Howard Wight Marshall Collection (CA5161)
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2021 Oklahoma State Picking & Fiddling Championships Rules
OK Pickers & Fiddlers Championships | Rules 2021 2021 Oklahoma State Picking & Fiddling Championships Rules General Rules for All Contests 1. Contestants need not reside in Oklahoma. All are eligible. 2. Decisions of the judges and scoring table are final. 3. In case of rule infractions for which penalties are not specified, or for situations not foreseen by these rules, the judges and scoring table will determine an appropriate penalty ranging from nothing, up to disqualification. 4. Only acoustic, unamplified stringed instruments may be played. 5. Contestants may not use electronic pickups or contact microphones. 6. Sign-ups for each contest division will close 30 minutes prior to published start for that division. Drawing of numbers for playing order will take place 15 minutes prior to the published time for that division. Once drawing occurs, the division is closed. General Rules for Other Contests 1. Judges are sequestered. 2. Relatives of judges may not compete. 3. Contestants draw for order of appearance prior to each round. 4. Contestants must give their song list to the registration table prior to drawing for position. 5. Contestants may not trade playing positions. 6. Contestants may not register to compete once the drawing for playing position has started. 7. Contestants who are unready to play when called, at the judges’ discretion, receive zero points for that round. 8. Contestants are allowed only one instrument on stage. 9. Contestants may not repeat a song. 10. Contestants may not play a medley. 11. Contestants may not speak (or cough or laugh) near the microphone. A contestant who does so will, at the judges’ discretion, receive zero points for that round. -
ピーター・バラカン 2012 年 6 月 2 日放送 01. Shak
ウィークエンド・サンシャイン PLAYLIST ARCHIVE DJ:ピーター・バラカン 2012 年 6 月 2 日放送 01. Shake Your Hips / Joan Osborne // Bring It On Home 02. Bring It On Home / Joan Osborne // Bring It On Home 03. My Back Pages / Joan Osborne & Jackson Browne // Steal This Movie 04. Little Broken Hearts / Norah Jones // Little Broken Hearts 05. Take It Back / Norah Jones // Little Broken Hearts 06. Band on the Run / The Langley Schools Music Project // Innocence & Despair 07. Desperado / The Langley Schools Music Project // Innocence & Despair 08. Anyhow I Love You / Lyle Lovett // This One's For Him 09. The Cape / Patty Griffin // This One's For Him 10. Cold Dog Soup / James McMurtry // This One's For Him 11. A Boy Named Sue / Johnny Cash // The Essential Johnny Cash 12. I Shall Be Released / The Brothers And Sisters // Dylan's Gospel 13. The Mighty Quinn (Quinn the Eskimo) / The Brothers And Sisters // Dylan's Gospel 14. Bruca Manigua / Arsenio Rodriguez // Quindembo-Afro Magic-La Magia De Arsenio Rodriguez 15. Ice Age / Dr. John // Locked Down 16. My Children, My Angels / Dr. John // Locked Down 17. Gris-Gris Gumbo Ya Ya / Dr. John // Gris-Gris 2012 年 6 月 9 日放送 01. House Of The Rising Sun / Doc Watson & Clarence Ashley // The Original Folkways Recordings, 1960-1962 02. Little Omie Wise / Doc Watson // Doc Watson 03. Intoxicated Rat / Doc Watson // Doc Watson 04. Blackberry Blossom / Doc Watson // Newport Folk Festival 1964: The Evening Concerts 05. Going Down This Road Feeling Bad / Doc Watson // Newport Folk Festival 1964: The Evening Concerts 06. Ramblin' Hobo / Doc Watson & Family // Treasures Untold 07. -
Old Time Banjo
|--Compilations | |--Banjer Days | | |--01 Rippling Waters | | |--02 Johnny Don't Get Drunk | | |--03 Hand Me down My Old Suitcase | | |--04 Moonshiner | | |--05 Pass Around the Bottle | | |--06 Florida Blues | | |--07 Cuckoo | | |--08 Dixie Darling | | |--09 I Need a Prayer of Those I Love | | |--10 Waiting for the Robert E Lee | | |--11 Dead March | | |--12 Shady Grove | | |--13 Stay Out of Town | | |--14 I've Been Here a Long Long Time | | |--15 Rolling in My Sweet Baby's Arms | | |--16 Walking in the Parlour | | |--17 Rye Whiskey | | |--18 Little Stream of Whiskey (the dying Hobo) | | |--19 Old Joe Clark | | |--20 Sourwood Mountain | | |--21 Bonnie Blue Eyes | | |--22 Bonnie Prince Charlie | | |--23 Snake Chapman's Tune | | |--24 Rock Andy | | |--25 I'll go Home to My Honey | | `--banjer days | |--Banjo Babes | | |--Banjo Babes 1 | | | |--01 Little Orchid | | | |--02 When I Go To West Virginia | | | |--03 Precious Days | | | |--04 Georgia Buck | | | |--05 Boatman | | | |--06 Rappin Shady Grove | | | |--07 See That My Grave Is Kept Clean | | | |--08 Willie Moore | | | |--09 Greasy Coat | | | |--10 I Love My Honey | | | |--11 High On A Mountain | | | |--12 Maggie May | | | `--13 Banjo Jokes Over Pickin Chicken | | |--Banjo Babes 2 | | | |--01 Hammer Down Girlfriend | | | |--02 Goin' 'Round This World | | | |--03 Down to the Door:Lost Girl | | | |--04 Time to Swim | | | |--05 Chilly Winds | | | |--06 My Drug | | | |--07 Ill Get It Myself | | | |--08 Birdie on the Wire | | | |--09 Trouble on My Mind | | | |--10 Memories of Rain | | | |--12 -
Jack Pearson
$6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301 -
282 Newsletter
NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere. -
Bluegrass/Old Time Overlap Tunes Here’S a List of Some Instrumentals Found in Both Old Time and Bluegrass Repertoires
Pegram Jam FIDDLE TUNE CHORD CHART BOOK When you learn an old time tune, you make a friend for life. A collection of accompanist charts for 450+ Old Time/Bluegrass/Celtic tunes LARGE TYPE FORMAT • INTERMEDIATE LEVEL FREE AUDIO TUNE ARCHIVE @ pegramjam.com Version 48 | August 2013 © Kirk Pickering & Susie Coleman Pegram Jam FIDDLE TUNE CHORD CHART BOOK The Pegram Jam is just that... a jam. It’s a casual, loosely organized session with a collective goal: to learn, teach and practice Old Time fiddle tunes. It’s a pretty popular place for tune lovers and we invite you to join the party via our free online audio library at PegramJam.com. We created the Pegram Jam Chord Chart Book to help rhythm and bass accompanists remember appropriate chord changes to the tunes we play at our jams. A tune can be presented at the jam by any musician who attends; our charted arrangement is generally based on that version. We’ve charted almost every song brought to the circle and added the tune to our collection. Though we strive to be accurate, you will find errors and discrepancies in opinion; however, we continually work through the songs and update the book. Please check our website for periodic updates. FAQ: Frequently Asked Questions .............................. 4 How to read our charts ................................................. 5 Alphabetical list of tunes ............................................. 6 Tunes by key .................................................................. 13 Newest additions ......................................................... -
Bluegrass, Oldtime - Misc
Contents Updated 11/22/19 -Bluegrass, Oldtime - Misc. -Celtic, & Etc. Bluegrass, Oldtime Angelina Baker Ashland Breakdown Ashokan Farewell Avalon Quickstep Big Sandy River Baker’s Breakdown Beaumont Rag Bill Cheatham Billy In The Lowground Bitter Creek BlackBerry Blossom Bluegrass In The Backwoods Brown County Breakdown Cacklin’ Hen Caroll County Blues Cherokee Shuffle Colored Aristocracy Come Hither To Go Yonder Crazy Creek Cross-Eyed Fiddler Dead March Devils Dream Doc Harris The Fisherman Dry and Dusty East Tennessee Blues Flop Eared Mule Forky Deer Golden Fiddle Waltz Grassy Fiddle Blues Grey Eagle High Dad In The Morning Indian Killed A Woodcock Jenny Lind Jerusalem Ridge Johnny The Blacksmith Kentucky Mandolin Kitchen Girl Leather Britches LiBerty Little RabBit Lonesome Moonlight Waltz Lost Indian Marching Through Gerogia Midnight On The water Mineola Rag Mossy Cow Napoleon Crossing The Rockies Old EBenezer Scrooge (The) One I Love Is Gone Paddy On The Turnpike Ragtime Annie Ragtime Bear Redwing Sally Goodin Sandy River Belle Salt Creek Salty Sandy River Belle Santa Anna’s Retreat Saturday Night Rag Say Old Man, Can You Play The Fiddle? Sinking Creek Snowflake Reel Snowshoes Southern Flavor Stony Creek Stone’s Rag Susannah Gal Tater Patch Tennessee Blues Tennessee Dream Tennessee Wagoner Valley Forge Washington County Whiskey Before Breakfast White Horse Breakdown Misc. Sweet Georgia Brown Goofus Celtic & Etc. After The Battle Of Aughrim Banish Misfortune (The) Banshee BlackBerry Quadrille Boda Polska Bolt the Door (The) Boyne Hunt -
Ca5060 Fred Trent Collection
PRELIMINARY INVENTORY ACCESSION CA5060 FRED TRENT COLLECTION This collection is available at The State Historical Society of Missouri, Research Center- Columbia. If you would like more information, please contact us at [email protected]. Dates: 1960s-1980s Creator: Trent, Fred, collector Collection Size: 1 folder, 60 audio cassettes Introduction Recordings of Missouri area fiddlers. Includes programs, promotional materials, newspaper clippings, and articles. Donor Information The collection was loaned for copying to the University of Missouri by Fred Trent on 15 July 1991. Additional material was loaned for copying by Fred Trent 11 September 1991 and donated by Fred Trent on 3 December 1993. Box List Box 1 f. 1 Programs, promotional materials, newspaper clippings, and articles a.c. 1 Arrow Rock Contest, 1970 (Cleo’s last contest) Cleo Persinger, fiddle—“Katie Hill”, “Sally Goodin” Cyril, fiddle Jack, bass Lena, guitar Pat, guitar a.c. 2 Loyd Wanzer, Dick Hutchison, 1967 a.c. 3 Loyd Wanzer, Casey Jones, Bill Jones—harp, Wade Ray Down Yonder; Back Up and Push; Devil’s Dream; Hell Amongst the Yearlings; Flop Eared Mule; Soldier’s Joy; Old Joe Clark; Mississippi Sawyer; Tennessee Wagoner; Ricket’s Hornpipe a.c. 4 Casey Jones, Thanksgiving Day, 1967, Fast music and waltzes. a.c. 5 Laclede Contest a.c. 6 Side 1: Ed Daugherty, Fred Johnson, and Lena Hughes at Tina Side 2: Laclede Contest, Ida Mae Green, Dixie Green, Cyril, Mr. Davis—100 years old. a.c. 7-8 Braymer Contest, 1971 THE STATE HISTORICAL SOCIETY OF MISSOURI MANUSCRIPT COLLECTION 9/15/2020 ACCESSION CA5060 FRED TRENT COLLECTION a.c. -
Old Time Music at Clarence Ashley's”--Doc Watson, Clarence Ashley, Et.Al
“Old Time Music at Clarence Ashley's”--Doc Watson, Clarence Ashley, et.al. (1960-1962) Added to the National Registry: 2012 Essay by Steve Kaufman (guest post)* Album cover In 1960, Smithsonian historian Ralph Rinzler convinced the virtually unknown Clarence “Tom” Ashley, Doc Watson, Gather Carlton, Jack Johnson, Fred Price and Clint Howard to walk into the studio and record their mountain heritage music. Ralph Rinzler met Clarence at an Old Time Fiddler’s Convention. Ashley hadn’t played banjo for many years, but Ralph convinced him to pick it back up again and record it. Doc Watson didn’t own an acoustic guitar at the time. He had been playing in a rockabilly band playing square dances and the like. Doc honed his instrumental skills playing fiddle tunes on the guitar. Doc told me that the square dance bands he played in did not have a fiddle player so he played the tune as the fiddle would. This combination of Clarence on banjo and Doc on guitar and banjo, along with Fred Price and Gaither Carlton on fiddle, make an old-time band that is authentic and powerful. Seventeen songs make up this collection, of which T. Clarence Ashley wrote nine. It seems odd that he would credit the song as being by T.C. Ashley. He would credit his singing as Tom Ashley. Doc would credit him as Clarence throughout Doc’s long career. I’ve heard Doc mention Clarence on many occasions. These are the original tracks to this classic “Old Time” recording. It was recorded in Shouns, Tennessee; Saltville, Virginia; and Deep Gap, North Carolina. -
名前 アーティスト アルバム ジャンル 分 年 21 Johnny Cash & Carl
名前 アーティスト アルバム ジャンル 分 年 21 Johnny Cash & Carl Perkins The First Years/The Heart And Soul Of Carl Perkins カントリー 3.4 1755 Steve Riley & The Mamou Playboys Live! カントリー 3.0 1929 Merle Haggard Chill Factor Country 3.6 1987 1976 Alan Jackson Good Time Country & Folk4.2 2008 1999 The Wilkinsons Here And Now カントリー 3.5 2000 (A Day In The Life Of A) Single Mother Victoria Shaw In Full View Country & Folk3.1 1995 (A Day In The Life Of A) Single Mother Victoria Shaw In Full View (P) 1995 カントリー 3.1 1995 (After Sweet Memories) Play Born To Lose Again Ronnie Milsap The Golden Country Hits 15 Green,Green Grass Of Home カントリー 3.0 (Blank Track) Dixie Chicks Fly カントリー 0.1 2001 (Ghost) Riders In The Sky Johnny Cash The Essential Johnny Cash (Disc 2) カントリー 3.7 2002 (Give It To) The Needy Mary Lee's Corvette 700 Miles Rock 4.3 2003 (Give It To) The Needy Mary Lee's Corvette 700 Miles ロック 4.3 2003 (Hey Won't You Play) Another Somebody Done SomebodyB.J. Wrong Thomas Song Greatest Hits- B. J. Thomas ロック 3.4 (Hey Won't You Play) Another Somebody Done SomebodyB.J.Thomas Wrong Song The Golden Country Hits 11 I Fall To Pieces カントリー 3.4 (Hey Won't You Play) Another Somebody Done SomebodyBillie Wrong Jo Spears Song The Ultimate Collection Country & Folk3.3 1975 (Hey Won't You Play) Another Somebody Done SomebodyThe Wrong Golden Song Country Hits 550 The Golden Country Hits Sing Along -Special Karaoke Best 51-(Ii) Country & Folk3.5 (I Can't Help You) I'm Falling Too Skeeter Davis RCA Country Hall Of Fame カントリー 2.8 (I Never Promised You A) Rose Garden Billie Jo Spears -
A Biography of Doc Watson by Dan Miller Edited by Steve Carr
A Biography of Doc Watson by Dan Miller Edited by Steve Carr Introduction Over the past fifty years the guitar has had a very powerful influence on American music. Predominantly a rhythm instrument at the turn of the century, the guitar began to step out of the rhythm section in the 1930’s and 40’s and has maintained a dominant presence in every form of music from rock, to folk, to country, bluegrass, blues, and old- time. While Elvis, the Beatles, Bob Dylan, and other pop icons of the 50’s and 60’s certainly played a large role in bolstering the guitar’s popularity, the man who has had the deepest, most enduring, and most profound influence on the way the acoustic flat top guitar is played as a lead instrument in folk, old-time, and bluegrass music today is Arthel "Doc" Watson. To those of us who have spent hundreds of hours slowing down Doc Watson records in order to learn the tastefully selected notes that he plays and emulate the clear, crisp tone he pulls out of his instrument, Doc is a legend. However, Doc’s influence extends far beyond the small niche of guitar players who try to faithfully reproduce his guitar breaks because Doc Watson is not just a guitar player and singer - he is an American hero. To be recognized as a "national treasure" by President Jimmy Carter, honored with the National Medal of the Arts by President Bill Clinton, and given an honorary doctorate degree from the University of North Carolina calls for being more than a fine musician and entertainer. -
Jim Shumate and the Development of Bluegrass Fiddling
JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2018 Center for Appalachian Studies JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER May 2018 APPROVED BY: Sandra L. Ballard Chairperson, Thesis Committee Gary R. Boye Member, Thesis Committee David H. Wood Member, Thesis Committee William R. Schumann Director, Center for Appalachian Studies Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Natalya Weinstein Miller 2018 All Rights Reserved Abstract JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING Natalya Weinstein Miller, B.A., University of Massachusetts M.A., Appalachian State University Chairperson: Sandra L. Ballard Born and raised on Chestnut Mountain in Wilkes County, North Carolina, James “Jim” Shumate (1921-2013) was a pioneering bluegrass fiddler. His position at the inception of bluegrass places him as a significant yet understudied musician. Shumate was a stylistic co-creator of bluegrass fiddling, synthesizing a variety of existing styles into the developing genre during his time performing with some of the top names in bluegrass in the 1940s, including Bill Monroe in 1945 and Lester Flatt & Earl Scruggs in 1948. While the "big bang" of bluegrass is considered to be in 1946, many elements of the bluegrass fiddle style were present in Bill Monroe's Blue Grass Boys prior to 1945. Jim Shumate’s innovative playing demonstrated characteristics of this emerging style, such as sliding double-stops (fingering notes on two strings at once) and syncopated, bluesy runs.