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Radiohead's Pre-Release Strategy for in Rainbows
Making Money by Giving It for Free: Radiohead’s Pre-Release Strategy for In Rainbows Faculty Research Working Paper Series Marc Bourreau Telecom ParisTech and CREST Pinar Dogan Harvard Kennedy School Sounman Hong Yonsei University July 2014 RWP14-032 Visit the HKS Faculty Research Working Paper Series at: http://web.hks.harvard.edu/publications The views expressed in the HKS Faculty Research Working Paper Series are those of the author(s) and do not necessarily reflect those of the John F. Kennedy School of Government or of Harvard University. Faculty Research Working Papers have not undergone formal review and approval. Such papers are included in this series to elicit feedback and to encourage debate on important public policy challenges. Copyright belongs to the author(s). Papers may be downloaded for personal use only. www.hks.harvard.edu Makingmoneybygivingitforfree: Radiohead’s pre-release strategy for In Rainbows∗ Marc Bourreau†,Pınar Dogan˘ ‡, and Sounman Hong§ June 2014 Abstract In 2007 a prominent British alternative-rock band, Radiohead, pre-released its album In Rainbows online, and asked their fans to "pick-their-own-price" (PYOP) for the digital down- load. The offer was available for three months, after which the band released and commercialized the album, both digitally and in CD. In this paper, we use weekly music sales data in the US between 2004-2012 to examine the effect of Radiohead’s unorthodox strategy on the band’s al- bum sales. We find that Radiohead’s PYOP offer had no effect on the subsequent CD sales. Interestingly, it yielded higher digital album sales compared to a traditional release. -
726708602826-Itunes-Booklet.Pdf
VOYAGES (1994) Robert Convery VOYAGES, CANTATA No. 2, Op. 41 (2018) Benjamin C.S. Boyle the croSSing 1. I 3:19 7. I Avowal: Bind us in time 2:10 2. II 3:12 8. II Seascape: Above the fresh ruffles of the surf 4:38 3. III 4:02 9. III Pairings: And yet this great wink of eternity 3:40 LAWRENCE MOSS NEW DAWN 4. IV 5:17 10. IVa Aria: This tendered theme of you 2:26 5. V 4:29 11. IVb Aria: And so, admitted through black swollen gates 4:28 6. VI 5:55 12. V Descent: Meticulous, infrangible, and lonely 5:51 13. VI Chorale: Draw in your head 1:47 51:15 voyages innova 028 innova is the label of the American Composers Forum. © The Crossing, 2019. All Rights Reserved. www.innova.mu | www.crossingchoir.org The Crossing Voyages String Ensemble Katy Avery Robert Eisentrout Rebecca Myers Natasha Colkett, Alexandra Cutler-Fetkewicz, Abigail Fayette, Nathaniel Barnett Ryan Fleming Rebecca Oehlers Rebecca Harris, Margaret Humphrey, and Christof Richter, violin Jessica Beebe Joanna Gates Daniel Schwartz Petula Perdikis and Daniela Pierson , viola Julie Bishop Dimitri German 3 Rebecca Siler Tom Kraines and Mimi Morris-Kim, violoncello Kelly Ann Bixby Steven Hyder Daniel Spratlan Tim Ressler, contrabass Karen Blanchard* Michael Jones Elisa Sutherland Album artwork by Paul du Coudray Steven Bradshaw Heather Kayan Daniel Taylor 2 1 mezzo-soprano solo in Boyle II Colin Dill Heidi Kurtz 2 tenor solo in Boyle IVa, IVb 1 Micah Dingler Maren Montalbano Donald Nally, 3 baritone solo in Boyle IVb conductor * sponsored by board member Beth Van de Water John Grecia, keyboards THE JOURNEY TO VOYAGES a note from Donald Nally I spent a significant amount of time in the nineties obsessed with all things Hart Crane, his fantastic imagery, strictly disciplined structure, free-wheeling language, and complex world of metaphor. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
2018Patternsonline
Pattern Name!!!!!Source or Sources!!!!Year of Publ. Acrobatik Creative Pattern Book 1999 Across the Wide Missouri Block Book 1998 Adirondack Log Cabin Scraps, Blocks & Q 1990 Aegean Sea Stellar Quilts 2009 African Safari Ult. Book of Q. Block P. 1988 Air Force Block Scraps, Blocks & Q 1990 Album Patch Scraps, Blocks & Q 1990 Albuquerque Lone Star Singular Stars 2018 Alice's Adventures Scraps, Blocks & Q 1990 All in the Family Sampler Knockout Blocks & Sampler Quilts, Star Power 2004 All Star Block Book, Creative Pattern Book 1998 All That Jazz Ult. Book of Q. Block P. 1988 All Thumbs Patchworkbook 1983 Allegheny Log Cabin Scraps, Blocks & Q 1990 Alma Mater Scraps, Blocks & Q 1990 Aloha Ult. Book of Q. Block P. 1988 Alpine Lone Star Singular Stars 2018 Amazing Grace Scraps, Blocks & Q 1990 Amber Waves Block Book 1998 America, the Beautiful Scraps, Blocks & Q 1990 America, the Beautiful 2 Knockout Blocks & Sampler Quilts, Star Power 2004 American Abroad Scraps, Blocks & Q 1990 American Ambassador Quiltmaker 1982 American Beauty Ult. Book of Q. Block P. 1988 American Dream Stellar Quilts 2005 American Spirit Cookies 'n' Quilts 2001 Americana Knockout Blocks & Sampler Quilts, Star Power 2000 Amethyst Ult. Book of Q. Block P. 1988 Amsterdam Lone Star Singular Stars 2018 Angel's Flight Patchworkbook 1983 Angels Quilter’s Newsletter 1983 Angels on High Block Book 1998 Angels Quilt QNM, Q & OC 1981? Anniversary Block Scraps, Blocks & Q 1990 Anniversary Star BOM 2002 Pattern Name!!!!!Source or Sources!!!!Year of Publ. Anniversary Stars-45th Anniversary -
December 6) 1999
VOLUME 33 The season to b e jolly: December 6, Author Frank McCourt con tinues the au~obiographical 1999 story he began in "Angela's Ashes" in the new book ISSUE 973 "'Tis. " ..... See pages 6-7 http://WlNlN.ulnsl.edu/studen"tli fe/curreni: UNIVERSITV O F MIS SOURI - S T. LOUIS Faculty'Council demands -.. III D: more involvement in ·cGI . .cIII c. decision-making process GI iii BY BRIAN DOUGLAS "In order to restore the cOIili ., .• . ,. , . , q ., ... , . ... ,., .. .".,., . ",. " . ..•. ,.. of The Current staff dence of the faculty in her adminis tration, Chancellor Toullill must In response to Chancellor inlplemem steps to meaningfully Blanche Touhill's fonnation of a task involve the faculty in the campus' force for campus-wide strategic planning and governance. At future planning, the Faculty Council passed meetings the Faculty CoUl)cil will a motion Thursday which reiterated consider whether effective steps its call for greater faculty involve have been taken," the motion said, ment in the planning and decision Judd acknowledged that the making process. motion was not satis Dennis Judd, pre factory to all members siding officer of the of the council. Faculty Council, Criticism of the described the motion motion ranged from as a middle-ground statements that it was Gary Grace, vice chancellor for student affairs, explains the new policy for overdue stUdent proposal. Previously, too harshly worded to accounts to Tilly lashel, a junior. Judd had expressed the complaints that it was view that the faculty's overly vague. confidence ill The fOlmation of Chancellor Touhill the Chancellor's task Administrators want to was so badly marred Touhill force followed the that a change in leader recent controversy ship might be the only over a system-level way to resolve the situ audit of UM-St. -
Diplo and Beck Confirmed for Northside
Diplo 2017-12-01 09:59 CET Diplo and Beck confirmed for NorthSide Thundercat, Rhye, and Jimmy Eat World will also appear at next year's festival This year’s last round of announcements for NorthSide 2018 will significantly expand the festival’s musical spectrum and offer everything from baile funk and sophisticated electronica to fusion jazz and postmodern disco-funk. Over the last three years, Diplo has been unavoidable because of global megahits like “Lean On”, "Where Are Ü Now", and “Cold Water”. He has found chart success as a producer for M.I.A., Sia, and Beyoncé, as a member of Major Lazer and Jack Ü and as solo artist, and he is always highly ranked on DJ Mag's list of the world’s best dj’s. The productive producer’s unique take on baile funk has made its mark on charts throughout the world since the breakthrough with "Paper Planes", and as he himself put it a few years ago; Random White Dude Be Everywhere. This summer that will for the first time also include NorthSide. Diplo will play Saturday June 9th at NorthSide 2018 Earlier this year, the always unpredictable Beck released the album "Colors", which picked up the thread from the dance-friendly and fun album from 1999, “Midnite Vultures”. Through a long and ever changing career, he has sold millions of records, won Grammys, and impressed with masterpieces such as "Odelay" and most recently the understated "Morning Phase". But the acoustic guitar has taken the backseat on new songs like "Dreams" and "Wow" and the focus is now instead on getting people back on the dance floor. -
Mto.04.10.4.W Everet
Volume 10, Number 4, December 2004 Copyright © 2004 Society for Music Theory Walter Everett KEYWORDS: rock music, tonality, harmony, voice leading, Schenkerian analysis, modal theory, blues, popular music, Beck ABSTRACT: Despite frequently voiced assertions and their underlying presumptions, there is no single sort of tonal behavior common to all rock music, but rather a spectrum of approaches to scales, harmonic function and voice leading. This essay addresses the issue from two perspectives. The first suggests an array of six tonal systems ranging from the traditional major mode through modal (including minor-pentatonic) practices having increasing structural value, to chromatic relations with little basis in any deeper diatony. The second perspective studies the varied degrees of interaction between harmony and voice leading evidenced in samples of rock music from two historically opposed timeframes, the more homogeneous span of 1957–58 and the more radically experimental period of 1999–2000. Finally, Beck’s “Lonesome Tears” (2003) serves as a model for an analytical approach to one iconoclastic combination of voice leading and harmony. Received October 2004 [1] In its history now spanning half a century, rock music has found expression in dozens of styles and sub-styles, each characterized in part—sometimes in large part—by its own approach to a preexisting tonal system, or sometimes by its unveiling of a seemingly novel tonal system.(1) Of course there are many other musical and poetic traits of importance in marking style distinctions (including rhythm at surface, phrase, and sectional levels, tone color, performance practices such as phrasing, articulation, and dynamics, and recording techniques), but in this essay we will focus solely on matters of tonal structure, in hopes of addressing in a brief space an underlying context for the wide variety of systems that exist. -
EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908
$6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), Y2,500 (JAPAN) Chart Ill 1111 Ill Changes #BXNCCVR 3 -DIGIT 908 II 1111[ III.IIIIIII111I111I11II11I11III I II...11 #90807GEE374EM002# BLBD 897 A06 B0098 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A Overview LONG BEACH CA 90807 -3402 Page 10 New Features l3( AUGUST 2, 2003 Page 57 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT www.billboard.com HOT SPOTS New Player Eyes iTunes BuyMusic.com Rushes Dow nload Service to PC Market BY BRIAN GARRITY Audio -powered stores long offered by Best Buy, Tower Records and fye.com. NEW YORK -An unlikely player has hit the Web What's more, digital music executives say BuyMusic with the first attempt at a Windows -friendly answer highlights a lack of consistency on the part of the labels to Apple's iTunes Music Store: buy.com founder when it comes to wholesaling costs and, more importantly, Scott Blum. content urge rules. The entrepreneur's upstart pay -per-download venture,' In fact, this lack of consensus among labels is shap- buymusic.com, is positioning itself with the advertising ing up as a central challenge for all companies hoping slogan "Music downloads for the rest of us." to develop PC -based download stores. But beyond its iTunes- inspired, big -budget TV mar- "While buy.com's service is the least restrictive [down- the new service is less a Windows load store] that is currently available in the Windows keting campaign, SCOTT BLUI ART VENTURE 5 Trio For A Trio spin on Apple's offering and more like the Liquid (Continued on page 70) Multicultural trio Bacilos garners three nominations for fronts the Latin Grammy Awards. -
Look Alikes Gadfly Mail Ox in Defense of J.T\.Mericau
THE FLY The St. John's College Student Week{y Annapolis, Maryland Volume XXIV, Issue 5 October 1, 2002 Look Alikes Gadfly Mail ox In Defense of J.t\.mericau. In a quite sophomoric letter to the editor, slaves. But he fails to mention that in the origi Editor-in-Chief Response to the Best Government Money Can Buy: . .lVIr. Nick Colten, of tl1e class of 2005, asked My saying tllat the inlmigrants who come nal draft of the docU111ent, Jefferson harshly Cooper N. Gallimore In hi . 1 'Th Best Government Money the state coffers in any way, the re_sult is es sen me to clarify some alleged contradictions in a to this country do so because t11ey seek refuge s art1c e, e . th b · s ent 1n these pro condemned King George III for promoting Can Buy,' l\1ichael Bridge supported a position ually that" e money ,,emg P column that I published two weeks ago. Being slave trade: from places ruled by mobs also seemed to con Production Managers f: ul tion and mislead- grams ts ta,"X money. a freshman, and following Mr. Cohen's ex fuse Mr. Colten, so I'll try to briefly clear that Ervin Romero . that rests on a a ty assump tl in Indeed if this money zj ta,"X money, it opens "He has waged cruel war against hU111an . ing information. He cons1sten y _assumes ' . Wh should some- ample, I may be expected to respond by writ up. By "mobs" I mean groups of privileged Cathy Keene nature itself, violating its most sacred rights of . -
Continued on Page 8, Column 1 Intelligence, Integrity, and Lead
VOLUME NUMBER 3 PASADENA, CALIFORNIA OCTOBER 2005 By ADAM CRAIG Nevada, October 8, to what Alice had erroneously By PERRY 2005, around 11 :30AM Alice, the computed to be the track sent her 2005 Sportsmobile 4WD succes crashing through the barricade, David Baltimore, the seventh this VISIon of excel sor to last year's Bob, had com crushing concrete blocks under president of the California In lence into the future," pleted 8.3 miles ofgrueling desert her robust Ford E350 frame and stitute ofTechnology, will retire said Kent Kresa, the driving, easily avoiding obstacles swiftly mounting the sand berm on June 30, 2006, after nearly chairman ofthe Caltech and handily navigating the tortu beyond them. For a few breath nine years in the post. He will Board ofTrustees. ous course. Team Caltech's dedi less moments, it looked as if the remain at the Institute, where he Baltimore, 67, as cated band ofscruffy-chinned CS, reporters gathered in the press intends to focus on his scientific sumed the presidency and CDS students had stands would be next to share work and teaching. on October 15, 1997. taken great to strengthen the concrete blocks' as the "This is not a decision that I His tenure saw many and refine path-following wayward robot truck barreled to have made easily," Baltimore ward the huddled media masses. significant events at module in order to avoid a repeat announced to the Caltech trust of last year's mishap, in which But the quick reflexes of the staff Caltech. Early on, he Bob strayed off course, plowed at the DARPA command center ees, faculty, staff, and students, oversawthecompletion through a barbed wire fence, then averted catastrophe by guiding "but I am convinced that the of a fund-raising initia entangled his rear axle in another their fingers to the emergency interests of the Institute will tive for the biological segment of the barbed wire fence remote disable switch, bringing be best served by a presiden sciences, marked by upon reentry. -
Beck Lets the Purple Rain Fall JOHN ZEISS Reviews Editor Beck Contrary to Midnite Vultures Advance Hype (And It's Been a Bad Year for L.A
Natalie Merchant delivers a must-own MEREDITH VONDRA staff writer Buy this CD! Buy this CD! Buy this CD! Some "best of" CDs are noth- ing more than a desper- ate cry for money. Oth- ers are a true exploration on the versatility of the songs. Natalie Mer- chant's Live In Concert is the latter. Merchant's new CD is a recording of her show on June 13 at the Neil ferent view of Merchant. Too Simon Broadway Theater. often, live versions differ very Although she is singing to a little from an artist's original large audience, intimacy recording. Merchant puts her oozes from the songs. The entire self into her live music. songs are a mix of Merchant's The result is an amazing hits, new songs and several album quite different than one covers. The best track is the produced in a studio. Live In cover of David Bowie's Concert cannot even be com- "Space Oddity." The lone gui- pared to Merchant's previous tar and Merchant's soulful work. Her true talent as an .' vocals create a haunting artist shines, and her voice is effect. For once, a cover is bet- astounding. Buy this CD! ter than the original. Live In Concert offers a dif- Na.talie Merchant wraps up and gets cozy. Her new live album feels cozy and 1nt1mate as well. Beck lets the purple rain fall JOHN ZEISS reviews editor Beck Contrary to Midnite Vultures advance hype (and It's been a bad year for L.A. First, DGC/Interscope the title and bulk the Chili Peppers berated its broken of this review), dreams on Califomication. -
Michael Mission 105250 BAP210.1 Comparative Analysis of Two Producers Table of Contents
Comparative Analysis: Nigel Godrich and Timbaland Michael Mission 105250 BAP210.1 Comparative Analysis of Two Producers Table of Contents INTRODUCTION! 1 NIGEL GODRICH! 1 TIMBALAND! 1 PRODUCTION TRAITS! 2 CREATIVE ACCIDENTS! 2 THE BEAT MAKER! 3 IN COMPARISON! 4 CONCLUSION! 6 BIBLIOGRAPHY! 7 Nigel Godrich and Timbaland INTRODUCTION The ambiguous role of a music producer continues to escape common definition, made the more difficult in today’s ever growing expanse of musical genres and styles. McKinnon (2006), writing for CBC (Canadian Broadcasting Corporation) gives us a broad working definition: “Music producers are like film directors. They supervise the recording process, and are responsible for its final result.” Over recent decades, two significant individuals have had a major impact in shaping this very role; English producer Nigel Godrich and American producer Timothy Zachary Mosley better known to the world as ‘Timbaland’. The following essay analyses and compares these two individuals with particular focus on their key stylistic traits, their approach and methodologies and the techniques they employ in the craft of music production. NIGEL GODRICH Born in February 28, 1971, Godrich is best known for his close collaboration with the English five piece rock band Radiohead. The noted partnership began with a chance opportunity to record some B-sides during the band’s studio sessions for The Bends, “a notoriously difficult album for the band to make” (Robinson, 1997). His immediate connection with the band and his thorough knowledge of tape machines, mixing consoles and outboard gear made him the first port of call during the pre-production stages for Ok Computer (1997), Radiohead’s third studio album.