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Gossip of the Drama from Many Points of View °

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Gossip of the Drama from Many Points of View ° t r 7 w I 2 = THE WASHINGTON TIMES SUNDAY JULY 26 1908 < GOSSIP OF THE DRAMA FROM MANY POINTS OF VIEW ° brae Sunt and Ana Trialta Boata you poser that put him in that continual by George Alexandre during the sevon Marie Tempests Kitty was one of the I in 1865 contained in his Journal of a taking the best advleo with a view to Alas Poor Wagner know have gone there too Dear dear state of mind months run of the play in London tho brightest features of the London sea London Playgoer is recalled One can preserving in tho building whatever was what a pity it would bo to have the wa Would you therefore say that Han ¬ past seaoon Mansfield will play Prince now all but past And Mme Rejane as seo that though he appreciated tho en ¬ of ancient value was ignored It was i between German and Italian music go on del was not a groat master Karl Hoinrich Jacqueline achieves one of her most not ¬ terprise of the management he was net stated over and over again that the An Estimate of the Great in tho next world Xo certainly not Both plays wilt be glvon thoroughly triumphs- altogether pleased with the result The corporation had obstinately resolved to My child of nature do you speak se- ¬ Wagners Dramatic Writings Cno and artistic presentations The Of the relative merits of the two poets lines had been and destroy it root and brunch Germans Popularity Which riously do you again poke fun at an scene models and costumo plates for actffrsees performarce however Wil- ¬ the of Comus had been Mr Leo thinks that the assignment or Then Wagner Was not Court mae old man V0rjjyt you that in what about Ivan were made in Moscow and for liam Ascher In the World takes a too a spectacle of the promises to a public objoct 111 i tell he also composer Did he over rn Bodes for His Music heaven bo no parties nor a theater Heidelberg in Berlin different point of view Of the poetry as spoken on the stag ders possible renovation lees there shall forgot that the aim of his music drastic schools nor schisms nor divisions There ultimate The only other production of Mmo- much of the true spirit wrote Morley- and In fuller harmony urcaaao was to move an audience wit The agod viola looked at the boy and Donizetti shall shako hands with Handel Paul Kester and His Work Rojano which wa8 able to was Is retained by the caro of Mrs Charles logical sentiment Mr ¬ No father but you forget the organic I attend archi They and Liszt shall lie down with Bach La Pnsserolle the original of The Young afterward Mrs Hermann Yozln tect advised the corporation that tho boy looked at theaged viola union of the arts which he sought in all tho I suppose so father said the boy Ver- Marriage of Kitty says who represents the lady When premises could be thoroughly repaired poised their instrument and their bows his dramatic writing How is it that Almost Finished With Porothy he with the air of one from whom heaven in HWre I 8 her performance was the Court of Comua forms the whole at ¬ and adapted for the purpose of a library AS the conductor ralsod hli baton and this music makes men mad when it is non for Galland COt yet far off Look at the audience still Betha something n disappointment Bril- ¬ traction in the way of spectacle and tin without detrimont to any away from the action the scene structural propared to play with all their hearts applauding taken Down In county Va- liant piece appeals to tbe eye most strongly work of really ancient origin At the cle- ¬ historic Fairfax it we sparkling with humor cud ¬ the voice the allpersuading human and all their soul The baton descend- in an oldfashioned mansion drollery but It was always humor by brilliant pictures of licentious revel same time the now modest building to Most Popular of Composers- ment nudijuKt poured upon tho troubled historical not ed and Uie viola and the boy re- ¬ worthy of the scions of Englands brav- ¬ of the right sort or in the right place with a grand display of ballet daneers be erected as part of the library on the asd Oh yos said tho aged viola Wag air by the manythroated orchestra Z j legs calling themselves town in est old noblos is being written the play Never having seen Mme Rejano in Paris- it is essential that by every word adjacent vacant land was to be de-¬ took tholr nor Is now tho most popular of all com Spirit of Nature here- ¬ tho soul o Milton should be a clear signed ¬ I In which Bertha Galland is to star this I am unable to Judge whether her play- to conform in style and eleva- Btruraeats nod waited for tho opening posors Curious is it not Come here In this interminable wil rnes voiced interpreter Of world at whose Immensity season ing for the laugh is a temporary con- ¬ of what is shown tion with the renovated premises The of the mighty overture was not for them on a night when a program of popular Even soaring fancy staggers ¬ is a dramatization of Charles M- ¬ cession to our island The right emphasis of tho poem is weak- corporation accepted Mr Coseins ad- music as it is called is offered and Here U thy fitting temple It barbarism or in It was for the sort broathln of two ajors Dorothy Vornbn though It is Qicates a radical in ened by every stage alteration- vise without any demur and his advice you seo a good audience bUt not a quotation Shol detect her artistic horns two clarinets and two bassoons With this sudden from hInted that tho dramatist has depleted conscience Be may In the revival of Comus the enter-¬ has now received the full approval of groat ono The symphony nights draw ley the aged lapsed a musing this as it she at Gently aa the first aoming a southerly viola into widely from the book Tho conversion- points prise seems o have been much morn the Society for the Protection of An- ¬ of only fairly Offer thom a program of eyes several in La Fassorolle plays silence while hit wandered far teem be- ¬ fortunate and more successful Wil- ¬ cient Buildings wind after a calm tile four instrumonts al- of the story into dramatic Is for the laugh as unblushingly as she did coon songs and ragtime which they away through the smoky before ¬ vistas ing made by Paul Hester at MB Mm liam Archer In a review of the perform- The library movement did not ap ¬ breathed the hyromil tuna Vs neared ways applaud vigorously as encore num yet bore in SunsQene it it him as if seeking some impalpable Woodlawn Mansion ance says pears originate with Mr Carnegies aged bors and they would not come at all boy Miss Marie Tempests rendering of tho close of its first strain the viola vital vision in tho murky air The Dorothy com- ¬ A Means gift Before was ef-¬ But magic name of Wagner ap Vornon is all but the character while scarcely less bril- ¬ of Teaching Elocution- that in question tho boy made ready again and pres- ¬ let the regardfld him askanco well knowing ana pleted It is to be in four acts and is liant was on the first night at any If poetry is over to forts were made to establish a free pear on the program as tho composer of thia dreamful silence brooded some- ¬ reconquer Its ently their instrument together WIth that tight and vivacious on the surface With library and it was understood at Strat-¬ the nights music and you cant supply thing rate much more consistent and artistic place upon the stage It will be through the cellos joined the wind in tho ut ¬ enough a substantial substratum of dramatic In tbe scene of JacquoMnos introduction- such performances as ford that Miss Corolll who now seats for them Music Most Overwhelming these I do not attack terance of a passage tense with pain Is not that very strange asked the Interest It will rOQuire a large cast to Roger atfd at the end of the mean that the masque old or now will both trustees had corporation ¬ Helen my length old which will Jnclude Wil- ¬ ground that town has never This too gradually swelled In force boy This Wagner music is all with Child of art at the first set ml of Rojanos busi- ever oust the drama properly 50 called the sought oporatic liam Lenero Losee The library ¬ ono or two insignificant exceptions as ¬ man said know that of all and Frank ness wash alie or clowning and at several from the stage or even hold a very a tree at all generously pro- and turmoil till It was suddenly up scenery now perfect- ¬ sociated with some opera or music music Wagners will least endure to be and costumes aro points tn the second she assumed prominent place beside it What I mean posed to provide a site for a free libra- ¬ borno upon a strong an pulgfxUle throb- ¬ ing under many busy fingers Melville act ry or reading room drama To listen to it intelligently one separated from its dramatic onviroi f r tho sake of comb n vulgarity is that tho practice of speaking essen- ¬ in furtherance of bing of all thastrtagfl while the agitated should know what the story is How mont yet of all operatic music it is in Ellis has written a score of special mu- ¬ of intonation which seemed to me to tially nondramatic verse i s the best the townsfolk wishes and that she sical numbers ¬ thought to locate ¬ wind Instruments wero joined by the can any man Understand that overture this state the most overwhelming Had contradict the very idea of the charac- means to the recovery of the true meth- ¬ her library or read- to land of no Mr Kostor Is a prodigious worker ing room In historic Henley solemn trombones and now broke which wo have just played It he knows Wagner lived to come this I ter od of speaking dramatic verse there fond Street nothing about the awful struggle be perspective he would have had the dis- ¬ of his work and devoted to his We now been accustomed but the negotiations
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