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The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
10 FRANCSS 10 Francs, 28 Rue De L'equerre, Paris, France 75019 France, Tel: + 33 1 487 44 377 Fax: + 33 1 487 48 265
MIPTV - MIPDOC 2013 PRE-MARKET UNABRIDGED COMPREHENSIVE PRODUCT GUIDE SPONSORED BY: NU IMAGE – MILLENNIUM FILMS SINCE 1998 10 FRANCSS 10 Francs, 28 Rue de l'Equerre, Paris, France 75019 France, Tel: + 33 1 487 44 377 Fax: + 33 1 487 48 265. www.10francs.fr, [email protected] Distributor At MIPTV: Christelle Quillévéré (Sales executive) Market Stand: MEDIA Stand N°H4.35, Tel: + 33 6 628 04 377 Fax: + 33 1 487 48 265 COLORS OF MATH Science, Education (60') Language: English Russian, German, Finnish, Swedish Director: Ekaterina Erementp Producer: EE Films Year of Production: 2011 To most people math appears abstract, mysterious, complicated, inaccessible. But math is nothing but another language to express the world. Math can be sensual. Math can be tasted, it smells, it creates sound and color. One can touch it - and be touched by it... Incredible Casting : Cedric Villani (french - he talks about « Taste »). Anatoly Fomenko (russian - he talks about « Sight »), Aaditya V. Rangan (american - he talks about « Smell »), Gunther Ziegler (german - he talks about « To touch » and « Geométry »), Jean- Michel Bismut (french - he talks about « Sound » … the sound of soul …), Maxime Kontsevich (russian - he talks about « Balance »). WILD ONE Sport & Adventure, Human Stories (52') Language: English Director: Jure Breceljnik Producer: Film IT Country of Origin: 2012 "The quest of a young man, athlete and disabled, to find the love of his mother and resolve the past" In 1977, Philippe Ribière is born in Martinique with the Rubinstein-Taybi Syndrome. Abandoned by his parents, he is left to the hospital, where he is bound to spend the first four years of his life and undergo a series of arm and leg operations. -
MIS AGENCY National Endowment for the Humanities (NFAH), Waskington*D.C
DOCUMINT 2250112 'SD 152 616 SO 010-579 AUTHOR Hellman, Nary TITLE Popular Culture: Mirror of American Life. Source 5 = Book. Courses by Newspaper. INSTITUTION California Univ., San Diego. Univ. Extension. MIS AGENCY National Endowment for the Humanities (NFAH), WasKington*D.C. PUB DATE 77 NOTE 59p.; For related documents, see SO 010 577-580 AVAILABLE FROM Publisher's Inc., 243 12th Street, Drawer P, Del Mar, California 92014 ($2.50 paperbound) EDRS PRICE MF-$0:83 Plus Postage. HC Not Available fro' BUS. DESCRIPTORS Adult Education; Broadcast Industry; Community Programs; Cultural lieges; Culture; *Enrichment Programs; Females; Films; Futures. (of Society); Group Discussion; Husan Living; *Instructional Materials ;.' *Life Style; *Hass Media; Minority Groups; Music; News MedialNewspapers; 4Populat Culture; Resouie Guides; Secondary Education; Stereotypes; Television IDENTIFIERS United States ABSTRACT The sourcebook is one of several supplementary materials for a 15-week newspaper course about popular culture in the __United States. Program ideas and related resources compiled in the sourcebook' are designed to help civic and group leaders and educators plan educational community programs based on the coursetopics. Section one describes ways in which the program can be used in community and - academic programs. Section two,'Suggestions andAids for Educational Community Programs,'suggests backgroundreading in specific periodicals and books, discussion guestionso'and. group research activities for each,of the 15 course topics.Section three describes in detail the activities and publications of 48 national a.0 private organizations concerned with rar4ous\facets ofpopular cuature, including the Agency for Instructional Television, American Film Institute, Federal Communicatipns Commission,,National Association of Broadcasters, and Twentieth Century Fund. -
Unabridged AFM Product Guide + Stills
AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.com/AFM2012ProductGuide/AFMProductGuide.pdfGUIDEGUIDE Hillridge (Parker Posey), the head of the high school soccer team’s two week trip Director: Alex de la Iglesia 108 MEDIA hospital’s charity foundation, reluctantly to Italy. Dynamic friendships, rivalries Writer: Alex de la Iglesia decides to take Adan into her home for a and personal secrets compete in this tale Key Cast: José Mota, Salma Hayek CORPORATION few days. Through his ongoing and of one boy’s stirring coming of age in a Delivery Status: Screening 108 Media Corporation, 225 sometimes inappropriate slogans, Adan foreign land. Year of Production: 2011 Country of Commissioners St., Suite 204,, Toronto, slowly begins to affect Karen and the Origin: Spain Ontario Canada, Tel: 1.637.837.3312, MYN BALA: WARRIORS OF THE dysfunctional relationship she has with In this hilarious comedy, Alex de la http://www.108mediacorp.com, STEPPE her daughter Meghan. Epic Adventure (125 min) Iglesia makes fun of lack of today's [email protected] Director: Akan Satayev morals in media and depiction of Sales Agent, Producer BUFFALO GIRLS Documentary (66min) Kazakhstan, 1729: A ferocious Mongol financial crisis through the eyes of an At AFM: Abhi Rastogi (CEO) Buffalo Girls tells the story of two 8- tribe sweeps across the steppes, and unemployed advertising executive who Office: Loews Hotel Suite 601 year-old-girls, Stam and Pet, both Kazakh sultans leave their people to fend decides to take advantage of an accident AUTUMN BLOOD Director: Reed Morano (Frozen River) professional Muay Thai prizefighters. Set for themselves. Young Sartai and other he has after yet another humiliating work Writer: Stephen Barton and Markus in small villages throughout rural survivors flee to the mountains. -
ED134511.Pdf
DOCUMENT RESUME ED 134 511 SO 009 748 AUTHOR LeBeau, Bryan, Comp. TITLE Films for Sociology, First Edition. INSTITUTION Pennsylvania State Univ., University Park. Audio-Visual Services. PUB DATE 73 NOTE 210p. AVAILABLE FROM Audio Visual Services, The Pennsylvania State University, University Park, Pennsylvania 16802 (free) EDRS PRICE MF-$0.83 HC-$11.37 Plus Postage. DESCRIPTORS Adult Education; Catalogs; Cultural Education; Educational Resources; Elementary Secondary Education; *Filmographies; *Films; Global Approach; Higher Education; *Interdisciplinary Approach; Primary Education; *Reference Materials; Social Problems; *Sociology ABSTRACT This catalog contains a listing ofover 1,000 16mm films of interest to students, teachers, and researchers in sociology. Whenever possible, content reflectscurrent trends toward increased interdisciplinary investigation. In the mainbody Of the catalog, the films are listed alphabetically by title.For each entry, information is given on distributor's code, releasedate, running time, catalog number, and rental fee. A code indicationof each film's potential audience (primary, elementary, junior bigh, senior high, college, and adult) followsa description of the film's content. Most of the films were made during the past 15years, and they average between 10 and 60 minutes running time. Regionaland topical indexes list film titles from the main section accordingto regions, such as Eastern Europe, Mexico, and Scandinavia;or topics such as animal behavior, industrialization, andwar. Film series are listed within the main body under series titlesas well as by titles of component films. An order blank is included at the end of the catalog.(Author/AV)! *********************************************************************** Docdments acquired by ERIC include many informal unpublished * materials not available from other sources. ERIC makesevery effort * * to obtain the best copy available. -
2011 Product Guide
Digital Platform MIPCOM 2011 THEEstablished in 1980 tm OF FILM Contact Us Media Kit Submission Form Magazine Editions Editorial Comments THR.com Variety.com Screendaily.com Le Film Francais.com Trailers BUSINESS READ The Synopsis SYNOPSISandTRAILERS.com WATCH The Trailer The One-Stop Viewing Platform CONNECT To Seller click to view click to view click to view THE BUSINESS OF FILM CONTINUES TO BREAK NEW GROUND! click to view click to view 1983: TBOF introduced the Film & Television Product Guide 1989: TBOF instituted the Pre-Market Product Guide 10 days prior to the start of the Television & Film Markets 2007: TBOF went Green and published the first Online Daily Editions at the Film & Television Markets 2010: TBOF Introduced Synopsisandtrailers.com The First One-Stop Viewing Platform of Trailers Making it easier for Buyers & Acquisitions Executives to review Product Read the Synopsis - View the Trailer - Connect to Seller 2011: TBOF is taking Synopsisandtrailers.com even further by connecting it to the Product Guide! Simply click on the blue box in the MIPCOM 2011 Unabridged Comprehensive Product Guide on Companies, Stills & Advertisements and link directly to view Trailer(s) from that www.synopsisandtrailers.co company on synopsisandtrailers.com m/MIPCOM2011ProductGuide MIPCOMProductGuide.pdf Time Efficient Research is the Key to Developing Source - Select - Download to your Personal New Business Contacts! PDA/Blackberry/iPhone/iPad MIPCOM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE when you have friends, even accident mortally wounded, how it sank, and how prone ones. A+E NETWORKS it broke apart are questions that remain WILD KRATTS A+E Networks, 235 East, 45th Street, unanswered to this day. -
Very Pressing Television and Other Imaginary Things
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 5-2-2016 12:00 AM Very Pressing Television and Other Imaginary Things Rebecca Erin Bernstein The University of Western Ontario Supervisor Allan Pero The University of Western Ontario Graduate Program in Theory and Criticism A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Rebecca Erin Bernstein 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Television Commons Recommended Citation Bernstein, Rebecca Erin, "Very Pressing Television and Other Imaginary Things" (2016). Electronic Thesis and Dissertation Repository. 3887. https://ir.lib.uwo.ca/etd/3887 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This thesis explores the current branding of "post-television" according to Lacanian theories of enjoyment as they inform a definition of contemporary fandom. Written in part from the perspective of a the “viewer,” this project takes television’s fantasies of itself as a taste-system half-seriously in order to examine deadlocked desire, the context of superegoic enjoyment, and their relevance to critical consumption. For a medium conventionally considered trivial and idiotic, television’s current self-importance provides a perverse and critical occasion to consider the urgency surrounding our stuff–loving. Keywords Psychoanalysis, Fandom, Desire, Perversion, Cynicism, Enjoyment, Middle, Fantasy, Jacques Lacan, Post-Lacan, Julia Kristeva, Post-Television, iiiii Acknowledgments Thank you to Allan Pero, Dustin Atlas, most of television, my parents, Melanie Caldwell, CSTC, and those texts of psychoanalysis that never shut up. -
And They Laughed: Tv, Satire, and Social Change in 1968 America
AND THEY LAUGHED: TV, SATIRE, AND SOCIAL CHANGE IN 1968 AMERICA by MATTHEW J. DANELO (Under the Direction of Janice Hume) ABSTRACT This is a historical study of political satire in comedy variety shows on American television in the year 1968. It analyzes the dialogic content of episodes of non-narrative television shows that aired that year, with a primary focus on The Carol Burnett Show, Rowan & Martin’s Laugh-In, and The Smothers’ Brothers Comedy Hour. The year 1968 was a particularly tumultuous one in American cultural history, and therefore provided a cross sectional representation of cultural change. While analyzing the dialogic properties of these media texts through a Bakhtinian theoretical lens, three interconnected themes emerged. They were issues of race, gender, and sexuality; issues of war and politics; and issues of cultural changes in youth. These themes emerged in humorous sketches and jokes, which were utterances that reflected cultural shifts in the broad American viewership at that time. INDEX WORDS: Satire, comedy, television, history, Bakhtin, 1968, Laugh-In, Smothers brothers, Carol Burnett, gender, race, war, politics, youth culture, generation gap AND THEY LAUGHED: TV, SATIRE, AND SOCIAL CHANGE IN 1968 AMERICA by MATTHEW J. DANELO B.S., Boston University, 2001 M.A., The University of Texas at Austin, 2008 A Dissertation Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2013 © 2013 Matthew J. Danelo All Rights