NEWS FEATURE NATURE|Vol 444|30 November 2006
IN SEARCH OF LOST TIME The ancient Antikythera Mechanism doesn’t just challenge our assumptions about technology transfer over the ages — it gives us fresh insights into history itself. Jo Marchant reports.
t looks like something from another world that such a sophisticated technology appears explains, shows the Metonic cycle — 235 — nothing like the classical statues and vases seemingly out of the blue is perhaps not that months fitting quite precisely into 19 years. that fill the rest of the echoing hall. Three surprising — records and artefacts from 2,000 The lower spiral, according to the research by Iflat pieces of what looks like green, flaky years ago are, after all, scarce. More surpris- Edmunds and his colleagues, was divided into pastry are supported in perspex cradles. Within ing, to an observer from the progress-obsessed 223, reflecting the 223-month period of the each fragment, layers of something that was twenty-first century, is the apparent lack of a Saros cycle, which is used to predict eclipses. once metal have been squashed together, and subsequent tradition based on the same tech- To show me what happens inside, Wright are now covered in calcareous accretions and nology — of ever better clockworks spreading opens the case and starts pulling out the various corrosions, from the whitish tin oxide out round the world. How can the capacity to wheels. There are 30 known gear-wheels in to the dark bluish green of copper chloride. This build a machine so magnificent have passed the Antikythera Mechanism, the biggest tak- thing spent 2,000 years at the bottom of the sea through history with no obvious effects? ing up nearly the entire width of the box, the before making it to the National Archaeological smallest less than a centimetre across. They Museum in Athens, and it shows. Astronomic leaps all have triangular teeth, anything from 15 to But it is the details that take my breath away. To get an idea of what the mechanism looked 223 of them, and each would have been hand Beneath the powdery deposits, tiny cramped like before it had the misfortune to find itself cut from a single sheet of bronze. Turning the writing is visible along with a spiral scale; there on a sinking ship, I went to see Michael Wright, side knob engages the big gear-wheel, which are traces of gear-wheels edged with jagged a curator at the Science Museum in London for goes around once for every year, carrying teeth. Next to the fragments an X-ray shows more than 20 years and now retired. Stepping the date hand. The other gears drive the some of the object’s internal workings. It looks into Wright’s workshop in Hammersmith is a Moon, Sun and planets and the pointers on just like the inside of a wristwatch. little like stepping into the workshop where the Metonic and Saros spirals. This is the Antikythera Mechanism. These H. G. Wells’ time machine was made. To see the model in action is to want fragments contain at least 30 interlocking Every inch of floor, wall, shelf to find out who had the ingenuity gear-wheels, along with copious astronomi- and bench space is covered to design the original. Unfor- cal inscriptions. Before its sojourn on the sea with models of old metal “It’s a popular notion tunately, none of the copious bed, it computed and displayed the movement gadgets and devices, from that technological inscriptions is a signature. of the Sun, the Moon and possibly the planets ancient Arabic astrolabes But there are other clues. around Earth, and predicted the dates of future to twentieth-century development is a simple Coins found at the site by eclipses. It’s one of the most stunning artefacts trombones. Over a cup of progression. But history Jacques Cousteau in the we have from classical antiquity. tea he shows me his model is full of surprises.” 1970s have allowed the No earlier geared mechanism of any sort of the Antikythera Mecha- shipwreck to be dated some- has ever been found. Nothing close to its tech- nism as it might have been — François Charette time shortly after 85 bc. The nological sophistication appears again for in his pomp. The model and inscriptions on the device itself well over a millennium, when astronomical the scholarship it embodies suggest it might have been in clocks appear in medieval Europe. It stands have consumed much of his life (see use for at least 15 or 20 years before that, as a strange exception, stripped of context, of ‘Raised from the depths’). according to the Edmunds paper. ancestry, of descendants. The mechanism is contained in a squar- The ship was carrying a rich cargo of luxury Considering how remarkable it is, the ish wooden case a little smaller than a shoe- goods, including statues and silver coins from Antikythera Mechanism has received com- box. On the front are two metal dials (brass, Pergamon on the coast of Asia Minor and vases paratively scant attention from archaeologists although the original was bronze), one inside in the style of Rhodes, a rich trading port at the or historians of science and technology, and the other, showing the zodiac and the days of time. It went down in the middle of a busy ship- is largely unappreciated in the wider world. the year. Metal pointers show the positions of ping route from the eastern to western Aegean, A virtual reconstruction of the device, pub- the Sun, the Moon and five planets visible to and it seems a fair bet that it was heading west lished by Mike Edmunds and his colleagues in the naked eye. I turn the wooden knob on the for Rome, which had by that time become the this week’s Nature (see page 587), may help to side of the box and time passes before my eyes: dominant power in the Mediterranean and had change that. With the help of pioneering three- the Moon makes a full revolution as the Sun a ruling class that loved Greek art, philosophy dimensional images of the fragments’ innards, inches just a twelfth of the way around the dial. and technology. the authors present something close to a com- Through a window near the centre of the dial The Rhodian vases are telling clues, because plete picture of how the device worked, which peeks a ball painted half black and half white, Rhodes was the place to be for astronomy in in turn hints at who might have been respon- spinning to show the Moon’s changing phase. the first and second centuries bc. Hipparchus, sible for building it. On the back of the box are two spiral dials, arguably the greatest Greek astronomer, is But I’m also interested in finding the answer one above the other. A pointer at the centre thought to have worked on the island from to a more perplexing question — once the of each traces its way slowly around the spiral around 140 bc until his death in around technology arose, where did it go to? The fact groove like a record stylus. The top dial, Wright 120 bc. Later the philosopher Posidonius set
534 © 2006 Nature Publishing Group