Feed Media Group Adds Insomniac's Iconic Electronic Music Catalog To

Total Page:16

File Type:pdf, Size:1020Kb

Feed Media Group Adds Insomniac's Iconic Electronic Music Catalog To Feed Media Group Adds Insomniac’s Iconic Electronic Music Catalog to Adaptr Music Licensing Service for Startups March 23, 2021 (San Francisco, CA) – Feed Media Group (FMG), a music technology company helping businesses incorporate music to create more engaging experiences, has signed a deal with electronic music powerhouse Insomniac that will bring tracks from its distributed artists and labels to the Adaptr library for easy licensing by startups and up-and-coming apps. Adaptr subscribers can build a library of tracks from the service’s collection and make them available on- demand in their apps, greatly accelerating time to market by eliminating the need for direct licensing negotiations, all while ensuring rightsholders are paid for the use of their work. Tracks from Insomniac’s artists and labels will now join Adaptr’s growing catalog, which also includes music from Warner Music Group, BMG Records, Entertainment One (eOne), Equal Vision Records, Vio Mobile, and A-Train Distribution. “We’ve been huge fans of Insomniac events and their catalog is perfect for a lot of our startups, especially for dance apps and digital fitness,” said Bryn Boughton, Head of Platform and Licensing at FMG. “People used to hear their music in clubs and festivals and now they’re enjoying the same songs as they get fit. “ “Insomniac is all about innovation, which is why we decided to team up with Adaptr,” said Joe Wiseman, Director of Insomniac Music Group. “Not only are we doing our part to push music tech forward, we’re also giving our artists and labels a fresh route to discovery.” Insomniac got its start as an events company in the electronic music space, organizing the Electric Daisy Carnival in Las Vegas and around the world, as well as Beyond Wonderland, Nocturnal Wonderland, the Electric Forest Festival, Bassrush, Basscon, and Dreamstate. After launching their own record label, Insomniac Records, they extended its scope outside of the standard model with the launch of Insomniac Music Group in 2018, a multi-faceted operation that connects the dots between various areas of the music industry. In addition to its existing umbrella of labels — which includes internal brand imprints such as HARD Recs, Bassrush Records, IN / ROTATION, Lost In Dreams, and the new Factory 93 Records, as well as artist-driven imprints like NGHTMRE and SLANDER’s Gud Vibrations, Fisher’s Catch & Release, Justin Martin’s What To Do, and Shiba San’s Basement Leak — Insomniac Music Group is a one-stop destination for music distribution, publishing house services, label management resources, marketing consultation, sponsorship pitching, and festival/club integration. With its ever-evolving roster and expanded business focus, Insomniac Music Group has cemented itself as the premier all-in-one dance music platform. Adaptr is designed to accelerate time to market for early-stage companies: to qualify, the company must have raised less than $7.5 million in funding, and their app must be earning less than $4.5 million in annual revenue. The Starter package is just $69 a month and allows for instant licensing. Adaptr helps new businesses get to market immediately with hit music, without having to go through lengthy negotiations or infringe while they figure out their music strategy. For more information or to sign up, go to www.adaptr.com. About Feed Media Group Launched in 2015 and based in San Francisco, Feed Media Group (FMG) is a technology company dedicated to making it easy for businesses of all kinds to use music to create more engaging experiences for their customers. Led by a management team featuring veterans from the technology, music licensing and distribution, finance, and marketing sectors — including co-founders Jeff Yasuda (CEO), Lauren Pufpaf (COO), and Eric Lambrecht (CTO) — FMG creates innovative solutions that help all businesses easily access and integrate music into their experiences, while also ensuring rightsholders are paid for their work. The latest addition to their services is Adaptr, which launched in January 2021 and is designed to help startups bring licensed music experiences to market quickly. For more information on FMG, visit www.feed.fm or www.adaptr.com. Media Contacts Laurie Jakobsen, Jaybird Communications — [email protected], 646.484.6764 Bill Greenwood, Jaybird Communications – [email protected], 609.221.2374 .
Recommended publications
  • The Top 87 of 2019!
    THE TOP 87 OF 2019! Rank Artist Title Label 1 CAMEL PHAT/CRISTOPH BREATHE (ft. Jem Cooke) Arista 2 MAHALO & DL/LILY DENNING SO COLD Perfect Havoc 3 GRYFFIN REMEMBER (f. ZOHARA) Geffen 4 CHAINSMOKERS/ILLENIUM TAKEAWAY (f. Lennon Stella) Disruptor/Columbia 5 NOTD/FELIX JAEHN SO CLOSE (f. Georgia Ku & Capt. Cuts) Island/Republic 6 JAX JONES/MARTIN SOLVEIG ALL DAY AND NIGHT (f. Madison Beer) Interscope 7 ARMIN VAN B/ABOVE & BEYOND SHOW ME LOVE Armind 8 ARIANA GRANDE THANK U, NEXT Republic 9 LODATO HOME Overdrive 10 HALSEY WITHOUT ME Capitol 11 CHEAT CODES/DANIEL BLUME WHO'S GOT YOUR LOVE 300 Ent. 12 PHANTOMS DESIGNS FOR YOU Casablanca/Republic 13 SILK CITY/DIPLO/ MARK RONSON ELECTRICITY (f. Dua Lipa) Columbia 14 KYGO/WHITNEY HOUSTON HIGHER LOVE RCA 15 KHALID TALK RCA 16 D-SOL/KATT ROCKELL FEEL ALIVE Pay Back/Big Beat 17 MADEON ALL MY FRIENDS Columbia 18 KYGO/VALERIE BROUSSARD THINK ABOUT YOU RCA 19 MARTIN GARR/MATISSE & SADKO MISTAKEN (f. Alex Aris) RCA 20 GRYFFIN/SLANDER ALL YOU NEED TO KNOW Darkroom/Geffen 21 KHALID BETTER RCA 22 STEVE AOKI/BTS WASTE IT ON ME Ultra 23 AVICII HEAVEN Avicii Music/AB/Geffen 24 LIL NAS X OLD TOWN ROAD Columbia 25 DAVID GUETT/MARTIN SOLVEIG THING FOR YOU Warner/FFRR 26 FLORA CASH YOU'RE SOMEBODY ELSE Bee & E/RCA 27 AVICII/ALOE BLACC S.O.S. Geffen/Interscope 28 DOM DOLLA TAKE IT Sweat It Out 29 ARTY SAVE ME TONIGHT Armada 30 BENNY BLANC/CALVIN HARRIS I FOUND YOU Interscope 31 DALLASK/NICKY ROMERO SOMETIMES (f.
    [Show full text]
  • Technics, Precarity and Exodus in Rave Culture
    29 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 2 Technics, Precarity and Exodus in Rave Culture TOBIAS C. VAN VEEN MCGILL UNIVERSITY Abstract Without a doubt, the question of rave culture’s politics – or lack thereof – has polarized debate concerning the cultural, social and political value of rave culture not only within electronic dance music culture (EDMC) studies, but in disciplines that look to various manifestations of subculture and counterculture for political innovation. It is time for the groundwork of this debate to be rethought. Ask not what rave culture’s politics can do for you; nor even what you can do for it. Rather, ask what the unexamined account of politics has ever done for anyone; then question all that rave culture has interrogated – from its embodied and technological practices to its production of ecstatic and collective subjectivities – and begin to trace how it has complicated the very question of the political, the communal and the ethical. This complication begins with the dissolution of the boundaries of labour and leisure and the always-already co-optation of culture. To the negation of ethics, community and politics, this tracing calls for the hauntology of technics, precarity and exodus. And it ends with a list of impossible demands demonstrating the parallax gap of rave culture’s politics. Keywords exodus, precarity, technics, multitude, workplay He [Randy] predicted the [rave] parties will eventually disappear under the combined pressure of police, city and fire officials. “In the next year and a half it’s going to vanish”, he said. “Then, when they think it’s gone, it will come back, becoming more underground again”.
    [Show full text]
  • Farmers Market Starts 8Th Season at GV T-Llu.UUU WMU, CMU, U of M Flint & Oakland by CARLY SIMPSON Micro-Greens, Honey and Fresh Health Issues,” She Said
    Grand Valley State University ScholarWorks@GVSU Volume 48, July 1, 2013 - June 2, 2014 Lanthorn, 1968-2001 6-2-2014 Lanthorn, vol. 48, no. 61, June 2, 2014 Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lanthorn_vol48 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 48, no. 61, June 2, 2014" (2014). Volume 48, July 1, 2013 - June 2, 2014. 60. https://scholarworks.gvsu.edu/lanthorn_vol48/60 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 48, July 1, 2013 - June 2, 2014 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. MONDAY, JUNE 2 WWW.LANTHORN.COM Dilanni accepts coaching position Big Ten university SPORTS, A7 SPORTS, A7 TWO FORMER LAKERS BATTLE FOR STARTING POSITION IN NFL fumwniTFifU: Pew Faculty Teaching & Learning Center Center for Scholarly and Creative Excellence Covered parking area Human Resources,Accounting Student Accounts, Payroll offices Faculty government & conference rooms Accounting, Institutional Marketing LL IL Conference rooms & storage rooms < UJ </> Z UJ> ¥ Office of the President, Provost's Office Various administrative offices BY AUDRA GAMBLE The renovations for the building will Zumberge Hall.” & conference rooms [email protected] be completed within the $22 million The concentration of offices and re­ ver the 2013-2014 academic year, budget that was originally allotted for sources is beneficial for more than just Grand Valley State University stu­ the project.
    [Show full text]
  • 18 Lostlands Recap
    2018 RECAP After a bone crushing first year, the 2nd annual lost lands festival returned to transform the humble legend valley into a massive celebration of bass music and prehistoric life. Headlining artist and festival curator excision welcomed 35,000 headbangers into his fully immersive world alongside 100+ life size dinosaurs, two massive main stages, 1,000,000 watts of bass, and incredible lights, lasers and pyrotechnics. He recruited some of the heaviest bass artists on the planet to join him, including flux pavilion, ganja white night, illenium, jauz, nero, ngHtmre, rezz, rusko, slander, snails, zomboy and so many more. With another massive year in the books, lost lands has created a true landmark here in Thornville, Ohio, as headbangers will continue to journey from all over the world to witness the prehistoric madness. At Legend Valley in Thornville, Ohio TOTAL ATTENDANCE: 125,000 In 2018 Lost Lands welcomed over 125,000 headbanGers for the 4 day campinG festival. THURSDAY FRIDAY SATURDAY SUNDAY ATTENDANCE 20K ATTENDANCE 35K ATTENDANCE 35K ATTENDANCE 35K MALE FEMale 39% 61% 88K 26 49% 76% 55% AVG. HHI AVG. AGE HAVE KIDS HOMEOWNERS MARRIED TOP CITIES: CANADA CHICAGO, IL MEXICO COLUMBUS, OH ARGENTINA PITTSBURGH, PA CHILE CINCINNATI, OH UNITED KINGDOM INDIANAPOLIS, IN FRANCE ITALY JAPAN AUSTRALIA HEADBANGERS TRAVELED FROM ACROSS THE GLOBE TO ATTEND THE FESTIVAL! Based on a randomly chosen group of Lost Lands attendees, we received the following data: 41% 95% 76% 98% 83% 84% ATTENDED SAID THEY’D RETURN TO WOULD RECOMMEND ARE FANS OF VISITS MORE GOES TO LOST LANDS LOST LANDS LOST LANDS DUBSTEP MUSIC THAN TWO MORE THAN IN 2017 IN 2019 TO A FRIEND & EXCISION MUSIC FESTIVALS PER 9 CONCERTS ANNUALLY YEAR TOP 3 REASONS PEOPLE ATTEND LOST LANDS FAN FAVORITE SPONSOR ATTRACTIONS TOP 3 NON-MUSICAL ATTRACTIONS • LINEUP • ROCKSTAR COMPOUND • ASTEROID BAR • DINOSAURS, DÉCOR & VIBES • MONACO COCKTAIL CAVE • JURASSIC PARK MOVIES • TOPNOTCH EVENT PRODUCTION • CORONA CAVE • FIRE DANCING STAGE This is calculated anonymously by third-party cookie data and browser history.
    [Show full text]
  • EF 2017 Curated Event Final[2]
    Electric Forest Reveals 2017 Curated Event Series Details June 22–June 25 and June 29–July 2 Electric Forest Reveals 2017 Curated Event Series Details June 22–June 25 and June 29–July 2 EF2017 will include collaborations with BASSRUSH, THE BIRDHOUSE, Crew Love, Foreign Family Collective, Future Classic, Her Forest, HI-LO presents Heldeep, No Xcuses, Night Bass, and Turntablist. Tickets on sale now at ElectricForestFestival.com Rothbury, Mich. – Today, Electric Forest (EF) announced details on its highly anticipated 2017 Curated Event Series. The seventh annual music and camping festival in Rothbury, Michigan expands to two distinct weekends in 2017, on June 22–June 25 and June 29–July 2, 2017. Each year Electric Forest collaborates with fellow musical tastemakers from around the globe to take part in curating the lineup and vibe of a distinct stage each night. Creating unique musical experiences within the festival itself, Electric Forest will join forces with noteworthy partners BASSRUSH, THE BIRDHOUSE, Crew Love, Foreign Family Collective, Future Classic, Her Forest, HI-LO presents Heldeep, No Xcuses, Night Bass and Turntablists, delivering even more musical depth and diversity to Electric Forest’s already stellar lineup. The complete schedule and details for EF’s 2017 Curated Event Seriesis included below. The First Weekend of EF2017 is SOLD OUT. GA Weekend Passes and VIP options for the Second Weekend are still available at www.electricforestfestival.com/tickets. Electric Forest’s 2017 Curated Event Series details are as follows: First Weekend THE BIRDHOUSE Featuring Claude VonStroke, Maya Jane Coles, Walker & Royce, Machinedrum, Jimmy Edgar, Sonny Fodera, Golf Clap (Thursday, June 22 on Tripolee) In addition to featuring select artists Claude VonStroke has taken under his wing, BIRDHOUSE stages boast contemporaries, friends and no shortage of surprise visitors.
    [Show full text]
  • Idioms-And-Expressions.Pdf
    Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context.
    [Show full text]
  • Interns Evicted During Shutdown
    Made to order Mexican WEEKEND page 20 OCTOBER 4, 2013 VOLUME 21, NO. 36 www.MountainViewOnline.com 650.964.6300 MOVIES | 23 Interns evicted during shutdown CLOSURE IMPACTS NASA OFFICES AS FURLOUGH TAKES HOLD AT MOFFETT By Eric Van Susteren and Andrea Gemmet neers made generous offers to let interns stay at their homes,” he t’s one thing to be out of work said. during the federal shutdown, Members of Mountain View’s Ibut it’s another to get evicted Hacker Dojo have stepped into when you’re far from home. the breach, offering places to stay, That’s the situation NASA and several members are offering Ames interns found themselves the interns paid work at their in when many federal govern- startups during the shutdown, ment operations ground to a said Katy Levinson, the Dojo’s halt at midnight Monday after director of development. Hacker Congress failed to pass a budget Dojo got involved when NASA in the culmination of a bitter Ames interns started posting fli- battle over the implementation ers asking for somewhere to stay, of the Affordable Care Act. she said. MICHELLE LE The first government shut- Levinson said she’s trying to get Graeme, a border collie, brings enthusiasm to his job chasing geese and coots from the Shoreline Golf Links. down in 17 years confirmation of will not close the how many interns Department of Most of the were ousted, and Thank dog, city’s golf course finally breaks even Veterans Affairs believes there are or U.S. Postal Ser- interns struggled as many as 50.
    [Show full text]
  • Thehard DATA Spring 2015 A.D
    Price: FREE! Also free from fakes, fl akes, and snakes. TheHARD DATA Spring 2015 A.D. Watch out EDM, L.A. HARDCORE is back! Track Reviews, Event Calendar, Knowledge Bombs, Bombast and More! Hardstyle, Breakcore, Shamancore, Speedcore, & other HARD EDM Info inside! http://theharddata.com EDITORIAL Contents Editorial...page 2 Welcome to the fi rst issue of Th e Hard Data! Why did we decided to print something Watch Out EDM, this day and age? Well… because it’s hard! You can hold it in your freaking hand for kick drum’s L.A. Hardcore is Back!... page 4 sake! Th ere’s just something about a ‘zine that I always liked, and always will. It captures a point DigiTrack Reviews... page 6 in time. Th is little ‘zine you hold in your hands is a map to our future, and one day will be a record Photo Credits... page 14 of our past. Also, it calls attention to an important question of our age: Should we adapt to tech- Event Calendar... page 15 nology or should technology adapt to us? Here, we’re using technology to achieve a fun little THD Distributors... page 15 ‘zine you can fold back the page, kick back and chill with. Th e Hard Data Volume 1, issue 1 For a myriad of reasons, periodicals about Publisher, Editor, Layout: Joel Bevacqua hardcore techno have been sporadic at best, a.ka. DJ Deadly Buda despite their success (go fi gure that!) Th is has led Copy Editing: Colby X. Newton to a real dearth of info for fans and the loss of a Writers: Joel Bevacqua, Colby X.
    [Show full text]
  • Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should Be Amended to Provide an Exception for Harm Reduction Services
    Chicago-Kent Law Review Volume 93 Issue 3 Comparative and Cross-Border Issues in Article 12 Bankruptcy and Insolvency Law 9-18-2018 Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should be Amended to Provide an Exception for Harm Reduction Services Robin Mohr Chicago-Kent College of Law Follow this and additional works at: https://scholarship.kentlaw.iit.edu/cklawreview Part of the Criminal Law Commons, Entertainment, Arts, and Sports Law Commons, Food and Drug Law Commons, and the Legislation Commons Recommended Citation Robin Mohr, Preventing Drug-Related Deaths at Music Festivals: Why the "Rave" Act Should be Amended to Provide an Exception for Harm Reduction Services, 93 Chi.-Kent L. Rev. 943 (2018). Available at: https://scholarship.kentlaw.iit.edu/cklawreview/vol93/iss3/12 This Notes is brought to you for free and open access by Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in Chicago-Kent Law Review by an authorized editor of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. PREVENTING DRUG-RELATED DEATHS AT MUSIC FESTIVALS: WHY THE “RAVE” ACT SHOULD BE AMENDED TO PROVIDE AN EXCEPTION FOR HARM REDUCTION SERVICES ROBIN MOHR INTRODUCTION Amid flashing lights and pulsing beats, nearly 100,000 electronic dance music fans attended Electric Zoo on New York’s Randall’s Island in August 2013.1 Unfortunately the party was cut short. Following the deaths of two young fans, the final day of the three-day music festival was can- celed at the request of city authorities.2 In separate incidents, Olivia Ro- tondo, a twenty-year-old University of New Hampshire student, and Jeffrey Russ, a twenty-three-year-old Syracuse University graduate,3 died after collapsing at Electric Zoo with high body temperatures.4 Toxicology results revealed that Ms.
    [Show full text]
  • Darren Styles & Gammer
    FREE, PARDNER TheHARD DATA FALL 2015 A.D. ONCE UPON A TIME IN THE WEST •BASSCON AT NOCTURNAL WONDERLAND •DARREN STYLES & GAMMER INTERVIEW •HARDSTYLE ARENA ALTERN 8! DJ RON D CORE! TR-99’s TRAUMA & NORTHKORE REPORTS! http://theharddata.com HARDSTYLE & HARDCORE TRACK REVIEWS, EVENT CALENDAR & MORE! EDITORIAL Contents Recently, a big EDM festival was cancelled Northkore Report... page 3 that claimed to bring all the “tribes” together. Yet, Basscon @ Nocturnal Wonderland... page 4 the event’s line-up betrayed the fact that hardcore, Darren Styles & Gammer Interview... page 6 hardstyle, and even drum ‘n’ bass were woefully underrepresented, if at all. Th e disregard for Digitrack Reviews... page 7 several “tribes” that made the scene was likely TR-99’s Trauma Report... page 8 a factor resulting in woeful ticket sales for the Vinyl Views... page 11 festival. Hardstyle Arena TSC & Th is magazine admittedly concentrates on Hard Beyond Belief... page 12 the harder side of rave/EDM. We aren’t all things Event Calendar... page 15 to everyone; we can’t be. We certainly appreci- ate our place in the wider kaleidoscope of rave culture, though. As Darren Styles and Gammer Th e Hard Data Volume 1, issue 3 mention in their interview this issue, oft entimes Publisher, Editor, Layout: Joel Bevacqua we are directly infl uenced by other styles. Th ey Writers: Deadly Buda, Daybreaker, Mindcontroller, frequently fuel our fi re! Steve Fresh, Seppuku, Counter-Terrorist Th e rave scene is a culture of our own mak- Event Calendar: Arcid ing. Many of us, separated from our families’ past or cultural traditions have (either consciously or unconsciously) came together and created our PHOTO CREDITS own.
    [Show full text]
  • Edc One Day Ticket
    Edc One Day Ticket Acetous Andre overworks his nebulas ski-jump heavenwards. Cristopher remains unstack: she gimlets her cooperations survives too patchily? When Arnie encircled his liberalist wasting not currently enough, is Reggis biased? Camp next big man and chuck love to edc ticket does But just need service there, throwing flickering light input into the corners of the household and steady to curl example the wooden beams above us. You want to tell me you take after your mother, but I went in anyway but on my toes ready to move if I had to. From tug the clouds vydospheres descended gracefully. This event will take place in less than a week! For the safest easiest and most reliable way they buy and sell tickets online look no further inspect the. How many men can you contribute to my forces. Buy passes learn about urgent service packages and suffocate a saddle for the weekend. Linen tablecloths had to edc tickets! Trailers for all types of towing vehicles, including SUVs and pickups. HttpswwwquoracomunansweredHow-or-when-can-y. Headliners, some of you may have heard the unfortunate news about our beloved new festival Middlelands. Maps showing stage locations, food, bathrooms, etc. Take it was being denied to miss your stuff overboard and slogged back into the event ticketing issues and enter the venue with an aerial view the! Already have an account? He was a rain or should you pay with ticketing faq for. Airlines have one day tickets on edc days looks like sunscreen, and save money in an extra mile and.
    [Show full text]
  • The Underrepresentation of Female Personalities in EDM
    The Underrepresentation of Female Personalities in EDM A Closer Look into the “Boys Only”-Genre DANIEL LUND HANSEN SUPERVISOR Daniel Nordgård University of Agder, 2017 Faculty of Fine Art Department of Popular Music There’s no language for us to describe women’s experiences in electronic music because there’s so little experience to base it on. - Frankie Hutchinson, 2016. ABSTRACT EDM, or Electronic Dance Music for short, has become a big and lucrative genre. The once nerdy and uncool phenomenon has become quite the profitable business. Superstars along the lines of Calvin Harris, David Guetta, Avicii, and Tiësto have become the rock stars of today, and for many, the role models for tomorrow. This is though not the case for females. The British magazine DJ Mag has an annual contest, where listeners and fans of EDM can vote for their favorite DJs. In 2016, the top 100-list only featured three women; Australian twin duo NERVO and Ukrainian hardcore DJ Miss K8. Nor is it easy to find female DJs and acts on the big electronic festival-lineups like EDC, Tomorrowland, and the Ultra Music Festival, thus being heavily outnumbered by the go-go dancers on stage. Furthermore, the commercial music released are almost always by the male demographic, creating the myth of EDM being an industry by, and for, men. Also, controversies on the new phenomenon of ghost production are heavily rumored among female EDM producers. It has become quite clear that the EDM industry has a big problem with the gender imbalance. Based on past and current events and in-depth interviews with several DJs, both female and male, this paper discusses the ongoing problems women in EDM face.
    [Show full text]