Annual Report 1981
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Paul Klee – the Abstract Dimension October 1, 2017 to January 21, 2018
Media release Paul Klee – The Abstract Dimension October 1, 2017 to January 21, 2018 From October 1, 2017, to January 21, 2018, the Fondation Beyeler will be presenting a major exhibition of the work of Paul Klee, one of the most important painters of the twentieth century. The exhibition undertakes the first-ever detailed exploration of Kleeʼs relationship to abstraction, one of the central achievements of modern art. Paul Klee was one of the many European artists who took up the challenge of abstraction. Throughout his oeuvre, from his early beginnings to his late period, we find examples of the renunciation of the figurative and the emergence of abstract pictorial worlds. Nature, architecture, music and written signs are the main recurring themes. The exhibition, comprising 110 works from twelve countries, brings this hitherto neglected aspect of Kleeʼs work into focus. The exhibition is organized as a retrospective, presenting the groups of works that illustrate the main stages in Kleeʼs development as a painter. It begins, in the first of the seven rooms, with Kleeʼs apprenticeship as a painter in Munich in the 1910s, followed by the celebrated journey to Tunisia in 1914, and continues through World War I, and the Bauhaus decade from 1921 to 1931, with the well- known “chessboard” pictures, the layered watercolors, and works that respond to the experiments of the 1930s with geometric abstraction. The next section features a selection of the pictures painted after Kleeʼs travels in Italy and Egypt in the later 1920s and early 1930s. Finally, the exhibition examines the “sign” pictures of Kleeʼs late period, and the prefiguration, in his conception of painting, of developments in the art of the postwar era. -
OKALOOSA VOLUNTEER ART LESSONS O.V.A.L. Team
OKALOOSA VOLUNTEER ART LESSONS O.V.A.L. Team Handbook Okaloosa District Schools Revised 9/2012 OKALOOSA VOLUNTEER ART LESSONS - OVAL ART OVAL Art began in Okaloosa County in 1988. School District Director of Fine Arts, Dr. Bruce Criswell, modeled OVAL Art after a similar program developed in Brevard County. The original manual will remain available as a download. Many changes have occurred since 1988, not least, the development of the Internet; online resources are plentiful and easy to access. Volunteers to deliver the program, alas, are not; therefore, this update will present a pragmatic and streamlined overview of the program as it has been presented in training over the last several years. All that is required of an OVAL volunteer is an enjoyment of art, and enjoyment of working with elementary age children - that's it! WHAT YOU DO: Each grade, from K - 5, has designated art prints for its program. Volunteers go into the classroom periodically, for about 30 minutes, and present the print chosen for that session. This is an art appreciation program, so offering biographical material about the artist, along with asking questions about the print, will give a good basic lesson. You may augment this with other works by the artist - there are plenty of online resources, as well as inexpensive art book series for children; and of course the library is a prime resource as well. Depending upon the print, you may want to have the class draw a version themselves, using the pencils and crayons they have, and whatever 8.5 x 11 paper the teacher can share (do try to let teachers know IN ADVANCE if the class will be drawing). -
Basil Kerski
Akademie der Künste – European Alliance of Academies “They love to talk the talk, but what about walking the walk?” For European commitment against nationalism Basil Kerski Grass-Chodowiecki. Art defends diversity of identities - The feeling of gratitude for the invitation is nurtured by the fact that the trip from Berlin to Gdansk always awakens emotions and associations for me; personal ones (born in Gdansk, Iraqi father, Polish mother, living in Iraq, fled from there via Poland to West Berlin; Berlin, my second home; optimal location due to its Polish connections and new German- Middle Eastern identities; spiritual home of my ancestors; Jewish Dubs family from Lemberg/Lviv, which was shaped by Moses Mendelssohn; also a difficult place due to the experience of German crimes) - But as I travel from Gdansk to the Akademie der Künste in Berlin, I think above all of two Academy directors of the preceding organisations: Daniel Chodowiecki (born in 1726 in Gdansk), copper engraver, painter, Director of the Royal Prussian Academy Berlin from 1797 to 1801, son of a Polish Catholic nobleman and a Swiss Huguenot, successful in Berlin. I think of him, not because I am so familiar with the history of the Academy, no, but rather because Chodowiecki is a symbolic figure for today‘s democratic Gdansk. His graphic cycle dated 1773 about his trip to Gdansk and his two-month stay there is the most important document of a lost urban culture in Gdansk (predominantly Protestant German) in the Polish Republic of Nobles. At the time, Gdansk was the main port of the Polish- Lithuanian Republic of Nobles. -
1882. Congressional Record-Senate. 2509
1882. CONGRESSIONAL RECORD-SENATE. 2509 zens of Maryland, .for the establishment of a light-house at Drum· Mr. HAMPTON presented a memorial of the city council of Charles Point Harbor, Calvert County, Maryland-to the Committee on Com ton, South Carolina., in favor of an appropriation for the completion merce. of the jetties in the harbor at that place; which was referred to the By Mr. .CRAPO: The petition of Franklin Crocker, forTelief-to Committee on Commerce. the Committee on Claims. He also presented a petition of inmates of the Soldiers' Home, of By Mr. DE MOTTE: The petition ofJolmE. Hopkinsand91 others, Washington, District of Columbia, ex-soldiers of the Mexican and citizens of Indiana, for legislation to regulate railway transporta Indian wars, praying for an amendment of section 48~0 of the Revised tion-to the Committee on Commerce. Statutes, so a-s to grant them an increase of pension; which was By :Mr. DEUSTER: Memorial of the Legislature of Wisconsin, . referred to the Committee on Military Affairs. asking the Government for a. cession of certain lands to be used for Mr. ROLLINS presented the petition of ex-Governor James .A. park }Jurposes-to the Committee on the Public Lands. Weston, Thomas J. Morgan, G. B. Chandler, Nathan Parker, and · Also, the petition of E . .Asherman & Co. and others, against the other citizens of Manchester, New Hampshire, praying for the pas pas a~e of the "free-leaf-tobacco" bill-to the Committee on Ways sage of the Lowell bill, establishing a uniform bankrupt law through and 1\ieans. -
Briefing Policies for Children In
1 BROOKINGS INSTITUTION BROOKINGS-PRINCETON "FUTURE OF CHILDREN" BRIEFING POLICIES FOR CHILDREN IN IMMIGRANT FAMILIES INTRODUCTION, PRESENTATION, PANEL ONE AND Q&A SESSION Thursday, December 16, 2004 9:00 a.m.--11:00 a.m. Falk Auditorium The Brookings Institution 1775 Massachusetts Avenue, N.W. Washington, D.C. 20036 [TRANSCRIPT PREPARED FROM TAPE RECORDINGS.] 2 PANEL ONE: Moderator: RON HASKINS, Senior Fellow Economic Studies, Brookings Overview: DONALD HERNANDEZ, Professor of Sociology, University at Albany, SUNY MELVIN NEUFELD, Kansas State House of Representatives, Chairman, Kansas House Appropriations Committee RUSSELL PEARCE, Arizona State House of Representatives, Chairman, Arizona House Appropriations Committee FELIX ORTIZ, New York State Assembly 3 THIS IS AN UNCORRECTED TRANSCRIPT. P R O C E E D I N G S MR. HASKINS: Good morning. My name is Ron Haskins. I'm a senior fellow here at Brookings and also a senior consultant at the Annie Casey Foundation. I'd like to welcome you to today's session on children of immigrant families. The logic of the problem that we're dealing with here is straightforward enough, and I think it's pretty interesting for both people left and right of center. It turns out that we have a lot of children who live in immigrant families in the United States, and a large majority of them are already citizens, even if their parents are not. And again, a large majority of them will stay here for the rest of their life. So they are going to contribute greatly to the American economy for four or five decades, once they get to be 18 or 21, whatever the age might be. -
Un Univers Intime Paintings in the Frits Lugt Collection 1St March - 27 Th May 2012
Institut Centre culturel 121 rue de Lille - 75007 Paris Néerlandais des Pays-Bas www.institutneerlandais.com UN UNIVERS INTIME PAINTINGS IN THE FRITS LUGT COLLECTION 1ST MARCH - 27 TH MAY 2012 MAI 2012 Pieter Jansz. Saenredam (Assendelft 1597 - 1665 Haarlem) Choir of the Church of St Bavo in Haarlem, Seen from the Christmas Chapel , 1636 UN UNIVERS Paintings in the Frits INTIME Lugt Collection Press Release The paintings of the Frits Lugt Collection - topographical view of a village in the Netherlands. Fondation Custodia leave their home for the The same goes for the landscape with trees by Jan Institut Néerlandais, displaying for the first time Lievens, a companion of Rembrandt in his early the full scope of the collection! years, of whom very few painted landscapes are known. The exhibition Un Univers intime offers a rare Again, the peaceful expanse of water in the View of a opportunity to view this outstanding collection of Canal with Sailing Boats and a Windmill is an exception pictures (Berchem, Saenredam, Maes, Teniers, in the career of Ludolf Backhuysen, painter of Guardi, Largillière, Isabey, Bonington...), expanded tempestuous seascapes. in the past two years with another hundred works. The intimate interiors of Hôtel Turgot, home to the Frits Lugt Collection, do indeed keep many treasures which remain a secret to the public. The exhibition presents this collection which was created gradually, with great passion and discernment, over nearly a century, in a selection of 115 paintings, including masterpieces of the Dutch Golden Age, together with Flemish, Italian, French and Danish paintings. DUTCH OF NOTE Fig. -
Research Report 2012
IWM RESEARCH REPORT 2012 Contents 1. Introduction 3 2. Fellowships, Collaborative Doctoral Awards and PhDs, and successful research funding bids 4 2.1 Fellowships 4 2.2 Collaborative Doctoral Awards, supported PhDs and commissioned research 4 2.3 Successful research funding bids 6 3. Publications 7 3.1 Publications by IWM staff 7 3.2 Media Involvement by IWM staff 9 3.3 Expert Assistance by IWM staff 11 4. Conferences, lectures, talks and other significant representation 14 4.1 Seminar series and conferences etc arranged by IWM 14 4.2 Individual representation 16 2 1. Introduction Efforts to build IWM’s reputation as a research organisation continued apace in 2012, with several promising developments. The start of the year saw the beginning of the first IWM project to be wholly funded by a grant from AHRC, following IWM’s achievement of Independent Research Organisation (IRO) status. Whose Remembrance? was a scoping study which set out to investigate levels of awareness of the experiences of the peoples of Britain’s former empire in the two world wars. Its scope and achievements are detailed in the section on ‘successful funding bids’ below. Led by the Research Department, the project – funded under the Connected Communities scheme – addressed a particularly pressing issue and produced lively and engaging workshops during the summer of 2012. The year saw continued effort on Research across IWM. Staff generated over 20 publications and gave presentations at more than 50 workshops, conferences and symposia during the year, in addition to providing advice, expertise and media appearances across a wide range of subjects. -
Pandoras Box CD-List 06-2006 Short
Pandoras Box CD-list 06-2006 short.xls Form ARTIST TITLE year No Label price CD 2066 & THEN Reflections !! 1971 SB 025 Second Battle 15,00 € CD 3 HUEREL 3 HUEREL 1970-75 WPC6 8462 World Psychedelic 17,00 € CD 3 HUEREL Huerel Arisivi 1970-75 WPC6 8463 World Psychedelic 17,00 € CD 3SPEED AUTOMATIC no man's land 2004 SA 333 Nasoni 15,00 € CD 49 th PARALLELL 49 th PARALLELL 1969 Flashback 008 Flashback 11,90 € CD 49TH PARALLEL 49TH PARALLEL 1969 PACELN 48 Lion / Pacemaker 17,90 € CD 50 FOOT HOSE Cauldron 1968 RRCD 141 Radioactive 14,90 € CD 7 th TEMPLE Under the burning sun 1978 RRCD 084 Radioactive 14,90 € CD A - AUSTR Music from holy Ground 1970 KSG 014 Kissing Spell 19,95 € CD A BREATH OF FRESH AIR A BREATH OF FRESH AIR 196 RRCD 076 Radioactive 14,90 € CD A CID SYMPHONY FISCHBACH AND EWING - (21966CD) -67 GF-135 Gear Fab 14,90 € CD A FOOT IN COLDWATER A Foot in coldwater 1972 AGEK-2158 Unidisc 15,00 € CD A FOOT IN COLDWATER All around us 1973 AGEK-2160 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - Vol. 1 1973 BEBBD 25 Bei 9,95 € CD A FOOT IN COLDWATER best of - Vol. 2 1973 BEBBD 26 Bei 9,95 € CD A FOOT IN COLDWATER The second foot in coldwater 1973 AGEK-2159 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - (2CD) 1972-73 AGEK2-2161 Unidisc 17,90 € CD A JOINT EFFORT FINAL EFFORT 1968 RRCD 153 Radioactive 14,90 € CD A PASSING FANCY A Passing Fancy 1968 FB 11 Flashback 15,00 € CD A PASSING FANCY A Passing Fancy - (Digip.) 1968 PACE-034 Pacemaker 15,90 € CD AARDVARK Aardvark 1970 SRMC 0056 Si-Wan 19,95 € CD AARDVARK AARDVARK - (lim. -
SOUTH BANK GUIDE One Blackfriars
SOUTH BANK GUIDE One Blackfriars The South Bank has seen a revolution over the past 04/ THE HEART OF decade, culturally, artistically and architecturally. THE SOUTH BANK Pop up restaurants, food markets, festivals, art 08/ installations and music events have transformed UNIQUE the area, and its reputation as one of London’s LIFESTYLE most popular destinations is now unshakeable. 22/ CULTURAL Some of the capital’s most desirable restaurants and LANDSCAPE bars are found here, such as Hixter, Sea Containers 34/ and the diverse offering of The Shard. Culture has FRESH always had a place here, ever since the establishment PERSPECTIVES of the Festival Hall in 1951. Since then, it has been 44/ NEW joined by global champions of arts and theatre such HORIZONS as the Tate Modern, the National Theatre and the BFI. Arts and culture continues to flourish, and global businesses flock to establish themselves amongst such inspiring neighbours. Influential Blue Chips, global professional and financial services giants and major international media brands have chosen to call this unique business hub home. With world-class cultural and lifestyle opportunities available, the South Bank is also seeing the dawn of some stunning new residential developments. These ground-breaking schemes such as One Blackfriars bring an entirely new level of living to one of the world’s most desirable locations. COMPUTER ENHANCED IMAGE OF ONE BLACKFRIARS IS INDICATIVE ONLY 1 THE HEART OF THE SOUTH BANK THE SHARD CANARY WHARF 30 ST MARY AXE STREET ONE BLACKFRIARS TOWER BRIDGE -
To Theo Van Gogh, the Hague, on Or About Friday, 13 July 1883
To Theo van Gogh, The Hague, on or about Friday, 13 July 1883. on or about Friday, 13 July 1883 Metadata Source status: Original manuscript Location: Amsterdam, Van Gogh Museum, inv. nos. b323 V/1962 (sheet 1) and b1036 V/1962 (sheet 2) Date: Vincent asks Theo to send a little extra, because he is already broke as a result of spending money in order to be able to start painting in Scheveningen (l. 49 and ll. 82-85). That places this letter after letter 361 of on or about 11 July 1883, since there he wrote that he wanted to work in Scheveningen. It must also have been written before the coming Sunday, when he is expecting a photographer (l. 79; in letter 363 this photographer indeed turns out to have come). We therefore date the letter on or about Friday, 13 July 1883. Additional: Original [1r:1] Waarde Theo, Voor ik naar Schevening ga wou ik nog even een woordje met U praten. Ik heb t maar eens doorgezet met de Bock dat ik bij hem een pied terre krijg. Misschien zal ik nu & dan bij Blommers eens aangaan ook.1 En dan is mijn plan een tijd lang Schevening geheel & al als hoofdzaak te beschouwen, smorgens er heen te gaan en den dag te blijven, of anders als ik thuis moet zijn dat thuis zijn in t middaguur te stellen als t te warm is en dan savonds er weer heen. Dit zou me nieuwe idees geven vertrouw ik, en rust, niet door stilzitten maar door verandering van omgeving en bezigheid. -
Full Press Release
Press Contacts Patrick Milliman 212.590.0310, [email protected] Alanna Schindewolf 212.590.0311, [email protected] THE MORGAN HOSTS MAJOR EXHIBITION OF MASTER DRAWINGS FROM MUNICH’S FAMED STAATLICHE GRAPHISCHE SAMMLUNG SHOW INCLUDES WORKS FROM THE RENAISSANCE TO THE MODERN PERIOD AND MARKS THE FIRST TIME THE GRAPHISCHE SAMMLUNG HAS LENT SUCH AN IMPORTANT GROUP OF DRAWINGS TO AN AMERICAN MUSEUM Dürer to de Kooning: 100 Master Drawings from Munich October 12, 2012–January 6, 2013 **Press Preview: Thursday, October 11, 10 a.m. until 11:30 a.m.** RSVP: (212) 590-0393, [email protected] New York, NY, August 25, 2012—This fall, The Morgan Library & Museum will host an extraordinary exhibition of rarely- seen master drawings from the Staatliche Graphische Sammlung, Munich, one of Europe’s most distinguished drawings collections. On view October 12, 2012– January 6, 2013, Dürer to de Kooning: 100 Master Drawings from Munich marks the first time such a comprehensive and prestigious selection of works has been lent to a single exhibition. Johann Friedrich Overbeck (1789–1869) Italia and Germania, 1815–28 Dürer to de Kooning was conceived in Inv. 2001:12 Z © Staatliche Graphische Sammlung München exchange for a show of one hundred drawings that the Morgan sent to Munich in celebration of the Staatliche Graphische Sammlung’s 250th anniversary in 2008. The Morgan’s organizing curators were granted unprecedented access to the Graphische Sammlung’s vast holdings, ultimately choosing one hundred masterworks that represent the breadth, depth, and vitality of the collection. The exhibition includes drawings by Italian, German, French, Dutch, and Flemish artists of the Renaissance and baroque periods; German draftsmen of the nineteenth century; and an international contingent of modern and contemporary draftsmen. -
Download Lot Listing
IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private