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26-30 October 2017 Ifi Horrorthon
IFI HORRORTHON IFI HORRORTHON 26-30 OCTOBER 2017 WELCOME TO THE DARK HALF (15.10) IFI HORRORTHON 2017! Romero’s adaptation of Stephen King’s novel receives its first theatrical screening Horrorthon, Ireland’s biggest and best genre festival, returns in Ireland with Timothy Hutton as a novelist to the IFI this month for another packed programme. We’re whose violent alter ego comes to life and proud to present this year’s line-up, which features new films threatens his family. from directors whose previous work will be familiar to regular Dir: George A. Romero v 122 mins attendees, as well as films from Japan, Australia, Spain, Brazil, Italy, and Vietnam, proving the global reach and popularity of TOP KNOT DETECTIVE (17.25) horror. We hope you enjoy this year’s festival. This hilarious Australian mockumentary revolves around an obscure Japanese THURSDAY OCTOBER 26TH television show that survives only on VHS, OPENING FILM: and behind the scenes of which were TRAGEDY GIRLS (19.00) stories of rivalry and murder. From the director of Patchwork comes Dir: Aaron McCann, Dominic Pearse v 87 mins one of the freshest and funniest horror- comedies of the year, in which two HABIT (19.10) teenage girls turn to serial killing in order After Michael witnesses a brutal murder in to increase their social media following. the massage parlour for which he works Director Tyler MacIntyre will take part in a post-screening Q&A. as doorman, he is drawn deeper into the Dir: Tyler MacIntyre v 90 mins club’s secrets in this gritty British horror. -
Mcbastard's MAUSOLEUM: DVD Review: IGGY & the STOOGES: RAW POW
McBASTARD'S MAUSOLEUM: DVD Review: IGGY & THE STOOGES: RAW POW... Page 1 of 40 Share Report Abuse Next Blog » Create Blog Sign In McBASTARD'S MAUSOLEUM indie, horror, and cult cinema blog. SATURDAY, OCTOBER 1, 2011 CONTRIBUTORS DVD Review: IGGY & THE STOOGES: RAW POWER LIVE IN THE HANDS OF FANS (2011) Christopher Kahler McBastard Root Rot CONTACT To submit materials for review please email me for the address. I am also willing to accept reviews, articles and other content for the site. email: [email protected] twitter: http://twitter.com/mcbastard2000 facebook: http://www.facebook.com/pages/mcBast ards-mausoleum/169440663073382 tumblr: http://mcbastardsmausoleum.tumblr.co m/ IGGY AND THE STOOGES digg: http://digg.com/mcbastard2000 RAW POWER LIVE IN THE HANDS OF FANS (2010) stumbleupon: http://www.stumbleupon.com/stumbler/ LABEL: MVD Visual McBastard2000/reviews/ REGION CODE: 1 NTSC RATING: Unrated THE CRYPT DURATION: 81 mins AUDIO:Dolby Digital 2.0. 51 ▼ 2011 (262) VIDEO: 16:9 Widescreen ▼ October (18) DIRECTOR:Joey Carry Extreme Horror Film THE BUNNY GAME Banned in the U... Filmed towards the end of their 2010 reunion tour RAW POWER LIVE IN THE HANDS Blu-ray Review: HALLOWEEN: THE OF FANS captures Iggy and the Stooges blistering live performance of the classic CURSE OF MICHAEL MY... RAW POWER (1973) album at the All Tomorrow's Parties Festival in Monticello, New Schlocky B-Movie York. The performance was filmed by six contestants who entered an online contest Anthology 'CHILLERAMA' on Blu- for a chance to both meet and document the band at this very performance. The ray.. -
Representations of Mental Illness, Queer Identity, and Abjection in High Tension
“I WON’T LET ANYONE COME BETWEEN US” REPRESENTATIONS OF MENTAL ILLNESS, QUEER IDENTITY, AND ABJECTION IN HIGH TENSION Krista Michelle Wise A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of May 2014 Committee: Becca Cragin, Advisor Marilyn Motz © 2014 Krista Wise All Rights Reserved iii ABSTRACT Becca Cragin, Advisor In this thesis I analyze the presence of mental illness, queer identity and Kristeva’s theory of abjection in Alexandre Aja’s 2003 film High Tension. Specifically I look at the common trend within the horror genre of scapegoating those who are mentally ill or queer (or both) through High Tension. It is my belief that it is easier for directors, and society as a whole, to target marginalized groups (commonly referred to as the Other) as a means of expressing a “normalized” group’s anxiety in a safe and acceptable manner. High Tension allows audiences to reassure themselves of their sanity and, at the same time, experience hyper violence in a safe setting. Horror films have always targeted the fears of the dominant culture and I use this thesis to analyze the impact damaging perceptions may have on oppressed groups. iv “My mood swings have now turned my dreams into gruesome scenes” – Tech N9ne, “Am I a Psycho?” v ACKNOWLEDGMENTS I would like to thank Dr. Becca Cragin and Dr. Marilyn Motz for their critique, suggestions, and feedback throughout this process. I consider myself very fortunate to have had their guidance, especially as a first generation MA student. -
A Shared Recommendation List for Summer Leisure Time Chinese/Taiwanese-American Films and Books
A Shared Recommendation List for Summer Leisure Time Chinese/Taiwanese-American films and books FILM LIST [In random order] Documentary Film: Minding the Gap (2018) Director: Bing Liu With: Keire Johnson, Zack Mulligan, Bing Liu Three childhood friends united in their love for skateboarding grow up in a small Illinois town in front of our eyes in filmmaker Bing Liu’s Oscar-nominated documentary, with searing observations on race, class and masculinity. Read a review: https://www.nytimes.com/2018/08/16/movies/minding-the-gap-review- documentary.html Feature Film: Chan is Missing Feature Film: Saving Face (2004) Director: Alice Wu Cast: Michelle Krusiec, Joan Chen, Lynn Chen A young surgeon keeps her sexual identity a secret from her mom, who has secrets of her own. A hallmark of lesbian cinema and a beloved comedy of Chinese American women negotiating family honor. Feature Film: Better Luck Tomorrow (2002) Director: Justin Lin Cast: Parry Shen, Jason Tobin, Sung Kang, Roger Fan “Fast & Furious” franchise helmer Justin Lin made his solo directing debut with this Sundance hit, a high school crime drama about Asian American overachievers breaking bad that sent the model minority myth spinning. It remains a milestone for ferociously defiant Asian American storytelling. Read a Review: https://www.theatlantic.com/entertainment/archive/2018/08/how-better-luck- tomorrow-argued-for-its-existence-15-years-ago/568045/ Films that will be screened in Chinese Classes: Chinese 101 The Farewell ALC 325 Chinese Cinema: Ideology and the Box office The Joy -
Printable Newsletter
The AACP Newsletter Since 1970 Asian American Curriculum Project, Inc. June 2009 AsianAmericanBooks.com - The Most Complete Nonprofit-Source for Asian American Books Summer Trips for 2009 By Natalie Chan Edited by Leonard D. Chan This is our 5th annual Asian Pacific American theme travel monsters, the scholar's garden pavilion has a more simple design article. We hope you get a chance to visit one of these places or and serves as a place to study alone as well as a place to have one of the places that we wrote about in our past articles. If you social gatherings. do, please let us know about your experience and we'll try to add your comments and pictures to our website. Shan-shui , which means mountain and water is the Chinese word Past June travel articles can be found at - for landscape. Appropriately, the Chinese Garden features many http://asianamericanbooks.com/newslet.htm giant rocks and structures that symbolize mountains. The hand- carved white marble bridge passes over a small river that flows to The Missouri Botanical Garden in St. Louis, Missouri the middle of the pond and the center of the garden. Traditional Among the 79 acres of beautifully landscaped flowers, plants and plantings include bamboos, willows, plum trees, wisteria, ponds that make up the Missouri Botanical Garden is a 14 acre hibiscus, rhododendrons, and pen-jing, which were all originally Japanese strolling garden named Seiwa-en: the garden of pure, from China, grow in containers carefully placed around the clear harmony and peace. Designed by Professor Koichi Kawana, garden. -
WWII Internment and Congressman Department, Adding That the Admin• in Another Indication of the Seri• Iran
2 APR. 17-30, 2009 LETTERS! COMMENTARY! SPRING CAMPAIGN PACIFIC ~ CrnZEN ;211 PACIFIC· ~."CITIZEN Letters to the Editor 250 E. First Street, Ste. 301 , Los Angeles, CA. 90012 Honda Responds to Twitter Criticism to cultural nuance. Tel: 213/620-1767, In defending San Jose's JapaneseAroerican Museum from attack I have always supported the JACL's efforts to eliminate the racial 800/966-6157 slur from being used in lUly way in this countly. JAs have too long Fax: 213/620-1768 by Sen. John McCain, who claimed that the Museum was not worth been the brunt of prejudiced language and I remain, as I have always E-mail: [email protected] federal dollars, there occurred a TWitter shorthand error that 1'd like www.pacificcitizen.org to recognize for JACL members and offer an been, in defense of our community on this matter. Executive Editor: apology. U.s. CONGRESSMAN MIKE HONDA Caroline Y. Aoyagi-Stom Using the new communication forum of 15th District Assistant Editor: TWitter, Sen. McCain had taken issue with ear San Jose, Calif. Lynda Lin mark legislation that provided supplemental Office Manager: funding fpr the Japanese American Museum. Brian Tanaka JACL Recognizes Two Millennium Club Circulation: The Museum had suffered a funding setback Eva Lau-Ting after the S~e of Califomia, which previously Members: Eddie Jonokuchi and Joe Uchida promised funding, had to cancel funding due to The J ACL apologizes for missing the names of two outstanding Publisher: Japanese American Citizens budget cuts. And while the Museum is not in my 15th district, I was Millennium Club members from its recognition page in the last issue League (founded 1929) 1765 Sutter Street, asked to respond as a JA and a supporter of the project. -
A Solution from Hell American Juggalo Pitchfork'd Cavell As Educator Someone Please Chat Us
A Solution from Hell American Juggalo Pitchfork’d Cavell as Educator Someone Please Chat Us ! " # $ %&"&' )&*+,,-$ '&* './&" Number Twelve fall 2011 The Shaltzes, The Juggalo IX‚, 2010, archival inkjet print, 24 × 36". American Juggalo Kent Russell ’d been driving for seventeen hours, much of it on two-lane I highways through Indiana and then southern Illinois. Red-green corn sidled closer to the road until it stooped over both shoulders. That early in the morning, a mist was tiding in the east. I figured I had to be close. A couple of times I turned off the state road to drive past family plots where the houses were white, right-angled ideals. On many of these plots were incongruous strips of grass—home- spun cemeteries. I wondered what it would be like to grow up in a place like this. Your livelihood would surround you, waving hello every time the wind picked up. You wouldn’t be able to see your neighbors, but you’d for sure know who they were. You’d go to one of the Protestant churches seeded in the corn, take off your Sunday best to shoot hoops over the garage, and drink an after-dinner beer on your porch swing, certain of your regular Americanness. And one day you’d get buried feet from where you lived, worked, and died. Doubt about the trip unfurled inside me as the odometer crawled on. I couldn’t have told you why I was doing this. Back on IL-1 I looked to my right and saw an upside-down SUV in the corn. -
A Historical Approach to the Slasher Film Below Halloween (1978)
Articles A Historical Approach to the Slasher Film Below Halloween (1978) The Classical Period, the Post-slasher A Historical Films, and the Neoslashers Approach to the By Sotiris Petridis Keywords slasher films, neoslashers, Slasher Film postmodern horror, Carol Clover, final girl, Vera Dika Horror films are one of the most popular genres in Many academic texts, including Dika’s analysis, Hollywood and constitute an integral part of pop cul- argue that Halloween (1978) is the starting point of ture. The horror genre made its appearance almost slasher films. Of courseHalloween is a milestone for at the same time cinema was born and numerous the whole subgenre and it perfectly combines all subgenres were created after that time. Some exam- of its conventions. However, four years before that, ples are the demonic movies, the vampire films and there were another two films which belong to the the splatter films. One of the most well-known and slasher subgenre. In 1974, Black Christmas and The important subgenres of horror is the slasher film. Texas Chainsaw Massacre came into theatres and set In this article I will argue that there are three basic some basic rules for the subgenre’s formula. There- periods in the lifetime of slasher films: the classical fore, I would argue that the starting point of the period; the postmodern period; and the neoslashers. subgenre is 1974. Naturally, even before that, there The classical period starts in 1974 and lasts until the were some films that had influenced the slasher end of the 1980s; the postmodern period takes place in the 1990s; and neoslashers started to evolve in the beginning of the new millennium. -
Lifetime Achievement Award
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Former Navy Seal Sniper Aims for Stephanie Murphy's Congressional
5_26_pages_1to3.qxp_redesign 5/25/21 3:42 PM Page 1 MIDWEEK: MAY 26-29, 2021 STATE RUNNERS-UP Red Suitcase The Winter Springs Ministry helps softball team falls community in 6A final See People, Page 5 See Sports, Page 7 S ANFORD HERALD LAKE MARY, LONGWOOD, WINTER SPRINGS, OVIEDO, GENEVA, CASSELBERRY, OSTEEN, CHULUOTA, ALTAMONTE SPRINGS, DEBARY Vol. 130, No. 84 • © 2021 READ US ONLINE AT MYSANFORDHERALD.COM Since 1908 HEADLINES FROM ASSOCIATED PRESS Former mayor threatens lawsuit over lack of enforcement of downtown noise ordinance European planes skirt Belarus amid fury at By Steve Paradis journalist arrest [email protected] MOSCOW (AP) — European Herald Staff airlines were skirting Belarus on Tuesday after the European Former Sanford Mayor Linda Kuhn Union urged them to do so while threatened legal action if the problems imposing new sanctions against with noise is not rectified soon. She said the ex-Soviet nation to punish it the city’s new noise ordinance is rou- Herald photo by Steve Paradis for the forced diversion of a pas- tinely violated, and she and about two Lake Mary police officers (above) on scene of the senger jet to arrest an opposition dozens other residents are tired of it. hit and run this week. journalist. Kuhn made her remarks during the public participation segment at the San- Lake Mary police seek clues Blinken says US will aid Gaza ford City Commission meetings Monday without helping Hamas evening. JERUSALEM (AP) — U.S. Sec- “It doesn’t have enough teeth,” Kuhn in deadly hit and run retary of State Antony Blinken said of the noise ordinance approved in By Steve Paradis vowed Tuesday to “rally interna- February. -
The Contemporary American Horror Film Remake, 2003-2013
RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake. -
Film Review: Tales of Halloween
Film Review: Tales of Halloween One town, one Halloween night, 10 stories intersect to tell the tales that make up an array of stories related to the holiday. From creatures to witches and slashers to troublesome trick or treaters there is something for every horror fan to enjoy in Tales Of Halloween. Some of the highlights include the segment “Sweet Tooth,” a creepy tale about not hogging all of the candy. “This Means War” is a fun take on rival home haunters, while “Friday The 31st” is a grand gory slasher spoof. But those were just my favorites; there are seven more stories crammed into a fast-paced hour and a half so there is bound to be something for everyone’s tastes. While there is some minor fluctuation in the quality of each story involved, the overall movie is extremely entertaining and has a great balance of both scares and laughs. The film maintains a great cohesive feeling and visual style even though seven different cinematographers shot the movie, which is a credit to the producers who oversaw the project. Tales Of Halloween benefits from the involvement of both genre veterans and up-and-comers in front of and behind the camera. With segments directed by Neil Marshall (The Descent), Lucky Mckee (May), Darren Lynn Bousman (Repo: A Genetic Opera), and Paul Solet (Dark Summer) among others we are also treated to a wealth of recognizable filmmakers and actors who appear in the film such as Adrienne Barbeau, Lin Shaye, Barry Bostwick, Barbara Crampton, John Landis, Joe Dante, and Adam Green plus many many more.