Collection List No. A13 Stephen Rynne-Alice Curtayne Papers
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“Am I Not of Those Who Reared / the Banner of Old Ireland High?” Triumphalism, Nationalism and Conflicted Identities in Francis Ledwidge’S War Poetry
Romp /1 “Am I not of those who reared / The banner of old Ireland high?” Triumphalism, nationalism and conflicted identities in Francis Ledwidge’s war poetry. Bachelor Thesis Charlotte Romp Supervisor: dr. R. H. van den Beuken 15 June 2017 Engelse Taal en Cultuur Radboud University Nijmegen Romp /2 Abstract This research will answer the question: in what ways does the poetry written by Francis Ledwidge in the wake of the Easter Rising reflect a changing stance on his role as an Irish soldier in the First World War? Guy Beiner’s notion of triumphalist memory of trauma will be employed in order to analyse this. Ledwidge’s status as a war poet will also be examined by applying Terry Phillips’ definition of war poetry. By remembering the Irish soldiers who decided to fight in the First World War, new light will be shed on a period in Irish history that has hitherto been subjected to national amnesia. This will lead to more complete and inclusive Irish identities. This thesis will argue that Ledwidge’s sentiments with regards to the war changed multiple times during the last year of his life. He is, arguably, an embodiment of the conflicting loyalties and tensions in Ireland at the time of the Easter Rising. Key words: Francis Ledwidge, Easter Rising, First World War, Ireland, Triumphalism, war poetry, loss, homesickness Romp /3 Table of contents Introduction ................................................................................................................................ 4 Chapter 1 History and Theory ................................................................................................... -
Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R. -
The Annals of the Four Masters De Búrca Rare Books Download
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 142 Summer 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 142 Summer 2020 PLEASE NOTE 1. Please order by item number: Four Masters is the code word for this catalogue which means: “Please forward from Catalogue 142: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our cover illustration is taken from item 70, Owen Connellan’s translation of The Annals of the Four Masters. -
Irish Working-Class Poetry 1900-1960
Irish Working-Class Poetry 1900-1960 In 1936, writing in the Oxford Book of Modern Verse, W.B. Yeats felt the need to stake a claim for the distance of art from popular political concerns; poets’ loyalty was to their art and not to the common man: Occasionally at some evening party some young woman asked a poet what he thought of strikes, or declared that to paint pictures or write poetry at such a moment was to resemble the fiddler Nero [...] We poets continued to write verse and read it out at the ‘Cheshire Cheese’, convinced that to take part in such movements would be only less disgraceful than to write for the newspapers.1 Yeats was, of course, striking a controversial pose here. Despite his famously refusing to sign a public letter of support for Carl von Ossietzky on similar apolitical grounds, Yeats was a decidedly political poet, as his flirtation with the Blueshirt movement will attest.2 The political engagement mocked by Yeats is present in the Irish working-class writers who produced a range of poetry from the popular ballads of the socialist left, best embodied by James Connolly, to the urban bucolic that is Patrick Kavanagh’s late canal-bank poetry. Their work, whilst varied in scope and form, was engaged with the politics of its time. In it, the nature of the term working class itself is contested. This conflicted identity politics has been a long- standing feature of Irish poetry, with a whole range of writers seeking to appropriate the voice of ‘The Plain People of Ireland’ for their own political and artistic ends.3 1 W.B. -
Archaeological Heritage Report for Development Site at Kill Hill, Kill County Kildare
ARCHAEOLOGICAL HERITAGE REPORT FOR DEVELOPMENT SITE AT KILL HILL, KILL COUNTY KILDARE On Behalf of J F O C Architects Ltd 11A Greenmount House, Harold’s Cross, Dublin 6W December, 2017 Kill, Co. Kildare __________________ Archaeological Assessment Report Abstract This report contains the results of a revised pre-planning heritage report carried out on behalf of the architectural consultancy; JFOC Architects for a housing development in Kill, County Kildare. The proposed residential development plan was revised following consultation with Kildare County Council and An Bord Pleanala. The development site lies outside the zone of archaeological potential of the historic village of Kill (SMR 19:8) and the Motte and Bailey (SMR 19:56) but close to the zone of archaeological potential of an enclosure site to the south (SMR 19:10). Table of Contents 1 Introduction ............................................................................................................... 4 2 Planning & Development Background ....................................................................... 6 3 Historical Background ............................................................................................. 10 4 Archaeological Background .................................................................................... 12 5 Site Topography and Development ......................................................................... 18 6 Development Montage ............................................................................................ 20 7 -
Archipelagic Poetry of the First World War David Goldie for Well Over A
Archipelagic Poetry of the First World War David Goldie For well over a century before the First World War, the British Army had played a significant role in cementing the Union of Great Britain and Ireland, offering escape, a way out of poverty, or the opportunity of adventure for young men from the impoverished regions and smaller nations of the United Kingdom. Scots and Irish soldiers in particular were mainstays of the Victorian army, at times almost outnumbering English soldiers in the ranks. In the twenty years leading up to the war many of the military’s decision-makers had significant Irish or Scottish connections. Several Commanders-in-Chief of the Army in this period, including Viscount Wolseley and Roberts, were Irish and another, Lord Kitchener, had been born in Ireland. The man responsible for building the modern army as the Secretary of State for War in the decade before the war, Viscount Haldane, was a Scot. The first commander of the British Expeditionary Force, Field Marshal Sir John French came from an old Anglo-Irish family and its second, Field Marshal Sir Douglas Haig, was a Scot. A smattering of key generals, such as General Sir Ian Hamilton, who commanded the Dardanelles campaign, were Scots or Irish: of the five wartime Chiefs of the Imperial General Staff two, General Sir Charles Douglas and Lieutenant General Sir James Wolfe-Murray, were Anglo-Scots and another, General Sir Henry Wilson, was an Ulsterman. The Army before and during the war was, then, perhaps one of the most fully integrated structures of the British state, and one in which the dominant ruling-class English voice was strongly inflected by the diverse accents of its Celtic fringes. -
Archaeological Assessment at Naas Town Hall, Main Street, Naas County Kildare
ARCHAEOLOGICAL ASSESSMENT AT NAAS TOWN HALL, MAIN STREET, NAAS COUNTY KILDARE LICENCE NUMBER: 18E0515 FOR: KILDARE COUNTY COUNCIL I.T.M.: 689221/719481 LICENCEE: DAVE BAYLEY NOVEMBER 2018 Naas Town Hall, Main Street, Archaeological Testing Naas, Co. Kildare Licence Number: 18E0515 ABSTRACT Irish Archaeological Consultancy Ltd has prepared this report on behalf of Kildare County Council, to study the impact, if any, on the archaeological and historical resource of the proposed redevelopment of the Naas Town Hall, which is located on Main Street, Naas, Co. Kildare (ITM 689221/719481). The testing was undertaken by David Bayley and Muireann Ní Cheallacháin of IAC Ltd under licence 18E0515. The proposed development area is located in the townland of Naas West, parish of Naas, and barony of Naas North. The eastern boundary of the site is on the townland boundary with Naas East, Main Street North. The proposed development area is within the zone of potential for the historic town of Naas (RMP KD019-030). The proposed development area contains the site of a recorded monument, the site of White Castle (KD019-030018). The existing town hall, which was formerly a gaol, is also listed within the Record of Protected Structures for Kildare (RPS NS 19-047) and the NIAH building survey (NIAH 11814041). Four site investigation test pits were excavated in the rear yard during June 2018, which were archaeologically monitored. One test trench and one test pit were excavated within the rear yard in October 2018. The works confirmed the presence of an overburden layer within the yard area and identified the footing of a stone and mortar wall to the immediate west of the town hall structure. -
Cultures of Commemoration 2016 Lecture
Rui Carvalho Homem (Universidade do Porto) Culturas da Comemoração: o Caso da Literatura Irlandesa FLUL, 15 de Março de 2016 ‘the reputation of a major writer can offer a glimpse into the contestations of history that have structured our understanding of the past and of ourselves’ John Nash, ‘“In the Heart of the Hibernian Metropolis”? Joyce's Reception in Ireland, 1900-1940’, Richard Brown (ed.), A Companion to James Joyce (Oxford: Blackwell, 2008). 108-122 (108). ‘memory is the scaffolding upon which all mental life is constructed (…) memory distortion (…) raises important issues regarding institutional and societal memory and how distortion at these levels relates to the function of individuals.’ Gerald D. Fischbach and Joseph T. Coyle, ‘Preface’, Daniel L. Schacter (ed.), Memory Distortion: how minds, brains, and societies reconstruct the past (Cambridge, Mass: Harvard U.P., 1995) ix-x ‘Halbwachs provided an extensive analysis of how social groups remember and perpetuate their collective pasts, with a strong emphasis on the distortions that are an inevitable part of collective memory (…) In addition, Halbwachs believed that social groups exert a profound influence on the content of individual memories, and help to create various illusions, condensations, and distortions’ Daniel L. Schacter, ‘Memory Distortion: History and Current Status’, Memory Distortion: how minds, brains, and societies reconstruct the past (Cambridge, Mass: Harvard U.P., 1995) Maurice Halbwachs (1877-1945) and ‘collective memory’: ‘social thought is essentially a memory and (...) its entire content consists only of collective recollections or remembrances. (...) among them, only those recollections subsist that in every period society, working within its present-day frameworks, can reconstruct’ Maurice Halbwachs, On Collective Memory, ed., translated, and introd. -
2. Core Strategy 2
2. CORE STRATEGY 2 AIM To respond in a coherent sustainable, spatial fashion to the challenges facing the county, while building on its strengths and providing a more focused approach to planning for future growth. The Core Strategy facilitates a more consolidated compact urban form, maintenance and improvement of a sustainable economic base, and the creation of sustainable and integrated communities, together with the balancing of our natural and built environment with sustainable and appropriate development. 30 Kildare County Development Plan 2017-2023 Kildare County Development Plan 2017-2023 31 2.1 STATUTORY CONTEXT AND BACKGROUND It is recognised that, as Kildare is part of the Greater 2.3 KILDARE IN CONTEXT 2.3.1 Population Growth Trends Dublin Area (GDA) it will be influenced by and The population of the county has increased from The Planning and Development (Amendment) Act have influence over future economic, social and Kildare has an area of 169,426 hectares. Its topography 186,335 in 2006 to 210,312 in 2011, representing a 2010 introduced a requirement for an evidence based environmental trends in the region. The RPGs (and consists of a large fertile plain broken only by a growth of 13%, the second highest in the State. Over “Core Strategy” to form part of all Development Plans. forthcoming Regional Spatial and Economic Strategy) few hills such as Dunmurray Hill and the Hill of a 20 year period (1991-2011), Kildare experienced The purpose of the Core Strategy is to articulate a provide a broad planning framework giving an overall Allen, with upland areas mainly on the eastern a 71.5% increase in its population. -
County Kildare Marshfield House, Leixlip 01-492 4670
COUNTY KILDARE Marshfield House, Leixlip 01-492 4670 A truly charming and beautifully appointed Queen Ann Manor House (1711-1712) offering bright well-proportioned accommodation steeped in history within a stunning riverside setting on approximately 3 hectares (8 acres) of land to include workshop, paddocks and outbuildings. The property is laid out over three levels, comprises on ground floor level an impressive entrance hallway with feature arch landing window and original hand carved staircase. The dining room has a pair of windows overlooking the grounds to the front and a fireplace with carved mantel and cast iron surround. The drawing room to the right of the hall is a beautifully bright room with carved white marble chimney, granite surround and hearth, gas fire inset, two large picture windows overlooking the front of the property with attractive fitted shutters. This room leads through to a garden room with pine floor, french doors to front and rear and windows to the side. The kitchen/breakfast room has an oil fired AGA, a range of eye and floor level units together with a Belfast sink unit, tiled floors and an attractive outlook into a conservatory on either side. The conservatories are solid teak wood in construction and lead out to the wonderful grounds. A guest bathroom completes the ground floor accommodation. On the first floor there are three bedrooms, all have feature fireplaces and all offering beautiful views of the surrounding gardens. There is also a spacious family bathroom on this level. On the second floor there are a further three bedroms and a shower room. -
The Capuchin Annual and the Irish Capuchin Publications Office
1 Irish Capuchin Archives Descriptive List Papers of The Capuchin Annual and the Irish Capuchin Publications Office Collection Code: IE/CA/CP A collection of records relating to The Capuchin Annual (1930-77) and The Father Mathew Record later Eirigh (1908-73) published by the Irish Capuchin Publications Office Compiled by Dr. Brian Kirby, MA, PhD. Provincial Archivist July 2019 No portion of this descriptive list may be reproduced without the written consent of the Provincial Archivist, Order of Friars Minor Capuchin, Ireland, Capuchin Friary, Church Street, Dublin 7. 2 Table of Contents Identity Statement.......................................................................................................................................... 5 Context................................................................................................................................................................ 5 History ................................................................................................................................................ 5 Archival History ................................................................................................................................. 8 Content and Structure ................................................................................................................................... 8 Scope and content ............................................................................................................................. 8 System of arrangement .................................................................................................................... -
Chapter 1 Introduction: Making History?
Notes CHAPTER 1 INTRODUCTION: MAKING HISTORY? 1. Irish Times, Weekend Section, September 3, 1994. 'Ceasefire' has sub sequently been reprinted in Longley's collection The Ghost Orchid (London: Jonathan Cape, 1995, p. 39). The poem continues Longley's discovery in the classics, and in Homer particularly, of passages and incidents pertinent to the present. His collection before The Ghost Orchid, Gorse Fires (London: Seeker & Warburg, 1991), also contains moving, freely translated excerpts which press upon events in the North of Ireland. 2. 'Ulysses, Order, and Myth', Selected Prose of T.S. Eliot, edited with an introduction by Frank Kermode (London: Faber, 1975), p. 177. 3. Modernisms: A Literary Guide (London: Macmillan, 1995), p. 167. 4. Transitions: Narratives in Modern Irish Culture (Manchester University Press, 1988), p. 9. 5. Jonathan Bardon, A History of Ulster (Belfast: Blackstaff Press, 1992), pp.662-90. 6. 'The Irish Writer', Davis, Mangan, Ferguson? Tradition and the Irish Writer, writings by W.B. Yeats and Thomas Kinsella (Dublin: Dolmen Press, 1970), p. 66. 7. Francis Ledwidge: Selected Poems (Dublin: New Island Books, 1992), p. 11. 8. Field Work (London: Faber, 1979), p. 60. 9. Station Island (London: Faber, 1984), p. 37. 10. 'An Ulster Twilight', Krino, No.5, Spring 1988, p. 100. 11. Dublin: The Dedalus Press, 1994; London: Anvil Press, 1993. In the poem 'Irish Cuttings' from the latter collection, O'Driscoll has written a horrific and modern version of the aisling or vision poem in which Ireland is described as a young maiden, as an old farmer is blown up by a booby-trapped bomb in a copy of Playboy (p.