Tennessee State Library and Archives TENNESSEE ARTS
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A History of Tennessee
SECTION VI State of Tennessee A History of Tennessee The Land and Native People Tennessee’s great diversity in land, climate, rivers, and plant and animal life is mirrored by a rich and colorful past. Until the last 200 years of the approximately 12,000 years that this country has been inhabited, the story of Tennessee is the story of its native peoples. The fact that Tennessee and many of the places in it still carry Indian names serves as a lasting reminder of the significance of its native inhabitants. Since much of Tennessee’s appeal for settlers lay with the richness and beauty of the land, it seems fitting to begin by considering some of the state’s generous natural gifts. Tennessee divides naturally into three “grand divisions”—upland, often mountainous, East Tennessee; Middle Tennessee, with its foothills and basin; and the low plain of West Tennessee. Travelers coming to the state from the east encounter first the lofty Unaka and Smoky Mountains, flanked on their western slope by the Great Valley of East Tennessee. Moving across the Valley floor, they next face the Cumberland Plateau, which historically attracted little settlement and presented a barrier to westward migration. West of the Plateau, one descends into the Central Basin of Middle Tennessee—a rolling, fertile countryside that drew hunters and settlers alike. The Central Basin is surrounded on all sides by the Highland Rim, the western ridge of which drops into the Tennessee River Valley. Across the river begin the low hills and alluvial plain of West Tennessee. These geographical “grand divisions” correspond to the distinctive political and economic cultures of the state’s three regions. -
Karaoke Catalog Updated On: 22/03/2017 Sing Online on Entire Catalog
Karaoke catalog Updated on: 22/03/2017 Sing online on www.karafun.com Entire catalog TOP 50 Uptown Funk - Bruno Mars All Of Me - John Legend Love on the Brain - Rihanna EXPLICIT Tennessee Whiskey - Chris Stapleton Blue Ain't Your Color - Keith Urban Hello - Adele Sweet Caroline - Neil Diamond 24K Magic - Bruno Mars Sweet Child O'Mine - Guns N' Roses Don't Stop Believing - Journey Piano Man - Billy Joel How Far I'll Go - Moana Shape of You - Ed Sheeran Jackson - Johnny Cash Fly Me To The Moon - Frank Sinatra Girl Crush - Little Big Town House Of The Rising Sun - The Animals I Will Survive - Gloria Gaynor Friends In Low Places - Garth Brooks Black Velvet - Alannah Myles Unchained Melody - The Righteous Brothers Bohemian Rhapsody - Queen My Way - Frank Sinatra Santeria - Sublime Ring Of Fire - Johnny Cash Wagon Wheel - Darius Rucker Killing Me Softly - The Fugees Folsom Prison Blues - Johnny Cash Before He Cheats - Carrie Underwood Love Shack - The B-52's Crazy - Patsy Cline Take Me Home, Country Roads - John Denver I Want It That Way - Backstreet Boys Can't Help Falling In Love - Elvis Presley Can't Stop The Feeling - Justin Timberlake He Stopped Loving Her Today - George Jones Summer Nights - Grease Turn The Page - Bob Seger At Last - Etta James Closer - The Chainsmokers Me And Bobby McGee - Janis Joplin (Sittin' On) The Dock Of The Bay - Otis Redding My Girl - The Temptations These Boots Are Made For Walkin' - Nancy Sinatra Strawberry Wine - Deana Carter Thinking Out Loud - Ed Sheeran Always On My Mind - Willie Nelson A Whole New World -
1997Festivalofameric00festival.Pdf
,j iVJ I t n 3 o ri i a r \j ;J ^_ j. r\ r\ r \ 1 r r -1 L_ U > \J j_ Members of the Ethiopian Christian community participate in an annual candlelight ceremony called Maskal (cross finding) at Malcolm X Park in the District of Columbia. Photo by Harold Dorwin, © Smithsonian Institution 6 Smithsonian Institution Festival of American Folklife On the National Mall WASHINGTON, D.C. June25— 29&July2— Cosponsored by the National Park Service 1997 Festival of American Folklife Hazel Dailey from Columbia, Louisiana, works with the insert to the pressure cooker she uses in canning produce. Photo by Sylvia Frantom Tradition-based social occasions like this coffee ceremony at the Washing- On the Cover ton, D.C., home ofHermela Kebede reinforce ties between generations of At this baptism at Lake Providence, Louisiana, in the Delta region, the minister Ethiopian women living in the United repeats a prayer as each candidate, dressed in traditional robe and headgear, States. Photo by Harold Dorwin, is immersed. The baptized are then received by members of the church and ©Smithsonian Institution taken away to change. Photo © Susan Roach At a gathering of the lion Christian Church in South Africa's northern province ofMoria, the men of Site Map on the Back Cover Mokhukhu dance as an expression of faith. Photo © T. J. Lemon The Carolina Tar Heels (left to right, Clarence [Torn! Ashley, Doc Walsh, Owen Foster), ca. 1930. Photo courtesy CFPCS Archive Crop dusting cotton fields in the Mississippi Delta. L Photo © Maida Owens 27 1997 Festival of American Folklife -
The Underground Railroad in Tennessee to 1865
The State of State History in Tennessee in 2008 The Underground Railroad in Tennesseee to 1865 A Report By State Historian Walter T. Durham The State of State History in Tennessee in 2008 The Underground Railroad in Tennessee to 1865 A Report by State Historian Walter T. Durham Tennessee State Library and Archives Department of State Nashville, Tennessee 37243 Jeanne D. Sugg State Librarian and Archivist Department of State, Authorization No. 305294, 2000 copies November 2008. This public document was promulgated at a cost of $1.77 per copy. Preface and Acknowledgments In 2004 and again in 2006, I published studies called The State of State History in Tennessee. The works surveyed the organizations and activities that preserve and interpret Tennessee history and bring it to a diverse public. This year I deviate by making a study of the Under- ground Railroad in Tennessee and bringing it into the State of State History series. No prior statewide study of this re- markable phenomenon has been produced, a situation now remedied. During the early nineteenth century, the number of slaves escaping the South to fi nd freedom in the northern states slowly increased. The escape methodologies and ex- perience, repeated over and over again, became known as the Underground Railroad. In the period immediately after the Civil War a plethora of books and articles appeared dealing with the Underground Railroad. Largely written by or for white men, the accounts contained recollections of the roles they played in assisting slaves make their escapes. There was understandable exag- geration because most of them had been prewar abolitionists who wanted it known that they had contributed much to the successful fl ights of a number of slaves, oft times at great danger to themselves. -
Old Time Banjo
|--Compilations | |--Banjer Days | | |--01 Rippling Waters | | |--02 Johnny Don't Get Drunk | | |--03 Hand Me down My Old Suitcase | | |--04 Moonshiner | | |--05 Pass Around the Bottle | | |--06 Florida Blues | | |--07 Cuckoo | | |--08 Dixie Darling | | |--09 I Need a Prayer of Those I Love | | |--10 Waiting for the Robert E Lee | | |--11 Dead March | | |--12 Shady Grove | | |--13 Stay Out of Town | | |--14 I've Been Here a Long Long Time | | |--15 Rolling in My Sweet Baby's Arms | | |--16 Walking in the Parlour | | |--17 Rye Whiskey | | |--18 Little Stream of Whiskey (the dying Hobo) | | |--19 Old Joe Clark | | |--20 Sourwood Mountain | | |--21 Bonnie Blue Eyes | | |--22 Bonnie Prince Charlie | | |--23 Snake Chapman's Tune | | |--24 Rock Andy | | |--25 I'll go Home to My Honey | | `--banjer days | |--Banjo Babes | | |--Banjo Babes 1 | | | |--01 Little Orchid | | | |--02 When I Go To West Virginia | | | |--03 Precious Days | | | |--04 Georgia Buck | | | |--05 Boatman | | | |--06 Rappin Shady Grove | | | |--07 See That My Grave Is Kept Clean | | | |--08 Willie Moore | | | |--09 Greasy Coat | | | |--10 I Love My Honey | | | |--11 High On A Mountain | | | |--12 Maggie May | | | `--13 Banjo Jokes Over Pickin Chicken | | |--Banjo Babes 2 | | | |--01 Hammer Down Girlfriend | | | |--02 Goin' 'Round This World | | | |--03 Down to the Door:Lost Girl | | | |--04 Time to Swim | | | |--05 Chilly Winds | | | |--06 My Drug | | | |--07 Ill Get It Myself | | | |--08 Birdie on the Wire | | | |--09 Trouble on My Mind | | | |--10 Memories of Rain | | | |--12 -
Bluegrass/Old Time Overlap Tunes Here’S a List of Some Instrumentals Found in Both Old Time and Bluegrass Repertoires
Pegram Jam FIDDLE TUNE CHORD CHART BOOK When you learn an old time tune, you make a friend for life. A collection of accompanist charts for 450+ Old Time/Bluegrass/Celtic tunes LARGE TYPE FORMAT • INTERMEDIATE LEVEL FREE AUDIO TUNE ARCHIVE @ pegramjam.com Version 48 | August 2013 © Kirk Pickering & Susie Coleman Pegram Jam FIDDLE TUNE CHORD CHART BOOK The Pegram Jam is just that... a jam. It’s a casual, loosely organized session with a collective goal: to learn, teach and practice Old Time fiddle tunes. It’s a pretty popular place for tune lovers and we invite you to join the party via our free online audio library at PegramJam.com. We created the Pegram Jam Chord Chart Book to help rhythm and bass accompanists remember appropriate chord changes to the tunes we play at our jams. A tune can be presented at the jam by any musician who attends; our charted arrangement is generally based on that version. We’ve charted almost every song brought to the circle and added the tune to our collection. Though we strive to be accurate, you will find errors and discrepancies in opinion; however, we continually work through the songs and update the book. Please check our website for periodic updates. FAQ: Frequently Asked Questions .............................. 4 How to read our charts ................................................. 5 Alphabetical list of tunes ............................................. 6 Tunes by key .................................................................. 13 Newest additions ......................................................... -
Bill Harrison Collection 97-050
BILL HARRISON COLLECTION 97-050 1921-1997 [Bulk: 1965-1985] 28.5 linear feet The Center for Popular Music Middle Tennessee State University, Murfreesboro, TN Processed by David Jellema, September 1998 Revised by Lucinda P. Cockrell, March 2006 Revised by Rachel K. Morris, June 2011 BILL HARRISON COLLECTION 97-050 Table of Contents Creator Type of Material Physical Description Dates Abstract (Descriptive Summary) Access/Restrictions Provenance and Acquisition Information Subject/Index Terms Agency History/Biographical Sketch............................................................3 Scope and Content..........................................................................................4 Series Description............................................................................................5 Collection Contents (Folder/Box List)...........................................................9 Materials Cataloged Separately Arrangement……………………………………………..…………….……17 Location Related Materials………………………………………………………...….18 2 BILL HARRISON COLLECTION 97-050 Creator: Harrison, Bill, 1920- Type of Material: Books, Sound Recordings, Trade Catalogs, Newspaper Clippings, Performance Documents, Manuscripts, Photographs, Serials Physical Description: 28.5 linear feet, including audio recordings, photographs, and manuscript papers Dates: 1921-1997, bulk 1965-1985 Abstract (Descriptive Summary): This collection documents Bill Harrison’s work in organizing the Tennessee Valley Old Time Fiddlers Association, music festivals, and events and conventions -
A History of Appalachia
University of Kentucky UKnowledge Appalachian Studies Arts and Humanities 2-28-2001 A History of Appalachia Richard B. Drake Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Drake, Richard B., "A History of Appalachia" (2001). Appalachian Studies. 23. https://uknowledge.uky.edu/upk_appalachian_studies/23 R IC H ARD B . D RA K E A History of Appalachia A of History Appalachia RICHARD B. DRAKE THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by grants from the E.O. Robinson Mountain Fund and the National Endowment for the Humanities. Copyright © 2001 by The University Press of Kentucky Paperback edition 2003 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kenhlcky Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 12 11 10 09 08 8 7 6 5 4 Library of Congress Cataloging-in-Publication Data Drake, Richard B., 1925- A history of Appalachia / Richard B. -
Bluegrass, Oldtime - Misc
Contents Updated 11/22/19 -Bluegrass, Oldtime - Misc. -Celtic, & Etc. Bluegrass, Oldtime Angelina Baker Ashland Breakdown Ashokan Farewell Avalon Quickstep Big Sandy River Baker’s Breakdown Beaumont Rag Bill Cheatham Billy In The Lowground Bitter Creek BlackBerry Blossom Bluegrass In The Backwoods Brown County Breakdown Cacklin’ Hen Caroll County Blues Cherokee Shuffle Colored Aristocracy Come Hither To Go Yonder Crazy Creek Cross-Eyed Fiddler Dead March Devils Dream Doc Harris The Fisherman Dry and Dusty East Tennessee Blues Flop Eared Mule Forky Deer Golden Fiddle Waltz Grassy Fiddle Blues Grey Eagle High Dad In The Morning Indian Killed A Woodcock Jenny Lind Jerusalem Ridge Johnny The Blacksmith Kentucky Mandolin Kitchen Girl Leather Britches LiBerty Little RabBit Lonesome Moonlight Waltz Lost Indian Marching Through Gerogia Midnight On The water Mineola Rag Mossy Cow Napoleon Crossing The Rockies Old EBenezer Scrooge (The) One I Love Is Gone Paddy On The Turnpike Ragtime Annie Ragtime Bear Redwing Sally Goodin Sandy River Belle Salt Creek Salty Sandy River Belle Santa Anna’s Retreat Saturday Night Rag Say Old Man, Can You Play The Fiddle? Sinking Creek Snowflake Reel Snowshoes Southern Flavor Stony Creek Stone’s Rag Susannah Gal Tater Patch Tennessee Blues Tennessee Dream Tennessee Wagoner Valley Forge Washington County Whiskey Before Breakfast White Horse Breakdown Misc. Sweet Georgia Brown Goofus Celtic & Etc. After The Battle Of Aughrim Banish Misfortune (The) Banshee BlackBerry Quadrille Boda Polska Bolt the Door (The) Boyne Hunt -
Strategies for the Eradication Or Control of Gypsy Moth in New Zealand
Strategies for the eradication or control of gypsy moth in New Zealand Travis R. Glare1, Patrick J. Walsh2*, Malcolm Kay3 and Nigel D. Barlow1 1 AgResearch, PO Box 60, Lincoln, New Zealand 2 Forest Research Associates, Rotorua (*current address Galway-Mayo Institute of Technology, Dublin Road, Galway, Republic of Ireland) 3Forest Research, Private Bag 3020, Rotorua Efforts to remove gypsy moth from an elm, Malden, MA, circa 1891 May 2003 STATEMENT OF PURPOSE The aim of the report is to provide background information that can contribute to developing strategies for control of gypsy moth. This is not a contingency plan, but a document summarising the data collected over a two year FRST-funded programme on biological control options for gypsy moth relevant to New Zealand, completed in 1998 and subsequent research on palatability of New Zealand flora to gypsy moth. It is mainly aimed at discussing control options. It should assist with rapidly developing a contingency plan for gypsy moth in the case of pest incursion. Abbreviations GM gypsy moth AGM Asian gypsy moth NAGM North America gypsy moth EGM European gypsy moth Bt Bacillus thuringiensis Btk Bacillus thuringiensis kurstaki MAF New Zealand Ministry of Agriculture and Forestry MOF New Zealand Ministry of Forestry (defunct, now part of MAF) NPV nucleopolyhedrovirus LdNPV Lymantria dispar nucleopolyhedrovirus NZ New Zealand PAM Painted apple moth, Teia anartoides FR Forest Research PIB Polyhedral inclusion bodies Strategies for Asian gypsy moth eradication or control in New Zealand page 2 SUMMARY Gypsy moth, Lymantria dispar (Lepidoptera: Lymantriidae), poses a major threat to New Zealand forests. It is known to attack over 500 plant species and has caused massive damage to forests in many countries in the northern hemisphere. -
Agawa Canyon Train Tour
NEW TOURS! 33 with Volume 30 January-December 2021 Welcome aboard one of the most popular train tours in North America, the Agawa Canyon Train Tour. This breathtaking journey is a one-day rail adventure into the heart of the Canadian wilderness! Through the large windows of our coaches, the beauty of the region will unfold, and you will experience the same rugged landscapes that inspired the Group of Seven to create some of Canada’s most notable landscape art. This one-day wilderness excursion will transport you 114 miles north of Sault Ste. Marie, Ontario, over towering trestles, alongside pristine northern lakes and rivers and through the awesome granite rock formations and vast mixed forests of the Canadian Shield. There’s plenty to photograph during your excursion so be sure to pack your camera! Don’t miss this NEW tour! Book Early! See page 44 AGAWA CANYON for description TRAIN TOUR Niagara Falls & PLUS, SOO LOCKS BOAT TOUR See page 53 African Safari for description Canada’s Safari CRUZ’IN THE MISSISSIPPI RIVER Adventure FROM LE CLAIRE TO DUBUQUE, IOWA See page 55 See page 59 for description for description Maine Lobster Become Tom Sawyer or Huck Finn for the day when we join our Captain and Crew Festival & for a day on the Mighty Mississippi River! You will board an authentic riverboat, the “Celebration Belle” Rocky Coast of Maine departing from , for an 11-hour cruise on the Mighty Mississippi can be what you Lemake Claire, of it, aIowa learning and cruiseexperience north or to simply Dubuque, an enjoyable Iowa. -
Jim Shumate and the Development of Bluegrass Fiddling
JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2018 Center for Appalachian Studies JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER May 2018 APPROVED BY: Sandra L. Ballard Chairperson, Thesis Committee Gary R. Boye Member, Thesis Committee David H. Wood Member, Thesis Committee William R. Schumann Director, Center for Appalachian Studies Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Natalya Weinstein Miller 2018 All Rights Reserved Abstract JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING Natalya Weinstein Miller, B.A., University of Massachusetts M.A., Appalachian State University Chairperson: Sandra L. Ballard Born and raised on Chestnut Mountain in Wilkes County, North Carolina, James “Jim” Shumate (1921-2013) was a pioneering bluegrass fiddler. His position at the inception of bluegrass places him as a significant yet understudied musician. Shumate was a stylistic co-creator of bluegrass fiddling, synthesizing a variety of existing styles into the developing genre during his time performing with some of the top names in bluegrass in the 1940s, including Bill Monroe in 1945 and Lester Flatt & Earl Scruggs in 1948. While the "big bang" of bluegrass is considered to be in 1946, many elements of the bluegrass fiddle style were present in Bill Monroe's Blue Grass Boys prior to 1945. Jim Shumate’s innovative playing demonstrated characteristics of this emerging style, such as sliding double-stops (fingering notes on two strings at once) and syncopated, bluesy runs.