PS Resume Denise Summer 2021 UPDATED-1

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818.588.3680 Denise Slenski – Music Editor www.pitchnsync.net At 8 years old Denise started learning how to play piano, she was so taken with music that she picked up the trumpet as well. Her reward for piano competitions was film score sheet music, which provided the spring board for her to study film scoring at Berklee College of Music. There she discovered the exciting challenge of fitting pieces of music together to build the artistic effect of music compositions for film and TV shows, and decided to pursue music editing. After graduating, she moved to Los Angeles to work with up-and-coming composers. She now enjoys working with the talented team at Pitch n Sync. Below is a selected list of Denise’s body of work as a music editor. Features: TV Shows: ! ELI – Ciarán Foy (Director), Paramount, ! REBEL – ABC, Danny Lux (Composer) Bear McCreary (Composer) ! STATION 19 – ABC, Photek & Danny Lux ! THE PROTECTOR – Tosca Musk (Director), (Composers) Passionflix, Ben Collier (Composer) ! GREY'S ANATOMY – ABC, Danny Lux (Composer) ! VICTOR CROWLEY – Adam Green (Director), ! THE I-LAND – NETFLIX, Emily Rice (Composer) ArieScope Pictures, ! QUEEN AMERICA – FACEBOOK WATCH, Sam Ewing & Jason Akers (Composers) Shel & Kevin Dailey (Composers) ! UNREST – Jennifer Brea (Director), Shella ! THE WALKING DEAD: THE RED MACHETE – AMC, Films, Bear McCreary (Composer) Sam Ewing & Jason Akers (Composers) ! WHAT STILL REMAINS – Josh Mendoza ! EVERYTHING SUCKS! – NETFLIX, (Director), Strike the Sun Entertainment, Hrishikesh Hirway (Composer) Jonathan Beard (Composer) ! SCANDAL – ABC, Chad Fischer (Composer) ! ANGRY VIDEO GAME NERD: THE MOVIE – ! STILL STAR-CROSSED – ABC, Photek (Composer) Kevin Finn & James Rolfe (Directors), ! UNREAL – LIFETIME, Fil Eisler (Composer) Bear McCreary (Composer) ! HOLLISTON – FEARNET, Bear McCreary ! EVERLY – Joe Lynch (Director), (Composer) Bear McCreary (Composer) ! FRANK VS. GOD – Stewart Schill (Director), BBA Studios, Jonathan Beard (Composer) For more information please contact Denise Slenski at 818.588.3680 or [email protected] thank you for your consideration! .

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International Production Notes
INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan.
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Chapter 2 T H E S U B T L E T I E S, I N T R I C a C I E S a N D
How Film & TV Music Communicate – Vol.2 Text © Brian Morrell 2013 Chapter 2 T H E S U B T L E T I E S, I N T R I C A C I E S A N D E X Q U I S I T E T E N S I O N S O F T V M U S I C In this chapter we will examine the music for some notable television dramas and documentaries, all of which have, to varying degrees, subtlety, introspection and /or elements of minimalism as hallmarks of their identity. This needn’t always mean ‘quiet and closed-off’ but that the composers in each case have scored the films using a degree of restraint and sensitivity. In all cases the music has been pivotal in defining the projects commercially and creatively. The television dramas and documentaries analysed are: Lost (Michael Giacchano) The Waking Dead (Bear McCreary) Midnight Man (Ben Bartlett) Twin Peaks (Angelo Badalmenti) Silent Witness (John Harle) Inspector Morse (Barrington Pheloung) Deep Water (Harry Escott) Inspector Lynley Mysteries (Andy Price) Ten Days to War (Daniel Pemberton) Red Riding (Adrian Johnston) Dexter (Rolf Kent and Daniel Licht) Lost Michael Giacchano Lost is an iconic and successful television series which aired between 2004 and 2010. It follows the lives of survivors of a plane crash on a mysterious tropical island somewhere in the South Pacific. Episodes typically feature a storyline on the island as well as a secondary storyline from another point in a character’s life. The enormously evocative and expressive music for Lost is striking both in terms of its style and its narrative function.
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26-30 October 2017 Ifi Horrorthon
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Hatchet Iii (2013) Online
Hatchet iii (2013) online click here to download Watch online Hatchet III full with English subtitle. Watch online free Hatchet III, Caroline Williams, Kane Hodder, Danielle Harris, Zach Galligan, Derek. Watch Hatchet III, Hatchet III Full free movies Online HD. A search and recovery team heads into the haunted swamp to pick up the pieces. In Hatchet III, A search and recovery team heads into the haunted swamp to pick up the pieces and Marybeth learns the secret to ending the voodoo curse that. Watch Hatchet III Online here on Putlocker for free. A search and recovery team heads into the haunted swamp to pick up the pieces and. Watch Hatchet III Online For Free On moviesfree, Stream Hatchet III Online, Hatchet III Full Movies Free. Quality: HD. Release: Keywords. Watch Hatchet III Online on Putlocker. Stream Hatchet III in HD on Putlocker. IMDb: Caroline Williams, Kane Hodder, Danielle Harris, Zach Galligan. Hatchet 3 is a American slasher film written by Adam Green and directed by B. J. McDonnell. Subscribe to TRAILERS: www.doorway.ru Subscribe to COMING SOON: www.doorway.ru Like us on. Action · A search and recovery team heads into the haunted swamp to pick up the pieces and .. Amazon Affiliates. Amazon Video Watch Movies & TV Online · Prime Video Unlimited Streaming of Movies & TV · Amazon Germany Buy Movies. Buy Hatchet III: Read 43 Movies & TV Reviews - www.doorway.ru Hatchet III CC. Unsupported Browser Format, Amazon Video (streaming online video). Jednotka rýchleho nasadenia obkľúči chatrč v močiari, ktorý je domovom zabijaka menom Victor Crowley (Kane Hodder), s úmyslom nebezpečného vraha.
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Representations of Mental Illness, Queer Identity, and Abjection in High Tension
“I WON’T LET ANYONE COME BETWEEN US” REPRESENTATIONS OF MENTAL ILLNESS, QUEER IDENTITY, AND ABJECTION IN HIGH TENSION Krista Michelle Wise A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of May 2014 Committee: Becca Cragin, Advisor Marilyn Motz © 2014 Krista Wise All Rights Reserved iii ABSTRACT Becca Cragin, Advisor In this thesis I analyze the presence of mental illness, queer identity and Kristeva’s theory of abjection in Alexandre Aja’s 2003 film High Tension. Specifically I look at the common trend within the horror genre of scapegoating those who are mentally ill or queer (or both) through High Tension. It is my belief that it is easier for directors, and society as a whole, to target marginalized groups (commonly referred to as the Other) as a means of expressing a “normalized” group’s anxiety in a safe and acceptable manner. High Tension allows audiences to reassure themselves of their sanity and, at the same time, experience hyper violence in a safe setting. Horror films have always targeted the fears of the dominant culture and I use this thesis to analyze the impact damaging perceptions may have on oppressed groups. iv “My mood swings have now turned my dreams into gruesome scenes” – Tech N9ne, “Am I a Psycho?” v ACKNOWLEDGMENTS I would like to thank Dr. Becca Cragin and Dr. Marilyn Motz for their critique, suggestions, and feedback throughout this process. I consider myself very fortunate to have had their guidance, especially as a first generation MA student.
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David Magdael & Associates, Inc. Unrest
DAVID MAGDAEL & ASSOCIATES, INC. th 600 W. 9 Street, Suite 715 Los Angeles, CA 90015 Ofc: 213 624 7827 Fax: 213 488 0398 UNREST Directed by Jennifer Brea Produced by Jennifer Brea, Lindsey Dryden, Patricia E. Gillespie, and Alysa Nahmias Co-Producer - Anne Troldtoft Hjorth Executive Producer & Creative Advisor - Deborah Hoffmann Executive Producers - Ruth Ann Harnisch, Lisa Gunn, Donna Fairman Wilson, Dan Cogan, Ian Darling, Regina K. Scully, Lynda Weinman © 2017 Canary in a Coal Mine LLC TRT: 97 mins SALES CONTACT Preferred Content + 1 323 782 9193 Kevin Iwashina [email protected] Submarine Entertainment + 1 212 625 1410 Josh Braun [email protected] PRESS CONTACT David Magdael [email protected] Elisha Gustafson [email protected] UNREST Directed by Jennifer Brea LOGLINE When Harvard PhD student Jennifer Brea is struck down at 28 by a fever that leaves her bedridden, doctors tell her it’s “all in her head.” Determined to live, she turns her camera on herself and her community, a hidden world of millions confined to their homes and bedrooms by ME, commonly called chronic fatigue syndrome. SYNOPSIS Jennifer Brea is a Harvard PhD student about to marry the love of her life when she’s struck down by a fever that leaves her bedridden. Months before her wedding, she becomes progressively more ill, eventually losing the ability even to sit in a wheelchair. When doctors tell her it’s "all in her head," she goes online and finds a hidden world of millions confined to their homes and bedrooms by ME, commonly called chronic fatigue syndrome.
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DOCTOBER 2017 Pick up a Punchcard at the Box Office
With over 50 documentaries, something for everyone is hardly an exaggeration. Special guests, panel discussions, receptions and beyond. Pick up a punchcard at Takethe box the office. Doctober See Challenge.8 docs and win exclusive merch. Fill out more than one card and DOCTOBER 2017 be entered into a drawing to win a Goldfinger Card – Full festival lineup, screening calendar, that’s free movies for you and a friend for a whole year! film descriptions, and more inside! Pickford Film Center 1318 Bay St. | Limelight Cinema 1416 Cornwall Ave. | Bellingham, WA | Tickets, times & trailers: www.pickfordfilmcenter.org Permit No. 71 No. Permit Kent, WA Kent, PAID U.S. POSTAGE U.S. Prsrt Std Prsrt 2 Doctober Film Festival Program | SEPTEMBER 29 - NOVEMBER 5, 2017 | 360.738.0735 | pickfordfilmcenter.org ABOUT PFC Admission Pickford Film Center & Limelight Cinema Pricing: A NOTE FROM OUR DIRECTOR • PFC Members, every day – $7.50 • Tuesday–Sunday General Admission – $10.75 • Students & Kids under 12 – $8.00 • Mondays and Matinees* – $8.50 Dear Bellingham, *Matinees are Monday through Friday before 5pm, Sundance, SXSW, Hot Docs, Full Frame, and Tribeca were all mined by and Saturday–Sunday before 3:30pm the Doctober programmers, Michael Falter and Jane Julian, to bring you Tickets for free shows are not available online, but the most compelling documentaries of 2017. They went, they saw, they can be claimed in advance at the box office only. tracked down filmmakers, they negotiated, and they came up with the Movie Times 11th edition of Pickford Film Center’s uniquely Bellingham documentary 1. Visit www.pickfordfilmcenter.org for current festival, Doctober.
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University of Colorado Anschutz Medical Campus Acknowledgments
UNIVERSITY OF COLORADO ANSCHUTZ MEDICAL CAMPUS ACKNOWLEDGMENTS EDITORS IN CHIEF Brenna Cameron and Amelia Davis FOUNDING EDITORS Carolyn Ho, Priya Krishnan, David Sabio, and Meha Semwal SUPERVISING EDITOR Tess Jones GRAPHIC DESIGNER Barbara Donelan ACKNOWLEDGMENTS FOR SIGNIFICANT CONTRIBUTIONS TO THE CURVE James Carter Robyn Gisbert Jackie Glover Meleah Himber Tai Lockspeiser 2 Regina Richards Gaetan Sgro David Weil Shanta Zimmer This publication is supported by gifts to the Arts and Humanities In Healthcare Program at the Center for Bioethics and Humanities. CONTACTS Please direct any questions to the student editors, Brenna Cameron and Amelia Davis at [email protected] UNIVERSITY OF COLORADO ANSCHUTZ MEDICAL CAMPUS FOREWORD DEAREST READER, You hold in your hands a slice of local history. This is the story of how the University of Colorado students, faculty, and Denver/Aurora community chose to respond to extreme adversity during the COVID-19 pandemic: with creativity, compassion, and an unwavering commitment to each other. After clerkship rotations and didactics became virtual—along with what felt like the entire city shutting down—we were asked to help guide our peers through this confusing, frightening new world. This movement was the brainchild of a handful of Colorado medical students and faculty who came together during the start of the pandemic to serve a new need in our community. We were also grappling with our identity as professionals, feeling both called to action and also scared for our own lives, as we faced the start of our careers in the midst of a deadly pandemic, along with so many other workers, families, and communities.
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The City of Prague Philharmonic Orchestra and Chorus
SPRING 2016 NEWS www.tadlowmusic.com THE CITY OF PRAGUE PHILHARMONIC ORCHESTRA AND CHORUS EUROPE’S MOST EXPERIENCED AND VERSATILE RECORDING ORCHESTRA: 70 YEARS OF QUALITY MUSIC MAKING The CoPPO have been recording local film and TV scores at Smecky Music Studios since 1946, and a large number of international productions since 1988. Over the years they have worked with many famous composers from Europe and America including: ELMER BERNSTEN * MICHEL LEGRAND * ANGELO BADALAMENTI * WOJCIECH KILAR * CARL DAVIS GABRIEL YARED * BRIAN TYLER * RACHEL PORTMAN * MYCHAEL DANNA * JEFF DANNA * NITIN SAWHNEY JAVIER NAVARRETE * LUDOVIC BOURCE * CHRISTOPHER GUNNING * INON ZUR * JOHANN JOHANNSSON * NATHANIEL MECHALY * PATRICK DOYLE In recent years they have continued this tradition of recording orchestral scores for international productions with composers now recording in Prague from: Australia * New Zealand * Japan * Indonesia * Malaysia * Singapore * China * Taiwan * Russia * Egypt * The Lebanon * Turkey * Brazil * Chile and India Prague has become the centre for worldwide scoring. COST OF 100% TOTAL BUYOUT RECORDING IN PRAGUE (DUE TO EXCHANGE RATE CHANGES) IS EVEN MORE FAVOURABLE THAN IT WAS 5 YEARS AGO ! TADLOW MUSIC The Complete Recording Package for FILM, TV, VIDEO GAMES SCORING AND FOR THE RECORD INDUSTRY in LONDON + PRAGUE Music Contractor / Producer : James Fitzpatrick imdb page: http://www.imdb.com/name/nm0280533/ NEW PHONE # : +44 (0) 797 181 4674 “It’s an absolute delight to work with Tadlow Music. The Prague musicians are great and I’ve had many happy experiences recording with them.” - Oscar Winning Composer RACHEL PORTMAN “Always a pleasure to work with James, as i have many times over the years.
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Bear Mccreary
BEAR MCCREARY COMPOSER AWARDS INTERNATIONAL FILM MUSIC CRITICS ASSOCIATON AWARD 2019 Film Composer of the Year ASCAP COMPOSER’S CHOICE AWARD 2016 TV Composer of the Year PRIMETIME EMMY AWARD NOMINATION OUTLANDER (2015) Outstanding Music Composition for a Series ASCAP COMPOSER’S CHOICE AWARD 2014 TV Composer of the Year PRIMETIME EMMY AWARD NOMINATION BLACK SAILS (2014) Outstanding Original Main Title Theme Music PRIMETIME EMMY AWARD WINNER DA VINCI’S DEMONS (2013) Outstanding Original Main Title Theme Music PRIMETIME EMMY AWARD NOMINATION HUMAN TARGET (2010) Outstanding Original Main Title Theme Music MOTION PICTURES FREAKY Christopher Landon, dir. Blumhouse Productions AVA Tate Taylor, dir. Vertical Entertainment THE BABYSITTER: KILLER QUEEN McG, dir. Netflix FANTASY ISLAND Jeff Wadlow, dir. Sony 3349 Cahuenga Boulevard West, Los Angeles, California 90068 Tel. 818-380-1918 Fax 818-380-2609 McCreary Page 1 of 5 BEAR MCCREARY COMPOSER MOTION PICTURES (cont’d) CRIP CAMP James Lebrecht, Nicole Newnham, dirs. Higher Ground Productions THE SHED (score produced by) Frank Sabatella, dir. A Bigger Boat ELI Ciaran Foy, dir. Netflix CHILD’S PLAY Lars Klevberg, dir. United Artists GODZILLA: KING OF THE MONSTERS Michael Dougherty, dir. Warner Bros. RIM OF THE WORLD McG, dir. Netflix THE PROFESSOR AND THE MADMAN Farhad Safinia, dir. Icon Entertainment International HAPPY DEATH DAY 2U Christopher Landon, dir. Universal Pictures WELCOME HOME George Ratliff, dir. AMBI Group I STILL SEE YOU Scott Speer, dir. Golden Circle Films HELL FEST Gregory Plotkin, dir. CBS Films TAU Federico D’Alessandro, dir. Bloom THE CLOVERFIELD PARADOX Julius Onah, dir. Netflix ANIMAL CRACKERS Tony Bancroft, Scott Christian Sava, dir.
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Lifetime Achievement Award
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Film Review: Tales of Halloween
Film Review: Tales of Halloween One town, one Halloween night, 10 stories intersect to tell the tales that make up an array of stories related to the holiday. From creatures to witches and slashers to troublesome trick or treaters there is something for every horror fan to enjoy in Tales Of Halloween. Some of the highlights include the segment “Sweet Tooth,” a creepy tale about not hogging all of the candy. “This Means War” is a fun take on rival home haunters, while “Friday The 31st” is a grand gory slasher spoof. But those were just my favorites; there are seven more stories crammed into a fast-paced hour and a half so there is bound to be something for everyone’s tastes. While there is some minor fluctuation in the quality of each story involved, the overall movie is extremely entertaining and has a great balance of both scares and laughs. The film maintains a great cohesive feeling and visual style even though seven different cinematographers shot the movie, which is a credit to the producers who oversaw the project. Tales Of Halloween benefits from the involvement of both genre veterans and up-and-comers in front of and behind the camera. With segments directed by Neil Marshall (The Descent), Lucky Mckee (May), Darren Lynn Bousman (Repo: A Genetic Opera), and Paul Solet (Dark Summer) among others we are also treated to a wealth of recognizable filmmakers and actors who appear in the film such as Adrienne Barbeau, Lin Shaye, Barry Bostwick, Barbara Crampton, John Landis, Joe Dante, and Adam Green plus many many more.
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