Black History and Culture Inventory List Please Use This List to Check Off Items Before Returning the Kit to Milner Library
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From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, Or the Legacy of Ishmael
Georgia State University ScholarWorks @ Georgia State University English Faculty Publications Department of English 2012 From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, or The Legacy of Ishmael Elizabeth J. West Georgia State University, [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/english_facpub Part of the English Language and Literature Commons Recommended Citation West, Elizabeth J., "From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, or The Legacy of Ishmael" (2012). English Faculty Publications. 15. https://scholarworks.gsu.edu/english_facpub/15 This Article is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, or The Legacy of Ishmael” Dr. Elizabeth J. West Dept. of English—Georgia State Univ. Nov. 2010 “Call me Ishmael,” Herman Melville’s elusive narrator instructs readers. The central voice in the lengthy saga called Moby Dick, he is a crewman aboard the Pequod. This Ishmael reveals little about himself, and he does not seem altogether at home. As the narrative unfolds, this enigmatic Ishmael seems increasingly out of sorts in the world aboard the Pequod. He finds himself at sea working with and dependent on fellow seamen, who are for the most part, strange and frightening and unreadable to him. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
The Harlem Renaissance
THE HARLEM RENAISSANCE P&L 863-Rama Ndiaye[Type text] Page 1 Curriculum Development Project OVERVIEW The Harlem Renaissance was a period in which black intellectuals, poets, musicians and writers explored their cultural identity. In a society where racism was prevalent African Americans lacked economic opportunities. The creation of art, music and poetry was not only a way to economically uplift the race but also to demonstrate racial pride. The cultural movement started at the end of the First World War and ended in the middle of the Great Depression in the 1930s. Many argue that the War expanded economic opportunity in Northern cities because of industrialization and the decrease of European immigrants coming into the United States. The Great Migration in the beginning of the 20th century also played a big role in the birth of the cultural movement. African Americans in the South were experiencing social, cultural and economic oppression so when they found opportunities to escape Jim Crow laws they took their chances. The lack of a political voice and the prevalent racial hatred led many African Americans to express themselves via artistic means. Alain Locke, an African American writer, was the first to come up with the term “New Negro” talking about a spur of young black artist who were going to change the African American culture by demonstrating that their people were not subservient, good for nothing cretins. Other intellectuals such as W.E.B. Du Bois and James Weldon Johnson aided in the expansion of the movement by being spokespeople for the literary youth. -
The Attucks Theater September 4, 2020 | Source: Theater/ Words by Penny Neef
Spotlight: The Attucks Theater September 4, 2020 | Source: http://spotlightnews.press/index.php/2020/09/04/spotlight-the-attucks- theater/ Words by Penny Neef. Images as credited. Feature image by Mike Penello. In the early 20th century, segregation was a fact of life for African Americans in the South. It became a matter of law in 1926. In 1919, a group of African Americans from Norfolk and Portsmouth met to develop a cultural/business center in Norfolk where the black community “could be treated with dignity and respect.” The “Twin Cities Amusement Corporation” envisioned something like a modern-day town center. The businessmen obtained funding from black owned financial institutions in Hampton Roads. Twin Cities designed and built a movie theater/ retail/ office complex at the corner of Church Street and Virginia Beach Boulevard in Norfolk. Photo courtesy of the family of Harvey Johnson The businessmen chose 25-year-old architect Harvey Johnson to design a 600-seat “state of the art” theater with balconies and an orchestra pit. The Attucks Theatre is the only surviving theater in the United States that was designed, financed and built by African Americans. The Attucks was named after Crispus Attucks, a stevedore of African and Native American descent. He was the first patriot killed in the Revolutionary War at the Boston Massacre of 1770. The theatre featured a stage curtain with a dramatic depiction of the death of Crispus Attucks. Photo by Scott Wertz. The Attucks was an immediate success. It was known as the “Apollo Theatre of the South.” Legendary performers Cab Calloway, Count Basie, Duke Ellington, Ella Fitzgerald, Sarah Vaughn, Nat King Cole, and B.B. -
Fighting Segregation, Teaching Multiculturalism: the Beginning of the Education/Instruccion Narrative of the 1970S Hartford Civil Rights Movement
Trinity College Trinity College Digital Repository Papers and Publications Cities, Suburbs, and Schools Project 6-2010 Fighting Segregation, Teaching Multiculturalism: The Beginning of the Education/Instruccion Narrative of the 1970s Hartford Civil Rights Movement Jasmin Agosto Trinity College Follow this and additional works at: https://digitalrepository.trincoll.edu/cssp_papers Part of the Education Commons Recommended Citation Agosto, Jasmin. “Fighting Segregation, Teaching Multiculturalism: The Beginning of the Education/ Instruccion Narrative of the 1970s Hartford Civil Rights Movement”. Educational Studies Senior Research Project, Hartford, Connecticut: Trinity College, 2010. Available from the Trinity College Digital Repository, Hartford, Connecticut (http://digitalrepository.trincoll.edu) FIGHTING SEGREGATION, TEACHING MULTICULTURALISM: The Beginning of the Education/Instrucción Narrative of the 1970s Hartford Civil Rights Movement REVISED June 8, 2010 Investigated by Aspiring Local Historian Jasmin E. Agosto For Educational Studies Senior Research Seminar Trinity College, Hartford, CT Fall/Spring 2009-10 PLEASE SEND COMMENTS to author at [email protected] Or Jasmin Agosto,39 Arnold Street, Hartford, CT 06106 WEB OF POWER: MAPPING INSTITUTIONAL RACISM The year was 1970. Three eager individuals gathered in a small recently bought storefront office space at 1170 Albany Avenue1 in the North End of Hartford. They were focused. They were determined to deeply investigate, unearth, and eliminate institutional racism in the city of Hartford. The first step was this map of where it was at – locating power. They cut pieces of paper with lists of the Boards of Directors of all the major corporations in Hartford – the insurance companies, the banks, the real estate agencies. Gluing names on the wall they realized that names were repeated on Boards across companies. -
BLACK HISTORY – PERTH AMBOY PUBLIC SCHOOLS Black History in Kindergarten
BLACK HISTORY – PERTH AMBOY PUBLIC SCHOOLS Black History in Kindergarten Read and Discuss and Act out: The Life's Contributions of: Ruby Bridges Bill Cosby Rosa Parks Booker T. Washington Dr. Martin Luther King Jr. Jackie Robinson Louie Armstrong Wilma Rudolph Harriet Tubman Duke Ellington Black History in 1st Grade African Americans Read, Discuss, and Write about: Elijah McCoy, Booker T. Washington George Washington Carver Mathew Alexander Henson Black History in 2nd Grade Select an African American Leader Students select a partner to work with; What would you like to learn about their life? When and where were they born? Biography What accomplishments did they achieve in their life? Write 4-5 paragraphs about this person’s life Black History 3rd & 4th Graders Select a leader from the list and complete a short Biography Black History pioneer Carter Godwin Woodson Boston Massacre figure Crispus Attucks Underground Railroad leader Harriet Tubman Orator Frederick Douglass Freed slave Denmark Vesey Antislavery activist Sojourner Truth 'Back to Africa' leader Marcus Garvey Nation of Islam leader Elijah Muhammad Legal figure Homer Plessy NAACP founder W. E. B. Du Bois Murdered civil rights activist Medgar Evers Civil rights leader Dr. Martin Luther King, Jr. Civil rights leader Coretta Scott King Bus-riding activist Rosa Parks Lynching victim Emmett Till Black History 3rd & 4th Graders 'Black Power' advocate Malcolm X Black Panthers founder Huey Newton Educator Booker T. Washington Soul On Ice author Eldridge Cleaver Educator Mary McLeod Bethune Supreme Court justice Thurgood Marshall Colonial scientist Benjamin Banneker Blood bank pioneer Charles Drew Peanut genius George Washington Carver Arctic explorer Matthew Henson Daring flier Bessie Coleman Astronaut Guion Bluford Astronaut Mae Jemison Computer scientist Philip Emeagwali Nobel Peace Prize winner Wangari Maathai Black History 3rd & 4th Graders Brain surgeon Ben Carson U.S. -
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY QUESTION ANSWER Along the Gulf Coast of Louisiana, what type of music is played 1 Arts with the accordion? Zydeco 2 Arts Who wrote "Their Eyes Were Watching God" ? Zora Neale Hurston Which one of composer/pianist Anthony Davis' operas premiered in Philadelphia in 1985 and was performed by the X: The Life and Times of 3 Arts New York City Opera in 1986? Malcolm X Since 1987, who has held the position of director of jazz at 4 Arts Lincoln Center for the Performing Arts in New York City? Wynton Marsalis Of what profession were Langston Hughes, Zora Neale Hurston, and Countee Cullen, major contributors to the Harlem 5 Arts Renaissance? Writers Who wrote Clotel , or The President’s Daughter , the first 6 Arts published novel by a Black American in 1833? William Wells Brown Who published The Escape , the first play written by a Black 7 Arts American? William Wells Brown 8 Arts What is the given name of blues great W.C. Handy? William Christopher Handy What aspiring fiction writer, journalist, and Hopkinsville native, served as editor of three African American weeklies: the Indianapolis Recorder , the Freeman , and the Indianapolis William Alexander 9 Arts Ledger ? Chambers 10 Arts Nat Love wrote what kind of stories? Westerns Cartoonist Morrie Turner created what world famous syndicated 11 Arts comic strip? Wee Pals Who was born in Florence, Alabama in 1873 and is called 12 Arts “Father of the Blues”? WC Handy Georgia Douglas Johnson was a poet during the Harlem Renaissance era. -
Crispus Attucks Museum Unit #3: School Segregation and Desegregation of Indianapolis Public Schools Grades:Grade 11/ Subject: U.S
Crispus Attucks Museum Unit #3: School Segregation and Desegregation of Indianapolis Public Schools Grades:Grade 11/ Subject: U.S. Teacher: Grade 12 History/U.S. Government Duration: 30 minutes (each) Day(s) 1 Lesson #: 1 of 2 Standards: Grade 11 – U.S. History after 1877 USH.6.2 Summarize and assess the various actions which characterized the early struggle for civil rights (1945-1960). USH.6.3 Describe the constitutional significance and lasting societal effects of the United States Brown v. Board of Education Supreme Court case. USH.6.4 Summarize key economic and social changes in post-WW II American life. USH.9.1 Identify patterns of historical succession and duration in which historical events have unfolded and apply them to explain continuity and change. USH.9.2 Locate and analyze primary sources and secondary sources related to an event or issue of the past; discover possible limitations in various kinds of historical evidence and differing secondary opinions. USH.9.4 Explain issues and problems of the past by analyzing the interests and viewpoints of those involved. Grade 12 – U.S. Government USG.1.9 Evaluate how the United States Constitution establishes majority rule while protecting minority rights and balances the common good with individual liberties. USG.2.8 Explain the history and provide historical and contemporary examples of fundamental principles and values of American political and civic life, including liberty, security, the common good, justice, equality, law and order, rights of individuals, diversity, popular sovereignty, and representative democracy. USG.5.2 Analyze the roles and responsibilities of citizens in Indiana and the United States. -
Truth Systematised" : the Changing Debate Over Slavery and Abolition, 1761-1916 Robert P
University of Connecticut OpenCommons@UConn Torrington Articles Torrington 2011 “Truth Systematised" : the changing debate over slavery and abolition, 1761-1916 Robert P. Forbes University of Connecticut - Torrington, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/torr_articles Part of the American Studies Commons, and the United States History Commons Recommended Citation Forbes, Robert P., "“Truth Systematised" : the changing debate over slavery and abolition, 1761-1916" (2011). Torrington Articles. 1. https://opencommons.uconn.edu/torr_articles/1 ―TRUTH SYSTEMATISED‖: THE CHANGING DEBATE OVER SLAVERY AND ABOLITION, 1761-1916 Robert P. Forbes Yale University “The study of historiography serves to remind us to accept our predecessors only after due criticism. We must ask, „Why was that problem investigated? Why was that method chosen?‟ before we decide if the results are correct or incorrect, stimulating or barren. Similarly, the study of historiography reminds us (as historians) that we are part of the subject we profess, just as our predecessors have always been.” --F.G. Levy, ―Foreward‖ to The Theory and Practice of History by Leopold von Ranke It is obvious to every unprejudiced observer—and even to many prejudiced ones1—that the legacy of racial slavery persists on many levels. A growing movement in the United States and elsewhere is calling for reparations to compensate the descendants of slaves for the economic and other damages inflicted upon them by slavery. A wide range of studies has linked the continuing disparity in levels of health, economic well- being, and educational attainments between Americans of African ancestry and other Americans to factors originating in slavery, though whether the factor of enslavement is causative of the problem or secondary—i.e. -
African American Resource Guide
AFRICAN AMERICAN RESOURCE GUIDE Sources of Information Relating to African Americans in Austin and Travis County Austin History Center Austin Public Library Originally Archived by Karen Riles Austin History Center Neighborhood Liaison 2016-2018 Archived by: LaToya Devezin, C.A. African American Community Archivist 2018-2020 Archived by: kYmberly Keeton, M.L.S., C.A., 2018-2020 African American Community Archivist & Librarian Shukri Shukri Bana, Graduate Student Fellow Masters in Women and Gender Studies at UT Austin Ashley Charles, Undergraduate Student Fellow Black Studies Department, University of Texas at Austin The purpose of the Austin History Center is to provide customers with information about the history and current events of Austin and Travis County by collecting, organizing, and preserving research materials and assisting in their use. INTRODUCTION The collections of the Austin History Center contain valuable materials about Austin’s African American communities, although there is much that remains to be documented. The materials in this bibliography are arranged by collection unit of the Austin History Center. Within each collection unit, items are arranged in shelf-list order. This bibliography is one in a series of updates of the original 1979 bibliography. It reflects the addition of materials to the Austin History Center based on the recommendations and donations of many generous individuals and support groups. The Austin History Center card catalog supplements the online computer catalog by providing analytical entries to information in periodicals and other materials in addition to listing collection holdings by author, title, and subject. These entries, although indexing ended in the 1990s, lead to specific articles and other information in sources that would otherwise be time-consuming to find and could be easily overlooked. -
Patrick-Rael-Cv.Pdf
Patrick Rael Department of History (207) 725-3775 Bowdoin College [email protected] Brunswick, Maine 04011-8499 http://www.bowdoin.edu/faculty/p/prael/index.shtml Appointments Department of History, Bowdoin College, Brunswick, Maine Full Professor (July 2014) Department Chair (July 2008 - June 2011) Associate Professor with tenure (July 2001 - June 2014) Tenure-track Assistant Professor (July 1995 - June 2001) Selected courses taught The History of African Americans to 1865 The History of African Americans from 1865 to the present The Civil War Era Reconstruction The Civil War in Film Comparative Slavery and Emancipation The United States in the Nineteenth Century War and Society, 1415-present Research seminar in Nineteenth-Century American History Research seminar in African-American History Diversity in America Education Ph.D. American History, University of California, Berkeley, December 1995 M.A. History, University of California, Berkeley, December 1990 B.A. History, University of Maryland, College Park, August 1988 Fellowships, Awards, and Honors Center for Learning and Teaching Faculty Fellow, Bowdoin College, Brunswick, Maine, 2018 Mellon Digital Humanities Teaching Fellowship, Bowdoin College, Brunswick, Maine, 2017 Sabbatic Leave Fellowship, Bowdoin College, Brunswick, Maine, July 1, 2016 - June 30, 2017 Sabbatic Leave Fellowship, Bowdoin College, Brunswick, Maine, July 1, 2011 - June 30, 2012 National Endowment for the Humanities Summer Institute, "Slaves, Soldiers, Rebels: Black Resistance in the Tropical Atlantic, 1760-1888," Johns Hopkins University, Baltimore, Maryland, June 27 - July 29, 2011 Organization of American Historians Distinguished Lecturer, 2010-present Slavery, Abolition, and Resistance Postdoctoral Associate Fellowship, Gilder Lerhman Center, 2005 Faculty Leave Supplement, Bowdoin College, 2005 - 2006 Fellowship for Younger Scholars, Center for the Study of American Religion, Princeton University, 1998 - 1999 American Historical Association and Library of Congress, J. -
The Harlem Renaissance African-Americans After the Civil War • up Until the Civil War, African Americans Lived in the United States As Slaves
Unit #4: The Changing Face of America (1890 – 1920s) Part 3: The Harlem Renaissance African-Americans after the Civil War • Up until the Civil War, African Americans lived in the United States as slaves. • After the war and the Emancipation Proclamation, African Americans had to shatter the stereotypes projected upon them by their slave ancestry. • They were seen as individuals who were incompetent and docile, and they were viewed as an inferior race, especially intellectually. • The nation gave African Americans this unpopular image, and unfortunately, many African Americans believed it. Rise of the “Black Movement” • Due to the systematic oppression that African Americans as a whole suffered from after the Civil War, many also suffered from self-hatred and low self- esteem. • They were so devalued that they began to internalize the stigma placed upon them by the broader European society. • It wasn't until the rise of the Black Movement, otherwise known as the Harlem Renaissance, did the African American begin to fully liberate himself from society's standards. • It was during this period of time in the 1920s that the "New Negro" emerged and racial identity became the popular topic of many African-American authors. Background of the Harlem Renaissance • African American artists, writers, musicians, and performers were all part of this great cultural movement called the Harlem Renaissance. • After World War I many African Americans migrated from the rural South to the urban North. This movement is called “The Great Migration.” • African Americans of all ages and walks of life moved to the thriving New York City neighborhood called Harlem.