The Dave Brubeck Octet Old Sounds from San Francisco Mp3, Flac, Wma

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The Dave Brubeck Octet Old Sounds From San Francisco mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Old Sounds From San Francisco Country: US Released: 1955 MP3 version RAR size: 1546 mb FLAC version RAR size: 1948 mb WMA version RAR size: 1177 mb Rating: 4.8 Votes: 878 Other Formats: AC3 DXD MP1 TTA AA AIFF XM Tracklist Hide Credits How High The Moon A1 Narrator [Commentary] – Jimmy Lyons*Written-By – Morgan*, Hamilton* Serenades Suite A2 Written-By – David Van Kriedt* Playland-At-The-Beach A3 Written-By – Dave Brubeck The Prisoner's Song B1 Written-By – Guy Massey Schizophrenic Scherzo B2 Written-By – Smith* Rondo B3 Written-By – Dave Brubeck You Go To My Head B4 Written-By – Gillespie*, Coots* Laura B5 Written-By – Raksin*, Mercer* Closing Theme B6 Written-By – Dave Brubeck Credits Alto Saxophone – Bob Cummings* Alto Saxophone [Uncredited] – Paul Desmond (tracks: A1-A3, B2) Artwork [Drawing] – Arnold Roth Bass – Ron Crotty Clarinet – Bill Smith* Cover [Design] – Ed Colker Drums – Cal Tjader Piano, Liner Notes – Dave Brubeck Producer – Paul Frederick Zumsteg Tenor Saxophone – David Van Kreidt* Trombone – Bob Collins Trumpet – Dick Collins Notes These are among Brubeck's first recordings, recorded in: San Francisco 1946 (B1, B3, B4 and B5) [B14548-16] San Francisco 1946/47 (A2, B2) [B14548.10-16] San Francisco 1948 (A1, A3) [B14548.20-16] From Lord's Disco Barcode and Other Identifiers Matrix / Runout (A-Side Label): F-5013 Matrix / Runout (B-Side Label): F-1510 Matrix / Runout (A-Side Runout Etching): F-5014 Matrix / Runout (B-Side Runout Etching): F-1510 Comments about Old Sounds From San Francisco - The Dave Brubeck Octet Tegore Also have a copy on blue. Possible record pressing variation. Wenaiand My copy of this album is a purple vinyl, rather than red, with red labels Related Music albums to Old Sounds From San Francisco by The Dave Brubeck Octet Dave Brubeck - Dave Brubeck In Berlin The Dave Brubeck Quartet - Dave Brubeck At Storyville: 1954 Dave Brubeck / The Dave Brubeck Quartet - My Romance / Just One Of Those Things Dave BrubeckPaul Desmond - The Dave Brubeck Quartet featuring Paul Desmond The Dave Brubeck Quartet - Anything Goes! The Dave Brubeck Quartet Plays Cole Porter Dave Brubeck, Dave Brubeck Quartet - In Moscow Dave Brubeck / The Dave Brubeck Quartet - My Heart Stood Still / The Trolley Song Dave Brubeck and Darius Brubeck Ensemble with Chris & Dan Brubeck - Two Generations Of Brubeck " Brother, The Great Spirit Made Us All"..

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BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940S-1950S
HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES D: BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940s-1950s 1D.1.1: Biography, 1942: “Iola Whitlock marries Dave Brubeck,” Pacific Weekly, 9-25-42 1.D.1.2: Biography, 1948: Ralph J. Gleason. “Long awaited Garner in San Francisco…Local boys draw comment” [Octet at Paradise in Oakland], Down Beat (12-1-48), pg. 6 1.D.1.3: Biography, 1949 a- “NBC Conservatory of Jazz,” San Francisco, Apr 5, 1949 [radio program script for appearance by the Octet; portion of this may be heard on Fantasy recording “The Dave Brubeck Octet”; incl. short biographies of all personnel] b- Lifelong Learning, Vol. 19:6 (Aug 8, 1949) c- [Bulletin of University of California Extension for 1949-50, the year DB taught “Survey of Jazz”] d- “Jazz Concert Set” 11-4-49 e- Ralph J. Gleason. “Finds little of interest in lst Annual Jazz Festival [San Francisco],” Down Beat (12-16-49) [mention of DB Trio at Burma Lounge, Oakland; plans to play Ciro’s, SF at beginning of 1950], pg. 5 f- “…Brubeck given musical honors” Oakland Tribune, December 16, 1949 g- DB “Biographical Sketch,” ca Dec 1949 h- “Pine Tree Club Party at Home of Mrs. A. Ellis,” <n.s.> n.d. [1940s] i- “Two Matrons are Hostesses to Pine Tree Club,” <n.s.> n.d. [1940s] (on same page as above) 1.D.1.4: Biography, 1950: “Dave Brubeck,” Down Beat, 1-27-50 a- Ralph J. Gleason. “Swingin the Golden Gate: Bay Area Fog,” Down Beat 2- 10-50 [DB doing radio show on ABC] 1.D.1.5: BIOGRAPHY, 1951: “Small band of the year,” Jazz 1951---Metronome Yearbook, n.d.
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Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide
Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide Eli Yamin Celebrates the Dave Brubeck Quartet Overview These six videos are presented and performed by jazz and blues pianist, composer, singer, producer and educator Eli Yamin. The videos vary in length from 3 to 12 minutes. The title of the series aptly denotes the content because Eli Yamin and his group of master musicians truly do “celebrate” 5 songs of Dave Brubeck. Each video examines and performs a specific song and its unique qualities. Although the focus is always the music, the lessons easily apply to literacy and language arts standards, grades 6-12. The amount of time spent on the lessons can be decided by the teachers, depending on students’ interest, needs, and planning. Below is a brief summary of the content of each video to help teachers decide which best suits their curriculum. It is recommended that all the videos be studied in order to provide a full scope of Brubeck’s music, but the lessons and videos can each stand alone. Dave Brubeck Brief Background Dave Brubeck was a famous jazz pianist, composer, and bandleader who lived from 1920 to 2012. He founded the Dave Brubeck Quartet in 1951 after playing for several years in his group called the Dave Brubeck Octet. His group became very popular in the 1950s, most notably for his combination of great melodies, strong sense of swing, and unusual meters and rhythms from around the globe. Some of his more popular songs are "Blue Rondo a la Turk," "In Your Own Sweet Way" and "The Duke." He collaborated with quartet member Paul Desmond on numerous compositions; Desmond’s “Take Five” became the first jazz instrumental to sell more than one million copies.
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David Van Kriedt Papers
http://oac.cdlib.org/findaid/ark:/13030/kt187025dm No online items Finding aid of the David Van Kriedt Papers Processed by Don Walker Holt-Atherton Department of Special Collections University of the Pacific Library 3601 Pacific Ave. Stockton, CA 95211 Phone: (209) 946-2404 Fax: (209) 946-2942 URL: http://www.pacific.edu/Library/Find/Holt-Atherton-Special-Collections.html © 2007 University of the Pacific. All rights reserved. Finding aid of the David Van MSS 297 1 Kriedt Papers Finding aid of the David Van Kriedt Papers Collection number: MSS 297 Holt-Atherton Department of Special Collections University of the Pacific Library Stockton, California Processed by: Don Walker Date Completed: 2002 Encoded by: Michael Wurtz © 2007 University of the Pacific. All rights reserved. Descriptive Summary Title: David Van Kriedt papers Dates: ca 1948 Collection number: MSS 297 Creator: Van Kriedt, David, 1922-1994 Collection Size: 1 linear foot Repository: University of the Pacific. Library. Holt-Atherton Dept. of Special Collections Stockton, California 95211 Abstract: Collection consists primarily of musical scores and parts by David van Kriedt. Physical location: For current information on the location of these materials, please consult the library's online catalog. Languages: Languages represented in the collection: English Access Collection open for research. Publication Rights Permission for publication is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. Preferred Citation David Van Kriedt papers. MSS 297. Holt-Atherton Department of Special Collections, University of the Pacific Library.
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Dave Brubeck & Paul Desmond
Dave Brubeck & Paul Desmond – Et umage par Oplæg udarbejdet af Flemming Vestergaard for Gladsaxe Bibliotekernes jazzlytteklub, marts 2016 Dave Brubeck blev født i 1920 i Californien og voksede op på en farm. Han kom på college og efter nogen tid som dyrlægestuderende skiftede han til konservatioriet. Han studerede klassisk musik om dagen og spillede jazz om natten på mindre steder. Hans første professionelle orkester var en oktet, dannet 1946 med andre studerende, og senere en trio med Cal Tjader, som fik en vis anerkendelse. Han startede sin kvartet med Paul Desmond i 1952 og de fik hurtig succes på colleges på USA's vestkyst. I 1958 var den klassiske kvartet samlet da Joe Morello kom med på trommer, efter at bassisten Eugene Wright kom med i 1956. Kvartetten fik international succes efter albummet 'Time Out' udkom i 1959. Det indeholder det nummer, der skulle blive deres 'signatur' nummer, Take Five, med den catchy 5/4 rytme. Efter mange år med indspilninger og turneer opløste Brubeck kvartetten i 1967 for at få mere tid til familie og til at skrive kompostioner til musicals mv. Han fandt dog stadig tid til at spille med andre, bl. a. vestkyst- ikonet Gerry Mulligan (som Desmond også samarbejde med) Efter 1977 vedblev Brubeck med at være aktiv og udgav mange albums, både soloindspilninger og med sin nye kvartet, som bl.a. bestod af hans søn Chris Brubeck (b). Andre musikere han spillede med var Randy Jones (dr), Bobby Militello (as), Bill Smith (as) m.fl. Dave Brubeck døde i 2012, 92 år gammel. Paul Desmond blev født i 1924 i San Fransisco, startede med klarinet, senere alt-sax.
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Marking Time and Sounding Difference: Brubeck, Temporality and Modernity
Popular Music (2010) Volume 29/3. Copyright © Cambridge University Press 2010, pp. 351–371 doi:10.1017/S0261143010000243 Marking time and sounding difference: Brubeck, temporality and modernity ANDY BIRTWISTLE Department of Media, Canterbury Christ Church University, Canterbury CT2 7HD, UK E-mail: [email protected] Abstract In critical writing on the music of Dave Brubeck, little attention has been paid to the use of poly- rhythm, despite the fact that this has been central to Brubeck’s approach to jazz since the late 1940s. Focusing on work recorded by the ‘classic’ Dave Brubeck Quartet, the article aims to re-evalu- ate Brubeck’s use of polyrhythm by situating it within a cultural history of modernity, rather than the established discourses of jazz musicology. The article revisits the early 1960s to reconstruct the context provided for the music not only by articles printed in the music press, but also by news stories and features run in the popular press, and by the visual signifiers that coalesce around Brubeck. Articulated through the key tropes of modernity and difference, the press’s construction of Brubeck during this period signals the broad cultural context of Modernism as an alternative frame within which his musical practice might be usefully situated. The article explores how two key cultural arte- facts emerging from this context – Brubeck’s Oakland home, and the Miró canvas featured on the cover of the album Time Further Out – might serve to provide a productive means by which to re-evaluate the radical potential of Brubeck’s polyrhythm. Introduction I wanted to do things polyrhythmically because I thought that jazz was much too tame.
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The Dave Brubeck Quartet Time Changes Mp3, Flac, Wma
The Dave Brubeck Quartet Time Changes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Time Changes Country: US Released: 1963 Style: Hard Bop, Post Bop MP3 version RAR size: 1340 mb FLAC version RAR size: 1574 mb WMA version RAR size: 1872 mb Rating: 4.2 Votes: 507 Other Formats: FLAC AAC MMF APE AU MP2 MP4 Tracklist Hide Credits Iberia A1 2:57 Written-By – D. Brubeck* Unisphere A2 5:40 Written-By – D. Brubeck* Shim Wha A3 4:02 Written-By – J. Morello* World's Fair A4 2:42 Written-By – D. Brubeck* Cable Car A5 2:58 Written-By – D. Brubeck* Elementals B 16:40 Written-By – D. Brubeck* Credits Alto Saxophone – Paul Desmond Artwork [Cover Painting] – Sam Francis Bass – Eugene Wright Conductor [Orchestra] – Ray Wright* (tracks: B) Drums – Joe Morello Liner Notes – Rayburn Wright Liner Notes, Producer – Teo Macero Piano – Dave Brubeck Notes Cover Painting: Sam Francis. Barcode and Other Identifiers Matrix / Runout (Side 1 Matrix): XLP 75904 Matrix / Runout (Side 2 Matrix): XLP 75905 Matrix / Runout (Side 1 Runout Stamped): XLP-75904-1E Matrix / Runout (Side 2 Runout Stamped): XLP-75905-1E Other versions Category Artist Title (Format) Label Category Country Year The Dave Brubeck Time Changes (LP, CS 8927 Columbia CS 8927 US 1964 Quartet Album) The Dave Brubeck Time Changes (LP, CL 2127 Columbia CL 2127 US 1964 Quartet Album, Mono) The Dave Brubeck Time Changes (LP, CS 8927 Columbia CS 8927 US Unknown Quartet Album, RP) The Dave Brubeck Time Changes (LP, S 62253 Columbia S 62253 Netherlands 1964 Quartet Album) The Dave Brubeck Time
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The Compositional Style of William O. Smith a Research Project
The Compositional Style of William O. Smith A Research Project Submitted for the Doctor of Musical Arts Qualifying Examination by Rachel Yoder University of North Texas March 13, 2010 ! "! Composer and clarinetist William O. Smith has led a dual life in the worlds of jazz and classical music. His name is familiar to clarinetists due to his pioneering work with multiphonics and other extended techniques for the clarinet. As Bill Smith, he is known in the jazz world for his work as composer and clarinetist in the Brubeck Octet, and later, the Brubeck Quartet. Neither of these identities tells the complete story of Smith, whose accomplishments as a performer and composer are wide-ranging and have had a significant impact on American music. Smith is seldom recognized as an important twentieth-century composer, although his contributions to American jazz and classical composition are considerable. Some of Smith’s music is clearly jazz, and some is twelve-tone music in the tradition of the Second Viennese School. Much of his compositional output, though, manages to incorporate these seemingly contradictory styles into a cohesive whole. His sheer virtuosity and creativity as a clarinetist also influences his compositions, which make great demands on the performer. By examining several of his works for solo clarinet, Smith’s development as a composer can be traced from his early days as a student of Darius Milhaud, to his experimentation with extended techniques for clarinet, integration of jazz and classical composition, and his later work with double clarinets, theatrical elements, and computer. Early Influences Most musicians focus on either jazz or classical music early in their careers, but William O.
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Brubeck Book.Book
Regional Oral History Office University of California The Bancroft Library Berkeley, California Dave and Iola Brubeck A LONG PARTNERSHIP IN LIFE AND MUSIC With introductions by Caroline C. Crawford and J. B. Dyas An Interview Conducted by Caroline C. Crawford in 1999 and 2001 Copyright © 2006 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of northern California, the West, and the nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Dave and Iola Brubeck, dated September 30, 1999. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley.
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Time Out! Rhythms of America 86Th Annual Young People’S Concert William Boughton, Conductor Chris Brubeck, Trombone
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Dave Brubeck - Pianist, Songwriter - Biography 05/05/2018, 1600
Dave Brubeck - Pianist, Songwriter - Biography 05/05/2018, 1600 Dave Brubeck Biography Pianist, Songwriter (1920–2012) Dave Brubeck was an American jazz NAME pianist and composer known for his Dave Brubeck unconventional meters, as well as songs OCCUPATION like "In Your Own Sweet Way" and "The Pianist, Duke." Songwriter BIRTH DATE December 6, Synopsis 1920 Born in Concord, California, on December 6, 1920, Dave Brubeck worked DEATH DATE as a jazz pianist before co-founding the Dave Brubeck Quartet in 1951. December 5, His use of unconventional meters contributed to his huge appeal. Some 2012 of his most popular compositions include "Blue Rondo a la Turk," "In Your Own Sweet Way" and "The Duke." The song "Take Five," composed by PLACE OF BIRTH Brubeck's longtime partner, saxophonist Paul Desmond, was the ﬁrst jazz Concord, instrumental to sell more than a million copies. Brubeck died on California December 5, 2012, at age 91. PLACE OF DEATH Norwalk, Early Life Connecticut Born in Concord, California, on December 6, 1920, David Warren Brubeck AKA began playing piano when he was 4 years old, and began performing Dave Brubeck with jazz bands in California in the early 1930s. After graduating from David Brubeck high school, in 1938, Brubeck enrolled at the College of the Paciﬁc in California. Not long after, he formed a 12-piece jazz ensemble. FULL NAME David Warren During World War II, Brubeck conducted a service band in General Brubeck George Patton's army. Following the war, he attended Mills College to study music composition. The Dave Brubeck Octet In 1946, Brubeck and seven of fellow students at Mills College—including saxophonist Paul Desmond, https://www.biography.com/people/dave-brubeck-9229079 Page 1 of 7 Dave Brubeck - Pianist, Songwriter - Biography 05/05/2018, 1600 In 1946, Brubeck and seven of fellow students at Mills College—including saxophonist Paul Desmond, trumpeter Dick Collins and clarinetist Bill Smith—formed the Dave Brubeck Octet.
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Dave Brubeck and Polytonal Jazz Mark Mcfarland
Jazz Perspectives Vol. 3, No. 2, August 2009, pp. 153–176 Dave Brubeck and Polytonal Jazz Mark McFarland AlthoughTaylorRJAZ_A_415412.sgm10.1080/17494060903152396Jazz1749-4060Original2009320000002009MarkMcFarlandkashchei@mac.com Perspectives and& Article Francis (print)/1749-4079Francis (online) Dave Brubeck is universally known as a jazz pianist, he describes himself as “a composer who plays the piano.”1 This distinction highlights the lesser-known aspects of Brubeck’s career, including his formal training at both the University of the Pacific and Mills College, as well as the numerous “serious” works he has composed. Because of Brubeck’s thorough training in both classical and jazz idioms, he has often been described as the first musician to fuse jazz and classical music successfully.2 The meeting of classical and jazz idioms is pervasive in Brubeck’s output. For instance, he famously introduced asymmetric meter into jazz with his 1959 album Time Out, which includes the highly popular tunes “Take Five” (in quintuple meter) and “Blue Rondo à la Turk” (written in 9/8, but with an irregular grouping of beat divisions: 2 + 2 + 2 + 3). Brubeck incorporated an even more radical aspect of twenti- eth-century music into jazz through his use of polytonality.3 Polytonality is a term that has yet to be defined to the satisfaction of all, and such agreement will likely never happen.4 This impasse is due to the inherent contradiction of the term itself and the ambiguity of the musical technique. In its most literal inter- pretation, polytonality
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