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Gender and Consent in Supernatural Fanfiction's Alpha/Beta/Omega
i Just Go Find Yourself a Nice Alpha: Gender and Consent in Supernatural Fanfiction’s Alpha/Beta/Omega Universe by Tessa Barone A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Arts in English (Honors Scholar) Honors Baccalaureate of Arts in History (Honors Scholar) Presented May 28, 2019 Commencement June 2019 ii iii AN ABSTRACT OF THE THESIS OF Tessa Barone for the degree of Honors Baccalaureate of Arts in English and Honors Baccalaureate Arts in History presented on May 28, 2019. Title: Just Go Find Yourself a Nice Alpha: Gender and Consent in Supernatural Fanfiction’s Alpha/Beta/Omega Universe. Abstract approved:_____________________________________________________ Rebecca Olson Shows, books, and media are constantly negotiating power with their fans. Who decides what is canon? To whom does the story belong?? The answer has traditionally been in favor of producers. However, in the age of the internet, fans now hold considerably more power than they ever have before, and some shows, like the CW’s Supernatural, respond by participating in “fanservice.” Many fans of this show strongly support slash and incest pairings, and by allowing such interpretations to be acknowledged in the narrative Supernatural makes increasingly transgressive readings available to the audience. The trope known as “Alpha/Beta/Omega Dynamics” is extremely popular, borderline pornographic, and virtually eradicates women from the narrative—instead depicting a relationship between men that is highly heterosexual in dynamic. This trope deconstructs the gender binary by assigning gender roles based on behavior, rather than biology, and appeals to an animal code of ethics in order to indulge in problematic, sexist, and abusive sexual situations. -
The Reading Habits and Preferences of LGBTIQ+ Youth Rachel S
St. Cloud State University theRepository at St. Cloud State Library Faculty Publications Library Services 2019 The Reading Habits and Preferences of LGBTIQ+ Youth Rachel S. Wexelbaum Saint Cloud State University, [email protected] Follow this and additional works at: https://repository.stcloudstate.edu/lrs_facpubs Part of the Library and Information Science Commons Recommended Citation Wexelbaum, Rachel S., "The Reading Habits and Preferences of LGBTIQ+ Youth" (2019). Library Faculty Publications. 62. https://repository.stcloudstate.edu/lrs_facpubs/62 This Article is brought to you for free and open access by the Library Services at theRepository at St. Cloud State. It has been accepted for inclusion in Library Faculty Publications by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. The Reading Habits and Preferences of LGBTIQ+ Youth Rachel Wexelbaum, St. Cloud State University, USA Abstract The author of this article presents the available findings on the reading habits and preferences of LGBTIQ+ youth. She will discuss the information seeking behavior of LGBTIQ+ youth and challenges that these youth face in locating LGBTIQ+ reading materials, whether in traditional book format or via social media. Finally, the author will provide recommendations to librarians on how to make LGBTIQ+ library resources more relevant for youth, as well as identify areas that require more research. Keywords: LGBT; LGBT library resources and services; reading; social -
Warhoon 16 Lu P P H O O P
WARHOON 16 LU P P H O O P ■ Warhoon, the quarterly of imaginative procrastination, is edited and published by Richard Bergeron at 110 Bank Street, New York City 1<+, New York. This is issue number 16, dated July 1962. It is produced with the expectation of being circulated in the 60th wailing of the Spectator Amateur Press Society and is available to contributors, writers of letters, in trade for your publi cation, or for 20^ per copy or 5 issues for $1. All material is written by the editor, unless otherwise credited, and represents his opinions and view points. Material that is credited expresses the opinions of the author. All letters will be considered for publication unless otherwise specified. CONTENTS The Harp That Once Or Twice........................ 9 The Fifth Column.................... u19 Accidentals and Nomics................................. 13 Mail Warp...................................................... 2^ The View From Down Under.............................16 Dissonant Discourse................................ *’t6 If I were president of the United States and the Communists had been as loudly demanding (as some fans have) that this magazine adopt a contents page, the above bit of appeasement would have surely cost me the next election. That may be an awkwardly realized sentence but it serves its purpose: if I'm to be forced into 'a position where I can be called Soft On Critics, people like Boggs, Lupoff, Baxter, Calkins and Donaho might as well be investigated on just as thin evidence. As you can see, how ever, criticism of this magazine is not entirely in vain -Individual barbs may lodge in an apparently impassive facade, but when enough of them collect something is some times done about it. -
Doctor Who: Frayed
FRAYED Tara Samms First published in England in 2003 by Telos Publishing Ltd 61 Elgar Avenue, Tolworth, Surrey KT5 9JP, England www.telos.co.uk ISBN: 1-903889-22-7 (standard hardback) Frayed © 2003 Tara Samms Foreword © 2003 Stephen Laws Icon © 2003 Nathan Skreslet ISBN: 1-903889-23-5 (deluxe hardback) Frayed © 2003 Tara Samms Foreword © 2003 Stephen Laws Frontispiece © 2003 Chris Moore Icon © 2003 Nathan Skreslet The moral rights of the author have been asserted 'DOCTOR WHO' word mark, device mark and logo are trade marks of the British Broadcasting Corporation and are used under licence from BBC Worldwide Limited. Doctor Who logo © BBC 1996. Certain character names and characters within this book appeared in the BBC television series 'DOCTOR WHO'. Licensed by BBC Worldwide Limited Font design by Comicraft. Copyright © 1998 Active Images/Comicraft 430 Colorado Avenue # 302, Santa Monica, Ca 90401 Fax (001) 310 451 9761/Tel (001) 310 458 9094 w: www.comicbookfonts.com e: [email protected] Typeset by TTA Press, 5 Martins Lane, Witcham, Ely, Cambs CB6 2LB, England w: www.ttapress.com e: [email protected] Printed in England by Antony Rowe Ltd, Bumper's Farm Industrial Estate, Chippenham, Wilts SN14 6LH 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 British Library Cataloguing in Publication Data. A catalogued record for this book is available from the British Library. This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher's prior written consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
TWO CASES of CHINESE INTERNET STUDIES a Thesis
TWO CASES OF CHINESE INTERNET STUDIES A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Yuan Liang August 2019 © 2019 Yuan Liang ABSTRACT This thesis consists of two parts. Chapter 1 concentrates on one genre of Chinese online literature and its relationship with gender and sexuality. It aims at exploring the diversity of Chinese danmei fiction and relating it to the gendered self- identifications of young and educated women in contemporary China. It argues that while danmei fiction in China creates a channel of gender and sexual expressions, it also reflects the difficulties and contradictions that women encounter and experience when they try to place themselves into the current social and economic structure. Chapter 2 studies Chris Marker’s documentary Sunday in Peking and its reception in contemporary China. It closely examines the internet reviews on a Chinese website from the perspectives of idealization and exoticization, and contends that both the filmmaker and his Chinese audiences are under the influences of stereotypes that their society, culture or ideology impose on them. BIOGRAPHICAL SKETCH Yuan Liang was born and raised in Chengdu, China. She started her undergraduate studies at Beijing Normal University in 2013 and earned her bachelor’s degree in Chinese Language and Literature in 2017. In the same year, she joined the M.A. program in Asian Studies at Cornell University. She is expected to receive her master’s degree in August 2019. After graduation, she will become a Ph.D. -
Fiuther Indicates That Considerations of Science Fiction That Conceive It As a Col
Homophile Fictions Fan Writing, Science Fiction, and the Birth of Gay Communities in Post-war America Chris West Science fiction is a natural, in a way, for any kind of radical thought. Because it is about things that have not happened and do not happen. It's very fruitful if you want to pres- ent the concerns of any marginal group, because you are doing it in a world where things are different. I was talking to an ex-Mormon, and she said it was science fiction that had gotten her out of the ethos she had been born into, and she said it was not the characters but the landscapes, which of course was the pi2ce de rksistance in the '30s or in the '40s - those landscapes made her understand that things could be dzfferent. In many social encounters and in many discussions, I've had a terrible time because the one thing my opponents do not have is the sense that things could be different . .. Joanna Russ l It is often asserted - more or less emphatically, with a greater or lesser degree of irritation, and despite or more probably because of the persistence of both popular and elite perceptions to the contrary - that science fiction is a serious business. Frequently science fiction's proponents find themselves explaining that, in spite of the gaudy dust-jackets with their scantily-clad maidens, and in spite of the boy's-own obsession with techno-trickery and techno-babble, sci- ence fiction is in fact a type of cultural production that engages serious politi- cal questions: overpopulation, the threat of nuclear war, genetic engineering, the moral and ethical dilemmas posed by cloning, the possibilities inherent in alternative socio-economic and socio-cultural arrangements, and so on. -
Taylor Boulware a Dissertation Submitted in Partial Fulfillment of The
Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake Taylor Boulware A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Thomas Foster, Chair Anis Bawarshi Katherine Cummings Program Authorized to Offer Degree: Department of English Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake by Taylor Boulware The University of Washington, 2017 Under the Supervision of Professor Dr. Thomas Foster ABSTRACT This dissertation examines contemporary television slash fandom, in which fans write and circulate creative texts that dramatize non-canonical queer relationships between canonically heterosexual male characters. These texts contribute to the creation of global networks of affective and social relations, critique the specific corporate media texts from which they emerge, and undermine homophobic ideologies that prevent authentic queer representation in mainstream media. Intervening in dominant scholarly and popular arguments about slash fans, I maintain a rigorous distinction between the act of reading homoerotic subtexts in TV shows and writing fiction that makes that homoeroticism explicit, in every sense of the word.This emphasis on writing and the circulation of responsive, recursive texts can best be understood, I argue, through the framework of Rhetorical Genre Studies, which theorizes genres and the ways in which they are deployed, modified, and circulated as ideological and social action. I nuance the RGS concept of uptake, which names the generic dimensions of utterance and response, and define my concept of queer uptake, in which writers respond to a text in ways that refuse its generic boundaries and status, motivated by an ideological resistance to both genre and sexual normativity. -
Doctor Who Month Late! by Staff Writers
The Wall of Lies Number 118 Newsletter established 1991, club formed June first 1980 The newsletter of the South Australian Doctor Who Fan Club Inc., also known as SFSA SStaTATE STATE Adelaide, May--June 2009 WEATHER: Swine flu Free Chimp bites, sues for $50m by staff writers Travis the chimp bit Charla who should have known better. The family of the woman bitten by Travis the chimp on February 16 have brought a lawsuit for US$50 million against the owner. Charla Nash was placed in a medically induced coma after the ferocious attack while helping friend Sandra Herold corral the animal. Nash was left with horrific injuries to her head and hands, indicating the ape suspected the hands were up to no good. Herold, who was widowed in 2004, appears to have taken the chimp as a surrogate partner; bathing and cuddling in bed after an exotic meal and wine in long stemmed glasses. The moral of the story: if a strange woman asks O you to get into her car, offers you sweets or wants ut t N No you to take on her 90 Kilogram ape in bare handed ow combat, tell her “No.”. ! A stupid animal and (right) Travis the Chimp. Doctor Who month late! by staff writers Is the one month turnaround the best possible world? The one month delay before Australian transmissions of Doctor Who: The Chameleon Factor # 80 Next Doctor and Planet of the Dead appears to be the Australian O Broadcasting Corporation’s current limit. Senior management have pointed u N t No towards rights issues being the only factor which keeps even this interval ow ! between UK and Australian broadcasts. -
Logging Into Horror's Closet
Logging into Horror’s Closet: Gay Fans, the Horror Film and Online Culture Adam Christopher Scales Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies September 2015 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Harry Benshoff has boldly proclaimed that ‘horror stories and monster movies, perhaps more than any other genre, actively invoke queer readings’ (1997, p. 6). For Benshoff, gay audiences have forged cultural identifications with the counter-hegemonic figure of the ‘monster queer’ who disrupts the heterosexual status quo. However, beyond identification with the monstrous outsider, there is at present little understanding of the interpretations that gay fans mobilise around different forms and features of horror and the cultural connections they establish with other horror fans online. In addressing this gap, this thesis employs a multi-sited netnographic method to study gay horror fandom. This holistic approach seeks to investigate spaces created by and for gay horror fans, in addition to their presence on a mainstream horror site and a gay online forum. In doing so, this study argues that gay fans forge deep emotional connections with horror that links particular textual features to the construction and articulation of their sexual and fannish identities. In developing the concept of ‘emotional capital’ that establishes intersubjective recognition between gay fans, this thesis argues that this capital is destabilised in much larger spaces of fandom where gay fans perform the successful ‘doing of being’ a horror fan (Hills, 2005). -
The Scientific Legacy of Fred Hoyle Edited by Douglas Gough Frontmatter More Information
Cambridge University Press 0521824486 - The Scientific Legacy of Fred Hoyle Edited by Douglas Gough Frontmatter More information The Scientific Legacy of Fred Hoyle Fred Hoyle was a remarkable scientist, and made an immense contribution to solving many important problems in astronomy. Several of his obituaries commented that he had made more influence on the course of astrophysics and cosmology in the second half of the twentieth century than any other person. This book is based on a meeting that was held in recognition of his work, and contains chapters by many of Hoyle’s scientific collaborators. Each chapter reviews an aspect of Fred Hoyle’s work; many of the subjects he tackled are still areas of hot debate and active research. The chapters are not confined to the discoveries of Hoyle’s own time, but also discuss up-to-date research that has grown out of his pioneering work, particularly on the interstellar medium and star formation, the structure of stars, nucleosynthesis, gravitational dynamics, and cosmology. This wide-ranging overview will be valuable to established researchers in astrophysics and cosmology, and also to professional historians of science. Douglas Gough is the Professor of Theoretical Astrophysics, and Director of the Institute of Astronomy, at the University of Cambridge. He is an honorary professor at the University of London, an adjunct fellow at the University of Colorado, and a visiting professor of physics at Stanford University. His main research interest is the internal dynamics of stars. © Cambridge University -
The Trans* in Transformative Works: Non-Dichotomous Gender in Fan Fiction
Tel Aviv University Department of English and American Studies The Trans* in Transformative Works: Non-Dichotomous Gender in Fan fiction Fictions of Masculinity Dr. Milette Shamir Student's name: Leetal D. S. Weinbaum June, 2014 The most iconic question in research regarding slash fan fiction is "Why do healthy, normative, heterosexual women find pleasure in stories about sexual relationships between men?" In this paper I reexamine parts of the question itself, and suggest that the characters are not necessarily men, and the writers are not necessarily women. Perhaps, in some cases, characters and authors share a gender, rather than just gender-related experiences, as previous research suggested. Articles researching fan fiction rarely deal with gender, beyond feminist. The few that do, leave out transgender issues and readings. In this paper, I will explore aspects of transgenderism, gender subversion and non-dichotomous gender in the field of fan fiction, and in a character beloved by fan fiction writes, Dean Winchester from the original text, American television show Supernatural. I will suggest that replies for the most common question in research of the field, 'why would heterosexual women be interested in stories about gay men?' (Kustritz; Keft- Kennedy ) , disregard complexities of gender. This results in research ignoring gender identities and desires of some fans, as well as interpreting the genders of characters favored in the field in a reductive way, which leaves existing research unaware of an important aspect of the field, as well as a range of replies to the question. Fan fiction is a form of transformative work, a creation that takes elements such as characters or world building from an existing text. -
Revue Française De Civilisation Britannique, XXVI-1 | 2021 BBC Drama and the Politics of Production 1955-66 2
Revue Française de Civilisation Britannique French Journal of British Studies XXVI-1 | 2021 The BBC and Public Service Broadcasting in the Twentieth Century BBC Drama and the Politics of Production 1955-66 Les Fictions à la BBC et la politique de la production (1955-1966) Joy Leman Electronic version URL: http://journals.openedition.org/rfcb/7642 DOI: 10.4000/rfcb.7642 ISSN: 2429-4373 Publisher CRECIB - Centre de recherche et d'études en civilisation britannique Electronic reference Joy Leman, “BBC Drama and the Politics of Production 1955-66 ”, Revue Française de Civilisation Britannique [Online], XXVI-1 | 2021, Online since 05 December 2020, connection on 05 January 2021. URL: http://journals.openedition.org/rfcb/7642 ; DOI: https://doi.org/10.4000/rfcb.7642 This text was automatically generated on 5 January 2021. Revue française de civilisation britannique est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. BBC Drama and the Politics of Production 1955-66 1 BBC Drama and the Politics of Production 1955-66 Les Fictions à la BBC et la politique de la production (1955-1966) Joy Leman Introduction 1 The British Broadcasting Corporation’s name suggests an institution encompassing a national entitlement, for every citizen. However, history shows an uneven development in terms of representation of certain groups, both inside and outside the organisation, a development linked also to changes in society. In this article I shall look at the BBC during the growth period of the 1950s and 1960s, focussing on interlinked issues of class and gender in employment, production processes, and representation.