Letters in the Collection of the Austrian National Library As a Source for the History of the University of Tartu
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The Bronze Athlete from Ephesos
Technè La science au service de l’histoire de l’art et de la préservation des biens culturels 45 | 2017 Bronzes grecs et romains : études récentes sur la statuaire antique The Bronze Athlete from Ephesos: Archaeological Background and Aspects of Conservation L’athlète en bronze d’Éphèse, contexte archéologique et éléments de restauration Georg A. Plattner Electronic version URL: http://journals.openedition.org/techne/1255 Publisher C2RMF Printed version Date of publication: 1 May 2017 Number of pages: 34-45 ISBN: 978-2-7118-6408-9 ISSN: 1254-7867 Electronic reference Georg A. Plattner, « The Bronze Athlete from Ephesos: Archaeological Background and Aspects of Conservation », Technè [Online], 45 | 2017, Online since 19 December 2019, connection on 19 December 2019. URL : http://journals.openedition.org/techne/1255 La revue Technè. La science au service de l’histoire de l’art et de la préservation des biens culturels est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Bronzes grecs et romains : études récentes sur la statuaire antique TECHNÈ n° 45, 2017 34 Fig. 1. Ephesian Athlete, bronze, H. 192 cm, second half of 1st cent. A.D., Kunsthistorisches Museum Vienna, Collection of Greek and Roman Antiquities, inv. no. VI 3168. © Kunsthistorisches Museum Vienna. Techne_n45_2.indd 34 23/11/2017 11:56 TECHNÈ n° 45, 2017 Bronzes grecs et romains : études récentes sur la statuaire antique Georg A. Plattner The Bronze Athlete from Ephesos: Archaeological Background and Aspects of Conservation L’athlète en bronze d’Éphèse, contexte archéologique et éléments de restauration Abstract. -
A Sarc O P Hagu S F Rom T H E Family of Herodes Atticus
HESPERIA 70 (200I) ICONOG RAPHY Pages46z-492 AND THE DYNAMIGS O F PATRO NAG E A SARCO P HAGU S FROM T H E FAMILYOF HERODESATTICUS ABSTRACT A sarcophagusfiom the estateof HerodesAtticus in Kephisiacommemo- ratesthe intimate connections ofthe familywiththe cityof Sparta,the Battle of Marathon,and the cultstatue of Nemesisat Rhamnous.Theiconographic allusionsto Marathonalso reflect the prioritiesof the SecondSophistic, an intellectualmovement that appealed to the pastto establishcultural and po- liticalsuperiority. The unusualand meaningfill decorative program suggests thatthe family commissioned this sarcophagus. The earlierview that the more unusualAttic sarcophagiwere prefabricated, but that theirthemes simply provedunpopular, should be modifiedin lightof this study. INTRODUCTION In Septemberof 1866,during the construction of a housein the Kephisia suburbof Athens,workers discovered a marbleburial chamber, roughly squarein plan.1Robbers had long since plundered the chamber, removing thedeceased and most ofthe portable possessions. In 1866,the significant remainingartifacts included four carved marble sarcophagi and only a handfillof smallobjects.2 Otto Benndorf,who wrotethe firstcomplete descriptionof the chamberand its contents,was also the firstto suggest 1. I thankthe Universityof Mich- andNeel Smithfor discussing with me this study,still stand in the tomb iganfor support that allowed me to someof the ideaspresented here. Photo- today.Cramped space in the tomb undertakepreliminary research in graphswere kindly provided byJan San- makesit difficultto providea complete Athensfor this article;and the College ders;the BritishMuseum; the Deutsches photographicrecord. I thereforerefer of the Holy Crossboth for funds to ArchaologischesInstitut, Rome; the in manyinstances to the line drawings purchasephotographs and for a leaveof GreekArchaeological Service; and the of the Ledasarcophagus produced by absencethat allowed me to continue KunsthistorischesMuseum, Vienna. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Monument Question in Late Habsburg Austria A Critical Introduction to Max Dvořák’s Denkmalpflege Jonathan Blower Doctor of Philosophy The University of Edinburgh 2012 Abstract The present thesis is a critical introduction to a body of writings on heritage conservation by the Czech-born art historian Max Dvořák (1874–1921). From 1905 onwards, Dvořák was both professor of art history at the University of Vienna and Conservator General at the state institution responsible for heritage conservation in Austria: the ‘Royal and Imperial Central Commission for the Research and Preservation of Artistic and Historical Monuments’ (est. 1850). His published and archival texts on the subject are presented here for the first time in English translation. In this sense, the thesis follows the model of existing scholarship on the visual arts in Vienna around 1900, namely the combined English translations and critical introductions to the writings of Camillo Sitte (Collins & Collins, 1986), Otto Wagner (Mallgrave, 1988) and Alois Riegl (Forster & Ghirardo, 1982). -
Literaturliste.Pdf
A# Mark B. Abbe, A Roman Replica of the ‘South Slope Head’. Polychromy and Identification, Source. Notes in Abbe 2011 History of Art 30, 2011, S. 18–24. Abeken 1838 Wilhelm Abeken, Morgenblatt für gebildete Stände / Kunstblatt 19, 1838. Abgusssammlung Bonn 1981 Verzeichnis der Abguss-Sammlung des Akademischen Kunstmuseums der Universität Bonn (Berlin 1981). Abgusssammlung Göttingen Klaus Fittschen, Verzeichnis der Gipsabgüsse des Archäologischen Instituts der Georg-August-Universität 1990 Göttingen (Göttingen 1990). Abgusssammlung Zürich Christian Zindel (Hrsg.), Verzeichnis der Abgüsse und Nachbildungen in der Archäologischen Sammlung der 1998 Universität Zürich (Zürich 1998). ABr Paul Arndt – Friedrich Bruckmann (Hrsg.), Griechische und römische Porträts (München 1891–1942). Michael Abramić, Antike Kopien griechischer Skulpturen in Dalmatien, in: Beiträge zur älteren europäischen Abramić 1952 Geschichte. FS für Rudolf Egger I (Klagenfurt 1952) S. 303–326. Inventarium Von dem Königlichen Schloße zu Sanssouci, und den neuen Cammern, so wie solches dem Acta Inventur Schloss Castellan Herr Hackel übergeben worden. Aufgenommen den 20 Merz 1782, fol. 59r-66r: Nachtrag Mai Sanssouci 1782−1796 1796, in: Acta Die Inventur Angelegenheiten von Sanssouci betreffend. Sanssouci Inventar 1782-1825, vol. I. (SPSG, Hist. Akten, Nr. 5). Acta betreffend das Kunst- und Raritaeten-Cabinet unter Aufsicht des Herrn Henry 1798, 1799, 1800, 1801. Acta Kunst-und Königliche Akademie der Wissenschaften, Abschnitt I. von 1700–1811, Abth. XV., No. 3 die Königs Cabinette Raritätenkabinett 1798–1801 a[?] des Kunst-Medaillen u. Nat. Cab. Acta Commissionii Reclamationen über gestohlene Kunstsachen. 1814, vol. 1, fol. 4r–33v: Bericht Rabes über gestohlene Kunstsachen an Staatskanzler von Hardenberg, 12. Februar 1814, fol. 81r–82r: Brief Acta Kunstsachen 1814 Henrys an Wilhelm von Humboldt, 26. -
The Bronze Athlete from Ephesos
Technè La science au service de l’histoire de l’art et de la préservation des biens culturels 45 | 2017 Bronzes grecs et romains : études récentes sur la statuaire antique The Bronze Athlete from Ephesos: Archaeological Background and Aspects of Conservation L’athlète en bronze d’Éphèse, contexte archéologique et éléments de restauration Georg A. Plattner Electronic version URL: http://journals.openedition.org/techne/1255 DOI: 10.4000/techne.1255 ISSN: 2534-5168 Publisher C2RMF Printed version Date of publication: 1 May 2017 Number of pages: 34-45 ISBN: 978-2-7118-6408-9 ISSN: 1254-7867 Electronic reference Georg A. Plattner, « The Bronze Athlete from Ephesos: Archaeological Background and Aspects of Conservation », Technè [Online], 45 | 2017, Online since 19 December 2019, connection on 10 December 2020. URL : http://journals.openedition.org/techne/1255 ; DOI : https://doi.org/10.4000/ techne.1255 La revue Technè. La science au service de l’histoire de l’art et de la préservation des biens culturels est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Bronzes grecs et romains : études récentes sur la statuaire antique TECHNÈ n° 45, 2017 34 Fig. 1. Ephesian Athlete, bronze, H. 192 cm, second half of 1st cent. A.D., Kunsthistorisches Museum Vienna, Collection of Greek and Roman Antiquities, inv. no. VI 3168. © Kunsthistorisches Museum Vienna. Techne_n45_2.indd 34 23/11/2017 11:56 TECHNÈ n° 45, 2017 Bronzes grecs et romains : études récentes sur la statuaire antique Georg A. Plattner The Bronze Athlete from Ephesos: Archaeological Background and Aspects of Conservation L’athlète en bronze d’Éphèse, contexte archéologique et éléments de restauration Abstract. -
JAANIKA ANDERSON Reception of Ancient
DISSERTATIONES JAANIKA ANDERSON JAANIKA STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS 7 Reception of Ancient Art: the Cast Collections of the University of Tartu Art Museum of Ancient Art: of Tartu the Cast Collections of University Reception JAANIKA ANDERSON Reception of Ancient Art: the Cast Collections of the University of Tartu Art Museum in the Historical, Ideological and Academic Context of Europe (1803–1918) Tartu 2015 ISSN 1406-8192 ISBN 978-9949-32-768-3 DISSERTATIONES STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS 7 DISSERTATIONES STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS 7 JAANIKA ANDERSON Reception of Ancient Art: the Cast Collections of the University of Tartu Art Museum in the Historical, Ideological and Academic Context of Europe (1803–1918) Faculty of Philosophy, University of Tartu This dissertation was accepted for the commencement of the decree of Doctor of Philosophy (Classical Philology) on January 30, 2015 by the Committee of the College of Foreign Languages and Cultures of the University of Tartu. Supervisors: Kristi Viiding, Professor of Classical Philology, Department of Classical Philology, University of Tartu Epi Tohvri, Associate Professor, Department of Technology, Tartu College of Tallinn University of Technology Opponents: Prof. Dr. Lorenz Winkler-Horaček, curator, Institut für Klassische Archäologie der Freien Universität Berlin und Abguss-Sammlung Antiker Plastik, Berlin Dr. Aira Võsa, researcher, Tartu University Library Commencement: on March 20, 2015 at 12.15, in the Senate room of the Uni- versity of Tartu (Ülikooli 18). ISSN 1406-8192 ISBN 978-9949-32-768-3 (print) ISBN 978-9949-32-769-0 (pdf) Copyright: Jaanika Anderson, 2015 University of Tartu Press www.tyk.ee ACKNOWLEDGEMENTS I am very grateful to the people who have directly or indirectly contributed to the completion of this dissertation. -
History, Culture, Nature in Antalya and the Western Mediterranean
History, Culture, Nature in Antalya and the Western Mediterranean “As a result of a series of excursions to ancient cities in the Pamphylian plains within a few hours’ ride from Adalia, I was astonished to find out that there existed numerous ancient monuments, mostly dating to the Late Imperial period, either on which nothing has been written and researched or which have not received the attention they deserve, extending over a few miles. Nevertheless, its landscape, more beautiful than all the places I have known, had captured me the most.” Karl Graf von Lanckoronski Städte Pamphyliens und Pisidiens, 1890 Olympos Çavuşçu Çavuşçu Dam Dam Antiocheia Antiocheia Yalvaç Yalvaç Lake Lake Işıklı Işıklı Adıgüzel Adıgüzel Contents Barajı Barajı Ertokuş Han Ertokuş Han Gelendost Gelendost Uluborlu Uluborlu Mount Gelincik Mount Gelincik Senirkent SenirkentNature Park Nature Park D330 D330 Şarkikaraağaç Şarkikaraağaç History (Page 6) Dinar Dinar Barla Barla Traces of the Past Lake Lake Eğirdir Eğirdir Lycia Gönen AtabeyGönen Atabey Pamphylia Keçiborlu Keçiborlu D695 D695 D330 D330 Pisidia Konya Konya Eğirdir Eğirdir Middle Ages D330 D330 Acıgöl Acıgöl D650 D650 Aksu Aksu Republican Era Denizli Denizli Lake Lake Isparta Isparta Beyşehir Beyşehir Gölcük Gölcük Davraz Ski Davraz Ski Lake Lake Nature Park Nature Park Center Center D695 D695 Burdur Burdur Yenişarbademli Yenişarbademli Lake Lake Gölcük Gölcük Culture (Page 42) Burdur Burdur Akdağ Akdağ Beyşehir Beyşehir Akgöl Akgöl Sagalassos Sagalassos D715 D715 D650 D650 Culture in the Taurus Lake Lake -
Julius Von Schlosser, the Vienna School of the History of Art - Review of a Century of Austrian Scholarship in German1
Julius von Schlosser, The Vienna school of the history of art - review of a century of Austrian scholarship in German1 Translated and edited by Karl Johns Members of the profession are immediately aware of what is meant with the expression ‘Vienna School:’ the center for art historical teaching, closely related to the Austrian ‘école des chartes’, organized by Theodor von Sickel, and today called the ‘II. Kunsthistorisches Institut der Universität Wien’ (‘second department of the history of art in the University of Vienna’) – a designation only ten years old and in no way expressive of chronology or quality, as only those completely ignorant of academic customs might require reminding. Austrian daily newspapers have especially recently published repeated reports that might lead to a complete misunderstanding of the situation. For this reason, and since many specialists are barely aware of the history of this respected ‘school’ which has produced so many distinguished scholars, we offer a brief sketch of its origins and development. It has been almost completely forgotten that it originated in the period of German Romanticism and that its nearly century-old history represents a considerable chapter in the history of German language scholarship and intellectual history in Austria. Josef Daniel Böhm and his Circle Its ‘prehistory’ in fact began with a very remarkable figure of the period before the Revolution of 1848: the medalist Josef Daniel Böhm († 1865), born 1794 in an old German language colony in the eastern Slovak Zips region, and a pupil of the well- known classicistic sculptor Franz Zauner, who is known so well to all Viennese by his equestrian portrait of the Emperor Joseph II that still stands in one of the unscathed beautiful city squares before the former Imperial Library. -
Les Carnets De L'acost, 14
Les Carnets de l’ACoSt Association for Coroplastic Studies 14 | 2016 Varia Édition électronique URL : http://journals.openedition.org/acost/797 DOI : 10.4000/acost.797 ISSN : 2431-8574 Éditeur ACoSt Édition imprimée Date de publication : 5 mars 2016 Référence électronique Les Carnets de l’ACoSt, 14 | 2016 [En ligne], mis en ligne le 15 avril 2016, consulté le 13 octobre 2020. URL : http://journals.openedition.org/acost/797 ; DOI : https://doi.org/10.4000/acost.797 Ce document a été généré automatiquement le 13 octobre 2020. Les Carnets de l'ACoSt est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. 1 SOMMAIRE Research Perspectives in Greek Coroplastic Studies: The Demeter Paradigm and the Goddess Bias Jaimee P. Uhlenbrock Chroniques Brevi note di coroplastica siracusana: due esemplari di statuette con bambino Angela Maria Manenti Experimental Archaeology Workshop Terracotta Female Figurines from the Ancient Near East (The Levant and Mesopotamia, II–I Millenium B.C.E.) Régine Hunziker-Rodewald Dans les musées The Collection of Greek Terracotta Figurines at The Metropolitan Museum of Art Kyriaki Karoglou The Study Collection of Figurative Terracottas in the Metropolitan Museum of Art: A Critical Review Jaimee Uhlenbrock Le terrecotte della collezione di Raffaele Gargiulo al Museo Archeologico Nazionale di Napoli Riccardo Berriola Les terres cuites à la une Terracottas in the News. A Bronze-Age Terracotta Figurine Discovered by a Seven-Year-Old Boy Jaimee Uhlenbrock Annonces Musées archéologiques d’Istanbul. Catalogue des figurines en terre cuite grecques et romaines de Smyrne Isabelle Hasselin Rous Sounion Revisited: The Sanctuaries of Poseidon and Athena at Sounion in Attica Zetta Theodoropoulou Polychroniadis Les Carnets de l’ACoSt, 14 | 2016 2 Revue de Presse Physionomies d’une cité grecque. -
The Ephesos Museum in Vienna
The Ephesos Museum in Vienna 1978-2018: Narratives and Concept in an Imperial Setting Master Thesis Jasmin Hangartner S2270250 [email protected] Specialization: Arts and Culture - Museum and Collection Studies 2018-2019 First reader: Dr. Mirjam Hoijtink Second reader: Dr. Seyed Abolfazl Shobeiri Word count: 17814 i Foreword and Acknowledgments I chose to write my master thesis about the Ephesos Museum in Vienna because I studied Classical Archaeology at the University of Vienna and in 2016 I participated in the excavations in Ephesos led by the Austrian Archaeological Institute. This experience, which was intensified by two other excava- tions at the Lycian site Limyra in Turkey, has sparked my interest in archaeological artifacts from Tur- key exhibited in Austria. I thought it very interesting that Austrian archaeological research to this day is so strongly intertwined with these antique sites in the Eastern Mediterranean and wanted to know more about how this research started. I would like to thank my supervisor Dr. Mirjam Hoijtink for broadening my view on the relations be- tween the Austro-Hungarian and the Ottoman Empire and leading me to incorporate topics into my thesis that I would have overlooked otherwise. I would also like to thank the team of the antiquities collection of the Kunsthistorisches Museum in Vienna. Especially the director Dr. Georg Plattner, the curators Dr. Manuela Laubenberger and Mag. Karoline Zhuber-Okrog and conservator Mag. Marko Prskalo for taking the time for interviews and providing me with valuable information. I would also like to thank Stephanie Stoss for the information about the educational program in the museum. -
The Tomb As a Node of Public Representation Intramural Burials in Roman Imperial Asia Minor
Olivier Henry (dir.) Le Mort dans la ville Pratiques, contextes et impacts des inhumations intra-muros en Anatolie, du début de l'Age du Bronze à l'époque romaine Institut français d’études anatoliennes The Tomb as a Node of public Representation Intramural burials in Roman imperial Asia Minor Christof Berns DOI: 10.4000/books.ifeagd.2447 Publisher: Institut français d’études anatoliennes Place of publication: Istanbul Year of publication: 2013 Published on OpenEdition Books: 31 July 2018 Serie: Rencontres d’Archéologie de l’IFEA Electronic ISBN: 9782362450556 http://books.openedition.org Printed version Date of publication: 1 September 2013 Electronic reference BERNS, Christof. The Tomb as a Node of public Representation : Intramural burials in Roman imperial Asia Minor In: Le Mort dans la ville: Pratiques, contextes et impacts des inhumations intra-muros en Anatolie, du début de l'Age du Bronze à l'époque romaine [online]. Istanbul: Institut français d’études anatoliennes, 2013 (generated 08 février 2021). Available on the Internet: <http://books.openedition.org/ifeagd/ 2447>. ISBN: 9782362450556. DOI: https://doi.org/10.4000/books.ifeagd.2447. This text was automatically generated on 8 February 2021. The Tomb as a Node of public Representation 1 The Tomb as a Node of public Representation Intramural burials in Roman imperial Asia Minor Christof Berns 1 In the ancient Greek city, a burial in the centre of a town was the customary way of singling out a person whose life and deeds were perceived as being especially important for the formation of local society. Its meaning was in fact intimately connected to the process of urbanization itself, when together with a spatial reorganization the average tombs were restricted to cemeteries outside the settlement areas1. -
Lycia and Classical Archaeology: the Changing Nature of Archaeology in Turkey
Hodos, T. (2015). Lycia and Classical Archaeology: the changing nature of archaeology in Turkey. In C. Antonaccio, & D. Haggis (Eds.), Classical archaeology in context: theory and practice in excavation in the Greek world (pp. 87-118). de Gruyter. https://doi.org/10.1515/9781934078471-008 Publisher's PDF, also known as Version of record Link to published version (if available): 10.1515/9781934078471-008 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via de Gruyter at https://www.degruyter.com/viewbooktoc/product/128539. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Donald C. Haggis and Carla M. Antonaccio Classical Archaeology in Context Classical Archaeology in Context Theory and Practice in Excavation in the Greek World Edited by Donald C. Haggis and Carla M. Antonaccio ISBN: 978-1-934078-46-4 e-ISBN (PDF) 978-1-934078-47-1 e-ISBN (ePub) 978-1-61451-998-0 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available on the internet at http://dnb.dnb.de © 2015 Walter de Gruyter GmbH, Berlin/Boston Typesetter: Satzstudio Borngräber, Dessau-Roßlau Printer: Druckerei Hubert & Co GmbH und Co KG Printed in Germany www.degruyter.com Contents List of Figures VII List of Tables XII List of Contributors XIII Donald C.