrics by Adrian Ross and Percy Greenbank. Music by Ivan Caryll and Lionel Monckton ALFRED DALBY, Musical Director. CAST OF CHARACTERS. AugustusTraill, of the British Consulate at Villaya Mr. John Dudley Pettifer, a dealerin Wild animals Mr. Wm Blaisdell Sir Archibald Slackett, Bart Mr. Edgar Norton Rinaldo, a Carlist Mr. Chas. Dungan Governor of Villaya Mr. F. S. Heck Bandmaster of Asylum Band Mr. Chas. V. Clark Carajolo, a Toreador Mr. Edw. Metcalfe Mr. Probitt, a Solicitor Mr. Edgar James Moreno, Carajolo's friend Mr. William Pullman Sammy Gigg, a footmanor tiger Mr. Jefferson DeAngelis NancyStanton Miss MargaretMcKinney Dora Selby, a ward in chancery. Miss Norma Bell Susan, proprietressof the Magazine des Fleurs, Grand Hotel, Biarritz Miss Edna Burd Mrs. Malton Hoppings, a rich widow Miss Bertha Ricci Dona Teresa Miss Adine Bouvier Lady Visitors—Misses Vorce, Clemens, Anderson, L. Fallin, Clemens and Gilmore. Bridesmaids—Misses De Silva, N. Metcalfe, Weston, Barry Fallin and E. Johnstone. Shop Girls Misses Hartford, Canavan Merrill, DuPont, Kavanaugh,Waldo,— Robinson, Belding, Hamilton and Stevens. English Girls—Misses Arden and Weldon. The Asylum Baud—Messrs. Rabon, Clark, Robinson, Collins and LaMar. -
Consuming Fantasies: Labor, Leisure, and the London Shopgirl
Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page i CONSUMING FANTASIES Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page ii Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page iii Consuming Fantasies: LABOR, LEISURE, AND THE LONDON SHOPGIRL, 1880–1920 Lise Shapiro Sanders The Ohio State University Press Columbus Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page iv Copyright © 2006 by The Ohio State University Press. All rights reserved. Library of Congress Cataloging-in-Publication Data Sanders, Lise, 1970– Consuming fantasies : labor, leisure, and the London shopgirl, 1880–1920 / Lise Shapiro Sanders. p. cm. Includes bibliographical references and index. ISBN 0-8142-1017-1 (alk. paper) — ISBN 0-8142-9093-0 (cd-rom) 1. English literature—19th century—History and criticism. 2. Women sales personnel in literature. 3. English literature—20th centu- ry—History and criticism. 4. Women sales personnel—England— London—History. 5. Working class women—England—London— History. 6. Department stores—England—London—History. 7. Retail trade—England—London—History. 8. Women and literature— England—London. 9. London (England)—In literature. 10. Sex role in literature. I. Title. PR468.W6S26 2006 820.9'3522—dc22 2005029994 Cover design by Jeff Smith. Type set in Adobe Garamond. Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 Sanders_FM_3rd.qxp 1/19/2006 10:23 AM Page v CONTENTS List of Illustrations vii Acknowledgments ix Introduction 1 1. -
The Circus Girl
THE CIRCUS GIRL A musical play in 2 acts, 4 scenes: Book by James T. Tanner and Walter Palings; Lyrics by Harry Greenbank and Adrian Ross; Music by Ivan Caryll; additional numbers by Lionel Monckton. Daly's Theatre, Broadway- 23 April, 1897 (75 perfs) Reopened 16 August 1897 (97 perfs) total perfs 172. Gaiety Theatre, London - 5 December, 1896 (494 perfs) SYNOPSIS Dick Capel deputized occasionally at a Paris circus as "The Cannon King", impressing pretty Dora Wemyss, a school girl. Dick, however, is engaged to be married. Dora's father, Sir Titus, an English tourist, has been hiding in the cannon, because he has been flirting with the circus girls and is avoiding his wife. Dick shoots Sir Titus out of the cannon. Meanwhile Bugs, a silly American bartender, agrees to fight a celebrated wrestler, The Terrible Turk, in order to win over Lucille, the girl who walks the slack wire. La Favorita is a bareback rider. MUSICAL NUMBERS: 1. Mi Carême - Opening Chorus 2. The Barman - Biggs and chorus 3. I Love Her - Dick, Reggie and Biggs 4. The Uses of Advertisement - Drivelli and chorus 5. La Favorita - La Favorita 6. Professions - Lucille and Biggs 7. A Paris - Dora 8. In the Ring - Dora and Dick 9. Now You Know Your Way - Gaston and chorus 10. A Wet Day - Dick and chorus 11. The Master of the Ring - Albertoni 12. A Circus Girl - La Favorita 13. She Never Did the Same Thing Twice - Dick and chorus 14. Farandole - Chorus 15. Wine, Women and Waltz - Gaston 16. A Simple Little String - Dora 17.