Bella Font Decoder

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BELLA FONT DECODER Bella Name Font Name Styles available Adelicia Script Adelicia Script script, alternates, swash Adorn Slab Serif Adorn Slab Serif roman Adorn Engraved Adorn Engraved roman, capitals only Agnes Saint Agnes roman, swash, alternates Antoinette Montague Script script Argent Argent CF roman Aster Asterism script Avera Avera roman, condensed Belion Belion sans serif, alternates Bodega Script Bodega Script script, alternates, swash Botony Bell roman, italic, bold, light, small caps Bougenville Bougenville script, alternates Caleigh Caleigh script Chloe Sevigne sans serif, capitals only, alternates Cork Woolen roman Daisy Daisy Lau script Danube Burgues Script script, alternates, swash Dima Vladimir Script script Era Erotica script Fideo Showcase Sans sans serif, italic Freeland Freeland script Fresco Al Fresco script Frost Frosted sans serif Garamond Adobe Garmond roman, italic, bold, light, small caps Geometric Avant Garde sans serif, italic, bold, light, small caps Geneva Vevey sans serif, capitals only Gill Gill Sans sans serif, italic, bold, light, small caps Harlow Chevalier Open and Stripes roman, small caps Heathrow Heathrow Script Herald Archer roman, italic, bold, light, small caps Holden Walbaum roman, italic, bold, light, small caps Impression AT Sackers Roman roman, italic, bold, light, small caps Irene Madelinette script, alternates, swash Isla Cynthia June script Jubilant Serlio roman, capitals only, small caps Katie Katie Rose script Keeva Carolyna Black script, alternates, swash Lavish Feast script (more) www.bellafigura.com | 866.699.6040 05.17 BELLA FONT DECODER Lovefern Lovefern script Marguerite Marguerite script Marilyn Bombshell script, alternates, swash Maybel Champagne script Meadow Merriam roman Melika Melika Letter script, alternates Meringue Icing sans serif Moderno Avenir sans serif, italic, bold, light, small caps Moravia Mrs. Eaves roman, italic, bold, light, small caps Natura Natura script, alternates Nave Naive roman, light, bold Nave Inline Naive Inline roman, light, bold, alternates Nave Sans Naive Inline Sans sans serif, light, bold, alternates Nib Ondise script Nysa Bichkam Script script, alternates, swash Pike Pluto Light sans serif, italic, small caps Pillar Atlas Greeting script Poe Macarons roman, light, bold Poetica Poetica roman, capitals only, small caps Portofino Bellisima script, alternates, swash Revivial Rivea Upright script, alternates Riviera Mina script, alternates, swash Sans Capitals AT Sackers Gothic sans serif, capitals only, small caps Social Bernhard Modern roman, italic, bold, light, small caps Spencer Compendium script Steel-Point Edwardian Script script Strana Palace Script script Streamline Neutra Text sans serif, italic, bold, light, small caps Swiss Helvetica Neue sans serif, italic, bold, light, small caps Utrecht Scala roman, italic, bold, light, small caps Vessa Parfumerie Script script, alternates, swash www.bellafigura.com | 866.699.6040 05.17.

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Afgbaskerville (The Type Face)
gfaBaskerville (the type face) xagfi {the type} {the man} abcdefghijklmn opqrstuvwxyz ABCDEFGHI JKLMNOPQR STUVWXYZ Having been an early admirer of the beauty of letters, I vertical stress relatively low contrast “became insensibly desirous of contributing to the perfection Baskerville is a transitional type of them. I formed to myself ideas of greater accuracy than had yet appeared, and had endeavoured to produce a set of types according to what I conceived to be their true { old style type modern type proportion. oblique stress vertical stress —John Baskerville, preface to Milton, 1758 relatively low contrast high contrast (Anatomy of a Typeface) ” {looks} use of orthogonal lines use of orthogonal + curvy lines FHTt BDp use of curvy lines use of diagonal lines cOQ vwXZ In order to truely appreciate the quialities of Baskerville, one must understand the The Baskerville type is known for the crisp edges, high contrast and generous process of its creation. Being a printer, John Baskerville paid close attention to the proportions. Baskerville is categorized as a transitional typeface in between classical technology, creating his own intense black ink. He boiled fine linseed oil to a certain typefaces and the high contrast modern faces. density, dissolved rosin, and let it subside for months before using it. He also studied and invested in presses, resulting in the development of high standards for presses altogether. {anatomy} crossbar serif ear head serif ascender counter apex A a x g Q b q O spur x-height descender swash {characteristics} {1}g Q {2} A {3} {4}J {5}C {6}E {7}ea {1} tail on lower case g does not close {2} swash-like tail of Q {4} J well below baseline {3} high crossbar and pointed apex of A {5} top and bottom serifs on C {6} long lower arm of E {7} small counter of italic e compared to italic a {comparison} Bembo Baskerville Bembo Baskerville d The head serif of Baskerville is generally more horizontal than that of Bembo.
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Wiley APA Style Manual: a Usage Guide
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