The Trans* in Transformative Works: Non-Dichotomous Gender in Fan Fiction
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Gender and Consent in Supernatural Fanfiction's Alpha/Beta/Omega
i Just Go Find Yourself a Nice Alpha: Gender and Consent in Supernatural Fanfiction’s Alpha/Beta/Omega Universe by Tessa Barone A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Arts in English (Honors Scholar) Honors Baccalaureate of Arts in History (Honors Scholar) Presented May 28, 2019 Commencement June 2019 ii iii AN ABSTRACT OF THE THESIS OF Tessa Barone for the degree of Honors Baccalaureate of Arts in English and Honors Baccalaureate Arts in History presented on May 28, 2019. Title: Just Go Find Yourself a Nice Alpha: Gender and Consent in Supernatural Fanfiction’s Alpha/Beta/Omega Universe. Abstract approved:_____________________________________________________ Rebecca Olson Shows, books, and media are constantly negotiating power with their fans. Who decides what is canon? To whom does the story belong?? The answer has traditionally been in favor of producers. However, in the age of the internet, fans now hold considerably more power than they ever have before, and some shows, like the CW’s Supernatural, respond by participating in “fanservice.” Many fans of this show strongly support slash and incest pairings, and by allowing such interpretations to be acknowledged in the narrative Supernatural makes increasingly transgressive readings available to the audience. The trope known as “Alpha/Beta/Omega Dynamics” is extremely popular, borderline pornographic, and virtually eradicates women from the narrative—instead depicting a relationship between men that is highly heterosexual in dynamic. This trope deconstructs the gender binary by assigning gender roles based on behavior, rather than biology, and appeals to an animal code of ethics in order to indulge in problematic, sexist, and abusive sexual situations. -
The Reading Habits and Preferences of LGBTIQ+ Youth Rachel S
St. Cloud State University theRepository at St. Cloud State Library Faculty Publications Library Services 2019 The Reading Habits and Preferences of LGBTIQ+ Youth Rachel S. Wexelbaum Saint Cloud State University, [email protected] Follow this and additional works at: https://repository.stcloudstate.edu/lrs_facpubs Part of the Library and Information Science Commons Recommended Citation Wexelbaum, Rachel S., "The Reading Habits and Preferences of LGBTIQ+ Youth" (2019). Library Faculty Publications. 62. https://repository.stcloudstate.edu/lrs_facpubs/62 This Article is brought to you for free and open access by the Library Services at theRepository at St. Cloud State. It has been accepted for inclusion in Library Faculty Publications by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. The Reading Habits and Preferences of LGBTIQ+ Youth Rachel Wexelbaum, St. Cloud State University, USA Abstract The author of this article presents the available findings on the reading habits and preferences of LGBTIQ+ youth. She will discuss the information seeking behavior of LGBTIQ+ youth and challenges that these youth face in locating LGBTIQ+ reading materials, whether in traditional book format or via social media. Finally, the author will provide recommendations to librarians on how to make LGBTIQ+ library resources more relevant for youth, as well as identify areas that require more research. Keywords: LGBT; LGBT library resources and services; reading; social -
TWO CASES of CHINESE INTERNET STUDIES a Thesis
TWO CASES OF CHINESE INTERNET STUDIES A Thesis Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Yuan Liang August 2019 © 2019 Yuan Liang ABSTRACT This thesis consists of two parts. Chapter 1 concentrates on one genre of Chinese online literature and its relationship with gender and sexuality. It aims at exploring the diversity of Chinese danmei fiction and relating it to the gendered self- identifications of young and educated women in contemporary China. It argues that while danmei fiction in China creates a channel of gender and sexual expressions, it also reflects the difficulties and contradictions that women encounter and experience when they try to place themselves into the current social and economic structure. Chapter 2 studies Chris Marker’s documentary Sunday in Peking and its reception in contemporary China. It closely examines the internet reviews on a Chinese website from the perspectives of idealization and exoticization, and contends that both the filmmaker and his Chinese audiences are under the influences of stereotypes that their society, culture or ideology impose on them. BIOGRAPHICAL SKETCH Yuan Liang was born and raised in Chengdu, China. She started her undergraduate studies at Beijing Normal University in 2013 and earned her bachelor’s degree in Chinese Language and Literature in 2017. In the same year, she joined the M.A. program in Asian Studies at Cornell University. She is expected to receive her master’s degree in August 2019. After graduation, she will become a Ph.D. -
Fiuther Indicates That Considerations of Science Fiction That Conceive It As a Col
Homophile Fictions Fan Writing, Science Fiction, and the Birth of Gay Communities in Post-war America Chris West Science fiction is a natural, in a way, for any kind of radical thought. Because it is about things that have not happened and do not happen. It's very fruitful if you want to pres- ent the concerns of any marginal group, because you are doing it in a world where things are different. I was talking to an ex-Mormon, and she said it was science fiction that had gotten her out of the ethos she had been born into, and she said it was not the characters but the landscapes, which of course was the pi2ce de rksistance in the '30s or in the '40s - those landscapes made her understand that things could be dzfferent. In many social encounters and in many discussions, I've had a terrible time because the one thing my opponents do not have is the sense that things could be different . .. Joanna Russ l It is often asserted - more or less emphatically, with a greater or lesser degree of irritation, and despite or more probably because of the persistence of both popular and elite perceptions to the contrary - that science fiction is a serious business. Frequently science fiction's proponents find themselves explaining that, in spite of the gaudy dust-jackets with their scantily-clad maidens, and in spite of the boy's-own obsession with techno-trickery and techno-babble, sci- ence fiction is in fact a type of cultural production that engages serious politi- cal questions: overpopulation, the threat of nuclear war, genetic engineering, the moral and ethical dilemmas posed by cloning, the possibilities inherent in alternative socio-economic and socio-cultural arrangements, and so on. -
Taylor Boulware a Dissertation Submitted in Partial Fulfillment of The
Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake Taylor Boulware A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Thomas Foster, Chair Anis Bawarshi Katherine Cummings Program Authorized to Offer Degree: Department of English Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake by Taylor Boulware The University of Washington, 2017 Under the Supervision of Professor Dr. Thomas Foster ABSTRACT This dissertation examines contemporary television slash fandom, in which fans write and circulate creative texts that dramatize non-canonical queer relationships between canonically heterosexual male characters. These texts contribute to the creation of global networks of affective and social relations, critique the specific corporate media texts from which they emerge, and undermine homophobic ideologies that prevent authentic queer representation in mainstream media. Intervening in dominant scholarly and popular arguments about slash fans, I maintain a rigorous distinction between the act of reading homoerotic subtexts in TV shows and writing fiction that makes that homoeroticism explicit, in every sense of the word.This emphasis on writing and the circulation of responsive, recursive texts can best be understood, I argue, through the framework of Rhetorical Genre Studies, which theorizes genres and the ways in which they are deployed, modified, and circulated as ideological and social action. I nuance the RGS concept of uptake, which names the generic dimensions of utterance and response, and define my concept of queer uptake, in which writers respond to a text in ways that refuse its generic boundaries and status, motivated by an ideological resistance to both genre and sexual normativity. -
Logging Into Horror's Closet
Logging into Horror’s Closet: Gay Fans, the Horror Film and Online Culture Adam Christopher Scales Thesis submitted for the degree of Doctor of Philosophy University of East Anglia School of Art, Media and American Studies September 2015 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. Abstract Harry Benshoff has boldly proclaimed that ‘horror stories and monster movies, perhaps more than any other genre, actively invoke queer readings’ (1997, p. 6). For Benshoff, gay audiences have forged cultural identifications with the counter-hegemonic figure of the ‘monster queer’ who disrupts the heterosexual status quo. However, beyond identification with the monstrous outsider, there is at present little understanding of the interpretations that gay fans mobilise around different forms and features of horror and the cultural connections they establish with other horror fans online. In addressing this gap, this thesis employs a multi-sited netnographic method to study gay horror fandom. This holistic approach seeks to investigate spaces created by and for gay horror fans, in addition to their presence on a mainstream horror site and a gay online forum. In doing so, this study argues that gay fans forge deep emotional connections with horror that links particular textual features to the construction and articulation of their sexual and fannish identities. In developing the concept of ‘emotional capital’ that establishes intersubjective recognition between gay fans, this thesis argues that this capital is destabilised in much larger spaces of fandom where gay fans perform the successful ‘doing of being’ a horror fan (Hills, 2005). -
Dissolving Heteronormativity Through the Analysis Of
MA THESIS “DISSOLVING HETERONORMATIVITY THROUGH THE ANALYSIS OF SLASH FICTION AND BOYS’ LOVE MANGA” Submitted by Bram Steijn Student Number s1757865 Department of Humanities In partial fulfillment of the requirement For the Degree of Master of Arts Leiden University Leiden, The Netherlands December 2016 Supervisor: Dr. Isabel Hoving Second Reader: Dr. Yasco Horsman TABLE OF CONTENTS Introduction: ............................................................................................................................. 1 Chapter One: ............................................................................................................................. 6 Justification of Comparison ................................................................................................... 8 New Romance and BL Manga .......................................................................................... 17 Slash and BL Manga as a subcategory of the Romance Genre ............................................ 19 Chapter Two ........................................................................................................................... 23 Equality ................................................................................................................................ 23 Psychoanalysis ..................................................................................................................... 27 Chapter Three ........................................................................................................................ -
Online Yaoi Fanfiction and Explorations of Female Desire Through Sexually Exploited Male Bodies
Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Special Conference Issue (Vol. 12, No. 5, 2020. 1-8) from 1st Rupkatha International Open Conference on Recent Advances in Interdisciplinary Humanities (rioc.rupkatha.com) Full Text: http://rupkatha.com/V12/n5/rioc1s1n3.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n5.rioc1s1n3 Online Yaoi Fanfiction and Explorations of Female Desire through Sexually Exploited Male Bodies Shweta Basu Ph. D Research Scholar, Department of English, Jadavpur University. E-mail: [email protected] Abstract This essay will try to trace the phenomena of rape, dub-con (dubious consent), and non-con (non consent) as literary expressions of sexual violence which find their graphic and image-laden expression in anglophoneyaoi (fiction centred upon male homoerotic relationship (s) in the Japanese anime/manga context) fanfictions (fiction written by fans based on an extant work). Through my work, I try to delve into the question of consent and the rationale of such literary acts through fan ethnography. Also there is the fiction-based otherization of the authorial self as fanfiction is written purely for the pleasure (often masturbatory) of the author and the intended and implied audience (the yaoifanbase) who, while harboring and finding pleasure in such fantasies, do not subscribe to such notions in real life nor would they enjoy to be in such situations. The essay also deals with the question of how gay men are represented in such texts and their discomfort in such representations, where their bodies and sexuality are produced and consumed as tools of entertainment for women. -
How Danmei Writers ‘Drive a Car’ on Jinjiang
Research Article Censorship and Circumvention in China: How Danmei Writers ‘Drive a Car’ on Jinjiang Dr. Aiqing WANG1 ABSTRACT Danmei, aka Boys Love or BL, denotes a literature genre featuring male- male romantic or erotic relationships, predominantly created by and for heterosexual women who are referred to as ‘rotten girls’. This subculture is characterised by explicit depiction of sexual encounters and erotic spectacles, which is metaphorically represented by a newly coined Internet neologism kaiche ‘to drive a car’ in China. As a consequence of its dual connection with homosexuality and pornography, as well as its accused transgression of traditional norms, danmei is subject to severe moral scrutiny and state censorship in China. As a leading danmei website with the largest readership and prominent commercial success, Jinjiang has been sensitive to government policy shifts and anti-pornography campaigns, and hence has enforced strict self-censorship standards comprising both automatic detection of transgressive keywords and multiple rounds of manual review. Consequently, writers at Jinjiang adopt a variety of circumvention tactics, including metaphor, code- switching and satire strategies, so as to accommodate readers’ requirement for homoerotic depictions. More significantly, erotic representations illustrate writers’ sexual desires and identity as ‘rotten girls’, as well as illuminate writers’ rebellion against online censorship and restriction on freedom of creation imposed by authorities. Keywords: China, danmei, boys love, censorship, -
An Analysis of Fanfiction and Its Influence on Sexual Development
“AND THEN THEY BONED”: AN ANALYSIS OF FANFICTION AND ITS INFLUENCE ON SEXUAL DEVELOPMENT By Lindsay Mixer A Thesis Presented to The Faculty of Humboldt State University In Partial Fulfillment of the Requirements for the Degree Master of Arts in Sociology Committee Membership Dr. Meredith Williams, Committee Chair Dr. Mary Virnoche, Committee Member Dr. Meredith Williams, Program Graduate Coordinator May 2018 ABSTRACT “AND THEN THEY BONED”: AN ANALYSIS OF FANFICTION AND ITS INFLUENCE ON SEXUAL DEVELOPMENT Lindsay Mixer The purpose of this research is to demonstrate how young adults come to understand their sexuality (from sexual and gender identities to sexual likes and dislikes) through reading and writing fanfiction. Previous studies show that fanfiction promotes non-heterosexual orientations, but little research has been done on how it contributes to overall sexual development. In conducting an online survey of fanfiction readers, I explore how fans use these works to generate an understanding of themselves as sexual beings. Explicit stories make up a sizable portion of the fanfiction available, and there is a wide range of sexual acts depicted in those stories; ones that readers may not have been introduced to otherwise. Fanfiction can also facilitate discussion of sexuality and gender identity, topics that may not be appropriate in other social spheres, which can assist further sexual development. This study looks at just how influential fanfiction, and the fanfiction community, can be on sexual development. Keywords: Fanfiction, fandom, sexually explicit material, sexuality, sexual development, lgbt, queer, pornography, media i ACKNOWLEDGEMENTS To my fellow fans, without whom none of this would have been possible. -
Women and Yaoi Fan Creative Work เพศหญิงและงานสร้างสรรค์แนวยาโอย
Women and Yaoi Fan Creative Work เพศหญิงและงานสร้างสรรค์แนวยาโอย Proud Arunrangsiwed1 พราว อรุณรังสีเวช Nititorn Ounpipat2 นิติธร อุ้นพิพัฒน์ Krisana Cheachainart3 Article History กฤษณะ เชื้อชัยนาท Received: May 12, 2018 Revised: November 26, 2018 Accepted: November 27, 2018 Abstract Slash and Yaoi are types of creative works with homosexual relationship between male characters. Most of their audiences are female. Using textual analysis, this paper aims to identify the reasons that these female media consumers and female fan creators are attracted to Slash and Yaoi. The first author, as a prior Slash fan creator, also provides part of experiences to describe the themes found in existing fan studies. Five themes, both to confirm and to describe this phenomenon are (1) pleasure of same-sex relationship exposure, (2) homosexual marketing, (3) the erotic fantasy, (4) gender discrimination in primacy text, and (5) the need of equality in romantic relationship. This could be concluded that these female fans temporarily identify with a male character to have erotic interaction with another male one in Slash narrative. A reason that female fans need to imagine themselves as a male character, not a female one, is that lack of mainstream media consists of female characters with a leading role, besides the romance genre. However, the need of gender equality, as the reason of female fans who consume Slash text, might be the belief of fan scholars that could be applied in only some contexts. Keywords: Slash, Yaoi, Fan Creation, Gender 1Faculty of -
Warrior Princess (XSTT) Lesbian Internet Fans
Understanding Lesbian Fandom: A Case Study of the Xena: Warrior Princess (XSTT) Lesbian Internet Fans by Rosalind Maria Hanmer A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY American and Canadian Studies The University of Birmingham December 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis is written to promote and pursue an understanding of lesbian fandom and its function on the Internet. It will demonstrate how a particular television text Xena: Warrior Princess (X: WP) and a dedicated online fandom „xenasubtexttalk‟ (XSTT) of diverse lesbian fan membership gained empowerment and agency through their fan practices. Since the screening of the television fantasy series X: WP (1995-2001), there has been a marked increase in academic enquiry into lesbian fan culture on the Internet. This thesis contributes to the lesbian spectatorship of fandom with a specific interest in online fandom. This research suggests there are many readings of X: WP and the dedicated websites set up to discuss the series have increased during and post the series broadcast period.