UC San Diego UC San Diego Previously Published Works
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Michael Mcdermott
LANDSCAPES AND THE MACHINE: ADDRESSING WICKED VALUATION PROBLEMS WHEN NORTH, SOUTH, EAST AND WEST MEET A thesis submitted in fulfillment of the requirements for the award of the degree Doctor of Philosophy by Michael McDermott Faculty of Design, Architecture and Building University of Technology, Sydney Supervisors: Associate Professor Jason Prior and Professor Spike Boydell 2015 Landscapes and the Machine: Addressing Wicked Valuation Problems when North, South, East and West Meet. i ABSTRACT This thesis is about engaging with the dynamic relationship between “landscapes”, “land tenure”, and the “machine”. The first term can be so broad as to mean every process and thing encountered, the second means the way that land is held by a person or group of persons, and the third means things both put together and used by humans to fulfil their wants and needs from the landscape. As a professional valuer I have been traditionally trained to engage at arms-length with the normative behaviour of persons or groups at the intersection of these three concepts, wherein those people and groups were willing but not compelled to engage. Such traditional valuation approaches are increasingly recognised as being insufficient to address wicked valuation problems of the diverse peoples and groups that inhabit the globe from North, South, East to West. This thesis develops a means of engaging with these wicked valuation problems in a suitably knowledgeable and prudent way. To do so the thesis adopts an exploratory approach guided by Whitehead’s process philosophy injunction of a creative advance into novelty. This approach is enacted through a range of data collection and analysis methods. -
Technology and Australia's Future
Technology and Australia’s Future New technologies and their role in Australia’s security, cultural, democratic, social and economic systems ONLINE HYPERLINKED EDITION PROJECT AUSTRALIAN ACADEMY OF THE HUMANITIES AUSTRALIAN ACADEMY OF SCIENCE ACADEMY OF THE SOCIAL SCIENCES IN AUSTRALIA AUSTRALIAN ACADEMY OF TECHNOLOGICAL SCIENCES AND ENGINEERING ISBN 978-0-9943738-0-9 This report is copyright © Australian Council of Learned Academies, 2015 This entire work is licensed under a Creative Commons Attribution- Noncommercial 4.0 international licence Please attribute and cite the work as: Robert C. Williamson, Michelle Nic Raghnaill, Kirsty Douglas and Dana Sanchez, Technology and Australia’s future: New technologies and their role in Australia’s security, cultural, democratic, social and economic systems, Australian Council of Learned Academies, September 2015. This ONLINE version is based on the original file the authors wrote in preparing the report. The printed version of the report, available at www.acola.org.au, was derived from it and only differs in format, the absence of the present paragraph, and the inclusion of some general material about ACOLA and the other SAF projects. The present version is provided because its format makes it easier to read online, and in particular it is internally and externally hyperlinked. DATE OF PUBLICATION September 2015 PUBLISHER Australian Council of Learned Academies 1 Bowen Crescent Melbourne, Victoria 3004, Australia AUTHORS This report was written by: Professor Robert C. Williamson FAA Dr Michelle Nic Raghnaill Dr Kirsty Douglas Ms Dana Sanchez The report incorporates written input from: Professor Robin J. Evans FAA, FTSE Professor Gerard Goggin Dr Bernadette Hince Professor Ron Johnston FTSE Dr Katrina Jungnickel Dr Michael Keating AC, FASSA Professor Stephen King FASSA The report was prepared with input and guidance from the Expert Working Group: Professor Robin J. -
National Knowledge Commission Report to the Nation 2007
dg Kkue~ Kkue~ Kku ±ò ±ò Kku k« H È O ±ò Kku dg Kkue~ Kkue~ Kku ±ò ±ò Kku dg Kkue~ Kkue~ Kku ±ò ±ò Kku k« H È O ±ò Kku dg Kkue~ Kkue~ Kku ±ò eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ u Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æfi»¢ :±ò Kku iëëÞ eÛk«Ú ¾HœÈä¢ Oã]¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ :±ò º°æ ¶ sÐ_ :±ò Kku Knowledge Kkue~ Kkue~ Kku ‹≈‰’≈∆ -
Mr Trumble.Pdf
REVIEW OF EXHIBITIONS AND PUBLIC PROGRAMS AT THE NATIONAL MUSEUM OF AUSTRALIA SUBMISSION BY ANGUS TRUMBLE I wish to make the following submission in connection with DCITA’s 2003 Review of Exhibitions and Public Programs at the National Museum of Australia, Canberra. My thoughts about the NMA are largely the product of having for many years visited dozens museums all over the world, either out of interest or through my work as Curator of European Art at the Art Gallery of South Australia in Adelaide (1996 to 2001). However, I should also make it clear that I have had no professional contact with the NMA staff other than as an ordinary visitor, and it is in that capacity, not so much as an art museum curator, that I wish to comment on the building and aspects of the display, which I have studied carefully in the course of five visits in February and March this year. Despite the robust nature of many of my criticisms, I should say that I welcome the long-awaited arrival of the NMA. I believe it has a vital role to play in the cultural life of the nation, and the many problems that it must now solve are no more than temporary setbacks. None, apart from the terrible building, is insoluble, and even the building can be improved, I think, beyond measure. The architecture The design of the new NMA building is very poor and will not, I think, serve the long-term exhibition needs of the NMA. Nor will it open up new possibilities for public programming in the long term. -
Not Even Past NOT EVEN PAST
The past is never dead. It's not even past NOT EVEN PAST Search the site ... Of How a Hopi Ancient Word Became a Famous Experimental Film Like 65 Tweet by Montserrat Madariaga The theater is at its full capacity. The musicians are in place as the orchestra conductor starts to wave his arms in time with the image on the screen. There, little red dots emerge from a black background. They slowly widen and turn into capital letters: The word KOYAANISQATSI takes over. Keyboard notes evoking a church organ underline the mystery of the term and suit the dramatic hard-edged-typography. It is a Friday afternoon, February 23, 2018, in the Bass Concert Hall of the Texas Performing Art Center of The University of Texas, at Austin. The occasion is the screening of Godfrey Reggio’s 1982 lm, accompanied by the live performance of The Philip Glass Ensemble playing its original score music. Featured for the rst time to an ample public in the 1982 New York Film Festival, Koyaanisqatsi is an audiovisual art piece without dialogue or voiceover, deprived of any explicit narrative, that is nowadays a cult classic. It opens with a shot of the Holy Ghost Panel in Horseshoe Canyon, Utah, a human trace dated between 400 AD and 1100 AD. Then, footage of imposing natural landscapes and wildlife of the United States’ Southwest is followed by images of urban spaces: construction, crowded streets, demolitions, technology of the time, and so on. The collage escalates in its pace along with the music: utes, clarinet, trombone, viola, tuba, keyboards and vocals from time to time repeat the word “koyaanisqatsi” in a low pitched ceremonial tone that creates an apocalyptic atmosphere. -
Pravasi Bharatiya Divas 2013
Pravasi Bharatiya Divas 2013 Tag Line – Engaging Diaspora – The Indian Growth Story Sl. No. Sessions Topic Speakers 1. Plenary India’s Growth : Greater Shri Vayalar Ravi Minister of Overseas Indian India Session-I Opportunities Affairs 2. Dr. Montek Singh Deputy Chairman, Planning India Ahluwalia Commission 3. Shri Kamal Nath Minister of Urban India Development and Parliamentary Affairs 4. Shri Anand Sharma Minister of Commerce and India Industry 5. Shri P. K. Kunhalikutty Minister of Industries and India Information Technology 6. Shri K.M. Mani Minister of Finance, Law and India Housing, Government of Kerala 7. Ms. Naina Lal Kidwai President FICCI and Country India Head India, Director, HSBC Asia Pacific 8. Plenary Heritage and Diaspora Dr. Shashi Tharoor Minister of State for Human India Session-II Resource Development 9. Rt. Hon’ble Sir Anand Former Governor General, New Satyanand New Zealand Zealand 10. H.E. Dato Seri Dr S. Minister of Human Resource Malaysia Subramaniam 11. Hon’ble Jason Kenny, PC, Minister of Citizenship, Canada MP Immigration and Multiculturalism 12. Rt. Hon’ble Sandip Verma Parliamentary Under UK Secretary of State 13. Ms. Abike Dabiri Erewa Chairperson of the Nigerian Nigeria House of Representatives Committee 14. Shri Pavan K. Varma Author and former Bhutan Ambassador of India to Bhutan 15. Shri Gopinath Pillai Ambassador-at-Large, Singapore Singapore 16. Shri Ashook Ramsaran President, GOPIO International 17. Shri Yanktesh Permal Chairman, Reddy Group of Reddy Companies 18. Dr. Vidya Yeravdekar Director Symbiosis India International University, Pune 19. Shri Sant Singh Chatwal Chairman and CEO, Hampshire Hotels and Resorts 20. Plenary Engaging Young Overseas Shri Salman Khurshid Minister of External Affairs India 21. -
GODFREY REGGIO (Director, Koyaanisqatsi) Is a Pioneer of a Film Form That Creates Poetic Images of Extraordinary Emotive Impact
GODFREY REGGIO (Director, Koyaanisqatsi) is a pioneer of a film form that creates poetic images of extraordinary emotive impact. Reggio is best known for the Qatsi Trilogy – essays of image and music, speechless narrations which question the world in which we live. Born in New Orleans in 1940, Reggio entered the Christian Brothers, a Roman Catholic Pontifical Order, at age 14 and remained as a monk until 1968. In 1963, he co-founded Young Citizens for Action, a community organization of juvenile street gangs. Reggio co-founded La Clinica de la Gente and La Gente, a community organizing project in Northern New Mexico’s barrios. In 1972, he co- founded the Institute for Regional Education in Santa Fe, a nonprofit organization focused on media, the arts, community organization and research. In collaboration with the New Mexico Chapter of the American Civil Liberties Union, Reggio co- organized a multimedia public interest campaign on the invasion of privacy and the use of technology to control behavior. Reggio’s collaboration on Koyaanisqatsi with Ron Fricke (Director of Photography) and Philip Glass (Composer) gained an international audience, critical acclaim and launched the Qatsi Trilogy. Koyaanisqatsi has been played live over 200 times in venues worldwide. Reggio’s collaborations with Philip Glass, include: Koyaanisqatsi (1982), Powaqqatsi (1988), Naqoyqatsi (2002), Anima Mundi (1992), Evidence (1995) and Visitors (2013). In 1993, Reggio was invited by Luciano Benetton and Oliviero Toscani to develop a new school “to smell the future” – an enterprise of exploration and production in the arts, technology and mass media. Called Fabrica – Futuro Presente, it opened in the middle of the ‘90s in Treviso, Italy. -
B4754.Pdf (2.181Mb)
Partners for Health in South-East Asia Conference Report New Delhi, India 16–18 March 2011 WHO Library Cataloguing-in-Publication data World Health Organization, Regional Offi ce for South-East Asia. Partners for health in South-East Asia: conference report. 1. Public-Private Sector Partnerships. 2. Health Services Administration. 3. Delivery of Health Care. 4. Health Status. 5. Maternal Mortality. 6. International Cooperation. 7. Health Planning. 8. Health priorities. 9. Communicable Diseases. ISBN 978-92-9022-405-1 (NLM classifi cation: WA 530) © World Health Organization 2011 All rights reserved. Requests for publications, or for permission to reproduce or translate WHO publications, whether for sale or for noncommercial distribution, can be obtained from Publishing and Sales, World Health Organization, Regional Offi ce for South-East Asia, Indraprastha Estate, Mahatma Gandhi Marg, New Delhi-110 002, India (fax: +91-11- 23370197; e-mail: publications@ searo.who.int). The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the World Health Organization concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. Dotted lines on maps represent approximate border lines for which there may not yet be full agreement. The mention of specifi c companies or of certain manufacturers’ products does not imply that they are endorsed or recommended by the World Health Organization in preference to others of a similar nature that are not mentioned. Errors and omissions excepted, the names of proprietary products are distinguished by initial capital letters. -
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM
Advance Program Notes Powaqqatsi: Life in Transformation Philip Glass Ensemble Friday, November 1, 2013, 8 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. CENTER FOR THE ARTS AT VIRGINIA TECH presents POWAQQATSI LIFE IN TRANSFORMATION The CANNON GROUP INC. A FRANCIS FORD COPPOLA and GEORGE LUCAS Presentation Music by Directed by PHILIP GLASS GODFREY REGGIO Photography by Edited by GRAHAM BERRY IRIS CAHN/ ALTON WALPOLE LEONIDAS ZOURDOUMIS Performed by PHILIP GLASS and the PHILIP GLASS ENSEMBLE conducted by Michael Riesman with the Blacksburg Children’s Chorale Patrice Yearwood, artistic director PHILIP GLASS ENSEMBLE Philip Glass, Lisa Bielawa, Dan Dryden, Stephen Erb, Jon Gibson, Michael Riesman, Mick Rossi, Andrew Sterman, David Crowell Guest Musicians: Ted Baker, Frank Cassara, Nelson Padgett, Yousif Sheronick The call to prayer in tonight’s performance is given by Dr. Khaled Gad Music Director MICHAEL RIESMAN Sound Design by Kurt Munkacsi Film Executive Producers MENAHEM GOLAN and YORAM GLOBUS Film Produced by MEL LAWRENCE, GODFREY REGGIO and LAWRENCE TAUB Production Management POMEGRANATE ARTS Linda Brumbach, Producer POWAQQATSI runs approximately 102 minutes and will be performed without intermission. SUBJECT TO CHANGE PO-WAQ-QA-TSI (from the Hopi language, powaq sorcerer + qatsi life) n. an entity, a way of life, that consumes the life forces of other beings in order to further its own life. POWAQQATSI is the second part of the Godfrey Reggio/Philip Glass QATSI TRILOGY. With a more global view than KOYAANISQATSI, Reggio and Glass’ first collaboration, POWAQQATSI, examines life on our planet, focusing on the negative transformation of land-based, human- scale societies into technologically driven, urban clones. -
The Age of the Thumb: a Cultural Reading of Mobile Technologies from Asia 2005
Repositorium für die Medienwissenschaft Genevieve Bell The age of the thumb: A cultural reading of mobile technologies from Asia 2005 https://doi.org/10.25969/mediarep/1127 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Bell, Genevieve: The age of the thumb: A cultural reading of mobile technologies from Asia. In: Peter Glotz, Stefan Bertschi, Chris Locke (Hg.): Thumb Culture. The Meaning of Mobile Phones for Society. Bielefeld: transcript 2005, S. 67– 87. DOI: https://doi.org/10.25969/mediarep/1127. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 THE AGE OF THE THUMB: MOBILE TECHNOLOGIES FROM ASIA The age of the thumb: A cultural reading of mobile technologies from Asia Genevieve Bell Introduction1 The People’s Republic of China is currently the world’s largest market for cell phones. Indeed cell phones are now such a commodity, that some fashionable Chinese women wear them as jewelry, on chains around their necks. One young professional I interviewed joked that China is now in a new age, the age of the thumb [muzhi shi dai]. She was referring not only to the remarkable text message traffic in China —an estimated 100 million messages per day for the more than 340 mil- lion cell phone subscribers in that country—but also to the growing sense that mobile technology is ushering in a new era in Chinese histo- ry and culture, as well as a new place for China on the world technolo- gy stage. -
Innovation Lessons from Six Remarkable Lives PDF 99 Kb
This transcript was exported on Jul 01, 2019 - view latest version here. Dr Hartley: It's my great pleasure to welcome to the stage distinguished professor Genevieve Bell. I think we all know Genevieve well, but she is ... Just to remind you, she's the director of the Autonomy Agency and Assurance Institute, the 3A Institute. She's the Florence Violet McKenzie Chair and distinguished professor at the Australian National University, and a Vice President and senior fellow at Intel Corporation. Dr Hartley: The 3A Institute has the mission of building a new applied science around the management of artificial intelligence, data technology, and their impact on humanity. So it's really appropriate that we have someone of immense skills in those areas tonight. Genevieve is ideally placed to lead that work. She's a cultural anthropologist, a technologist and futurist, and best known for her work at the intersection of cultural practice and technology development. Dr Hartley: I'm sure in [inaudible 00:01:05] of the public, what is highly acclaimed Boyer lectures for 2017, which was really fascinating. And she's investigated what some means to be human and Australian in a digital world. Just because that's not enough to fill her day, she's also the Non-Executive Director of the Commonwealth Bank where she has literally left that meeting after three days of board meetings to come here tonight. Dr Hartley: She's a member, as the minister said, of the Prime Minister's National Science and Technology Council and we are very proud to say she's a fellow of this academy. -
The California Tech
After reading the Just don't super special media guy, check out the regular one ... bother see page 4 THE CALIFORNIA TECH P ASADENA CALIFORNIA FRIDAY M ARCH 1998 RAINED? WE ARE. THIS ISSUE 100% CONTENT FREE Adam Villani: Media Guy: Armegeddon, Part /I With the Oscars comin g up on Monday, th e question is not whether the Acadcmy failed to nominate it. You can safely put your money on L.A . Titanic will dominate th e compet iti on, but by how mu ch it will dominate COl/fidel/tial, but of the nominees I would cheer for Th e Sweet Hereafter the competition. Looking at the nominations individually, Ithink Titanic and DOlil/ie Brasco. has a decent shot to win in each of it s 14 nominated categories except Cillematography- The sheer beauty of Martin Scorsesc's marv elous Besi AClress (Kale Winslet). Even if lhere's a huge backlash agai nslthis Kill/dun may beat out Titan ic here. Conn oisseurs shou ld check out gOO-pound gorill a of a movie, It 's still got Ed iti ng. Art Direction , Origi Maborosi for a movie expressed al most solely through its cinematogra nal Dramatic Score, Costum e, Original Song, and Sound pretty much phy_ wrapped up and in the bag. While I think the 14 nominations represen ted Ediling- Titanic wins, and is the best nominated. Erro l Morris' docu the peak of its popu larity, I think we shou ld expect to see repre se ntatives mentary Fast, Cheap. and Oul of COlllroi and Peter Greenaway's spec of this very popular and technicai ly outstandi ng film take th e podium tacu lar Th e Pillow Book were the true masterpieces of editing this year.