t r 7 w I 2 = THE WASHINGTON TIMES SUNDAY JULY 26 1908 < GOSSIP OF THE DRAMA FROM MANY POINTS OF VIEW °

brae Sunt and Ana Trialta Boata you poser that put him in that continual by George Alexandre during the sevon Marie Tempests Kitty was one of the I in 1865 contained in his Journal of a taking the best advleo with a view to Alas Poor Wagner know have gone there too Dear dear state of mind months run of the play in London tho brightest features of the London sea London Playgoer is recalled One can preserving in tho building whatever was what a pity it would bo to have the wa Would you therefore say that Han ¬ past seaoon Mansfield will play Prince now all but past And Mme Rejane as seo that though he appreciated tho en ¬ of ancient value was ignored It was i between German and Italian music go on del was not a groat master Karl Hoinrich Jacqueline achieves one of her most not ¬ terprise of the management he was net stated over and over again that the An Estimate of the Great in tho next world Xo certainly not Both plays wilt be glvon thoroughly triumphs- altogether pleased with the result The corporation had obstinately resolved to My child of nature do you speak se- ¬ Wagners Dramatic Writings Cno and artistic presentations The Of the relative merits of the two poets lines had been and destroy it root and brunch Germans Popularity Which riously do you again poke fun at an scene models and costumo plates for actffrsees performarce however Wil- ¬ the of Comus had been Mr Leo thinks that the assignment or Then Wagner Was not Court mae old man V0rjjyt you that in what about Ivan were made in Moscow and for liam Ascher In the World takes a too a spectacle of the promises to a public objoct 111 i tell he also composer Did he over rn Bodes for His Music heaven bo no parties nor a theater Heidelberg in Berlin different point of view Of the poetry as spoken on the stag ders possible renovation lees there shall forgot that the aim of his music drastic schools nor schisms nor divisions There ultimate The only other production of Mmo- much of the true spirit wrote Morley- and In fuller harmony urcaaao was to move an audience wit The agod viola looked at the boy and Donizetti shall shako hands with Handel Paul Kester and His Work Rojano which wa8 able to was Is retained by the caro of Mrs Charles logical sentiment Mr ¬ No father but you forget the organic I attend archi They and Liszt shall lie down with Bach La Pnsserolle the original of The Young afterward Mrs Hermann Yozln tect advised the corporation that tho boy looked at theaged viola union of the arts which he sought in all tho I suppose so father said the boy Ver- Marriage of Kitty says who represents the lady When premises could be thoroughly repaired poised their instrument and their bows his dramatic writing How is it that Almost Finished With Porothy he with the air of one from whom heaven in HWre I 8 her performance was the Court of Comua forms the whole at ¬ and adapted for the purpose of a library AS the conductor ralsod hli baton and this music makes men mad when it is non for Galland COt yet far off Look at the audience still Betha something n disappointment Bril- ¬ traction in the way of spectacle and tin without detrimont to any away from the action the scene structural propared to play with all their hearts applauding taken Down In county Va- liant piece appeals to tbe eye most strongly work of really ancient origin At the cle- ¬ historic Fairfax it we sparkling with humor cud ¬ the voice the allpersuading human and all their soul The baton descend- in an oldfashioned mansion drollery but It was always humor by brilliant pictures of licentious revel same time the now modest building to Most Popular of Composers- ment nudijuKt poured upon tho troubled historical not ed and Uie viola and the boy re- ¬ worthy of the scions of Englands brav- ¬ of the right sort or in the right place with a grand display of ballet daneers be erected as part of the library on the asd Oh yos said tho aged viola Wag air by the manythroated orchestra Z j legs calling themselves town in est old noblos is being written the play Never having seen Mme Rejano in Paris- it is essential that by every word adjacent vacant land was to be de-¬ took tholr nor Is now tho most popular of all com Spirit of Nature here- ¬ tho soul o Milton should be a clear signed ¬ I In which Bertha Galland is to star this I am unable to Judge whether her play- to conform in style and eleva- Btruraeats nod waited for tho opening posors Curious is it not Come here In this interminable wil rnes voiced interpreter Of world at whose Immensity season ing for the laugh is a temporary con- ¬ of what is shown tion with the renovated premises The of the mighty overture was not for them on a night when a program of popular Even soaring fancy staggers ¬ is a dramatization of Charles M- ¬ cession to our island The right emphasis of tho poem is weak- corporation accepted Mr Coseins ad- music as it is called is offered and Here U thy fitting temple It barbarism or in It was for the sort broathln of two ajors Dorothy Vornbn though It is Qicates a radical in ened by every stage alteration- vise without any demur and his advice you seo a good audience bUt not a quotation Shol detect her artistic horns two clarinets and two bassoons With this sudden from hInted that tho dramatist has depleted conscience Be may In the revival of Comus the enter-¬ has now received the full approval of groat ono The symphony nights draw ley the aged lapsed a musing this as it she at Gently aa the first aoming a southerly viola into widely from the book Tho conversion- points prise seems o have been much morn the Society for the Protection of An- ¬ of only fairly Offer thom a program of eyes several in La Fassorolle plays silence while hit wandered far teem be- ¬ fortunate and more successful Wil- ¬ cient Buildings wind after a calm tile four instrumonts al- of the story into dramatic Is for the laugh as unblushingly as she did coon songs and ragtime which they away through the smoky before ¬ vistas ing made by Paul Hester at MB Mm liam Archer In a review of the perform- The library movement did not ap ¬ breathed the hyromil tuna Vs neared ways applaud vigorously as encore num yet bore in SunsQene it it him as if seeking some impalpable Woodlawn Mansion ance says pears originate with Mr Carnegies aged bors and they would not come at all boy Miss Marie Tempests rendering of tho close of its first strain the viola vital vision in tho murky air The Dorothy com- ¬ A Means gift Before was ef-¬ But magic name of Wagner ap Vornon is all but the character while scarcely less bril- ¬ of Teaching Elocution- that in question tho boy made ready again and pres- ¬ let the regardfld him askanco well knowing ana pleted It is to be in four acts and is liant was on the first night at any If poetry is over to forts were made to establish a free pear on the program as tho composer of thia dreamful silence brooded some- ¬ reconquer Its ently their instrument together WIth that tight and vivacious on the surface With library and it was understood at Strat-¬ the nights music and you cant supply thing rate much more consistent and artistic place upon the stage It will be through the cellos joined the wind in tho ut ¬ enough a substantial substratum of dramatic In tbe scene of JacquoMnos introduction- such performances as ford that Miss Corolll who now seats for them Music Most Overwhelming these I do not attack terance of a passage tense with pain Is not that very strange asked the Interest It will rOQuire a large cast to Roger atfd at the end of the mean that the masque old or now will both trustees had corporation ¬ Helen my length old which will Jnclude Wil- ¬ ground that town has never This too gradually swelled In force boy This Wagner music is all with Child of art at the first set ml of Rojanos busi- ever oust the drama properly 50 called the sought oporatic liam Lenero Losee The library ¬ ono or two insignificant exceptions as ¬ man said know that of all and Frank ness wash alie or clowning and at several from the stage or even hold a very a tree at all generously pro- and turmoil till It was suddenly up scenery now perfect- ¬ sociated with some opera or music music Wagners will least endure to be and costumes aro points tn the second she assumed prominent place beside it What I mean posed to provide a site for a free libra- ¬ borno upon a strong an pulgfxUle throb- ¬ ing under many busy fingers Melville act ry or reading room drama To listen to it intelligently one separated from its dramatic onviroi f r tho sake of comb n vulgarity is that tho practice of speaking essen- ¬ in furtherance of bing of all thastrtagfl while the agitated should know what the story is How mont yet of all operatic music it is in Ellis has written a score of special mu- ¬ of intonation which seemed to me to tially nondramatic verse i s the best the townsfolk wishes and that she sical numbers ¬ thought to locate ¬ wind Instruments wero joined by the can any man Understand that overture this state the most overwhelming Had contradict the very idea of the charac- means to the recovery of the true meth- ¬ her library or read- to land of no Mr Kostor Is a prodigious worker ing room In historic Henley solemn trombones and now broke which wo have just played It he knows Wagner lived to come this I ter od of speaking dramatic verse there fond Street nothing about the awful struggle be perspective he would have had the dis- ¬ of his work and devoted to his We now been accustomed but the negotiations fell from the slender throats of those sarce country life so rarely leaves have for tweon the good and ovfi elements in tance thrust into his eyes Ho would that he something like half a century to the question of rice dotal singers the groat ohorai melody of I I Woodlawn Mansion Many plOTS Mme Patti and Wagner- mans nature which it is intended to have seen that what puzzled formhard ¬ of his absolute sacrifice of poetic to socalled Mr Carnegies part in the business the overture Aroitnd it tho voices of will be on the stage this winter in ad- ¬ explains was > pay- ¬ portray What can these people make ened Europe was no riddle to the babes dramatic expression In all stage per-¬ Mr Leo to j r alBe dition to Dorothy Vernon Sweet One Who Came to Laugh and Re ¬ the violins wove a fantastic aerial de- ¬ of tho overture of Tristan und Isolde of unmusical America Perhaps ho could formances whereas the real object to ment for the library buildings and he Nell of Old Drury is still being played- scant watch by its startling contrast when they do not know what Wagner have told us why his music was so mained to Pray bo aimed at is an equal harmony bo had expressed the wish that his name which in Australia India South Afrlcft and accentuated the dignity of the song meant by it 1 potent when robbed of all tho aids Mme Pa twoon the two To speak should not be bestowed en the building by Julia Neilson In England Mrs Lang til used to sneer at Wagnsrs learn to Presently that too sank again into the My son your questions are well put he declared were essential to its elo- ¬ music and to declare flippantly that sho poetry as poetry is the first and fnn Mr Lee Is notify that ho try will continue to give his delightful respons- ¬ whisper of the softer wind instruments In fact you talk like a book or rather quence We should not need him to tell would sing It after she had lost her damontal point and in that art Comus writes this letter on his own ¬ why upheaval Val ¬ Mlle Mars and The Cavalier will ibility while the violins lot their writhing ties like a critical Sunday article in the col us the wild of the voice But she too has become a con- alone might form the basis of a liberal away oxTolIatloos be soon on tour Mr Kestar is at cant die Into a distant mUtter umns of a dally newspaper What you kyrs ride or the exquisite vert An English friend of wrote education All effects must be produced every Siegfried were present considering the story of a play her Madness Seizes the Orchestra ask is what ordinary man of the of tho forest music in to Hans to toll him how much by legitimate methods of pure declama- ¬ Grieg a Reformer streot will ask Yet here we have the influential These things speak to he is to write nextwinter it is to bo for Richer Then in the twinkling of an eye the ts Elsie De sna had the first Nibelung cycle tion and when actors have learned that extraordinary phenomenon of audiences with the voice of nature But who will I solemn choral was interrupted by the given in June under his direction art from Milton it will be time enough Originator of Much Which Now panting with emotion under spell of explain prelude to The ceoaring voices of tho violas uttering a the the effect of the RIchter promptly replied for them to acquire what is equally but I uuslc of whose musical nature they can ¬ Vorspiel and Liebcstod A Plag of Old Georgetown Distinguishes Richard Strauss wild bacchanalian cry Flutes oboees Parsifal or the I am delighted to think that the not more than equally necessary n not possibly know anything What sys- ¬ of upon minds not acquainted and clarinets took it up while violins Tristan groat artist was satisfied with the per- ¬ Shakespeare the art of superimposing- Referring to the recent celebration of tem did Wagner employ in composing vith hc works to which they belong Preparations for Primrose quivered with the DeW emotion A mad ¬ Poly formance of the Ring It was a pity so to speak upon the bass of poetic Edward Griegs sixtieth birthday Die the music of his greater works Z nessseized upon the whole Could Wagner do that Here in Washington that she could not hoar thc second cycle declamation the treble of dramatic va1 Zeit of Vienna says that when his mu ¬ orchestra Again the old man became silent and Instruments pursued one another incon- ¬ Wagneis System as several details wore very much im- ¬ zloty and suggestion sic first became known In that city It boy deep thought The con ¬ Georgetown is to be the background the sat in ¬ The declamation of actor in Co ¬ Impressed the as the work of a tinently up and down steep mountain ¬ The system of leading motives or of one of the important plays proved in It What particularly touch- the hearer ductor raised his baton and rapped of the only ¬ ous chains of gleaming tones then representative themes I suppose you season ed mo was the wonderful silence which mus was far from perfect but it was reformer the Scandi sharply upon the desk It was time to The sleepy old city on the rocky navian whose music had become familiar hurtled downward in chaotic confusion mean heights just edge the audience maintained Qurlng the per-¬ a vigorous and Intelligent effort in the begin a new number The two viola at the of Washington- one case there was Gado and ho a follower of a crazed jangle of warring sounds The Precisely my son Now ¬ formance and theIr enthusiasm after right direction In indeed in the over players old and young took up their has not been used in a play if memory Mendelssohn grace very air whirled and seethed with the ture which we have played tho acts were over that of Tita Brand who played the Lady foil from with his Just there instruments and looked swiftly at tbe serves yet it is the shrine of many an master tremor of It all and tho lights burned are no loading motives We have only To see Wagner thoroughly honored the verse could scarcely haj been music before them It was the ar ¬ old political and social romance The In Grieg everything was new and garishly along the pasteboard canal the battle between the one really has to leave Germany nowa- ¬ better bacchanalian rangement of the entrance of the gods day was when the Southern families of original There is in his best songs and Trombones bellowed In the vasty deeps music and the carnal of Tann Georgetowns days and go abroad For In Berlin tbe into Walballa from Rhelngold precious old aristocracy r pieces a specific Individu- ¬ and trumpets screamed in blaring hauser as represented in hymn the Age- instrumental the to scorned social Washington and clung to students of Conservatoire are still Satire for a Past ality from of mu shrieks plong tho upper levels Venus on the one side Tumult of Applause although even distinct that all other Tho and piety as the county society to tho south of the warned against his music sicians von Bulow aptly called tympani raged ceaselessly and the represented by the pilgrims I Hans cellos chorus on What can these people know of Potomac- at tho time of the greatest mlsunder M Filon Explains English Pleasure in hint the Norwegian Chopin have shivered in the other There a symbolism ¬ other discordant chromatics from is beau- this asked the old man yet you will It is Just such a patrician fatally to standing of Berliozs works in Paris no compared an their lowest bass to tifully elementary in The Admirable Crichton him their highest tro its nature It does see which Mistress Polly Primrose bolonged professor or director ever advised the English recently pointed out bIn The world had gone not go a single step beyond the sym- ¬ played mad with The orchestra It and when the and sh is the heroine of Paul WI1 students not to study Berliozs music M Augustin Filon is well known as an unmistakable analogies between the tonal intoxication the orgies bolism of Alessandro Scarlatti or glowing had span ¬ I twenty years of all Cnrls last rainbow chords stachs new comedy Polly Primrose whon performed But aCer appreciative critic of the English stage harmonic peculiarities of Grieg and those crazed bacchantes were as slml in so far as Its purpose is con- ¬ Rhine the maidens Germany ¬ tho antics ned the silver of In which charming Adelaide the death it is in and in his chronlques he often deals of Richard Strauss So far as base e-¬ of children to such a phantasmagoria of cerned It advances only in musical ravishing song the audience burst into- ItIo sible to RTehard Wagner pooh popular successes In England He Thurston Is to be seen this year JThe hear with xIt Grieg of course Is the originator perdition as this At length came a manner not in musical philosophy The a joyous tumult of applause poohed lately a long criticism- period is 1SG3 and the current dis- ¬ has written Strauss the imitator Grieg it may- greatS crashing chord and out of its mechanism of the earliest operatic com- ¬ Did I not tell you said the aged of M The Admirable poser turbances form a background but there J Barrles be added is also Infinitely more original depths leapt a brilliant triumphal comprised monotone and sus- ¬ viola But who can explain It tOO Crichton course of which he march are no particularly strenuous obtru- in the and fertile as a mol dl5t than Strauss of praise in which the tained notes for calm thought and agi- ¬ Father said the boy knowledge Gomus in Dramatic Form all singers of ¬ makes some interesting remarks on the yet the myopic critics treat Strauss as tated movement and wider power They know sions no battles no military no uni the instrumental chorus joined intervals for here is not feel they subjects chosen by English playwrights the greater man of the two simply be- emotional disturbance What more is not what but I think must be the forms not even a pistol or a ti le The Miltons Poem Played in Open Air Carnival of Revelry it flavor Looking on the play in question as a cause his works are bigger JumboisnX in Wagner ener- ¬ of the comedy Is wholly domestic thero this music of echo in this music of primordial With Good Effect satire on peers of pseudoSocialist ten- ¬ In always Jumbolsm But this triumphal march could not t I though supported with sufficient back ¬ music and see father that thero is nothing gies fused into one great moment dencies he observes that the English Grieg is now passing through last Again tho fevdred carnival pf the more never bone to give it vital A perfect summer night a chosen that It struck me In that way energies such as those nervebuilt interest are very fond of satire as long as it stage of experience in which Chopin still bacchanalian revelry broke forth am in before ¬ Miss Thurstori is at France spot in a garden and a good performance All that seems different Is ex- Americans feel in themselves energies does not deal with contemporary mat- ¬ was twenty years ago when the Evening its reeling storm the march staggered is It not 1 soil but will return early next month and of Comus to watch a pleasanter en- ¬ ternal drawn from the sunlight tho and ters Their satirists he states concen ¬ Post took up the cudgels in his behalf and sank Suddenly there was a pause Of course the rehearsals for the September pre- ¬ tertainment could hardly be devised It Is all modern treat- ¬ the rivers flre earth and water the trate their efforts on the class which even as does now behalf of while a violin soared away to upper ment of harmony Wagner sentation of Polly Primrose will says a recent Issue of the London it in Greg and instrumentation very elements which himself at formerly ruled but which since 1S32 has to amazement of those air and then amid a trembling and tpnc In once begin However Times of a special production there the Glory to the Soloist has translated into Das Rhine other preparations not to any appreciable extent equally amazed twenty years fluttering of all tho strings a single have long been under way spring The spot had boen well and carefully agoew gold Last rule with great impetuosity York Evening clarinet sang a melody so full of But father I am still puzzled The one of oldest selected Twothirds of the background Post loves Out of the mouths of babes and the of Georgetowns show and prejudices which have been most agonized pleading a public which takes to this overture houses was open wero composed of what In the daylight vices wamike that sucklings murmured the old man It thrown to the scenic extinct for seventy years while the of the long dead Paulus because it is so elemental makes just zany any thou fur- ¬ artists for sketches servo we know to be a few bushes and trees Too Much Limelight Sllcntiarius be so At rate heat to in painting prejudices and vices of 1003 seated In as great a todo over the farewell df ¬ but at night in a vague illumination list would that also in my breast nished me with thoughts for ah I per the scenery for Polly Primrose Last applaud the Were quenched OM fatal tint W tan or the immolation Brunn up a moonlight be- ¬ the stalls or in the gallery of ceive we arc about to play an encore week Mr Wllstach was soon busily rum- ¬ made of little it An English Opinion That the Stage That tartar MM with lens unrest hlldu Those aro excerpts work of the Imaginary social reformer And wakeful wild deair from dramas it Z maging among the came veritably a clone dungeon of in in which the complex leading What is secondhand stores numerous But If a comic author wero to touch Suffers From Unhealthful Publicity theme Ring mahogany ¬ The other third was The bacchanalian Five Minutes With Blanche for chairs tables and daven bough ¬ strains roturned but system is carried out to its fullest de¬ pond hlch might have been on a presentday sore he would be im The extraordinary fuss made by some answered the boy ports delightful old brass sconces can- ¬ a or this time more softly and with less of velopment barge mediately boycotted even if ho suc- ¬ ot the London newspapers over the ac- At 20 a minute said tbe old man delabra paintings ¬ Severn herself when Sabrinas flue in the veins of the singers Acain Is my and other furnish ceeded in getting his play produced of the county council In making a That true son but the scenes sadly Alas poor WagnerW J ings to give came floating silently down It from the ton this thought gave way to the triumphal which you have character to tho stage The great theatrical successes are those remove a signboard whioh he mentioned require the Henderson In New York Sun prize away hazy distance with the nymph herself The march That march acted liko hot services of a soloist which with most which old and wornout objects- had no right to erect moves a more pleasure was standing erect in the stern The mingled attack liquor on the song which again burst That a fact and glory a genuine old mahogany soberminded journal to remark be to the harrslchord light was a triumph of satire into the furiant strains of the bac- ¬ soloist I suppose Mansfield in Two New Plays Nothing was seen too clearly Make There is a sort of half truth about Hardly a week passes without some Miss Thurston will doubtless mako a chantes The waves of sound leaped Exactly Glory be to the soloist as up dust solid doors that quiver whon his criticism says the London Globe incident more or less exciting connected notable success as Polly Primrose Mr wildly and the imagination staggered it was in tho beginning is now and Will Present Ivan the Terrible and they are touched all the potty realities but its chief Interest lies in the light the theater This is no doubt good Wllstach is a dramatic writor of experi- ¬ wIt under the pictures of tempestuous rev-¬ shall be in socula seculorum We do best inside a to it throws on the campaign against the but the result is that the Old Heidelberg ence and accomplishment and that their theater elry which they painted But hark are going to have a solo singer tonight- it is mar the illusion were none of house of lords which Is spasmodically theater has begun to assume a place in said is there What solemn song is this which comes a tolerably bad one too but you shall Much has been said during the past that this tho best product of his these Dream figures camp from woods taken up by Lord Rosebery Sir W V public interest out of all proportion to pen His star is a beautiful and gifted I again like the hymning of some grave sue how the throbbing populace will fortnight about Richard Mansfields do The was per- ¬ Harcourt and others The onslaught its real importance young or waters illusion all but choir of cowled prlosts It is the mighty hang upon her accents as though she Ings in Europe which must be news girl of roguish charms and much fect And the result was an entirely amuses everybody and hurts nobody Obviously the public does take an choral with which the work began nd were the holy St Cecilia herself You mongcrlng at the expense of credulous blithesome comedy She is known over delightful performance and so like the theatrical satires it Interest In theatrical that Is a wide circumference of territory mater now it swells into u majestic peeling shall see how she will be encored and editors Any such report Is wholly and Not a Play for draws full houses positively astonishing the anthem surrounded by a shimmering how she will supplement Dich thourc apocryphal for tho distinguished actor wherever she has been seen has Theater theater would not continue to figure so ben Cas- ¬ Hallo with something sweet ¬ much admired Comus in the hall of Ludlow glory of strings like the Holy Grail Il- ¬ and touch has not been out of American waters Vandalism at Stratford prominently in the news of the ing tle on that Michaelmas night cannot have world lumined oa high im- ¬ by Ethelbort Novln or Clayton since he began his vacation But whether that IB a from and striding nearly so divine a thing as Comua Interest posingly onward In one glorious Johns People will applaud tbe soloist Ho and his family arc at home on a Rejane La bon one or whether it growth last in Passerelle corner of the Botanical Gardens Charges Against Mr Carnegie Which tone no matter fpr what beautiful estate at Pequod Point New It sedulously fostered under the glass 1 burst of it rounds the overture to sounds absurd but it is true for four close Bach and the Masses London Conn and not a quarter of a Are Not Sustained another a radiant like tho sound of groat Relegated to Second Place When Com- ¬ walls and artificial lighting must have mater Amen Father I think you mistake Would mile frcTm his cottage is moored hla Sidney Lee writing to tha Chronicle With respect for the drama pared With Marie Tempest brought In the svnso of the theater a alleged vandalism they applaud hor for singing Bach 7 superb yacht Amorlta which among on the subject of tho and for its exponents it is permissible- Wagner Music in Heaven fatal element If you want to get the so All Have you upon th listed sailing craft stands third on this Apropos of The Marriage of Kitty at StratfordonAvon finds that far to look upon this increasing prominence aged his ¬ rascal hit heart out of Comus you must away with The viola laid down instru- side of the ocean excepting the cup which America will see this season from historic Henley Street with some anxiety as upon an air bal- ¬ ment He drew from his pockot a worn root of the whole matter Bach Is Iv all sense of the theater and all tho bias destroyIng fcr the unmusical Certainly Yet it defendora come comparisons cited In the Pall the and the corporation loon that may go scat at any moment bilk handkerchief He rubbed his eyes of tho theater you must look not for ¬ fhgjner Mansfield Is a devoted yachtsman At Gazette aro interesting Rojane through the generous aid of Mr Carne- Is hardly credible that He polished his with it adores Is Wagner therefore Mal what tho theater ordinarily gives you For with it glasses present he Is accompanying tho fleet of appeared in tbe work gie are doing precisely the opposite its work should forever continue put pocket He unmusical Is ho leas a musician than which but for precisely the opposite a rare Ho it back in his made the New York Yacht Club on its cruise was the sourco of The Marriage They are permanently preserving all to precedence not only of all the quoor his Bach Stop a nifttmon You know how of mental atmosphere Instead of the surges tko a noise several times with on He a large par ¬ In houses under their of politics that thousands hasten once a year to the north coast has Kitts pure structural work and sciences but throat as if he woro trying to swallow of passions the motions of accu ¬ listen to The Messiah of the mighty ty aboard r Alls flab that comes to Mine Rep spirit control there which has proved on philosophy and commoroe as a subject- something tbejt would not go down He not the shock of struggling any Handel However he keeps in touch with his janes net says the writer Her reper ¬ rate examination to possess kind of of controversy and conversation looked bard at the red lights along th i the majestic music of poetry not tho ut process Oh yea father no ono can forgot managers scene painters and costumers toire is wonderful to our English ac- ¬ archaologioal interest The of edge of the dark canal Mid blinked vig-¬ and thrust t In New York whenever his boat touch- ¬ tresses it must seem even miraculous daJoct Modernizing Henley Street had in orously as if they hurt bla eyes Pres ¬ thatWould After Cqmus came Jonsons The pst Mr Irviim and the Gaiety thooo thousands go with es a port whore telophone communica- ¬ If she does not attack the heights of years progressed very far and of ently ho heaved a tremulous sigh shook laws HUt and Cry AI t r v- the same to tho Mat ¬ tion may be had with the metropolis French classic drama as Mine Bernbardt but for Mr Carnegies interposition his head and murmured enthusiasm hear Jonaon at his lighten and best shorn to Though enjoying a vacation he is not has she can unbend in farce de- ¬ a conspicuous advance Tb Auld Lang Syne Takes the Veteran Aeb Gott how lice It must be to bo thew Passion of old Baeh and of course of tho mechanism that played threatened No of course not Every one knows wholly care fred and his hand is not light no less in Dlvorcons than in Lm process has now at an interesting point in heaven now Wagner is there so large a part in the original perform- ¬ the Close of the Theater that TbeMtttslah is popular Indeed I quite off the wheel of other and profes- ¬ Robe Rouge in the thoroughfare been arrested and Are you sure lie is there asked ance and shorn probably to advantage- The farewell sight the Gaiety am quite sure that more than half of sional Interests Last night sho was at neither ox ¬ somo careful and scholarly restoration at the boy for much of Ben Jonsons elaborate con- ¬ who almost know it by heart have Mansfields season will begin late in treme The play was La Paaneralle the has been made practicable Theater in Loaeton was a notable occa- or cowrso bo is How cottkl he holp those trivances must have been a little tedi- ¬ never heard of Baehs Passion music tho autumn as usual He dedicates the comedy by Mmo Fred Greene and M Of all the censure passed on the cor- ¬ sion Many of the oM favorites of the U wrltta sac ous Mr Latimers few lutes as Hymen ¬ after nrtMlo Now thon think a moment Why la now Lyric Theater on Fortysecond Francis do Crolsaot from which Cosmo poration or trustees in tho course of the popular little one more appear- Bat Mltf the boy sunpoflo- were worth coming all the way to hear Joe ver-¬ Bach so tar awa y from the masses while Street Now York city tho third Mon- ¬ Gordon Lennox adapted his very suc- ¬ controversy Mr Leo considers that ed upon its an uptodate Suppoee what Mppose It ao can his voice too was familiar nail Mas- ¬ I Handel Is so near to them Z day in October He will thon be seen cessful play Tho Marriage of Kitty probably the least justifiable is the ad sion of The Linkmaa written by hear it ter Philip Tongas Cupid was a master ¬ Why Bach never took a mo- ¬ for the first time in Count Alexander Adapted seems hardly tho word now verse criticism leveled at the corpora ¬ George Grosooilth jr FtoroMO St John Bttppoee some are also father for pleas of the other ments thought about tho hearor of his Tolstoys Russian historical play Ivan that the original is produced is seen tion on account of the policy that it Ethel Haydon Letty Lied Charles Dan there it In conclusion we would offer two music H wrote wholly according to the tho Terrible This play haq been run ¬ that there is very little difference be-¬ adopted in regard to its Henley Streot bv Arthur Williams SeyMOur Hicks and Yet of eowrse Book who suggestions The first is to the manager roUte secret convictions of his artistic soul ning for three years In St Petersburg tween the two versions A few incidents premises now used as a china shop Bradflk resumed their original B minor mas ad Botfceve wrote Why cut a ingle line of Comua No Lull vt and troubled himself not one iota and it is tho first political historical havo boon modified but anyone who in- ¬ All manner of erroneous information and a host of wellknown I the sacred yinph0nia and orom Men one would grudge the additional quar- ¬ whether the world would be able to tel play which the Czar has over permitted- telligently listens to The Marriage of he observes has boon put into circu- ¬ actors and actresses assumed subordi- ¬ dolssoho ter of an hour And tho second to the loW kim or not But Handel always on tho St Petersburg or Russian stage Kitty can easily undo the work of the lation on the Tho present con- ¬ nate parts or discharged the duties of world in general Go and see these pas- ¬ subJect Mum Var Above why father Handel before ho became Following this production Mansfield censor himself The play Is es- ¬ and associations of sujornumermri for toral plays got a seat in the front row dition TOO tether Mid tbe boy la- an oratorio writer was an opera com- ¬ will present MeyerFosters charming sentially a play that depends en- ¬ the building haY been recklessly mis- ¬ Sir Henry Irving delivered one of Pardon almost if ou can if not go back to the fifth his tvzTupjtipg what prom e4 to be a Ions poser Ho thought always of tho thea- ¬ comedy of Gorman student corps life tirely on acting for its success It would represented It has been christened felicitous addressee and Florence St You will see but indifferent well from I ty dW sat nwaa auok mas- ter he never forgot tho public out yon- ¬ Old Heidelberg which is reputed in be good enough to road perhaps but quite erroneously the house of Shake Jolm and Hayden Coffin sang I the second third and fourth alternate ter tse What I fear is that sOme der in front of tho footlights It was Europe to bo tho most delightful comedy Intolerable to seo otherwise than ox pores cousin and that misnomer boa verses of Auld Lang Syne the whole of iro Italian o Bipo rs Ecaje of those for that he wroto of course I knew which a Gorman author has written In a cellontly played The herolno ha on Henry Motleys Comment oven a resolution passed by the company joining in the chorus Some roJJgiotxi ones who wrote Stabat Ma- that but it had escaped mo that it was generation Tho version used by Mr both sides of tho Channel been singu- I Apropos of Com us Henry Morl ys British Archaeological Association Tim desperately silly atttff vas flung over ter and masses in nil keys and TonG Handels training as an operatic com- ¬ Mansfield is practically that employed larly lucky in her exponents Miss description of the revival at Drury Lane tact that tho corporation was atlenlly the Gaiety footlights now and theebut o 1

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