The Dave Brubeck Quartet Time Changes Mp3, Flac, Wma

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The Dave Brubeck Quartet Time Changes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Time Changes Country: US Released: 1963 Style: Hard Bop, Post Bop MP3 version RAR size: 1340 mb FLAC version RAR size: 1574 mb WMA version RAR size: 1872 mb Rating: 4.2 Votes: 507 Other Formats: FLAC AAC MMF APE AU MP2 MP4 Tracklist Hide Credits Iberia A1 2:57 Written-By – D. Brubeck* Unisphere A2 5:40 Written-By – D. Brubeck* Shim Wha A3 4:02 Written-By – J. Morello* World's Fair A4 2:42 Written-By – D. Brubeck* Cable Car A5 2:58 Written-By – D. Brubeck* Elementals B 16:40 Written-By – D. Brubeck* Credits Alto Saxophone – Paul Desmond Artwork [Cover Painting] – Sam Francis Bass – Eugene Wright Conductor [Orchestra] – Ray Wright* (tracks: B) Drums – Joe Morello Liner Notes – Rayburn Wright Liner Notes, Producer – Teo Macero Piano – Dave Brubeck Notes Cover Painting: Sam Francis. Barcode and Other Identifiers Matrix / Runout (Side 1 Matrix): XLP 75904 Matrix / Runout (Side 2 Matrix): XLP 75905 Matrix / Runout (Side 1 Runout Stamped): XLP-75904-1E Matrix / Runout (Side 2 Runout Stamped): XLP-75905-1E Other versions Category Artist Title (Format) Label Category Country Year The Dave Brubeck Time Changes (LP, CS 8927 Columbia CS 8927 US 1964 Quartet Album) The Dave Brubeck Time Changes (LP, CL 2127 Columbia CL 2127 US 1964 Quartet Album, Mono) The Dave Brubeck Time Changes (LP, CS 8927 Columbia CS 8927 US Unknown Quartet Album, RP) The Dave Brubeck Time Changes (LP, S 62253 Columbia S 62253 Netherlands 1964 Quartet Album) The Dave Brubeck Time Changes (LP, CS 8927 Columbia CS 8927 France 1964 Quartet Album) Related Music albums to Time Changes by The Dave Brubeck Quartet The Dave Brubeck Quartet - Relaxing With Brubeck Brubeck, Previn - Brubeck Plays West Side Story / Previn Plays My Fair Lady Dave Brubeck - Dave Brubeck In Berlin Dave Brubeck Octet - Dave Brubeck Octet Dave Brubeck Quartet, Trio And Duo - Southern Scene The Dave Brubeck Quartet - Brubeck In Amsterdam The Dave Brubeck Quartet - 25th Anniversary Reunion Dave Brubeck Quartet - The Great Concerts Dave Brubeck - Dave Brubeck's All-Time Greatest Hits The Dave Brubeck Quartet - Anything Goes! The Dave Brubeck Quartet Plays Cole Porter The Dave Brubeck Quartet - Time Further Out (Miro Reflections) Paul Desmond And Dave Brubeck - Paul and Dave - Jazz Interwoven.

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BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940S-1950S
HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES D: BIOGRAPHIES, INTERVIEWS, ITINERARIES, WRITINGS & NOTES BOX 1: BIOGRAPHY,1940s-1950s 1D.1.1: Biography, 1942: “Iola Whitlock marries Dave Brubeck,” Pacific Weekly, 9-25-42 1.D.1.2: Biography, 1948: Ralph J. Gleason. “Long awaited Garner in San Francisco…Local boys draw comment” [Octet at Paradise in Oakland], Down Beat (12-1-48), pg. 6 1.D.1.3: Biography, 1949 a- “NBC Conservatory of Jazz,” San Francisco, Apr 5, 1949 [radio program script for appearance by the Octet; portion of this may be heard on Fantasy recording “The Dave Brubeck Octet”; incl. short biographies of all personnel] b- Lifelong Learning, Vol. 19:6 (Aug 8, 1949) c- [Bulletin of University of California Extension for 1949-50, the year DB taught “Survey of Jazz”] d- “Jazz Concert Set” 11-4-49 e- Ralph J. Gleason. “Finds little of interest in lst Annual Jazz Festival [San Francisco],” Down Beat (12-16-49) [mention of DB Trio at Burma Lounge, Oakland; plans to play Ciro’s, SF at beginning of 1950], pg. 5 f- “…Brubeck given musical honors” Oakland Tribune, December 16, 1949 g- DB “Biographical Sketch,” ca Dec 1949 h- “Pine Tree Club Party at Home of Mrs. A. Ellis,” <n.s.> n.d. [1940s] i- “Two Matrons are Hostesses to Pine Tree Club,” <n.s.> n.d. [1940s] (on same page as above) 1.D.1.4: Biography, 1950: “Dave Brubeck,” Down Beat, 1-27-50 a- Ralph J. Gleason. “Swingin the Golden Gate: Bay Area Fog,” Down Beat 2- 10-50 [DB doing radio show on ABC] 1.D.1.5: BIOGRAPHY, 1951: “Small band of the year,” Jazz 1951---Metronome Yearbook, n.d.
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The Exotic Rhythms of Don Ellis a Dissertation Submitted to the Peabody Institute of the Johns Hopkins University in Partial Fu
THE EXOTIC RHYTHMS OF DON ELLIS A DISSERTATION SUBMITTED TO THE PEABODY INSTITUTE OF THE JOHNS HOPKINS UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS BY SEAN P. FENLON MAY 25, 2002 © Copyright 2002 Sean P. Fenlon All Rights Reserved ABSTRACT Fenlon, Sean P. The Exotic Rhythms of Don Ellis. Diss. The Peabody Institute of the Johns Hopkins University, 2002. This dissertation examines the rhythmic innovations of jazz musician and composer Don Ellis (1934-1978), both in Ellis’s theory and in his musical practice. It begins with a brief biographical overview of Ellis and his musical development. It then explores the historical development of jazz rhythms and meters, with special attention to Dave Brubeck and Stan Kenton, Ellis’s predecessors in the use of “exotic” rhythms. Three documents that Ellis wrote about his rhythmic theories are analyzed: “An Introduction to Indian Music for the Jazz Musician” (1965), The New Rhythm Book (1972), and Rhythm (c. 1973). Based on these sources a general framework is proposed that encompasses Ellis’s important concepts and innovations in rhythms. This framework is applied in a narrative analysis of “Strawberry Soup” (1971), one of Don Ellis’s most rhythmically-complex and also most-popular compositions. iii ACKNOWLEDGMENTS I wish to extend my heartfelt thanks to my dissertation advisor, Dr. John Spitzer, and other members of the Peabody staff that have endured my extended effort in completing this dissertation. Also, a special thanks goes out to Dr. H. Gene Griswold for his support during the early years of my music studies.
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Dave Brubeck Quartet the Great Concerts Mp3, Flac, Wma
Dave Brubeck Quartet The Great Concerts mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Great Concerts Country: US Released: 1988 Style: Bop, Cool Jazz MP3 version RAR size: 1686 mb FLAC version RAR size: 1527 mb WMA version RAR size: 1174 mb Rating: 4.7 Votes: 622 Other Formats: MP2 AC3 VOC AUD MP1 VQF FLAC Tracklist Hide Credits Pennies From Heaven A1 Bass – Eugene WrightDrums – Joe MorelloPiano – Dave BrubeckSaxophone – Paul 9:49 DesmondWritten-By – Johnny Burke For All We Know A2 Bass – Eugene WrightDrums – Joe MorelloPiano – Dave BrubeckSaxophone – Paul 9:25 DesmondWritten-By – J. Fred Coots, Sam Lewis Blue Rondo A La Turk B1 Bass – Eugene WrightDrums – Joe MorelloPiano – Dave BrubeckSaxophone – Paul 11:59 DesmondWritten-By – Dave Brubeck Take Five B2 Bass – Eugene WrightDrums – Joe MorelloPiano – Dave BrubeckSaxophone – Paul 6:15 DesmondWritten-By – Paul Desmond Take The "A" Train C1 Bass – Eugene WrightDrums – Joe MorelloPiano – Dave BrubeckSaxophone – Paul 5:09 DesmondWritten-By – Billy Strayhorn The Real Ambassador C2 Bass – Eugene WrightDrums – Joe MorelloPiano – Dave BrubeckSaxophone – Paul 7:13 DesmondWritten-By – Dave Brubeck, Iola Brubeck Wonderful Copenhagen C3 Bass – Eugene WrightDrums – Joe MorelloPiano – Dave BrubeckSaxophone – Paul 5:23 DesmondWritten-By – Frank Loesser Like Someone In Love D1 Bass – Eugene WrightDrums – Joe MorelloPiano – Dave BrubeckSaxophone – Paul 7:11 DesmondWritten-By – Jimmy Van Heusen, Johnny Burke Tangerine D2 Bass – Eugene WrightDrums – Joe MorelloPiano – Dave BrubeckSaxophone – Paul 10:16 DesmondWritten-By – Johnny Mercer, Victor Schertzinger Credits Coordinator [Jazz Masterpieces Series] – Amy Herot, Mike Berniker Design – Allen Weinberg Engineer [Digital Remix] – Larry Keyes Liner Notes – George Kanzler Mastered By – Vlado Meller Producer [Digital] – Mike Berniker Producer [Original Recordings] – Cal Lampley, Teo Macero Research [Historical] – Nathaniel Brewster Notes Front Cover Digitally Remastered Directly From The Orginal Analog Tapes Columbia Jazz Masterpieces The Great Concerts..
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Music Can Bring World's Voices Together, Catholic Jazz Icon Says
Music can bring world’s voices together, Catholic jazz icon says CINCINNATI – Music can be the language to help bring people together, crossing any nation’s boundary and driving freedom throughout the world, said jazz icon Dave Brubeck. Fifty years after the taping of his signature tune “Take Five,” the musician will be honored Dec. 6 with a lifetime achievement award from the Kennedy Center for the Performing Arts in Washington. In 2006 he was the recipient of the University of Notre Dame’s 2006 Laetare Medal. Brubeck, 88, discussed faith, sacred music, jazz and the importance of cross-cultural and international exchange with St. Anthony Messenger magazine in an article in the October 2009 issue. In 1958, Brubeck led his Dave Brubeck Quartet on a 14-country “goodwill” tour through Europe, the Middle East and Central Asia. The following year, the group recorded “Time Out,” the first jazz album to sell more than 1 million copies. The breakthrough album featured incorporated rhythms and beats from other cultures. “Something I had wanted to do was to experiment in different time signatures,” Brubeck said, explaining that early jazz reflected “simple marching beats” and not the complicated African- and Asian-influenced rhythmic sounds of drum choruses. Time, irregular meters and music drawing on other cultural idioms figure prominently in Brubeck’s music following “Time Out”: “Time Further Out” (1961); “Countdown: Time in Outer Space” (1962); “Time Changes” (1963); and “Time In” (1965). “Jazz represents freedom, freedom musically and politically,” he said. He noted that his 1958 tour targeted countries such as Afghanistan, Iran, Iraq, Pakistan, Turkey and India and was meant to show “how important freedom is.” “This kind of cross-cultural thing is something we should sponsor more because it is so important … to the world,” said Brubeck, who has performed for nine U.S.
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Dave Brubeck's Definitive “Jazzanians”
Journal of Jazz Studies vol. 9, no. 1, pp. 53-93 (Summer 2013) Dave Brubeck’s Definitive “Jazzanians” Vasil Cvetkov On December 5, 2012, American contemporary music lost one of its most important personalities—pianist and composer Dave Brubeck, who died one day before his 92nd birthday. His death marks the passing of one of the most creative and versatile musicians in American history. Widely known as an innovative jazz musician, Brubeck’s skills in writing and arranging music for classical ensembles went far beyond jazz traditions, making him a subject of interest and investigation for contemporary music researchers. He became an emblematic figure for those, who, like me, received a classical music upbringing and became fascinated by his ability to fuse jazz and classical sources into the specific style that eventually became his trademark. Despite having received a classical education, I have always been attracted by the jazz sound, so that discovering and demonstrating the plenitude of Brubeck's legacy became a natural research goal in my graduate studies. In planning this personal tribute to the late Dave Brubeck, I came to the conclusion that, perhaps, the most eloquent examples of his unique compositional style could be demonstrated around the story of a little tetrachord. Throughout a period of 17 years (1987-2003), it inspired Brubeck to create five important compositions and came to be known, by those who love Brubeck's music, as the “Jazzanians tetrachord.” The compositions varied in form, covering the full spectrum of jazz, classical, and fusion styles. I call these compositions “realizations.” Trying to trace Brubeck’s realizations chronologically through that 17- year period, I first examined published scores but discovered that there were mysterious gaps.
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Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide
Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide Eli Yamin Celebrates the Dave Brubeck Quartet Overview These six videos are presented and performed by jazz and blues pianist, composer, singer, producer and educator Eli Yamin. The videos vary in length from 3 to 12 minutes. The title of the series aptly denotes the content because Eli Yamin and his group of master musicians truly do “celebrate” 5 songs of Dave Brubeck. Each video examines and performs a specific song and its unique qualities. Although the focus is always the music, the lessons easily apply to literacy and language arts standards, grades 6-12. The amount of time spent on the lessons can be decided by the teachers, depending on students’ interest, needs, and planning. Below is a brief summary of the content of each video to help teachers decide which best suits their curriculum. It is recommended that all the videos be studied in order to provide a full scope of Brubeck’s music, but the lessons and videos can each stand alone. Dave Brubeck Brief Background Dave Brubeck was a famous jazz pianist, composer, and bandleader who lived from 1920 to 2012. He founded the Dave Brubeck Quartet in 1951 after playing for several years in his group called the Dave Brubeck Octet. His group became very popular in the 1950s, most notably for his combination of great melodies, strong sense of swing, and unusual meters and rhythms from around the globe. Some of his more popular songs are "Blue Rondo a la Turk," "In Your Own Sweet Way" and "The Duke." He collaborated with quartet member Paul Desmond on numerous compositions; Desmond’s “Take Five” became the first jazz instrumental to sell more than one million copies.
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Evaluation of the Work of Jazz Pianist/Composer Dave Brubeck
AN EVALUATION OF THE WORK OF JAZZ PIANIST/COMPOSER DAVE BRUBECK BY DANNY RONALD ZIRPOLI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1990 Copyright 1990 by Danny Ronald Zirpoli , ACKNOWLEDGEMENTS This writer is greatly appreciative of the valuable help given by many people. A very special thanks and acknowledgement are extended to my chairman, mentor, advisor, and friend, Dr. David Z. Kushner whose belief in my ability gave me the confidence to see this project to completion. Gratitude is extended to my other committee members Dr. S. Philip Kniseley, Professor John S. Kitts, Dr. Jeff A. Hurt, and Dr. Forrest W. Parkay. Their help and encouragement were most appreciated. I would also like to thank Mrs. Robena Eng-Cornwell Associate University Librarian, University of Florida, for her valuable assistance. This study would have been difficult to complete without the help of Mrs. Juliet Gerlin. She not only provided valuable support and source materials but also arranged for a personal interview with Dave Brubeck. To my mother, Margaret Zirpoli, mother-in-law, Eileen Cywinski, and father-in-law, John Cywinski, go my heartfelt thanks. Their faith and confidence in me were unsurpassed. I will forever be indebted to my wife for her help and moral support during this time. She truly helped me through my darkest hours. iii TABLE OF CONTENTS PAGE ACKNOWLEDGEMENTS iii LIST OF FIGURES vi ABSTRACT xii CHAPTERS I INTRODUCTION AND PROBLEM STATEMENT 1 II METHODOLOGY AND MATERIALS 5 III REVIEW OF THE LITERATURE 11 IV BIOGRAPHICAL SKETCH 18 V INFLUENCES AND STYLISTIC APPROACHES 37 Early Influences 3 7 Darius Milhaud Influence 56 Compositional Approach Polyrhythms and Polytonality 58 Influence of European Classical Composers Integration of Classical and Jazz Elements 67 Jazz Choral Compositions 80 Orchestral Genre — Elementals 88 Programmatic Inspiration — Keyboard Works.
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Conductors' Annotated Scores: a Comprehensive Study Leandro De Magalhaes Gazineo [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2-19-2019 Conductors' Annotated Scores: A Comprehensive Study Leandro de Magalhaes Gazineo [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Performance Commons, and the Music Practice Commons Recommended Citation de Magalhaes Gazineo, Leandro, "Conductors' Annotated Scores: A Comprehensive Study" (2019). LSU Doctoral Dissertations. 4807. https://digitalcommons.lsu.edu/gradschool_dissertations/4807 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. CONDUCTORS’ ANNOTATED SCORES: A COMPREHENSIVE STUDY A Dissertation Submitted to the Graduate FaCulty of the Louisiana State University and AgriCultural and MeChaniCal College in partial fulfillment of the requirements for the degree of Doctor of MusiCal Arts in The SChool of MusiC by Leandro de Magalhães Gazineo B.M., Universidade Federal da Bahia, 2000 M. M., Universidade Federal da Bahia, 2004 May 2019 To my wife Carmem ii Music can name the unnamable and communicate the unknowable. Leonard Bernstein iii ACKNOWLEDGEMENTS First, I would like to express my sincere gratitude to my advisor Prof. Carlos Riazuelo for his Continuous support and guidance. In addition, I would like to thank the rest of my dissertation’s Committee: Prof. MiChael Gurt, Dr. John DiCkson, and Dr. Todd Gibson, for their insightful comments and encouragement, but also for asking the hard questions that guided me to widen my research from various perspeCtives.
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Holt Atherton Special Collections Ms4: Brubeck Collection
HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES E: CLIPPINGS BOX 3a : REVIEWS, 1940s-1961 1.E.3.1: REVIEWS, 1940s a- “Jazz Does Campus Comeback but in new Guise it’s a ‘Combo,’” Oakland Tribune, 3-24-47 b- Jack Egan. “Egan finds jury…,” Down Beat, 9-10-47 c- “Local boys draw comment,” <n.s.> [Chicago], 12-1-48 d- Edward Arnow. “Brubeck recital is well-received,” Stockton Record, 1-18-49 e- Don Roessner. “Jazz meets J.S. Bach in the Bay Region,” SF Chronicle, 2- 13-49 f- Robert McCary. “Jazz ensemble in first SF appearance,” SF Chronicle, 3-6- 49 g- Clifford Gessler. “Snap, skill mark UC jazz concert,” <n.s.> [Berkeley CA], n.d. [4-49] h- “Record Reviews---DB Trio on Coronet,” Metronome, 9-49, pg. 31 i- Keith Jones. “Exciting and competent, says this critic,” Daily Californian, 12- 6-49 j- Kenneth Wastell. “Letters to the editor,” Daily Californian, 12-8-49 k- Dick Stewart. “Letters to the editor,” Daily Californian, 12-9-49 l- Ken Wales. “Letters to the editor,” Daily Californian, 12-14-49 m- “Record Reviews: The Month’s best [DB Trio on Coronet],” Metronome, Dec. 1949 n- “Brubeck Sounds Good” - 1949 o- Ralph J. Gleason, “Local Units Give Frisco Plenty to Shout About,” Down Beat, [1949?] 1.E.3.2: REVIEWS, 1950 a- “Record Reviews: Dave Brubeck Trio,” Down Beat, 1-27-50 b- Bill Greer, "A Farewell to Measure from Bach to Bop," The Crossroads, January 1950, Pg. 13 c- Keith Jones. “Dave Brubeck,” Bay Bop, [San Francisco] 2-15-50 d- “Poetic License in Jazz: Brubeck drops in on symphony forum, demonstrates style with Bach-flavored bop,” The Daily Californian, 2-27-50 e- Barry Ulanov.
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David Van Kriedt Papers
http://oac.cdlib.org/findaid/ark:/13030/kt187025dm No online items Finding aid of the David Van Kriedt Papers Processed by Don Walker Holt-Atherton Department of Special Collections University of the Pacific Library 3601 Pacific Ave. Stockton, CA 95211 Phone: (209) 946-2404 Fax: (209) 946-2942 URL: http://www.pacific.edu/Library/Find/Holt-Atherton-Special-Collections.html © 2007 University of the Pacific. All rights reserved. Finding aid of the David Van MSS 297 1 Kriedt Papers Finding aid of the David Van Kriedt Papers Collection number: MSS 297 Holt-Atherton Department of Special Collections University of the Pacific Library Stockton, California Processed by: Don Walker Date Completed: 2002 Encoded by: Michael Wurtz © 2007 University of the Pacific. All rights reserved. Descriptive Summary Title: David Van Kriedt papers Dates: ca 1948 Collection number: MSS 297 Creator: Van Kriedt, David, 1922-1994 Collection Size: 1 linear foot Repository: University of the Pacific. Library. Holt-Atherton Dept. of Special Collections Stockton, California 95211 Abstract: Collection consists primarily of musical scores and parts by David van Kriedt. Physical location: For current information on the location of these materials, please consult the library's online catalog. Languages: Languages represented in the collection: English Access Collection open for research. Publication Rights Permission for publication is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained by the researcher. Preferred Citation David Van Kriedt papers. MSS 297. Holt-Atherton Department of Special Collections, University of the Pacific Library.
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Promotional Materials Box 1
HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 1: PAPERS SUBSERIES G: PROMOTIONAL MATERIALS BOX 1: 1940s & 1950s 1.G.1.1: POSTERS & FLYERS, 1940s & 1950s a- Guy Lombardo & His 14 Piece Orchestra [DB opening act], Dreamland Ballroom, Stockton, Feb 1947 [P; photocopy] b- A Show of Monotypes by Daniel Milhaud & New Chamber Music, Jul 1947 [P; ] c- Dave Brubeck: The Band That Jumps, Civic Aud., Stockton, Oct 4, 1947 [P] d- New Sounds In Modern Music w/ the Jazz-Work Ensemble, SF, 1949 [F] e- ”Goings On At The Playroom, 346 Jones Street [SF]...Starting January 28th/ The Three D’s,” n.d. [c1949; F] f- Photo of DB printed on pink card stock (ca. 3 x 7) g- DBQ table tents 1954 (photo copy) h- UC Berkeley University Extension Lifelong Learning catalog, Fall 1949. Includes jazz classes taught by Brubeck. 1.G.1.2: MAGAZINE ADVERTISING, 1950s a- DBQ Opening Tonight at Clayton Club, 11-13-51 [SF area newspaper ad] b- Seattle Guide (Oct 30-Nov 5, 1953) c- “Rubinstein’s New Lipstick Color: Jazz Red Hot & Cool,” Vogue (9-15-55 ) d- “O Thanks! All Ye Faithful” Down Beat (1-11-56) [DBQ Xmas greetings] e- DB letter [in English] to Polish fans, Tlumaczenie Listu - Strona (4-58) 1.G.1.3: NEWS RELEASES, 1950s a- “I hope the enclosed publicity material will...,” c1950 [promo for Trio] b- “What’s New With the DBQ,” Jan 1954 c- “What’s New With the DBQ,” Feb 1954 d- “What’s New With the DBQ,” Fall 1954 e- “DB coming on Aug 9th & 10th, “New Lagoon News [Salt Lake City] (1957 f- “Sustaining Fund Set Up For Brubeck’s Friend,” 1-24-58 [Al Naukana] g- ”DBQ to Warsaw for ANTA,” 2-25-58 h- American Embassy Karachi, Pakistan.
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Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M.
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