Psych Professor Sues for Promotion Econ Prof Blasted by Students
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
February 12 – 16, 2016
February 12 – 16, 2016 danceFilms.org | Filmlinc.org ta b l e o F CONTENTS DA N C E O N CAMERA F E S T I VA L Inaugurated in 1971, and co-presented with Dance Films Association and the Film Society of Lincoln Center since 1996 (now celebrating the 20th anniversary of this esteemed partnership), the annual festival is the most anticipated and widely attended dance film event in New York City. Each year artists, filmmakers and hundreds of film lovers come together to experience the latest in groundbreaking, thought-provoking, and mesmerizing cinema. This year’s festival celebrates everything from ballet and contemporary dance to the high-flying world of trapeze. ta b l e o F CONTENTS about dance Films association 4 Welcome 6 about dance on camera Festival 8 dance in Focus aWards 11 g a l l e ry e x h i b i t 13 Free events 14 special events 16 opening and closing programs 18 main slate 20 Full schedule 26 s h o r t s p r o g r a m s 32 cover: Ted Shawn and His Men Dancers in Kinetic Molpai, ca. 1935 courtesy of Jacob’s Pillow Dance festival archives this Page: The Dance Goodbye ron steinman back cover: Feelings are Facts: The Life of Yvonne Rainer courtesy estate of warner JePson ABOUT DANCE dance Films association dance Films association and dance on camera board oF directors Festival staFF Greg Vander Veer Nancy Allison Donna Rubin Interim Executive Director President Virginia Brooks Liz Wolff Co-Curator Dance on Camera Festival Paul Galando Brian Cummings Joanna Ney Co-Curator Dance on Camera Festival Vice President and Chair of Ron -
DARBININKAS Nų Okupuotoje Lietuvoje Viešėjo Borutos Sodybą
/S PAVERGTOS LIETUVOS KULTŪRINIO GYVENIMO — Birželio mėnesį dešimt die tas dabar būtų rodyklė į tokią DARBININKAS nų okupuotoje Lietuvoje viešėjo Borutos sodybą . .” Ne ką ge lietuvių “mokslo ir technikos” resnį vaizdą lankytojai rado ir grupė iš Amerikos. Grupę glo “Amerika pirtyje” autoriaus A. Vol. LXIII, Nr. 30 SECOND-CLASS 341 Highland Blvd. bojo “Tėviškės” draugija. Gru Vilkutaičio Gulbininiškiuose: Penktadienis-F rida y Postage paid at Brooklyn, N.Y. Brooklyn, N. Y. 11207 25 centai Rugpiūtis-August 4, 1978 pei vadovavo bostoniškis chemi augo tik keli didžiuliai ąžuolai jos inžinierius Donatas Šatas. ir senos liepos, už jų suversta Jis davė spaudai ir platesnį pa didelė akmenų krūva . Nei at sikalbėjimą. Grupėje buvo bos minimo lentelės , nei rodyklės toniškis architektas R. Mano- prie kelio. Sunku buvo rasti ir ATGARSIAI DĖL V. PETKAUS IR maitis, muzikas S. Cibas, detroi- J. Basanavičiaus Ožkabalius. tiškiai V. ir K. Kebliai, chemi Tik melioratoriai nuvedė, kur KITŲ DISIDENTŲ NUTEISIMO jos profesorius iš Chicagos B. reikia. Tokia pat bėda buvo ir su Jeselskis, stomatologė N. Remei A. Krikščiukaičio-Aišbės Būb- nais: rodyklė yra, bet nėra ke Disidentų Viktoro Petkaus, kui buvo sufabrikuotas kaltini daus reikalas. kienė. Liet. Mokslo akademijo liuko. Ekskursantai pasigedo ir Anatolijaus Ščaranskio, Alek mas, kad jis yra homoseksua Religinių bendruomenių laiš je ir tiksliųjų moksl! institutuo JT saugumo taryba patvirti komunistų veikėjų Z. Angarie- sandro Ginzburgo, Vladimiro las. Surastas vienas jaunuolis, ke pažymima, jog, pagal Hel se. svečiai skaitė 6 mokslines no vakarų valstybių planą da čio ir P. Eidukevičiaus tėviš Slepako ir kitų disidentų teis kuris liudijo, kad Petkus jį su sinkio konferencijos susitari paskaitas. -
Perm Ballet Notes.Indd
CAL PERFORMANCES PRESENTS PROGRAM Th ursday, April , , pm Th ursday, April , , pm Friday, April , , pm Friday, April , , pm Saturday, April , , pm Saturday, April , , pm Sunday, April , , pm Sunday, April , , pm Zellerbach Hall Zellerbach Hall Tchaikovsky Perm Tchaikovsky Perm Ballet & Orchestra Ballet & Orchestra Swan Lake Swan Lake A Ballet in Th ree Acts A Ballet in Th ree Acts Music by Pyotr Ilyich Tchaikovsky Production conceived and directed by Natalia Makarova Music Pyotr Ilyich Tchaikovsky Choreography Natalia Makarova (after Marius Petipa and Lev Ivanov) Artistic Director of the Th eatre George Isaakyan Artistic Director of the Ballet Natalia Akhmarova Principal Conductor Valery Platonov Principal Guest Conductor Robert Cole Additional Choreography Sir Frederick Ashton Set Design Peter Farmer Production conceived and directed by Natalia Makarova Costume Design Galina Solovyeva George Isaakyan, Artistic Director of the Th eatre Production Coordinator Dina Makaroff Natalia Akhmarova, Artistic Director of the Ballet Production Assistant Olga Evreinoff Valery Platonov, Principal Conductor Robert Cole, Principal Guest Conductor Lighting Sergei Martynov Ballet Coaches Th is performance is made possible, in part, by the National Endowment for the Arts and by the Vodafone-US Foundation. Rimma Shlyamova, Valentina Baikova, Olga Lukina, Olga Salimbaeva Cal Performances thanks our Centennial Season Sponsor, Wells Fargo. Ballet Manager Vitaly Dubrovin 4 CAL PERFORMANCES CAL PERFORMANCES 5 CAST SYNOPSIS Odette/Odile Elena Kulagina (April ) frightened, Odette tells the Prince the story of her Natalia Moiseeva (April , , ) plight. Th e spell that keeps them swans by day and maidens at night can only be broken if a man who Prince Siegfried Sergei Mershin (April , , ) has never loved before swears eternal fi delity to Alexey Tyukov (April ) her. -
No Rush to Tighten Gun Laws
C M C M Y K Y K ARMED OFFICERS IN SCHOOLS BANDON DUNES INVITE NRA breaks its silence on mass shootings, A9 Tigers girls beat Jefferson, B1 Serving Oregon’s South Coast Since 1878 SATURDAY, DECEMBER 22, 2012 theworldlink.com I $1.50 In the wake of Sandy Hook No rush to tighten gun laws Doug Hille looks up BY DANIEL SIMMONS-RITCHIE items on a laptop, The World searching for ammo for a cus- Gun control? ‘Slow down’, say a handful of South tomer Friday at the Coast officials. Hole in the Wall In the wake of last week’s shootings in Clacka- Gun Shop in Coos mas and Connecticut, local politicos are treading Bay. Many items cautiously as the nation examines tightening gun readily available a laws. week ago are not Congressman Peter DeFazio, D-Eugene, says this week. mass shootings is a complex subject that requires a “comprehensive approach.” “This is an issue fraught with emotions and mis- understanding,” he said. “There are liberals from New York who have never held a gun, fired a gun. They don’t understand guns; they don’t under- stand why someone would have a gun.They want to ban all guns essentially.” DeFazio owns several guns for target shooting and self-protection. He says he supports restric- tions on certain firearms, but wouldn’t say whether he supports a ban on assault rifles, like the Bush- master AR-15 used by Adam Lanza to kill 20 chil- dren at Sandy Hook Elementary school. “There are clearly some very stupid guns out there, designed for — I’m not sure what they are designed for,” DeFazio said. -
A Study on the Gender Imbalance Among Professional Choreographers Working in the Fields of Classical Ballet and Contemporary Dance
Where are the female choreographers? A study on the gender imbalance among professional choreographers working in the fields of classical ballet and contemporary dance. Jessica Teague August 2016 This Dissertation is submitted to City University as part of the requirements for the award of MA Culture, Policy and Management 1 Abstract The dissertation investigates the lack of women working as professional choreographers in both the UK and the wider international dance sector. Although dance as an art form within western cultures is often perceived as ‘the art of women,’ it is predominately men who are conceptualising the works and choreographing the movement. This study focuses on understanding the phenomenon that leads female choreographers to be less likely to produce works for leading dance companies and venues than their male counterparts. The research investigates the current scope of the gender imbalance in the professional choreographic field, the reasons for the imbalance and provides theories as to why the imbalance is more pronounced in the classical ballet sector compared to the contemporary dance field. The research draws together experiences and statistical evidence from two significant branches of the artistic process; the choreographers involved in creating dance and the Gatekeepers and organisations that commission them. Key issues surrounding the problem are identified and assessed through qualitative data drawn from interviews with nine professional female choreographers. A statistical analysis of the repertoire choices of 32 leading international dance companies quantifies and compares the severity of the gender imbalance at the highest professional level. The data indicates that the scope of the phenomenon affects not only the UK but also the majority of the Western world. -
Summer/Fall Programs 2021 OLLI BOCA MEMBER APPLICATION/RENEWAL
SUMMER/FALL PROGRAMS 2O21 ENRICHMENT & ENTERTAINMENT FOR ADULTS BOCA RATON • AUG. - DEC. LIVE PROGRAMMING & ACCESS TO OLLI BOCA pg. 13 EDIFYAT FAU Presented by OLLI Boca Enjoy high quality lectures from the comfort of your home. edify.fau.edu Name: ___________________________________ Email: ____________________________ Phone:__________________ Select a Plan (save for your records) Monthly recurring $10 Login Setup Create a username: _______________________________ most popular Annually recurring $105 Password (6 character min.): ________________________ 1X charge for 6-mo access $65 Recurring subscription plans will bill to the credit card provided at the frequency and amounts shown in the plan that 1X charge for 1-yr access $120 is selected. Cancel any time by calling 561.297.3185 or sending an email to [email protected]. Refunds are not available. Access TOTAL $_________ to the service will continue through the month or year that was Gift Option Coupon Code __________ paid for. The subscription/renewal date is the date the initial Available (applied when processed) Online payment was processed. Credit Card No: ______________________________ Exp (MM/YY): ________ Visa MC Amex Discover Billing Zip: _________ Sec. Code: _____ Name as it appears on card: ________________________________________ Signature: ________________________________________________ Date: _________________________ Information destroyed after processing. Ways to Subscribe: 1. Provide this form to a staff member. 3. Fill out and fax to 561.297.3481 or 561.297.1028, or 2. Register online at edify.fau.edu. 4. Mail to FAU OLLI Boca, 777 Glades Rd. CEH 31D, Boca Raton, FL 33431 Blue Skies Ahead At the outset of our 2021-22 season, I am reminded of a family trip to Yellowstone National Park when I couldn't have been more than seven years old. -
LGBTQ+ Artists Represented Int the Performing Arts Special Collections
LGBTQ+ Artists Represented in the Performing Arts Special Collections in the Library of Congress Music Division Aaron Copland with Samuel Barber and Gian Carlo Menotti, 1945 (Aaron Copland Collection, Box 479 Folder 3) Compiled by Emily Baumgart Archives Processing Technician January 2021 Introduction The artistic community has always had many LGBTQ+ members, including musicians, dancers, choreographers, writers, directors, designers, and other creators. The Music Division holds a wealth of information about these LGBTQ+ artists in its performing arts special collections, which contain musical scores, correspondence, scripts, photographs and other documents of their lives and careers. This survey brings together some of the highlights from these holdings, providing an opportunity to learn more about LGBTQ+ creators and to recognize and celebrate their artistic achievements. The sexual and gender identity of many historical figures has been obscured over time; moreover, it can be difficult to determine how such individuals would identify by today’s terminology, especially when little of their personal life is known. Other figures, however, have disclosed their identity through their private correspondence or other writings. We do not wish to ascribe to any person an identity that they may have disagreed with, but at the same time we recognize that many of the queer community’s accomplishments have been hidden through oppression, prejudice, and forced closeting. By increasing awareness of LGBTQ+ identity in the Music Division’s special collections, we can make relevant primary source materials more readily accessible for students, educators, and scholars to study these creators and their contributions. This survey does not claim to be comprehensive, neither in terms of identifying every LGBTQ+ artist within the Music Division’s special collections nor in terms of identifying every collection in which those artists are represented. -
Ruth Clark Lert Dance Library and Archive, 1831-1994
http://oac.cdlib.org/findaid/ark:/13030/tf4779n8h6 No online items Guide to the Ruth Clark Lert Dance Library and Archive, 1831-1994 Processed by Laura Clark Brown; machine-readable finding aid created by Brooke Dykman Dockter Special Collections and Archives The UCI Libraries P.O. Box 19557 University of California Irvine, California 92623-9557 Phone: (949) 824-3947 Fax: (949) 824-2472 Email: [email protected] URL: http://www.lib.uci.edu/rrsc/speccoll.html © 1997 The Regents of the University of California. All rights reserved. Note Arts and Humanities --Performing Arts --DanceGeographical (by Place) --California Guide to the Ruth Clark Lert MS-P009 1 Dance Library and Archive, 1831-1994 Guide to the Ruth Clark Lert Dance Library and Archive, 1831-1994 Collection number: MS-P 9 Special Collections and Archives The UCI Libraries University of California Irvine, California Contact Information Special Collections and Archives The UCI Libraries P.O. Box 19557 University of California Irvine, California 92623-9557 Phone: (949) 824-3947 Fax: (949) 824-2472 Email: [email protected] URL: http://www.lib.uci.edu/rrsc/speccoll.html Processed by: Laura Clark Brown Date Completed: 1997 Encoded by: Brooke Dykman Dockter © 1997. The Regents of the University of California. All rights reserved. Descriptive Summary Title: Ruth Clark Lert Dance Library and Archive, Date (inclusive): 1831-1994 Date (bulk): (bulk 1950-1980) Collection number: MS-P009 Collector: Lert, Ruth Clark Extent: Number of containers: 65 document boxes, 3 shoe boxes, 8 record cartons, 10 flat boxes and 12 oversized folders Linear feet: 57 Repository: University of California, Irvine. -
Dancing the Cold War an International Symposium
Dancing the Cold War An International Symposium Sponsored by the Barnard College Dance Department and the Harriman Institute, Columbia University Organized by Lynn Garafola February 16-18, 2017 tContents Lynn Garafola Introduction 4 Naima Prevots Dance as an Ideological Weapon 10 Eva Shan Chou Soviet Ballet in Chinese Cultural Policy, 1950s 12 Stacey Prickett “Taking America’s Story to the World” Ballets: U.S.A. during the Cold War 23 Stephanie Gonçalves Dien-Bien-Phu, Ballet, and Politics: The First Sovviet Ballet Tour in Paris, May 1954 24 Harlow Robinson Hurok and Gosconcert 25 Janice Ross Outcast as Patriot: Leonid Yakobson’s Spartacus and the Bolshoi’s 1962 American Tour 37 Tim Scholl Traces: What Cultural Exchange Left Behind 45 Julia Foulkes West and East Side Stories: A Musical in the Cold War 48 Victoria Phillips Cold War Modernist Missionary: Martha Graham Takes Joan of Arc and Catherine of Siena “Behind the Iron Curtain” 65 Joanna Dee Das Dance and Decolonization: African-American Choreographers in Africa during the Cold War 65 Elizabeth Schwall Azari Plisetski and the Spectacle of Cuban-Soviet Exchanges, 1963-73 72 Sergei Zhuk The Disco Effect in Cold-War Ukraine 78 Video Coverage of Sessions on Saturday, February 18 Lynn Garafola’s Introduction Dancers’ Roundatble 1-2 The End of the Cold War and Historical Memory 1-2 Alexei Ratmansky on his Recreations of Soviet-Era Works can be accessed by following this link. Introduction Lynn Garafola Thank you, Kim, for that wonderfully concise In the Cold War struggle for hearts and minds, – and incisive – overview, the perfect start to a people outside the corridors of power played a symposium that seeks to explore the role of dance huge part. -
Index of 'Maria Callas Magazine' No's 1 – 88
of Leonora; A detailed essay on Callas’ • Part II: (Radio) Interview with a certain Mr II of ‘La traviata’ and text of the commentator 55-46 performances as Leonora 63-6 Rodrini; Maria Callas being interviewed in • Part XXVII: Interview held by Marlyse Schaeffer Index of ‘Maria Callas Magazine’ No’s 1 – 88 • Maria Callas in Rigoletto: Another break with Milan for Philadelphia Radio, about 1 in Paris, 1960; Interview for France-Soir tradition; A detailed essay on Callas’ performan- September 1957 41-32 Magazine, published on 13 February 1960 56-46 ces as Gilda 63-23 • Part III: TV Interview for RAI, Paris, • Part XXVIII: Interview held by Micheline Banzet • Maria Callas in La Gioconda: La Gioconda... the 19 July 1966; Interview by Emilio Pozzi in Paris, 1965; Interview for ORTF Radio unhappy one; A detailed essay on Callas’ perfor at Avenue Foch 42-36 Programme ‘Trois jours avec Maria Callas’, Founder’s Preface 74-70; 76-58; 77-70; 79-58; 80-70; 82-58; 83-70, 85-58 1958 – 1959 48-16 mances as La Gioconda 64-6 • Part IV: TV Interview for RAI, Paris, 1975 broadcast on 8, 9 and 10 February 1965 56-47 – by J. Handzic and K.H. van Zoggel 86-70; 88-61 • Part VIII: The years with Aristotle Onassis, • Maria Callas in Cavalleria rusticana: Callas as a (?); Interview by Dora Ossenska for the • Part XXIX: Interview for ‘The Sunday Times’, • 1-5; 2-4; 3-4; 4-4; 5-4; 6-4; 7-4; 8-4; 9-4; 10-4; 11-4; 12-4 1960 – 1967 49-15 Sicilian peasant girl; A detailed essay on Callas’ Programme ‘La Scala e i suoi protagonisti’ 42-37 February 1961; Interview held by Derek Prouse 13-4 14-4; 15-4; 16-4; 17-4; 18-4 19-4 List of Club Members E-mail Addresses • Part IX: The tragic year, 1968 50-24 performances as Santuzza 65-6 • Part V: Radio Interview with Norman Ross at the Grand Hotel in Monte Carlo 57-34 • 33-76; 34-66; 35-73; 36-73; 37-64; 38-73; 39-75; 40-60 • Part X: The years of the Medea film and the • Maria Callas in Pagliacci: Callas’ Nedda – in Chicago; Interview held on 17 November • Part XXX: Interview for radio by Edward Downes Preface – by K.H. -
A History of Austin Ballet Theatre at the Armadillo World Headquarters
A HISTORY OF AUSTIN BALLET THEATRE AT THE ARMADILLO WORLD HEADQUARTERS A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF DANCE COLLEGE OF ARTS AND SCIENCES BY CAROLINE SUTTON CLARK, B.F.A., M.F.A. DENTON, TEXAS DECEMBER 2016 DEDICATION To my magical daughters, Gwendolyn and Genevieve. Thank you for all the hugs. May you always live life to the fullest. To all of the voices who could not be included. And, to Stanley, standing in the wings. “My dear, you did it!” iii ACKNOWLEDGMENTS I would first like to thank my committee chair, Dr. Linda Caldwell, for her enthusiasm, insight, and guidance throughout the process. She bravely undertook the journey with me throughout these several years. I would also like to thank my committee members past and present for their generosity and unwavering support: Dr. Rosemary Candelario, Professor Mary Williford-Shade, and Professor Jordan Fuchs. Dr. Penny Hanstein welcomed me into the program and instilled in me the skills to embark on a new life in research. The administrative assistant for the dance department at Texas Woman’s University, Penny Lewis, has not only been a joy to work with but also provided priceless insight from her own experiences. And, thank you to my cohort-mates, who have been a never-ending source of inspiration, brilliance, support, and humor. A special thank you goes to the McCorkle family who housed and fed me during my studies with not only the best of companionship, human and canine, but some of the most delicious food I’ve ever eaten. -
Signed Playbills
SIGNED PLAYBILLS AA MEANS ACADEMY AWARD WINNER T MEANS TONY AWARD WINNER ON MEANS OPENING NIGHT PROGRAM INSDIE MEANS SIGNED ON PAGE INSIDE PLAY SIGNATURES ACTORS AND ACTRESSES JACK WARDEN, MICHAEL LEARNED POLLY DRAPER & CAST ALL MY SONS RICHARD KILEY ( T) ALL OVER TOWN CLEAVON LITTLE (T) ALONE TOGETHER ( ON ) JANIS PAGE, KEVIN MCCARTHY AN ALMOST PERFECT PERSON (ON) COLLEEN DEWHURST ( T 0(T) ANGEL STREET DINA MERRILL & CAST ANGELA GERALDINE PAGE (AA), SIMON OAKLAND (INSIDE ) ANGEL'S FALL (ON) BARNARD HUGHES (T) ANNA CHRISTIE LIV ULLMANN ANNIE ( 2 ) SANDY'S PAW PRINT ARMS AND THE MAN KEVIN LINE (AA), RAUL JULIA LENNE HEADLEY & CAST ASINAMALI! (ON) CAST ( INSIDE ) ABSURD PERSON SINGULAR SANDY DENNIS (AA), TONY ROBERTS RICHARD KILEY (T), LARRY BLYDEN ( T) GERALDINE PAGE (AA), CAROLE SHELLEY (T) (ALL INSIDE) THE ACT BARRY NELSON THE AU PAIR MAN JULIE HARRIS (T), CHARLES DURNING (T) ARSENIC & OLD LACE(ON) JEAN STAPLETON, TONY ROBERTS WILLIAM HICKEY, ABE VIGODA, POLLY HOLLIDAY ( ALL INSIDE ) ASPECTS OF LOVE( LONDON ) CAST ( INSIDE ) ROWANS ATKINSON AT THE ROWAN ATKINSON Note: smudge on fromt cover ATKINSON (ON ) AWAKE & SING HARRY HAMLIN, DICK LATESSA, FRANCES MCDORMAND (AA) NANACY MARCHAND A WALK IN THE WOODS ROBERT PROSKY A WALK IN THE WOODS SAM WATERSTON BABY CAST THE BACCHAE IRENE PAPAS THE BALLROOM DOROTHY LOUDON (T) THE BATHERS ( LONDON ) CAST ( INSIDE ) BENT RICHARD GERE BENT MICHAEL YORK BETRAYAL BYTHE DANNER ( T) BILLY BISHOP GOES TO WAE (ON ) ERIC PETERSON, JOGN GRAY BLACKSTONE CAST BLACK PICTURE SHOW CAST( INSIDE ) BLITHE SPIRIT RICHARD