Why Do We Seem Alone?
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Warhoon 16 Lu P P H O O P
WARHOON 16 LU P P H O O P ■ Warhoon, the quarterly of imaginative procrastination, is edited and published by Richard Bergeron at 110 Bank Street, New York City 1<+, New York. This is issue number 16, dated July 1962. It is produced with the expectation of being circulated in the 60th wailing of the Spectator Amateur Press Society and is available to contributors, writers of letters, in trade for your publi cation, or for 20^ per copy or 5 issues for $1. All material is written by the editor, unless otherwise credited, and represents his opinions and view points. Material that is credited expresses the opinions of the author. All letters will be considered for publication unless otherwise specified. CONTENTS The Harp That Once Or Twice........................ 9 The Fifth Column.................... u19 Accidentals and Nomics................................. 13 Mail Warp...................................................... 2^ The View From Down Under.............................16 Dissonant Discourse................................ *’t6 If I were president of the United States and the Communists had been as loudly demanding (as some fans have) that this magazine adopt a contents page, the above bit of appeasement would have surely cost me the next election. That may be an awkwardly realized sentence but it serves its purpose: if I'm to be forced into 'a position where I can be called Soft On Critics, people like Boggs, Lupoff, Baxter, Calkins and Donaho might as well be investigated on just as thin evidence. As you can see, how ever, criticism of this magazine is not entirely in vain -Individual barbs may lodge in an apparently impassive facade, but when enough of them collect something is some times done about it. -
Doctor Who: Frayed
FRAYED Tara Samms First published in England in 2003 by Telos Publishing Ltd 61 Elgar Avenue, Tolworth, Surrey KT5 9JP, England www.telos.co.uk ISBN: 1-903889-22-7 (standard hardback) Frayed © 2003 Tara Samms Foreword © 2003 Stephen Laws Icon © 2003 Nathan Skreslet ISBN: 1-903889-23-5 (deluxe hardback) Frayed © 2003 Tara Samms Foreword © 2003 Stephen Laws Frontispiece © 2003 Chris Moore Icon © 2003 Nathan Skreslet The moral rights of the author have been asserted 'DOCTOR WHO' word mark, device mark and logo are trade marks of the British Broadcasting Corporation and are used under licence from BBC Worldwide Limited. Doctor Who logo © BBC 1996. Certain character names and characters within this book appeared in the BBC television series 'DOCTOR WHO'. Licensed by BBC Worldwide Limited Font design by Comicraft. Copyright © 1998 Active Images/Comicraft 430 Colorado Avenue # 302, Santa Monica, Ca 90401 Fax (001) 310 451 9761/Tel (001) 310 458 9094 w: www.comicbookfonts.com e: [email protected] Typeset by TTA Press, 5 Martins Lane, Witcham, Ely, Cambs CB6 2LB, England w: www.ttapress.com e: [email protected] Printed in England by Antony Rowe Ltd, Bumper's Farm Industrial Estate, Chippenham, Wilts SN14 6LH 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 British Library Cataloguing in Publication Data. A catalogued record for this book is available from the British Library. This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher's prior written consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Doctor Who Month Late! by Staff Writers
The Wall of Lies Number 118 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA SStaTATE STATE Adelaide, May--June 2009 WEATHER: Swine flu Free Chimp bites, sues for $50m by staff writers Travis the chimp bit Charla who should have known better. The family of the woman bitten by Travis the chimp on February 16 have brought a lawsuit for US$50 million against the owner. Charla Nash was placed in a medically induced coma after the ferocious attack while helping friend Sandra Herold corral the animal. Nash was left with horrific injuries to her head and hands, indicating the ape suspected the hands were up to no good. Herold, who was widowed in 2004, appears to have taken the chimp as a surrogate partner; bathing and cuddling in bed after an exotic meal and wine in long stemmed glasses. The moral of the story: if a strange woman asks O you to get into her car, offers you sweets or wants ut t N No you to take on her 90 Kilogram ape in bare handed ow combat, tell her “No.”. ! A stupid animal and (right) Travis the Chimp. Doctor Who month late! by staff writers Is the one month turnaround the best possible world? The one month delay before Australian transmissions of Doctor Who: The Chameleon Factor # 80 Next Doctor and Planet of the Dead appears to be the Australian O Broadcasting Corporation’s current limit. Senior management have pointed u N t No towards rights issues being the only factor which keeps even this interval ow ! between UK and Australian broadcasts. -
The Scientific Legacy of Fred Hoyle Edited by Douglas Gough Frontmatter More Information
Cambridge University Press 0521824486 - The Scientific Legacy of Fred Hoyle Edited by Douglas Gough Frontmatter More information The Scientific Legacy of Fred Hoyle Fred Hoyle was a remarkable scientist, and made an immense contribution to solving many important problems in astronomy. Several of his obituaries commented that he had made more influence on the course of astrophysics and cosmology in the second half of the twentieth century than any other person. This book is based on a meeting that was held in recognition of his work, and contains chapters by many of Hoyle’s scientific collaborators. Each chapter reviews an aspect of Fred Hoyle’s work; many of the subjects he tackled are still areas of hot debate and active research. The chapters are not confined to the discoveries of Hoyle’s own time, but also discuss up-to-date research that has grown out of his pioneering work, particularly on the interstellar medium and star formation, the structure of stars, nucleosynthesis, gravitational dynamics, and cosmology. This wide-ranging overview will be valuable to established researchers in astrophysics and cosmology, and also to professional historians of science. Douglas Gough is the Professor of Theoretical Astrophysics, and Director of the Institute of Astronomy, at the University of Cambridge. He is an honorary professor at the University of London, an adjunct fellow at the University of Colorado, and a visiting professor of physics at Stanford University. His main research interest is the internal dynamics of stars. © Cambridge University -
Revue Française De Civilisation Britannique, XXVI-1 | 2021 BBC Drama and the Politics of Production 1955-66 2
Revue Française de Civilisation Britannique French Journal of British Studies XXVI-1 | 2021 The BBC and Public Service Broadcasting in the Twentieth Century BBC Drama and the Politics of Production 1955-66 Les Fictions à la BBC et la politique de la production (1955-1966) Joy Leman Electronic version URL: http://journals.openedition.org/rfcb/7642 DOI: 10.4000/rfcb.7642 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Electronic reference Joy Leman, “BBC Drama and the Politics of Production 1955-66 ”, Revue Française de Civilisation Britannique [Online], XXVI-1 | 2021, Online since 05 December 2020, connection on 05 January 2021. URL: http://journals.openedition.org/rfcb/7642 ; DOI: https://doi.org/10.4000/rfcb.7642 This text was automatically generated on 5 January 2021. Revue française de civilisation britannique est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. BBC Drama and the Politics of Production 1955-66 1 BBC Drama and the Politics of Production 1955-66 Les Fictions à la BBC et la politique de la production (1955-1966) Joy Leman Introduction 1 The British Broadcasting Corporation’s name suggests an institution encompassing a national entitlement, for every citizen. However, history shows an uneven development in terms of representation of certain groups, both inside and outside the organisation, a development linked also to changes in society. In this article I shall look at the BBC during the growth period of the 1950s and 1960s, focussing on interlinked issues of class and gender in employment, production processes, and representation. -
The Milky Way: Science and Fiction Many Inventions, from Buck Rogers’ Backpack Rocket to Robots, Lasers, and Computers, Have First M
The Milky Way: Science and Fiction Many inventions, from Buck Rogers’ Backpack rocket to robots, lasers, and computers, have first M. Moreno been described in SF stories. But the literature owes Department of Physics and Nuclear Engineering an equal debt to science, from which it drew not only Polytechnic University of Catalonia inspiration but many of its ideas. James Gunn, The Science in Science Fiction (2005)[1] [email protected] Abstract In this work certain concepts of the relationship, not very flowing, between the Milky Way and modern science fiction are analyzed. We focus on the scientific goals of GAIA mission: the structure and components of our Galaxy (My Stepmother is an Alien; Starship Troopers; Independence Day; The Hitchhiker’s Guide to the Galaxy); the galaxy stellar component (The Black Hole); exoplanets (Interstellar; Les mondes d’Aldébaran; Valérian); Andromeda galaxy (Tumannost’ Andromedy) and others. Introduction In 2001, ESA presented a study entitled Innovative Technologies from Science-Fiction (SF) for Space Applications [2]. The main objectives were to review the genre of SF (literature, artwork and films) "in order to identify and assess innovative technologies and concepts described therein which could possibly be developed further for space applications." SF are full of descriptions of space technologies and physical and astronomical concepts. Usually, authors describes space concepts based on the scientific knowledge available at the time. Often are pure imagination, sometimes based on some semblance of fact. Misconceptions and mistakes are also unfortunately habitual [3][4]. Following the original idea of ESA's study, we focus on aspects related with our Galaxy not considered there. -
Australian SF News 39
DON TUCK WINS HUGO Tasmanian fan and bibliophile, DONALD H.TUCK, has won a further award for his work in the science fiction and fantasy reference field, with his ENCYCLOPEDIA OF SCIENCE FICTION AND 'FANTASY Volume III, which won the Non-Fiction Hugo Award at the World SF Convention, LA-CON, held August 30th to September 3rd. Don was previously presented with a Committee Award by the '62 World SF Co, Chicon III; for his work on THE HANDBOOK OF SCIENCE FICTION AND FANTASY, which grew into the three volume encyclopedia published by Advent : Publishers Inc. in Chicago, Illinois,U.S.A. Winning the Hugo Award, the first one presented to an Australian fan or professional, is a fitting reward for the tremendous amount of time and effort Don has put into his very valuable reference work. ( A profile of Don appears on page 12.) 8365 People Attend David Brin's STARTIDE RISING wins DONALD H.TUCK C. D.H.Tuck '84 Hugo Best Novel Award L.A.CON, the 42nd World SF Convention, was the largest World SF Con held so far. The Anaheim Convention Centre in Anaheim California, near Hollywood, was the centre of the activities which apparently took over where the Olympic Games left off. 9282 people joined the convention with 8365 actually attending. 2542 people joined at the door, despite the memberships costs of $35 a day and $75 for the full con. Atlanta won the bld to hold the 1986 World SF Convention, on the first ballot, with 789 out of the total of valid votes cast of 1368. -
Public Understanding of Science
Public Understanding of Science http://pus.sagepub.com/ Whatever happened to the 'mad, bad' scientist? Overturning the stereotype Roslynn D Haynes Public Understanding of Science published online 10 June 2014 DOI: 10.1177/0963662514535689 The online version of this article can be found at: http://pus.sagepub.com/content/early/2014/05/30/0963662514535689 Published by: http://www.sagepublications.com Additional services and information for Public Understanding of Science can be found at: Email Alerts: http://pus.sagepub.com/cgi/alerts Subscriptions: http://pus.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://pus.sagepub.com/content/early/2014/05/30/0963662514535689.refs.html >> OnlineFirst Version of Record - Jun 10, 2014 What is This? Downloaded from pus.sagepub.com at Staats-Und Universitaets Bibliothek Bremen on September 12, 2014 PUS0010.1177/0963662514535689Public Understanding of ScienceHaynes 535689research-article2014 P U S Article Public Understanding of Science 1 –14 Whatever happened to the ‘mad, © The Author(s) 2014 Reprints and permissions: bad’ scientist? Overturning the sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/0963662514535689 stereotype pus.sagepub.com Roslynn D Haynes University of New South Wales, Australia; University of Tasmania, Australia Abstract The cluster of myths relating to the pursuit of knowledge has perpetuated the archetype of the alchemist/ scientist as sinister, dangerous, possibly mad and threatening to society’s values. Shelley’s Frankenstein provided imagery and a vocabulary universally invoked in relation to scientific discoveries and technological innovation. The reasons for the longevity of this seemingly antiquated, semiotic imagery are discussed. -
Ossians Ride, October the First Is Too Late, Fifth Planet PDF Book Download Image
THREE CLASSIC NOVELS: OSSIANS RIDE, OCTOBER THE FIRST IS TOO LATE, FIFTH PLANET PDF, EPUB, EBOOK Sir Fred Hoyle | 656 pages | 12 May 2016 | Orion Publishing Co | 9781473210950 | English | London, United Kingdom Three Classic Novels: Ossians Ride, October the First is Too Late, Fifth Planet PDF Book Download Image. Sir Fred Hoyle Sir Fred Hoyle was a famous English astronomer noted primarily for the theory of stellar nucleosynthesis and his often controversial stances on other scientific matters-in particular his rejection of the "Big Bang" theory, a term coined by him on BBC radio. Not sure why, but this struck me as an interesting statement, and having a lot more truth to it than people may or may not realize. The latest adventure for Erimem takes her to Russia twice, at the dawn and at the end of the Revolution. An SF Gateway eBook: bringing the classics to the future. Is some sort of "higher power" behind it? About this product Product Information In addition to being the man who coined the term 'the Big Bang', world-rewned astromer Sir Fred Hoyle also produced a fine body of science fiction. Soft Cover. Fred Hoyle. July The pianist, the jumble of historical eras, references to WW1, and the debates. Two days later, while bathing in a mountain stream, Richard noticed that a strawberry birthmark was missing from Sinclair's back. Luckily for him, Hoyle never quit the day job. Richard, a moderately successful composer, and his old university pal John Sinclair, a physicist, go for a camping holiday in the Scottish Highlands during which John inexplicably vanishes for thirteen hours, returning both mystified and very subtly altered. -
SFRA Newsletter
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 3-1-2007 SFRA ewN sletter 279 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 279 " (2007). Digital Collection - Science Fiction & Fantasy Publications. Paper 94. http://scholarcommons.usf.edu/scifistud_pub/94 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #1T. Jan/Feb/"ar~h100T • Editor: Chrisiine Mains l1anaging Editor: Janice M. Bossiad Nonfiction Reriews: Ed McKnishi Science Fiction Research Fiction Reriews: Association Ed Carmien SFIUI Rerie"" The SFRAReview (ISSN 1068-395X) is published four times a year by the Science Fiction Research As III THIS ISSUE: sociation (SFRA) and distributed to SFRA members. Individual issues are not for sale; however. starting with issue SFRA Business #256. all issues will be published to SFRA's website no less than 10 weeks Editor's Message 2 after paper publication. For information President's Message 2 about the SFRA and its benefits. see the Minutes of Exec Board 3 description at the back of this issue. For a membership application. contact SFRA Treasurer Donald M. Hassler or get one from the SFRA website: <www.sfra.org>. Non Fiction Reviews SFRA would like to thank the Univer sity of Wisconsin-Eau Claire for its as Allen Constructions g sistance in producing the SFRAReview. -
Introduction
1 Introduction Creative and interpretive work demands concentration … The effort is apparent when experienced actors are watched in rehearsal. Often the labour is a contradiction of the effortlessness that is eventually shown to the audience in performance. Indeed, at times, the rehearsal process may seem to be by far the most interesting part of the work. (Barry 1992 : 42) Prior to the shooting period you don’t get to meet the actors to rehearse anything … Those few minutes before a take, that’s all the time we have to quickly discover the moments we want to get out of the scene, work it through and let the crew see where we’re at. Then, if we’re lucky … the director and actors will get maybe ten or maybe 15 minutes to hone it down and cover any other points. (Harper 2007 : 46) The comments above represent extreme contrasts in approach to British television acting, from opposite ends of a fi fty- year spec- trum. Michael Barry, the fi rst person to head the BBC’s screen drama output, 1 describes the rigorous rehearsal process endemic to the world of live broadcasting; a template that survived, in one form or another, decades after pre- recording had become the norm. Director Graeme Harper’s latter- day production diary, however, illustrates the rapidity with which television performances were evolved in the mid- 2000s, by which time the rehearsal process had 2 been condensed to little more than a brief discussion before fi lm- ing commenced. Until recently, little work had been conducted on television acting per se, let alone the various coalescing factors that under- pin and help shape it. -
Public Service Broadcasting:Annual Report 2007 (PDF, 1.1
Public Service Broadcasting: Annual Report 2007 Research report Published: 22 March 2007 Public Service Broadcasting: Annual Report 2007 Contents Executive Summary..............................................................................................................................1 Introduction .........................................................................................................................................10 Structure of the report ...........................................................................................................................10 The PSB context ...................................................................................................................................11 Research methodologies ......................................................................................................................14 Programme genre definitions................................................................................................................16 1 Overview of the UK television market.......................................................................................18 Key themes ...........................................................................................................................................18 1.1 UK television industry revenues..................................................................................................19 1.2 Platform availability .....................................................................................................................22