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Enthymema XXIII 2019 the Technê of Aratus' Leptê Acrostich
Enthymema XXIII 2019 The Technê of Aratus’ Leptê Acrostich Jan Kwapisz University of Warsaw Abstract – This paper sets out to re-approach the famous leptê acrostich in Aratus’ Phaenomena (783-87) by confronting it with other early Greek acrostichs and the discourse of technê and sophia, which has been shown to play an important role in a gamut of Greek literary texts, including texts very much relevant for the study of Aratus’ acrostich. In particular, there is a tantalizing connection between the acrostich in Aratus’ poem that poeticized Eudoxus’ astronomical work and the so- called Ars Eudoxi, a (pseudo-)Eudoxian acrostich sphragis from a second-century BC papyrus. Keywords – Aratus; Eudoxus; Ars Eudoxi; Acrostichs; Hellenistic Poetry; Technê; Sophia. Kwapisz, Jan. “The Technê of Aratus’ Leptê Acrostich.” Enthymema, no. XXIII, 2019, pp. 374-89. http://dx.doi.org/10.13130/2037-2426/11934 https://riviste.unimi.it/index.php/enthymema Creative Commons Attribution 4.0 Unported License ISSN 2037-2426 The Technê of Aratus’ Leptê Acrostich* Jan Kwapisz University of Warsaw To the memory of Cristiano Castelletti (1971-2017) Λεπτὴ μὲν καθαρή τε περὶ τρίτον ἦμαρ ἐοῦσα εὔδιός κ’ εἴη, λεπτὴ δὲ καὶ εὖ μάλ’ ἐρευθὴς πνευματίη· παχίων δὲ καὶ ἀμβλείῃσι κεραίαις 785 τέτρατον ἐκ τριτάτοιο φόως ἀμενηνὸν ἔχουσα ἠὲ νότου ἀμβλύνετ’ ἢ ὕδατος ἐγγὺς ἐόντος. (Arat. 783-87) If [the Moon is] slender and clear about the third day, she will bode fair weather; if slender and very red, wind; if the crescent is thickish, with blunted horns, having a feeble fourth-day light after the third day, either it is blurred by a southerly or because rain is in the offing. -
Kythera Summer Edition 2018
KYTHERA Summer Edition 2018 FOUNDERρΙΔΡΥΤΗΣό ©METAXIA POULOS • PUBLISHERό DIMITRIS KYRIAKOPOULOS • EDITORό DEBORAH PARSONS • WRITERSό ELIAS ANAGNOSTOU, ANNA COMINOS, SALLY COMINOS-DAKIN, FIONA CUNNINGHAM, EVGENIA GIANNINI, DOMNA KONTARATOU, MARIA KOUKOULI, THEODOROS KOUKOULIS, DIMITRIS KOUTRAFOURIS, ALEXIA NIKIFORAKI, PIA PANARETOS, AGLAIA PAPAOICONOMOU, ASPASIA PATTY, DAPHNE PETROCHILOS, IPPOLYTOS PREKAS, YIANNIS PROTOPSALTIS, JOY TATARAKI, ELIAS TZIRITIS, NIKOS TSIOPE- LAS • ARTWORKό DAPHNE PETROHILOS• PHOTOGRAPHYό DIMITRIS BALTZIS, CHRISSA FATSEAS, VENIA KAROLIDOU, STEPHEN TRIFYLLIS, EVANGELOS TSIGARIDAS • PROOF READINGό PAULA CASSIMATIS, JOY TATARAKI • LAYOUT ζ DESIGNό MYRTO BOLOTA • EDITORIALρADVERTISINGξΣΥΝΤΑΞΗρΔΙΑΦΗΜΙΣΕΙΣό 69φφ-55σ7τς, e-mailό kse.σ99υ@yahoo.gr FREE COMMUNITY PAPER • ΕΛΛΗΝΟξΑΓΓΛΙΚΗ ΕΚΔΟΣΗ • ΑΝΕΞ ΑΡΤΗΤΗ ΠΟΛΙΤΙΣΤΙΚΗ ΕΦΗΜΕΡΙΔΑ • ΔΙΑΝΕΜΕΤΑΙ ΔΩΡΕΑΝ George & Viola Haros and family wish everyone a Happy Summer in Kythera Distributing quality food, beverage, cleaning and packaging products to the Foodservice Industry wwwοstgeorgefoodserviceοcomοau All the right ingredients Ανοιχτά από τις 9.00 π.μ. έως αργά το βράδυ για καφέ, μεζέ και φαγητό MYLOPOTAMOS Καλλιόπη Καρύδη τηλ.: 27360-33397 και όλα μέλι-γάλα pure Kytherian thyme honey τχςξγοατία ςξσ ΙΠΠΟΛΥΤΟΥ ΠΡΕΚΑ θυμαρίσιο μέλι αωορίαε! welcome! Κυθήρων Έλίπλίίωί“”ίμί’ίίίμίίΚξ ΜΗΤΑΤΑ Κύθηρα Ρίίίμίμωίμπωξ τηλ.: 27360-33010, 6978-350952, 6977-692745 Ωί:ίίΑίίΑμ ΤαίίJeanνAntoineίWatteauίίίΑπξ Έίίίπλίίίίίξ Σίίμίίίίίξί ηΗΛξΑΝξίσρς8θ What is it that has brought you to Aphrodite’s -
Society News Science News the Antikythera Mechanism Skinakas Observatory Spectroscopic Diagnostics of Galactic Nuclei Eclipsing Binaries
HIPPARCHOSHIPPARCHOS The Hellenic Astronomical Society Newsletter Volume 2, Issue 2 Society News Science News The Antikythera Mechanism Skinakas observatory Spectroscopic Diagnostics of Galactic Nuclei Eclipsing Binaries ISSN: 1790-9252 ʸ˱ˤ˳˶˱˹˯˩˭ˮˬ˰˱˙ ƋƜƠƦƓ6SHFLDO(GLWLRQ °ĆāąĆąõýĉýĊýĈØĉĊćąăąĂõ÷Ĉ çąÿąĈāóûÿĒĊÿý÷ĉĊćąăąĂõ÷ĆćóĆûÿă÷ûõă÷ÿĆûćõĆāąĀýØČôĉĊû Ċą 1H[6WDU 6( ă÷ ĉ÷Ĉ øąýþôĉûÿ ă÷ øćûõĊû čÿāÿòúûĈ ÷ĉĊóćûĈ Ćā÷ăôĊûĈù÷ā÷ĄõûĈĀ÷ÿòāā÷ĂûĊąĆòĊýĂ÷ûăĒĈĀąċĂĆÿąēÞ ăó÷ ąÿĀąùóăûÿ÷ 1H[6WDU 6( ĉċăúċòüûÿ ĆćďĊąČ÷ăô ûċčćýĉĊõ÷ Ăû ûĄûāÿùĂóăûĈ āûÿĊąċćùõûĈ Ā÷ÿ ÷ĆõĉĊûċĊą āĒùą ÷Ąõ÷Ĉ ĆćąĈ ĊÿĂô Ûûă Ćûćÿā÷ĂøòăûĊ÷ÿ ý Ćÿþ÷ăĒĊýĊ÷ ă÷ Ċą ĂûĊ÷ăÿĔĉûÿ ą ÷ùąć÷ĉĊôĈ ƌƞƢƜƨơƱƠƥ ăó÷ ąÿĀąùóăûÿ÷ 1H[6WDU 6( öÁ &HOHVWURQ ´¹ÅÀ«µ´¸ 1H[6WDU6( ĊýăĊûāûċĊ÷õ÷āóĄýĊýĈĊûčăąāąùõ÷ĈĒĆďĈĆāôćďĈ ÷ċĊąĂ÷ĊąĆąÿýĂóăą āûÿĊąċćùÿĀĒ ĉēĉĊýĂ÷ úċă÷ĊĒĊýĊ÷ ÷ă÷øòþĂÿĉýĈ Ăóĉď IODVK Ċąċ čûÿćÿĉĊýćõąċ ĊÿĈ ĀąćċČ÷õûĈ ãæäêÜâæ 1H[6WDU6( êëçæé 0DNVXWRY&DVVHJUDLQ¡¾»¿¾Ã¸¹Ë*R7R ûĆÿĉĊćĔĉûÿĈ 6WDU%ULJKW ;/7 Ċą ûĆ÷ă÷ĉĊ÷ĊÿĀĒ āąùÿĉĂÿĀĒ ÛàØãÜêèæéáØêæçêèæë PP l ûċþċùćòĂĂÿĉýĈĊąċĊýāûĉĀąĆõąċ6N\$OLJQpĀ÷ÿĆąāāòòāā÷ ÜéêØçæéêØéÞ PP ÜéêâæÚæé I £¢ ¢£¡¨¢¢ 6WDU%ULJKW;/7 ãûĊą1H[6WDU6(ûõĉĊûĉĊýþóĉýĊąċąúýùąēØĆāòûĆÿāóĄĊû ãÜÚïìÜâãÜÚÜßëäéÞ [ óă÷÷ăĊÿĀûõĂûăą÷ĆĒĊąĂûăąēĀ÷ÿĊąĊýāûĉĀĒĆÿąþ÷Ċąøćûÿùÿ÷ æèàØáæìØàäãÜÚÜßæé éêÞèàåÞ ØāĊ÷üÿĂąċþÿ÷Āô»´»¾Ã¬À ĉ÷ĈíćýĉÿùƹÿĔăĊ÷ĈĊýăĊûčăąāąùõ÷1H[6WDUĊ÷ĊýāûĉĀĒĆÿ÷ ¡¢¥ PP PP(/X[ 6( óčąċă Ċýă ÿĀ÷ăĒĊýĊ÷ ă÷ ûăĊąĆõĉąċă ĆûćõĆąċ ¡¤£¢ 6WDU3RLQWHU ÷ăĊÿĀûõĂûă÷ êą ĂĒăą Ćąċ óčûĊû ă÷ ĀòăûĊû ûõă÷ÿ ă÷ ĀąÿĊòĄûĊû £¡ ¢ 뺸¼¾Á ¨ PP »´kIOLSPLUURUl Ăóĉ÷÷ĆĒĊąĆćąĉąČþòāĂÿąĀ÷ÿă÷÷Ćąā÷ēĉûĊûĊąþó÷Ă÷ ÙØèæé NJ Ûûă ĄóćûĊû Ćąÿą ÷ăĊÿĀûõĂûăą ă÷ ûĆÿāóĄûĊû -
Cultural History of the Lunar and Solar Eclipse in the Early Roman Empire
Cultural History of the Lunar and Solar Eclipse in the Early Roman Empire Richard C. Carrier The regularity and consistency of human imagination may be first displayed in the beliefs connected with eclipses. It is well known that these phenomena, to us now crucial instances of the exactness of natural laws, are, throughout the lower stages of civilization, the very embodiment of miraculous disaster.1 Fifteen hundred years have not yet passed since Greece numbered and named the stars and yet many nations today only know the heavens by their appearance, and do not yet understand why the moon fails or how it is overshadowed.2 More than fifteen hundred years separates these two remarks. Each reveals a gulf between the learned and unlearned, but for Tylor it is a contrast between today and long ago, or here and far away, while for Seneca it is a contrast between the wise and the vulgar, who live in the same time and place. For the lunar and solar eclipse is a phenomenon where the strongest and clearest divide appears between the educated Roman and the common multitude. In contrast with almost everything else in Roman experience, from earthquakes to disease, eclipses of sun and moon can be understood in their entirety, and explained with mathematical precision, without the aid of advanced technology or modern scientific methods. But to those who lacked the encouragement to employ careful observation and physical explanation, and who lacked the breadth of information available to the literate, the eclipse was the most awesome and dire event in human experience. -
Alexander Jones Calendrica I: New Callippic Dates
ALEXANDER JONES CALENDRICA I: NEW CALLIPPIC DATES aus: Zeitschrift für Papyrologie und Epigraphik 129 (2000) 141–158 © Dr. Rudolf Habelt GmbH, Bonn 141 CALENDRICA I: NEW CALLIPPIC DATES 1. Introduction. Callippic dates are familiar to students of Greek chronology, even though up to the present they have been known to occur only in a single source, Ptolemy’s Almagest (c. A.D. 150).1 Ptolemy’s Callippic dates appear in the context of discussions of astronomical observations ranging from the early third century B.C. to the third quarter of the second century B.C. In the present article I will present new attestations of Callippic dates which extend the period of the known use of this system by almost two centuries, into the middle of the first century A.D. I also take the opportunity to attempt a fresh examination of what we can deduce about the Callippic calendar and its history, a topic that has lately been the subject of quite divergent treatments. The distinguishing mark of a Callippic date is the specification of the year by a numbered “period according to Callippus” and a year number within that period. Each Callippic period comprised 76 years, and year 1 of Callippic Period 1 began about midsummer of 330 B.C. It is an obvious, and very reasonable, supposition that this convention for counting years was instituted by Callippus, the fourth- century astronomer whose revisions of Eudoxus’ planetary theory are mentioned by Aristotle in Metaphysics Λ 1073b32–38, and who also is prominent among the authorities cited in astronomical weather calendars (parapegmata).2 The point of the cycles is that 76 years contain exactly four so-called Metonic cycles of 19 years. -
The Magic of the Atwood Sphere
The magic of the Atwood Sphere Exactly a century ago, on June Dr. Jean-Michel Faidit 5, 1913, a “celestial sphere demon- Astronomical Society of France stration” by Professor Wallace W. Montpellier, France Atwood thrilled the populace of [email protected] Chicago. This machine, built to ac- commodate a dozen spectators, took up a concept popular in the eigh- teenth century: that of turning stel- lariums. The impact was consider- able. It sparked the genesis of modern planetariums, leading 10 years lat- er to an invention by Bauersfeld, engineer of the Zeiss Company, the Deutsche Museum in Munich. Since ancient times, mankind has sought to represent the sky and the stars. Two trends emerged. First, stars and constellations were easy, especially drawn on maps or globes. This was the case, for example, in Egypt with the Zodiac of Dendera or in the Greco-Ro- man world with the statue of Atlas support- ing the sky, like that of the Farnese Atlas at the National Archaeological Museum of Na- ples. But things were more complicated when it came to include the sun, moon, planets, and their apparent motions. Ingenious mecha- nisms were developed early as the Antiky- thera mechanism, found at the bottom of the Aegean Sea in 1900 and currently an exhibi- tion until July at the Conservatoire National des Arts et Métiers in Paris. During two millennia, the human mind and ingenuity worked constantly develop- ing and combining these two approaches us- ing a variety of media: astrolabes, quadrants, armillary spheres, astronomical clocks, co- pernican orreries and celestial globes, cul- minating with the famous Coronelli globes offered to Louis XIV. -
The Dark Shades of the Antikythera Mechanism
Journal of Radioanalytical and Nuclear Chemistry https://doi.org/10.1007/s10967-018-6255-9 (0123456789().,-volV)(0123456789().,-volV) The dark shades of the Antikythera Mechanism 1 2 3 Aristeidis Voulgaris • Christophoros Mouratidis • Andreas Vossinakis Received: 19 June 2018 Ó Akade´miai Kiado´, Budapest, Hungary 2018 Abstract In this work we analyze the dark shades which are evident on the AMRP X-ray positive Computed Tomographies and Radiographies of the Antikythera Mechanism ancient prototype. During 2000 years under the sea, the Mechanism bronze parts were totally corroded. The decreased X-ray absorption of the corroded bronze, allowed the CTs capture even in the thick large side of Fragment A. During the photometric analysis of the CTs, apart from corroded bronze, at least two other different (corroded) metal materials were detected, which were used by the ancient manufacturer during the construction of the Antikythera Mechanism. From our analysis and correlating with the mechanical evidence resulting by the use of our functional reconstruction models of the Antikythera Mechanism, we conclude that the existing design of the Antikythera Mechanism is probably the first of such a sophisticated design of the ancient manufacturer. Keywords Metals of Antikythera Mechanism Á Bronze corrosion Á Atacamite X-ray absorption Introduction Mechanism via the 2D X-ray and Thulium 170 radiation began by C. Karakalos of National Centre of Scientific The Antikythera Mechanism was found in 1901, in a Research ‘‘Demokritos’’ (Greece), in the 1970s. Karakalos shipwreck at 50 m depth, on a gulf of Antikythera island, took several film radiographies @160 keV [3]. The first Greece, by Symian sponge divers. -
I. ASYMMETRY of ECLIPSES. CALENDAR CYCLES Igor Taganov & Ville-V.E
I. ASYMMETRY OF ECLIPSES. CALENDAR CYCLES Igor Taganov & Ville-V.E. Saari 1.1 Metaphysics of solar eclipses p. 12 1.2 Calendar cycles of solar eclipses p. 20 Literature p. 26 To describe the two main types of solar eclipses in modern astronomy the old Latin terms – umbra, antumbra and penumbra are still used (Fig. 1.1). A “partial eclipse” (c. 35 %) occurs when the Sun and Moon are not exactly in line and the Moon only partially obscures the Sun. The term “central eclipse” (c. 65 %) is often used as a generic term for eclipses when the Sun and Moon are exactly in line. The strict definition of a central eclipse is an eclipse, during which the central line of the Moon’s umbra touches the Earth’s surface. However, extremely rare the part of the Moon’s umbra intersects with Earth, producing an annular or total eclipse, but not its central line. Such event is called a “non-central” total or annular eclipse [2]. Fig. 1.1. Main types of solar eclipses The central solar eclipses are subdivided into three main groups: a “total eclipse” (c. 27 %) occurs when the dark silhouette of the Moon completely obscures the Sun; an “annular eclipse” (c. 33 %) occurs when the Sun and Moon are exactly in line, but the apparent size of the Moon is smaller than that of the Sun; a “hybrid eclipse” or annular/total eclipse (c. 5 %) at certain sites on the Earth’s surface appears as a total eclipse, whereas at other sites it looks as annular. -
Roll 5, Side A
doi: 10.1038/nature07130 SUPPLEMENTARY INFORMATION Correction notice Calendars with Olympiad display and eclipse prediction on the Antikythera Mechanism Tony Freeth, Alexander Jones, John M. Steele & Yanis Bitsakis Nature 454, 614–617 (2008) In the version of the Supplementary Information originally posted online, there were minor errors in Supplementary Figs 20 and 25. In Supplementary Fig. 20, some glyphs were accidently omitted between months 26 and 67; in Supplementary Fig. 25, seven glyphs in the left-hand semicircle were inscribed one month too early. These have been corrected in the new version of the Supplementary Information; see Supplementary Information Table of Contents for details. doi: 10.1038/nature07130 SUPPLEMENTARY INFORMATION Calendars with Olympiad display and eclipse prediction on the Antikythera Mechanism SUPPLEMENTARY NOTES Tony Freeth1,2, Alexander Jones3, John M. Steele4 & Yanis Bitsakis1,5 1 Antikythera Mechanism Research Project, 3 Tyrwhitt Crescent, Roath Park, Cardiff CF23 5QP, UK. 2 Images First Ltd, 10 Hereford Road, South Ealing, London W5 4SE, UK. 3 Institute for the Study of the Ancient World, 15 East 84th Street, New York, NY 10028, USA. 4 Department of Physics, University of Durham, Rochester Building, South Road, Durham DH1 3LE, UK. 5 Centre for History and Palaeography, 3, P. Skouze str., GR-10560 Athens, Greece www.nature.com/nature doi: 10.1038/nature07130 SUPPLEMENTARY INFORMATION Calendars with Olympiad display and eclipse prediction on the Antikythera Mechanism Supplementary Notes Table of Contents TABLE OF CONTENTS 1. OVERVIEW OF THE ANTIKYTHERA MECHANISM 1 1.1 The Fragments 1 1.2 The Architecture of the Mechanism 1 2. DATA ACQUISITION & ANALYSIS 4 2.1 Data Acquisition 4 2.2 Data Analysis 5 3. -
94 Erkka Maula
ORGANON 15 PROBLÊMES GENERAUX Erkka Maula (Finland) FROM TIME TO PLACE: THE PARADIGM CASE The world-order in philosophical cosmology can be founded upon time as well as .space. Perhaps the most fundamental question pertaining to any articulated world- view concerns, accordingly, their ontological and epistemological priority. Is the basic layer of notions characterized by temporal or by spatial concepts? Does a world-view in its development show tendencies toward the predominance of one set of concepts rather than the other? At the stage of its relative maturity, when the qualitative and comparative phases have paved the way for the formation of quantitative concepts: Which are considered more fundamental, measurements of time or measurements of space? In the comparative phase: Is the geometry of the world a geometry of motion or a geometry of timeless order? In the history of our own scientific world-view, there seems to be discernible an oscillation between time-oriented and space-oriented concept formation.1 In the dawn, when the first mathematical systems of astronomy and geography appear, shortly before Euclid's synthesis of the axiomatic thought, there were attempts at a geometry of motion. They are due to Archytas of Tarentum and Eudoxus of Cnidus, foreshadowed by Hippias of Elis and the Pythagoreans, who tend to intro- duce temporal concepts into geometry. Their most eloquent adversary is Plato, and after him the two alternative streams are often called the Heraclitean and the Parmenidean world-views. But also such later and far more articulated distinctions as those between the statical and dynamic cosmologies, or between the formalist and intuitionist philosophies of mathematics, can be traced down to the original Greek dichotomy, although additional concepts entangle the picture. -
Kytherian Newsletter November 2011
Page 888 The KYTHERIAN, NOVEMBER 2011 ANCIENT GREEK TECHNOLOGY: THE ANTIKYTHERA MECHANISM Dr Amelia R Brown looks at ancient technology, and how it's affected modern technology The last two decades are generally described as an era of technology, characterised by the rapid development and global distribution of new technologies, especially in relation to transportation, by land or by sea. The ancient Greeks, however, are often described as overly traditional when it comes to technology, as they did not achieve modern levels of industrialisation. However the Antikythera Mechanism has been influential in changing opinions about ancient technology, as it is the most sophisticated geared machine to survive from Antiquity: a veritable primitive computer. Before its discovery on a shipwreck off the island of Antikythera in 1900, the existence of devices like it was hardly dreamed of, and in recent years it has been subjected to a battery of modern tests, though it is surely hiding secrets still (see Marchant's Decoding the Heavens. Three things seem clear, however, about ancient Greek technology, and about the Antikythera Mechanism. First, the Greeks knew how to work in bronze to a very high level of sophistication. Second, the Antikythera Mechanism derives from a context related to the city of Corinth, the origin for the names of the months on its dials, and the Greek city most famous for its bronze work. Finally, the mechanism was created to fulfil a perceived need in Greek society of its time, surely through incremental developments in technology, and NOT necessarily to fulfil the 'needs' which we perceive in our society today and which can be fulfilled by our technology. -
Hermes and Dionysos at Olympia and the Antikythera Shipwreck
Hermes and Dionysos at Olympia and the Antikythera Shipwreck Since its discovery in 1877 at Olympia, the marble group of Hermes and baby Dionysos has generated controversy. Is the composition Classical, an original work by the fourth-century sculptor Praxiteles (according to Pausanias), is it a Hellenistic or later copy of his lost original, or is it a Roman statue with no connection to the Athenian sculptor ? Right now, the pendulum of opinion appears to be swinging back to the fourth-century scenario. This argument rests in part on the assumption that the sculpture is made of Parian marble, although no scientific testing has been done. According to Palagia, the work would then be fourth-century or early Hellenistic, because Parian marble was not used much at Olympia after this time, supporting the Praxitelean attribution. Furthermore Stewart has argued that the baby god resembles Classical parallels. There may be another approach to this problem. Hermes’ body, highly polished in front, was originally finished smooth but matte in back. The drapery cascading over the tree trunk on the god’s left side is plastically dimpled. A thick square strut connects the trunk to the figure’s left leg. The marble may be Parian. A look at marbles retrieved from the Antikythera shipwreck may provide clues to the origins of Hermes and Dionysos. Carved from Parian marble, statues preserving their original surface, like a crouching boy (Athens, NM inv. no. 2773) were highly polished in front, with a matte finish in back. Large square struts supported the boy’s pose. A drapery fragment from the wreck (Athens, NM inv.