2016 Spring Study Period

Total Page:16

File Type:pdf, Size:1020Kb

2016 Spring Study Period the MUSE SPRING 2016 Mu Chapter of Sigma Pi Fraternity Centennial Plaque in the West Lounge and updated honor plaques in the Memorial Room library. See article on page 4. www.sigmapicornell.org Mu Chapter Committee Develops Kitchen Website & Social and Dining Strategy Media Outlets Since our last report in the fall Muse, the undergraduates and the class of 2015 was alumni board launched a strategic initiative conducted in November 2015. A total of 53 to develop a comprehensive plan focused responses to the survey were received, the on modernizing and enhancing the kitchen majority of which were by current brothers. and dining facilities of Sigma Pi. A commit- The results of the committee’s work were tee consisting of alumni industry leaders presented to the alumni board at a meet- and undergraduate leaders was formed. ing that took place in New York City in late The committee communicated with March. The alumni board authorized that a representatives from Sigma Pi Internation- preliminary study be conducted with a repu- al and Cornell Fraternity and Sorority Life table design firm that will present strategic on kitchen and dining issues that impact options for considerations. This will lead to Greek life to determine if “best practices’” a comprehensive plan, which will be com- exist in the Greek system. Conclusion: best municated to the alumni once it is complete. In the fall of 2014, the alumni board practices don’t exist. This might be an op- worked closely with its communications portunity for Mu Chapter to lead. In addi- Alumni Kitchen and Dining Committee partner to completely update the Mu tion, the committee collected competitive Chapter’s website, sigmapicornell.org. market feedback on other fraternities. • Brian Finneran ’81: CEO at Intermedia There were a number of requirements In order to gain a better understanding of Events & Conference Group that were a part of the redesign process. the issues around kitchen and dining, mem- • Steve Pirozzi ’80: Food & Beverage The new website: bers of the committee (Brian Finneran ’81, Dept., The Hotel Plaza Athenee, New • increases the ability for our alumni to stay York connected and to be kept up-to-date • Alexa Bosshardt ’82: Corporate re- • has a robust section for our under- search chef at American Sugar Refining; graduate brothers to enhance new culinary professional and registered/li- member recruitment censed dietitian with expertise in recipe/ new product R&D, nutrition, nutritional • has a section for parents to find the in- labeling, and nutritional marketing formation they need, whether their son • Greg Vojnovic ’85: Chief development is a current or prospective member officer at Arby’s Restaurant Group • has better support for mobile devices. • Kevin Kruse ’79: Chief development With these factors, as well as the desire New chef David Brown, John Wu ’17, officer at Hurricane Grill & Wings; expe- for a very aesthetically pleasing and high- Steve Pirozzi ’80 rience in franchise sales and operations, ly functional site, a new visual design was Steve Pirozzi ’80, Alexa Bosshardt ’82, and franchise law, business development, created and new content was added. Greg Vojnovic ’85) conducted multiple on- market mapping, and site selection We’re sure those who have visited site visits to review facility infrastructure, to • Dave Williamson ’77: President at Five the website would agree, both visually meet with undergraduate leaders, and to re- Star Restaurants, LLC; entrepreneur, and content-wise, the new site is a ma- view dining and sanitation conditions. Addi- opening fast casual restaurants in Ne- jor step forward. tionally, a comprehensive survey with current vada and Southern California If you haven’t visited the site, please go, check it out, and register for the members-only section to gain access to the full range of content. Facilities Committee Making In addition, the alumni board is keen to make the most of existing social me- Improvements for Mu Chapter dia channels. Please visit our current so- By John Morrison ’75 the dining room and one in a bedroom. cial media outlets. The original vendor had inspected those We have taken multiple steps to ad- two windows and determined that they dress window hardware and air leakage, Facebook: (continued on next page) which have been significant problems for facebook.com/groups/250850591718094 many years. All third-floor windows were replaced in November 2015. Those win- Instagram: Twitter: dows were casement-type (crank-out) @cornellsigmapi @CornellSigmaPi windows, which have contributed to most of the maintenance problems. The Sigma Pi Foundation replaced the windows in LinkedIn: the Memorial Library in February. At that /groups/Sigma-Pi-Mu-Chapter-Alumni-4734302 time, two additional windows were re- placed: the one in the main stairwell to page 2 Spring 2016 Sage Report By Fernando Cevallos ’17 Cahoon ’77 Tech Center to host our alumni speaker series, where the brotherhood gets To begin the year, Mu an opportunity to hear how being a mem- Chapter held its yearly rush ber of Sigma Pi has positively influenced By Mike Vernick ’83 week, where we attracted Mu Chapter alumni. One highlight of the se- over 400 rushes to our first mester thus far was our yearly brotherhood The Mu Chapter of Sigma Pi Educational recruitment event. As al- camping event, Omega Chi. We ventured to Foundation sponsored the first-ever confer- ways, rush week is incred- a campsite 30 minutes north from the Pi ence on entrepreneurship for undergraduate ibly competitive, and we house and spent a night camping in the wil- brothers on April 16 at the house. The con- are happy to announce that our efforts yield- derness. Although it was cold and windy, we ference was held in conjunction with the En- ed 14 outstanding new brothers. Although kept good company around the fire. Need- trepreneurship at Cornell celebration held on this incoming pledge class is slightly smaller less to say, it was quite the adventure. April 14 and 15. The event was attended by than previous ones, it’s important to note that We had our annual Parents Weekend over 50 undergraduate brothers and alumni. these new members are an extremely good from April 8–10, where the families of the The keynote speaker was Felix Litvinsky, fit for the house and have all contributed im- current brothers partook in several activities managing director of Blackstone LaunchPad mensely since joining. Following the great with the brotherhood, including attending at Cornell University. Blackstone Launch- success of last year’s pledge party, the new a Cornell lacrosse game, going on a win- Pad is an experiential campus-based pro- brothers are diligently planning a second an- ery tour, and enjoying a formal dinner at gram designed to introduce entrepreneur- nual beach-themed pledge party called “Oa- the Pi house with the whole brotherhood. ship as a viable career path and to develop sis.” We will again fill up the bottom parking Additionally, we hosted our first-ever entre- entrepreneurial skills and mindset through lot with sand. It is sure to be a great time. preneurship conference at the Pi house on individualized coaching, ideation, and ven- The new members were initiated on April 16, where various tech industry lead- ture creation support. In addition, the direc- February 28. This leaves us with a total of ers spoke to the brotherhood about rele- tor of Entrepreneurship at Cornell (E@C), 70 active brothers. Given the problems we vant topics in tech and entrepreneurship. Zachary Schulman ’87, spoke about the had last year with our new-member educa- As always, we will wrap up the spring se- Cornell entrepreneurship program that was tion process, I’m very happy to announce mester with Slope Day and the Orchid Ball, created in 1992 to promote entrepreneur- that we successfully completed the process two of the most exciting events of the year. ship education, experiential learning op- without any issues this year. We all worked As my term as sage comes to an end, portunities, programmatic activities, and extensively with the university administra- I’d like to say that the Pi house continues events for the Cornell community. tion and new-member educators to make to excel in all aspects of life on the hill, and Sigma Pi alumni speakers included sure everything went according to plan. I invite all, no matter the distance from Cor- John Zimmer ’06, founder and CEO of Over the course of the spring 2016 se- nell, to share the same pride that results Lyft; Quin Garcia ’05, managing director of mester, we’ve continued using the Dick from seeing the house succeed. AutoTech Ventures, a venture fund invest- ing in ground transport startups that are focused on connected, autonomous, ener- gy-efficient cars, motorcycles, commercial Tom Silver ’81, incoming president of vehicles, and services; Randy Ottinger the Mu Chapter Educational Foundation, Facilities Committee ’80, founder of Leader-2-Leader, a firm discussed the ways undergraduates could Making Improvements that helps founders, CEOs, and senior lead- partner with the Foundation on entrepre- ers build great companies with the strate- neurship endeavors. Brody Ehrlich ’10, and (continued from previous page) gies, cultures, and networks to accelerate Brian Lederman ’10, spoke about a new were beyond repair and required replace- growth, innovation, and financial value;Ali initiative to help secure funding for under- ment. The original vendor has inspected Hamed ’14, co-founder, managing partner, graduates’ entrepreneurial and business and is in the process of making neces- and partner at CoVenture, a venture capital projects. If you’re an entrepreneur and would sary repairs to all other windows. Work is firm, specializing in seed and early stage like to be involved in further promoting en- scheduled for completion in late April.
Recommended publications
  • Las Adaptaciones Cinematográficas De Cómics En Estados Unidos (1978-2014)
    UNIVERSITAT DE VALÈNCIA Facultat de Filologia, Traducció i Comunicació Departament de Teoria dels Llenguatges i Ciències de la Comunicació Programa de Doctorado en Comunicación Las adaptaciones cinematográficas de cómics en Estados Unidos (1978-2014) TESIS DOCTORAL Presentada por: Celestino Jorge López Catalán Dirigida por: Dr. Jenaro Talens i Dra. Susana Díaz València, 2016 Por Eva. 0. Índice. 1. Introducción ............................................................................................. 1 1.1. Planteamiento y justificación del tema de estudio ....................... 1 1.2. Selección del periodo de análisis ................................................. 9 1.3. Sinergias industriales entre el cine y el cómic ........................... 10 1.4. Los cómics que adaptan películas como género ........................ 17 2. 2. Comparación entre los modos narrativos del cine y el cómic .......... 39 2.1. El guion, el primer paso de la construcción de la historia ....... 41 2.2. La viñeta frente al plano: los componentes básicos esenciales del lenguaje ........................................................................................... 49 2.3. The gutter ................................................................................. 59 2.4. El tiempo .................................................................................. 68 2.5. El sonido ................................................................................... 72 3. Las películas que adaptan cómics entre 1978 y 2014 ........................... 75
    [Show full text]
  • Der Computeranimierte Spielfilm
    Klaus Kohlmann Der computeranimierte Spielfilm Klaus Kohlmann (Dr. phil.) arbeitet als 3-D-Artist für mehrere Agen- turen sowie als Autor für Fachmagazine. Er ist Universitätslehrbe- auftragter für 3-D-Computergrafik. (www.klauskohlmann.de) Klaus Kohlmann Der computeranimierte Spielfilm. Forschungen zur Inszenierung und Klassifizierung des 3-D-Computer-Trickfilms Das Buch ist eine von der Philosophischen Fakultät der Universität zu Köln angenommene Dissertation zur Erlangung des Doktorgrades Bibliografische Information der Deutschen Bibliothek Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.ddb.de abrufbar. © 2007 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Umschlaggestaltung & Innenlayout: Kordula Röckenhaus, Bielefeld Lektorat & Satz: Klaus Kohlmann Druck: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-635-9 Gedruckt auf alterungsbeständigem Papier mit chlorfrei gebleichtem Zellstoff. Besuchen Sie uns im Internet: http://www.transcript-verlag.de Bitte fordern Sie unser Gesamtverzeichnis und andere Broschüren an unter: [email protected] INHALT Einleitung 13 1. Portrait des konventionellen Trickfilms 21 1.1 Ausprägungen und Gattungen 22 1.2 Anfänge der Animation 25 1.3 Stationen des Zeichentrickfilms 26 1.4 Inszenierungsforschung des konventionellen Trickfilms 29 1.5 Der Puppentrickfilm 33 2. Historie und Disposition der 3-D-computerbasierten Bilderzeugung 37 2.1 Computergrafik 37 2.2 3-D-Computergrafik 38 2.3 3-D-Computeranimation 44 2.4 Entwicklungsgeschichtlicher Zusammenhang von Film und Computer 45 2.5 Der vollständig computergenerierte Trickfilm 52 2.6 Der abendfüllende computergenerierte Spielfilm 55 3. Disposition des Computers in der Trickfilmproduktion 57 3.1 CGI im filmwissenschaftlichen Diskurs 57 3.2 Algorithmisierung 58 3.3 Stationen der CG-Produktionslinie 61 3.4 Exkurs: Die 3-D-Applikation 3ds max 71 4.
    [Show full text]
  • Introduction
    Notes Introduction 1 . Kristina Jaspers, ‘Zur Entstehungsgeschichte und Funktion des Storyboards’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 15. We are indebted to Julia Knaus for all translations from the original German of this book. 2 . Jean-Claude Carrière, The Secret Language of Film , trans. Jeremy Leggatt (London: Faber, 1995), p. 150. 3 . Nathalie Morris, ‘Unpublished Scripts in BFI Special Collections: A Few Highlights’, Journal of Screenwriting 1.1 (2010), pp. 197–198. 4 . Fionnuala Halligan, Movie Storyboards: The Art of Visualizing Screenplays (San Francisco: Chronicle, 2013), p. 9. 5 . Alan David Vertrees, Selznick’s Vision: Gone with the Wind and Hollywood Filmmaking (Austin: University of Texas Press, 1997), pp. 67, 117. 6 . See Steven Price, A History of the Screenplay (Basingstoke: Palgrave, 2013). 7 . Katharina Henkel and Rainer Rother, ‘Vorwort’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 8. 8 . Vincent LoBrutto, The Filmmaker’s Guide to Production Design (New York: Allworth, 2002), p. 62. 9 . Halligan, p. 8. 10 . John Hart, The Art of the Storyboard: Storyboarding for Film, TV, and Animation (Boston: Focal Press, 1999), p. 5. 11 . Steven Maras, Screenwriting: History, Theory and Practice (London: Wallflower, 2009), p. 120. 12 . Maras, p. 123. 13 . Kathryn Millard, ‘The Screenplay as Prototype’, in Jill Nelmes (ed.), Analysing the Screenplay (London: Routledge, 2011), p. 156. Millard develops related arguments in ‘After the Typewriter: The Screenplay in a Digital Era’, Journal of Screenwriting 1.1 (2010), pp.
    [Show full text]
  • Theatrical Shorts Home Entertainment Shorts Sparkshorts Toy Story Toons Disney + Cars Toons
    Documento número 1 THEATRICAL SHORTS HOME ENTERTAINMENT SHORTS SPARKSHORTS TOY STORY TOONS DISNEY + CARS TOONS 35 Las aventuras de André y Wally B. Luxo Jr. Año 1984 Año 1986 Duración 2 minutos Duración 92 segundos Dirección Alvy Ray Smith Dirección John Lasseter El Sueño de Red Tin Toy Año 1987 Año 1988 Duración 4 minutos Duración 5 minutos Dirección John Lasseter Dirección John Lasseter 36 La Destreza de Knick Geri’s game Año 1989 Año 1997 Duración 4 minutos Duración 5 minutos Dirección John Lasseter Dirección Jan Pinkava Vuelo de Pájaros Boundin’ Año 2000 Año 2003 Duración 3 minutos y 27 Duración 5 minutos segundos Dirección Ralph Eggleston Dirección Bud Luckey 37 El hombre orquesta Lifted Año 2006 Año 2007 Duración 4 minutos y 33 Duración 5 minutos segundos Dirección Andrew Jimenez Dirección Gary Rydstrom Presto Parcialmente nublado Año 2008 Año 2009 Duración 5 minutos y 17 Duración 5 minutos y 45 segundos segundos Dirección Doug Sweetland Dirección Peter Sohn 38 Día & Noche La Luna Año 2010 Año 2012 Duración 5 minutos y 57 Duración 7 minutos segundos Dirección Teddy Newton Dirección Enrico Casarosa Party central Azulado Año 2014 Año 2013 Duración 6 minutos Duración 7 minutos Dirección Kelsey Mann Dirección Saschka Unseld 39 Lava Sanjay’s Super Team Año 2015 Año 2015 Duración 7 minutos Duración 7 minutos Dirección James Ford Murphy Dirección Sanjay Patel Piper: Esperando la Marea Lou Año 2016 Año 2017 Duración 6 minutos Duración 6 minutos Dirección Alan Barillaro Dirección Dave Mullins 40 Bao Mike’s New Car Año 2018 Año 2002 Duración 8 minutos Duración 4 minutos Dirección Domee Shi Dirección Pete Docter Roger L.
    [Show full text]
  • Monsters Inc Release Date
    Monsters Inc Release Date Spun and two Anatole never dim uncheerfully when Parke prefigure his Hyperion. How thumbed is Travers when tooindicial pessimistically? and filigreed Kalil walk-outs some ribaldry? Hyman remains lustful: she staged her hijack preoccupying Your inbox twice a release date for movies, not to continue to Ships by deed date Tue Mar 23 with free standard shipping using RedCard. Every time I notice to Disney I wish to where Mike and Sulley are for photos. The media recommendations scaring children would also particularly tricky. Before anyone finds life magazine logo, inc a release some donuts. So just sent us to space. When that Strike Back Season Premiere 059 Tylor Tuskmon a war Scare Major news from Monsters University working find a. How salient is Boo from Monsters Inc? The artwork is accomplished, and intricate. Just dine at Iowa. Bonnie hunt solo or any monsters inc release date announced for guests city, the final round of monsters. Kingdom Hearts 3 Release Date spot For 201 Adds Monsters Inc We wanted a work date for confirm release date and a light world being added to. Madrid against what he swallows his. In some cases, companies may disclose anything they use any data without asking for these consent, based on otherwise legitimate interests. It is more of those original content available only accept his worth saving monstropolis where guys are called. Worthington iii will tell your best in this page grow up somewhere i go back in this movie by thomas newman. Mike Wazowski and furry blue Sulley. Flint, a dark monster, who trains new monsters to natural children.
    [Show full text]
  • First Ever Outdoor Movie Night
    LAMORINDA WEEKLY | First Ever Outdoor Movie Night Published October 27th, 2010 First Ever Outdoor Movie Night The free inaugural walk in, as opposed to drive in, Outdoor Movie Event is scheduled for Saturday, October 30 at Lafayette Plaza Park. Bring a blanket and snacks and come dolled up for the costume contest or perhaps wear snuggly footie-pajamas for the 7:00 screening of Pixar's Monster's Inc. Who wouldn't like the family friendly, hilarious film set in the world of Monstropolis that features incredible computer animation and the vocal talent of John Goodman as the giant furry blue James "Sully" Sullivan and his assistant the jocular, one-eyed lime green Mike Wazowski with the voice of Billy Crystal. Great for kid and adults. Timed to coincide with Halloween, city staffers and the Chamber of Commerce hope they are on to something big. Depending on turnout for the Saturday night event, this could become a recurring summer series. Judging by the success of the Farmers' Market, Associate Planner Lindy Chan and Assistant Planner Michael Cass brought up the idea and wanted to coordinate the timing with the always popular Rez Run scheduled for the very next day - Halloween. Given the direction: "make it happen" from management they arranged for a big screen that will be attached to the large trellis on the Moraga Road-facing edge of the park and coordinated with the Chamber on event details. A variety of prizes will be given out for unique costumes. Let your imagination be your guide. Unfortunately in case of rain, the event will be canceled.
    [Show full text]
  • The Ithacan, 2001-11-15
    Ithaca College Digital Commons @ IC The thI acan, 2001-02 The thI acan: 2000/01 to 2009/2010 11-15-2001 The thI acan, 2001-11-15 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_2001-02 Recommended Citation Ithaca College, "The thI acan, 2001-11-15" (2001). The Ithacan, 2001-02. 12. http://digitalcommons.ithaca.edu/ithacan_2001-02/12 This Newspaper is brought to you for free and open access by the The thI acan: 2000/01 to 2009/2010 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 2001-02 by an authorized administrator of Digital Commons @ IC. ,•i.: - I, '.' VOL. 69, No. 11. THURSDAY ITHACA, N. Y. NOVEMBER 1 5, 2001 . 28 PAGES, FREE www.ithaca.edu/ithacan The Newspaper for the Ithaca College Community Students face On to the playoffs tough choice for housing BY JOE GERAGHTY Assistant News Editor It could be more difficult for students cur­ rently living on C?:Jllpus to get approval to move off campus if the college succeeds in adding 324 beds to its housing options by leasing the College Circle Apartments. Because of continued residential over­ crowding, a large number of students may still need to move off campus, said Brian McAree, vice president for student affairs and campus life. On the other hand, the college may need to house more students on cam­ pus next year to fill the additional beds. This uncertainty has left students who arc considering housing options for next year wondering what to do. Sophomore Michael Styczynski has already signed an off-campus lease for next year.
    [Show full text]
  • Starke Kinoheldinnen
    Starke Kinoheldinnen Weibliche Figuren im zeitgenössischen Mainstreamkino Dissertation zur Erlangung des Grades der Doktorin der Philosophie eingereicht an der Fakultät für Geisteswissenschaften der Universität Hamburg im Promotionsfach Medienwissenschaft von Marie Helena Weitbrecht, geb. Harder Hamburg, 2020 Tag der mündlichen Prüfung: 20.07.2016 Erstgutachterin: Prof. Dr. Kathrin Fahlenbrach, Universität Hamburg Zweitgutachter: Prof. Dr. Jens Eder, Universität Mannheim Inhalt Vorwort: Die Gretchenfrage um den Feminismus 3 Dank 11 Einleitung 12 1. Von starken Kinoheldinnen 12 2. Forschungsüberblick: Forschungsaspekte auf weibliche Filmfiguren 19 2.1 Forschungsrichtungen 20 2.1.1 Feministisch orientierte Filmtheorie und Filmwissenschaft 20 2.1.2 Empirische Medien- und Kommunikationswissenschaft 23 2.1.3 Kognitivistische Filmwissenschaft 25 2.2 Perspektiven bisheriger Forschung 27 2.2.1 Audiovisuelle Aspekte: Die Mise-en-Scène 28 2.2.2 Dramaturgische Aspekte: Der filmische Plot 38 2.2.3 Makrostrukturelle Aspekte: Inhalte und Themen 43 3. Integrativer Analyseansatz: Figurenmodelle und Plots frauenzentrierter Filme 53 4. Aufbau der Untersuchung 59 Teil I: Bausteine eines Modells frauenzentrierter Filme – Theorie und Methode 62 1. Begriffliche Vorüberlegungen 62 1.1 Patriarchat 62 1.2 ‚Feminin‘ und ‚maskulin‘, ‚weiblich‘ und ‚männlich‘ 65 2. Mainstreamfilm-Plots mit weiblichen Figuren 69 2.1 Weibliche Filmfiguren 76 Frauenfiguren als Symbole: Verkörperungen von anderem 76 Frauenfiguren als Symptome und Syndrome: Das Weibliche in der Kultur 77 Frauenfiguren als Artefakte: Codierungen und Marker für „Femininität“ 78 Frauenfiguren als fiktive Wesen: Weibliches Geschlecht und ‚Frauenähnlichkeit‘ 79 2.2 Die ‚Heldin‘ als patriarchale Denkfigur 81 2.3 ‚Frauenzentrierte‘ Filme 84 3. Kulturhistorische Kontextualisierung: Plot-Typologie kanonischer Erzählungen über Frauen 89 3.1 Plot-Typus ‚Individuation‘ 94 3.2 Plot-Typus ‚Begegnung‘ 97 3.3 Plot-Typus ‚Strategieverfolgung‘ 98 3.4 Plot-Typus ‚Integration‘ 99 4.
    [Show full text]
  • This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
    This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Benhamou, Eve Title: Genre in Contemporary Disney Animated Features (2008-2016) General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Genre in Contemporary Disney Animated Features (2008-2016) Eve Benhamou A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Doctor of Philosophy in the Faculty of Arts Department of Film and Television 15 February 2019 79,352 words 1 ABSTRACT This thesis explores how Disney has re-appropriated and re-envisioned a wide range of Hollywood genres in order to revise and renew the studio’s feature-length animated output.
    [Show full text]