Pressemitteilung Thalia Theater Juni, Juli, August 2013
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Music - Best of Both Worlds - Phoenixnewtimes.Com Page 1 of 3
Phoenix - Music - Best of Both Worlds - phoenixnewtimes.com Page 1 of 3 c a b Music m Monday, February 12, 2007 r r j NEWS BLOGS RESTAURANTS ENTERTAINMENT MUSIC MOVIES BEST OF CLASSIFIED PROMOTIONS SEARCH AD INDEX p a s write to the editor | email a friend | print article Most Popular Most Viewed Most Emailed Music Best of Both Worlds The Curse Camping with Cracker Here's why the Cardinals have sucked forever, and why they might never suck again By Ed Masley Published: February 8, 2007 Boob's Tube Here's how publicity hound Joe Arpaio used a TV David Lowery lost his share of fans when he followed his days station to try to destroy rival Dan Saban with a bogus rape claim at the helm of one of independent rock's most willfully A Cancer on ASU eccentric acts — Camper Van Beethoven — with Cracker, a far Could Bob Pettit have cured cancer in his lifetime? more conventional roots-rock band in slacker-rock clothing. Of We might never know, thanks to nasty university politics course, as often happens when your second act is even slightly C The Real Rip-Off Report more conventional, he also gained a lot of fans. The concert Ed Magedson calls himself an advocate. His enemies call him an extortionist film Cracker & Camper Beethoven: The First Annual Camp Out Live (Pitch-A-Tent/MVD) is aimed at those open-minded Heaven Can Wait Served by the bell enough to appreciate both sides of the Lowery legacy, as captured live in 2005 at something called Pappy and Harriet's Pioneertown Palace in the California desert. -
Milkmen's Serenade
e - ' ------------ ~ t . --=-==:7 "-~ '• Ahem, rock 'n' roll fans and practitioners. We hold this truth to be self-evident: That money can't buy you love, but it can certainly buy you ~--~~- . "=--~= .----=- ~ ---::-:....~ .-: :: a hit when applied in the right places. And a hit single, as we all know, is the apex of suc cess, the brick and mortar of fame, fortune and a fabulous sex life. But what if you've rejected that scenario for ~~--'-'"'- - - ~ - =--c_ - ~ - - ·•--'*"'.:""' "'" tr & &&'':.·;iiiisMi ~~!rt'-- one you think has more honor: the indepen dent label route, and all that that engenders? What if success to you consists of putting out your own records, playing hard-won gigs touring america for less than around the country, touring in a van, sleeping $12.06 a day, according to on floors, getting heard on college radio and camper van beethoven, the mentioned in the Village Voice? What kind of money does that sort of career accrue? Is it dead .milkmen and dag nasty even worth pursuing, in a purely monetary sense? by -gina arnold illustration by ju lie ross I --- I ·- - -----47'"~ ·.. \ , ---- \r J. ----- ------- - -t1' -··~ -.. -=-~=: - lli1 Well, on the indie-label front, you can make Truth is, the independent record industry money at it, if you are so inclined: enough to serves as an unorganized farm team system live on, enough to pay taxes on, enough to for the majors-a system whose players have appease your parents, enough-in some fewer allegiances and make less profit than cases-even to get your own Visa. But no those in the big leagues. -
RHAPSODY INTERNATIONAL, 24 INC., a Delaware Corporation, 25 Defendant
Case 4:16-cv-01135-JSW Document 1 Filed 03/07/16 Page 1 of 61 1 Sanford L. Michelman (SBN 179702) smicheln1an mrll .com 2 MonaZ. Hanna N 131439) mhanna~mrllt.com 3 Melanie atas a Howard (SBN 250936) mhoward~mr~.con1 4 MICHELA& ROBINSON, LLP 17901 Von I(arman A venue, 1Oth Floor 5 Irvine, CA 92614 Telephone: (714) 557-7990 6 Facsimile: (714) 557-7991 7 David C. Lee (SBN 193743) dlee mrll .com 8 I se . Scott SBN 233433) iscot~mr*t.com 9 MIC ELAN & ROBINSON, LLP 10 One Post Street, Suite 2500 San Francisco, CA 94104 11 Telephone: (415) 882-7770 Facsimile: (415) 882-1570 12 Attorneys for Plaintiffs and Proposed Class 13 14 UNITED STATES DISTRICT COURT 15 FOR THE NORTHERN DISTRICT OF CALIFORNIA 16 17 DAVID LOWERY, VICTOR Case No.: 18 KRUMMENACHER, GREG LISHER; and DAVID FARAGHER, individually 19 and on behalf of themselves and all CLASS ACTION COMPLAINT FOR DAMAGES AND INJUNCTIVE 20 others similarly situated, RELIEF 21 Plaintiffs, DEMAND FOR JURY TRIAL 22 v. 23 RHAPSODY INTERNATIONAL, 24 INC., a Delaware corporation, 25 Defendant. 26 27 Plaintiffs David Lowery, Victor Ivummenacher, Greg Lisher, and David 28 Faragher (collectively "Plaintiffs"), individually and on behalf of themselves and all 1 CLASS ACTION COMPLAINT 24493 Case 4:16-cv-01135-JSW Document 1 Filed 03/07/16 Page 2 of 61 1 those similarly situated (each, a "Class Member" and, collectively, the "Class") 2 allege as follows: 3 NATURE OF THE ACTION 4 1. This is a class action brought by Plaintiffs, on behalf of themselves and 5 the numerous other similarly-situated holders of mechanical rights in copyrighted 6 musical works that Defendant Rhapsody International, Inc. -
Is on the Rise
I~: n? ~; C) . /5 () U, . (} /',i (1\ r' (' h i v (' <; ) Orion " ;!~: J J " Mil Y 11, I <)1!fl ,j" ~e('t';'i vpd (III: 11~)-l:1tl-H!.I Em.ploYDlent 1/ .~ UI 1/1 r1 Ire R1\ r~ y - c s u , CII 11: 0 I; Is on the Rise II by Kathy Micheli hiring in most industries, and it large percentage of students find Assistant News Editor only slowed financial service finn good jobs throuJ,!h contacts, recruiting, according to the direc friends and relatives. If opportunity knocks, Chico tor of Stanford's corporate re The old saying, "It's not what State students may find thelll cruiting program. you know, it's who you know," selves answering the door more Before students expect teo doesn't really apply when job frequently this spring; with un much from the job marllCt this hunting, Lerch said. "You have to California State University, Chico Vol. 20 Issue 13, May 4,1988 employment at its lowest since spring, Lerch said it's not as great know something." But, he added, the 1970s, college graduates face as it has been in the past. and it helps to know people as well. perhaps one of the strongest job markets in years. According to an article in the San Francisco Chronicle, the Stale Air plagues buildings number of employed residents in "Tight Building Syndrome: a phenomenon exlsllng In the Bay Area rose by nearly campus air-tight buildings, may be causing health 40,000 since last year, and job : I problems for faculty, staff and students. -
Sparklehorse Spring 1999 Tour Diary Part 1
Sparklehorseplay Page 1 of 6 Sparklehorse Spring 1999 tour diary part 1 The South Rises Again? This tour diary is entirely the fault of one musician, and is not sanctioned by Sparklehorse Inc. You may believe that the characters are fictitious if you like.... Well, it all starts with a show in San Francisco, Victor Krummenacher and Alison Faith Levy at the Hotel Utah March 6th 1999. I played a couple songs with Alison and then the whole set with Victor, we got back to Victor's at about 3am, so I dozed in a chair 'til 5 when the shuttle came to pick me up to take me to the airport. a short layover in chicago, many people stranded by the weather there, but i got safely to Richmond, VA. where eventually i got picked up by Scott Minor and Mark Linkous in Mark's old diesel Mercedes wagon. out to the farm in Dillwyn to rehearse. on th eway we pick up a new instrument for Mark, a nylon string guitar that he is having a pickup put into. Already at the farm is David Dreiwitz, our new bass player. I met Dave originally may years ago when i was playing with Camper Van Beethoven and he was playing with Tiny Lights, but recently re - met him while doing shows in NY last fall with John Kruth. Dave also plays with Ween. So the band is Mark on guitar and singing and other weird sounds, Scott on drums and sampler, Dave on electric and acoustic bass, me (Jonathan) on guitar, violin, keyboards and glockenspiel, with both Dave and I singing background vocals. -
Cid Pearlman/Performance Projects This Is What We Do in Winter Saturday and Sunday, May 19 (9PM) & 20 (5PM), 2012
For Immediate Release Contact: Cid Pearlman April 3, 2012 [email protected] 831-332-4956 www.cidpearlman.org The San Francisco International Arts Festival presents: Cid Pearlman/Performance Projects This is what we do in winter Saturday and Sunday, May 19 (9PM) & 20 (5PM), 2012 Choreographer Cid Pearlman’s This is what we do in winter features dancers from Estonia and the United States, performing to an original score by composer Jonathan Segel (Camper Van Beethoven). Starting as strangers – foreign bodies in the same room – this international collaboration reflects on the process of getting to know each other during the long dark Estonian winter. San Francisco is the company’s second stop on a mini-tour of California. Performances at the San Francisco International Arts Festival are May 19, 9:00pm, and May 20, Sunday, 5:00pm, Marines’ Memorial Theater, 609 Sutter Street, San Francisco, 94102. Tickets: $12-$30, http://www.sfiaf.org. Also on the program are Post Ballet (USA) and Susanna Leinonen Company (Finland). Pearlman’s “…intelligent, sensual choreography…” (SF Bay Guardian, 2011) foregrounds the individuality of the performer. Estonian dance critic Tiit Tuumalu writes: …This is what we do in winter continue(s) to haunt me...the simplicity of its culmination, brightness, impressionistic mood, soft humor, unconstrained-ness and dynamics were in beautiful harmony with the music by Jonathan Segel. (Postimees, 2010) During the 2009-10 academic year Pearlman was a Fulbright Scholar in Estonia, teaching at Tallinn University and collaborating with Estonian dance artists. One of the highlights was working with an extraordinary group of dancers – Rain Saukas, Tiina Mölder, Helen Reitsnik, Alexis Steeves and David King. -
2004 3Rd Annual Edgetone New Music Summit
2004 3rd Annual Edgetone New Music Summit This is the 3rd year for the Summit featuring some of the most creative and exploratory music of our time by the community of die- hard DIY self-motivated musicians of the West Coast. Heading this endeavor is saxophonist and sound artist Rent Romus. Romus not only administers Edgetone Records, one of the many artist run new music labels in California and part of U.I.R.C., but also curates the S.F. Luggage Store Gallery New Muisc Series, The S. F. SIMM Series, Outsound Presents… (an artist collective for live performance), the production board member for the SFAlt Festival, advisor for Big Sur Experimental Sound Shift, and founder and head of U.I.R.C. (The Ultra Independent Recording Coalition), an all artist run label distribution network. All the artists performing on the 2004 Edgetone New Music Summit reflect a wide range and genre busting exploration of new music from up and down the California coastline. PERFORMANCE SCHEDULE Thursday July 29th Luggage Store Gallery 1007 Market St. SF 8pm $6-10 THE ABSTRACTIONS –free form heavy death elctro improv Matt Davignon –(turntable/drum machine), Ernesto Diaz-Infante (guitar/voice), Philip Everett (drums/elec), Lance Grabmiller (laptop), Dina Emerson (voice), C.J. Reaven Borosque (noise), Marina Lazzara (guitar/voice), Bob Marsh (cello/voice), Marjorie Sturm (flute), Rent Romus (saxophones/elec) MARINA LAZZARA –solo voice guitar out-folk music Friday July 30th 21 Grand Gallery 449 B 23rd St, Oakland 9pm $6-10 miba with Kristin Miltner & Mark Bartscher –rhythmic granular textures harmonic washes dense noise laptops MATT DAVIGNON –½ speed music MARJORIE STURM –experimental film The Relief JONATHAN SEGEL/DINA EMERSON D duo –violin, electronics/voice soundscapes Saturday July 31st 21 Grand Gallery 449 B 23rd St, Oakland 9pm $6-10 SAY BOK GWAI (Alex Yeung/Andre Custodio) - Canto-Core Punk C. -
Rhythm & Blues...60 Deutsche
1 COUNTRY .......................2 BEAT, 60s/70s ..................69 OUTLAWS/SINGER-SONGWRITER .......23 SURF .............................81 WESTERN..........................27 REVIVAL/NEO ROCKABILLY ............84 WESTERN SWING....................29 BRITISH R&R ........................89 TRUCKS & TRAINS ...................31 INSTRUMENTAL R&R/BEAT .............91 C&W SOUNDTRACKS.................31 POP.............................93 COUNTRY AUSTRALIA/NEW ZEALAND....32 POP INSTRUMENTAL .................106 COUNTRY DEUTSCHLAND/EUROPE......33 LATIN ............................109 COUNTRY CHRISTMAS................34 JAZZ .............................110 BLUEGRASS ........................34 SOUNDTRACKS .....................111 NEWGRASS ........................36 INSTRUMENTAL .....................37 DEUTSCHE OLDIES112 OLDTIME ..........................38 KLEINKUNST / KABARETT ..............117 HAWAII ...........................39 CAJUN/ZYDECO ....................39 BOOKS/BÜCHER ................119 FOLK .............................39 KALENDER/CALENDAR................122 WORLD ...........................42 DISCOGRAPHIES/LABEL REFERENCES.....122 POSTER ...........................123 ROCK & ROLL ...................42 METAL SIGNS ......................123 LABEL R&R .........................54 MERCHANDISE .....................124 R&R SOUNDTRACKS .................56 ELVIS .............................57 DVD ARTISTS ...................125 DVD Western .......................139 RHYTHM & BLUES...............60 DVD Special Interest..................140 -
THE NORTHERNER Vol
THE NORTHERNER Vol. 15, No. 22 Northern Kentucky University Wednesday, March 25, 1987 Lady Norse dreams end in overtime by Dane Neumeister NKU's Lady Norscl986·87 basketball Texas State, 64·55. missed, and the game went mto overtime. Sport.t ed1t.or dream season came to on end Jaat Thurs The Lady Norse, after trailing 33-28 at Riding the momentum of their com· dny as New Haven overcame a four-point the half, rallied with an 11·1 spurt and, cback, the Lady Nome jumped out to an ~5 The bitterness a nd di sappointment of deficit in overtime to defeat NKU, 77-74 , with Lori Tyler's basket, tied the game at early 74-70 overtime lead, but was held an otherwise spectacular season showed in the NCAA Div ision II semifinals in 58 with 5:3 1 len to play. scoreless the rest of the ga me. clearly on the faces of the women's basket Springfie ld , Mass. New Hoven then took a 64 -62 lead New Haven's Charlene Taylor scored ball team. Plagued by poor free-throw shooting with 3:49 left, but senior guard Meli ssa with 1:56 remaining, and cut the NKU Meli ssa Wood , the senior who had led and costly turnovers in overtime, coach Wood evened the score with 3:24 to play. lead to 74 72. the Lady Norse the entire season, had Nancy Winstel's team finished the season New Haven grabbed the lead again, It was a t this poi nt that N KU's poor ~7 given it her all. -
PDF of CD Booklet
FSLN 26 8/21/06 2:30 AM Page 1 20O7 UPDATE Let’s start by listening to two of the most lasting voices to come out of punk. “Sandinista! would have been better as a double album … or a single album … or an EP.” — Joe Strummer “Most benefit albums are crappy, tossed-together, artistic botch-jobs that guilt you into coughing up for causes no one could really disagree with anyway – a feel-good rush of righteous concern that quickly fades to complacency and amnesia.” — Jon Langford FSLN 26 8/21/06 2:30 AM Page 3 There you have it, from two people who, in different ways, are heroes of this record: Strummer for lead- ing the band whose original work December 12, 2005, made this modest tribute possible, was the 25th anniversary Langford for going overboard of the release of Sandini- (recording two tracks, suggest- sta! In early 2003, trying ing other performers, painting the to avoid doing what I cover) in supporting the package was supposed to be doing in your hands. These two geniuses for a living, I spent way are warning against this project. Yet too much time thinking here we are. about doing something to On December 12, 1980, The Clash celebrate the anniversary. released Sandinista!, one of the most A party didn’t seem like ambitious records in the history the right thing. Someone of rock’n’roll. It wasn’t their best suggested I write a book record, their best-selling record, or about it. Only a few thou- even their most enjoyable record, sand words in, it was clear but it is an exciting, sprawling mess that I shouldn’t inflict that that I return to constantly. -
Derwood Love N Revenge
interested in working on a whole album with him. “He agreed so I took a break from the studio and headed back to my home town to do some more writing and a few months later I had another five song ideas so I was back in the studio for two more weeks,” he tells me. They now had six solid songs and he needed a break from the studio at this point to rest the musical part of his brain and he headed home again and began work on the last half of the album. It took Derwood another two Alchemy Studio’s Calgary who did all the drum and lead months to get some good ideas together then headed guitar work on the album by the way.” he explains to me. back to Calgary to finish recording the album. The guys DERWOOD The guys later had the style and sound that they both worked for another week and a half together and finally wanted for the album a sound template for the rest of finished the recordings. Derwood took another short the song ideas came pretty easily. He recycled a few of break of about a week or two then drove back to Calgary his older songs that he wrote when he was playing in to spend three solid days mastering with Jeff who also a grunge band and came up with a few new ideas. “I produced the album. would later return to Calgary for two more two week Looking forward to the future of this album and what long recording sessions and I finally had a professional the band will morph into, Derwood would like to be on studio album… and yes I’m very proud of it,” he smiles. -
Music Guide '89 for Big Play Match & Win Cash Prizes
Music Guide '89 For Big Play Match & Win Cash Prizes J ENUFF V NUFF (ATCO) RADIO & RECORDS 41 KATHY MATTEA (MERCURY) 1927 (ATLANTIC) V 1 MELISSA ETHERIDGE (ISLAND) V :t//1!K a .Y... r,i ,. _ : r 6 ' % .n; Gvti# . MICHAEL McDONALD (FEPRISE) V 10DB (CRUSH K -TEL) Y 3 MARY'S DANISH (CHAMELEON) A BANG TANGO P. (MECHANIC/MCA) A MARY CHAPIN CARPENTER (COLUMBIA/CBS NASHVILLE) 1- OUEENSRYCHE (EMI) V NONA HENDRYX (PRIVATE MUSIC) o r. ¡ 1t IA +. 11 -<. r o a f , S 'IIT ° 1:¿S*111110: il- z A BAD ENGLISH (EPIC) GREGSON A 8 COLLISTER (RHINO) \ i D.A.D (WB) ,41/ i I 4 4 / A RICHARD SOUTHER (NARADA) -i . f _ ;l --_... 14'I, , á XYZ (ENIGMA) , A BILLY JOEL (COLUMBIA) -r r ' l A JUNKYARD (GEFFEN) 41 TREVOR RABIN (ELEKTRA) LENNY KRAVITZ (VIRGIN) More Than 650 New Releases WHAT CAN YOU EXPECT FROV COMPANY THAT BRINGS YOU THE MOST VARIED AND IVATING "USIC IN THE BUSINESS? MORE OF THE SAME! BRNK,S, -r STEPHEN E Ñ 1195P BANKSTATEMENT STEPHEN BISHOP DIRTY LOOKS BANKSTATEMENT (82007) BOWLING IN PARIS (87920) TURN OF THE SCREW (81992) JASON DONOVAN IIIKJONLS TEN GOOD REASONS .. a 4111 Tra#, AW . 11 A I 7.1 4 A 1 K M EA X . JASON DONOVAN MICK JONES MAX Q TEN GOOD REASONS (82oos) MICK JONES (81991) MAX O (82014) _ ' _, MGIM TGNEL,.L . .. 1":7 ..e11hKyll9, ,..... e i .n .. 192 _ : < . 1\IÁfyl ie a _---" ' c ir: ü . ilf i o o If - »S é. 0. e , A tr ° 4 M o o ishf= -'.