DOCSLIB.ORG

Quartet Quartet

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Quartet Quartet the dave brubeck the dave brubeck quartet quartet ,:( lc (, TJ o CI "9{ a LOJ+t i r.. .!r t ";$f- oiu q)(u >3 ).r fiU - 1T #tr ql *. +, Time Out th e dave brubeck Blue Rondo a la Turk; Strange Meadow Lark; Take Five/Three to Get Ready; Kathy's Waltz; Everybody's Jumpin'; Dave Brubeck (piono) with qUaftet Pick Up Sticks SBPG 52068 (s) Paul Desmond (olto), Gene Wright (boss), BPG 62068 (m) ind Joe Morello (drums) ICBSI Gone With the Wind Swanee River; The Lonesome Road; Georgia On My Mind; - Camptown Races/Short'nin' Bread; Basin Street Blues; lel Man Riveri Gone With the (s) RECORDS LPts Ol' Wind SBPG 62065 BPG 52065 (m) The Real Ambassadors Louis Armstrong and his Band; Dave Brubeck; Lambert, and Carmen McRae Hendricks and Ross, Space Everybody's Comin'; Cultural Exchange; Good Reviews; Countdown-Time in Outer Eleven Four; Why Phillis; Someday My Rem6mber Who You Are; My One Bad Habit; Summer Song; Countdown; Day; Blow Satchmo; The Real Ambassador, ln Prince Will Come; Castilian Blues; Castilian Drums; Kins For a Duet; theiurch; One Moment Worth Years; They Say I Look Like Fast Life; Waltz Limp; Three's a Crowd; Danse God; Since Love Had lts Way; I Didn't Know Until You Back to Earth SBPG 62013 (s) Told Me; Swing Bells; Blow Satchmo, t'n"'3"a. BPG 52013 (m) 620g3 (s) BPG 52083 (m) Tonisht Onlv! Melanitha; Wee'p No More; Talkin' and Walkin'; PHltlPS LP's Briar Bush; Paradiddle Joe; Late Lament; Strange Meadowlark; Tristesse; Tonight Only Brubeck's Best (Giant Jazz Gallery series) Feoturing cormen McRoe Keepin' Out of Mischief Now; Lover; When You're iBto.tl9lis| Smiling; Audrey; Sometimes I'm Happy; Jeepers Creepers; The Duke; Gone With the Wind BBL 7498 Time Further Out It's a Raeev Waltz; Bluette; Charles Matthew Halleluiah; Far MorE-Blue; Far More Drums; Maori Blues; Unsquare Dance: Bru's Boogie Woogie; Blue Shadow; - SBPG 62078 (s) Jazz Goes to Gollege (Giant tazz Gallery series) in thi Street Le Souk/Take the 'A'Train; BPG 62078 (m) Balcony Rock; Out of Nowhere; The Song ls You; Don't Worry 'bout Me; I Want To Be Happy BBL7447 Plays Brubeck Plays Bernstein Bernstein */Maria; . Dialoques for Jizz Combo and Orchestra I Feel Pretti: Somewhere; A Quiet Girl; Tonight *witi conductor Leonord Bernstein At Newport The Nerv York Philharmonic, Part Contention; Take SBPG 52071 (s) ln Your Own Sweet Way; Two the'A'Train; I'm in a Dancing Mood; (Lover, Come Back BPG 62071 (m) To Me; True Blue Tromboniums; Newport-the lay ond Koi Quintet) BBL 7147 Southern Scene O. Susanna; When lt's Sleepy Time Down South; Little Rock Getawav: Jeannie With the Light Brown Hair: Deeo in the Heart of Texas At the Darktown Jazz lmpressions of the U.S.A. Strutters"Ball; Nobody Knows the Trouble I've Seen; Happy Ode to a Cowboy; Summer Song; Yonder For Twoi History Times; Darling Nellie Gray; Southern Scene of a Boy Scout/Plain Song; Curtain Time; Sounds of SBPG 62069(s) the Loop; Home At Last BPG 62069 (m) Feoturing Poul Desmond BBL 7l7l IEESI {QI.n. LP's lel All Night Long (original soundtrack) RECORDS EPts It's a Raggy Waltz; Blue Shadows in the Street {lrocks by Vorious Artists STFL 591 (s) TFL 5179 (m) Take Five Take Five/Deep in the Heart of Texas; Points on tazz Jeannie With the Light Brown Hair AGG 20026 l-Prelude; ll-Scherzo; lll-Blues; lV-Fugue; V-Rag; Vl-Chorale; Vll-Waltz; Vlll-A la Turk Gold ond Fizdale (two Pionos) There'll Be No Tomorrow (Brubeck Trio with Cormen McRoe) STFL 583 (s) TFL 5168 (m) PHltlPg Ep's The Best of Brubeck Heigh-Ho; Strange Meadow Lark; Liberian Suite-Dance.No' 3; Kat[v's Waltz/O, Susanna; Some Day My Prince Will lazz Gallery ComL; Blue Rondo a la Turk; Wonderful Copenhagen Pennies From Heaven/Audrey; A Fine Romance BBE 12353 TFL 5I36 Creation Brubeck and Rushing Walkin' Line; Two-Part Contention/When I Was Young; ln Baby; Blues There'll Be Some ChangeiMade; My Melancholy Your Own Sweet Way; Dove Brubeck, (toro OronoL"a in the Dark; I Never Knew; Ain't Misbehavin'/Evenin'; ,rr' All By Myself; River, Stay 'way From My Door; You Can Deoend On Me: Am I Blue Feolturing limmy Rushing (vocol) STFL 550 (s) Jazz Olympus TFL s126 (m) When You're Smiling/Le Souk BBE t2285 The Riddle Dave Brubeck and Calvin Jackson Ho, Anybody Homel; TheTwig; Blue Ground; Offshootl Hey, Cal-istenics; Dream (Dove Brubeck Swingin' 'roJnd; Quiet Mood; The Riddle; Yet We Quortet) I'm in a Dancing Mood; Lover (Colvin Jockson Quortet Shall Be Merry BBE t2r r8 Feoturing Bitl Smith (clorinet) STFL 532 (s) TFL 5l0l (m) Take the 'A' Train/Out of Nowhere BBE 12024 Newport, 1958 Thinsi Ain't What They Used To Be; Jump For Joy; Perdido/ Libeiian Suite-Dance No. 3; The Duke; Flamingo; 'C'Jam Blues STFL 501 (s) TFL 5059 (m) In Europe Wonderful Copenhagen; My One Bad Habit ls Falling in Love; Tangerine/The Wright Groove: Like Someone in Love; Watusi Drums STFL 514 (s) EP,s TFL 5034 (m) {Ql.n. Dave Digs Disney McRae and Brubeck Alice in W-onderland;-Give a Little Whistle; Heigh-Ho/When Take Five; lt's a Raggy Waltz/Tonight Only You Wish Upon a Star; Some Day My Prince Will-Come; Feotuting Carmen McRoe TFE t7395 One Song TFL 5017 Jazz Goes to Junior College Strange Meadowlark Strange Meadowlark; Weep No More/ Bru's Blues; These Foolish Thingsllm Afraid the Masquerade Briar Bush; Paradiddle Joe is Over; One Moment Worth Years: St. Louis Blues Cormen McRoe TFL 5OO2 Featuring TFE t7384 Brubeck and Rushing 45 rpm Singles There'll Be Some Changes Made; Blues in the Dark/ My Melancholy Baby; Am I Blue? Feoturing Jimmy Rushing TFE I 7358 cBs Unsquare Dance/Camptown Races AAG IO2 Hey, Ho, Anybody Home? Hey, Ho, Anybody Home?/Offshoot; Yet We Shall Be Merry Featuring Bill Snith (clorinet) TFE t7357 CountdowniEleven Four AAG I12 Little Rock Getaway Darling Nellie Gray/Little Rock Getaway; At the Darktown Strutters' Ball TFE I 7305 PHILIPS I'm in a Dancing Mood/Lover JAZ 106 Georgia on my Mind Gone With the Wind/Georgia On My Mind TFE 17305 The Lonesome Road Swanee River/The Lonesome Road TFE 17304 FONTANA It's A Raggy Waltz/Blue Shadows in the Street H 352 Basin Street Camptown Races; Short'nin' Bread/Basin Street Blues; Ol' Man River TFE 17303 Take Five, lt's a Raggy Waltz Feoturing Carmen McRoe H 379 Sounds of Jazz, No.3 Things Ain't What They Used To Be/Liberian Suite- Dance No. 3 TFE 17245 Take Five/Blue Rondo a la Turk H 339 Sounds of Jazz, Dave Digs Disney Alice in Wonderland/When You Wish Upon t??a " ,rrr' ln Europe, No.2 Tangerine (2 sides) TFE t7t98 ln Europe, No. I Wonderful Copenhagen/Like Someone in Love TFE 17196 \|y'ARNI NG. Copyright subsists in ol! Philips, Fontano ond CBS recordings. Any unouthorised broadcasting, public performonce, coDying or re-recording sf these records in ony monner whotsoever wirl constitute an infringement of such Sounds of Jazz, No.2 copyright. Licences for the use of records for public performonces moy be obtoined Phonographic Performance Limited, 62 Oxford Nomad/Marble Arch 17135 from Evelyn House, TFE Street, London, W.l. Sounds of Jazz, No. I Some Day My Prince Will Come/Give a Little Whistle TFE 17074 Bru's Blues (2 sides) TFE t7032 PHILIPS RECORDS LIMITED The Masquerade ls Over/St. Louis Blues TFE 17021 Stanhope House Stanhope Place London W2.
Load more

Recommended publications
  • The Dave Brubeck Quartet Jazz Impressions of the U.S.A. Mp3, Flac, Wma
    The Dave Brubeck Quartet Jazz Impressions Of The U.S.A. mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Jazz Impressions Of The U.S.A. Country: US Released: 1957 Style: Bop MP3 version RAR size: 1449 mb FLAC version RAR size: 1503 mb WMA version RAR size: 1488 mb Rating: 4.1 Votes: 868 Other Formats: FLAC MOD AAC AU WMA MMF APE Tracklist A1 Ode To A Cowboy A2 Summer Song A3 Tea Down Yonder For Two A4 History Of A Boy Scout B1 Plain Song B2 Curtain Time B3 Sounds Of The Loop B4 Home At Last Credits Alto Saxophone – Paul Desmond Bass – Norman Bates Drums – Joe Morello Piano – Dave Brubeck Other versions Category Artist Title (Format) Label Category Country Year The Dave Jazz Impressions Of The CL 984 Columbia CL 984 US 1957 Brubeck Quartet U.S.A. (LP, Album, Mono) The Dave Jazz Impressions Of The CL 984 Columbia CL 984 US 1957 Brubeck Quartet U.S.A. (LP, Album, Mono) The Dave Jazz Impressions Of The Phoenix 131573 131573 US 2013 Brubeck Quartet U.S.A. (CD, RE, RM) Records The Dave Jazz Impressions Of The CL 984 Columbia CL 984 Canada 1957 Brubeck Quartet U.S.A. (LP, Album, Mono) Jazz Impressions Of The The Dave Gambit 69308 U.S.A. (CD, Album, Mono, RE, 69308 Europe 2009 Brubeck Quartet Records Unofficial) Related Music albums to Jazz Impressions Of The U.S.A. by The Dave Brubeck Quartet The Dave Brubeck Quartet - Anything Goes! The Dave Brubeck Quartet Plays Cole Porter The Dave Brubeck Quartet - Dave Brubeck At Storyville: 1954 (Vol.
    [Show full text]
  • Pops Prevails
    Journal of Jazz Studies vol. 8, no. 1, pp. 93-99 (Spring 2012) Pops Prevails Edward Berger What a Wonderful World: The Magic of Louis Armstrong’s Later Years. By Ricky Riccardi. New York: Pantheon, 2011. 369 pp. $28.95. Louis Armstrong’s later work is a far more controversial subject than one would expect, given his universal recognition as jazz’s seminal creator and, at one time, arguably the world’s most recognizable figure. But it is precisely his success in these two disparate and, to many, incompatible roles that led some critics to ignore his later artistic achievements and to bemoan what many viewed as his abandonment of his genius in pursuit of popular acceptance. Add to that the uneasiness engendered in some circles by Armstrong’s complex stage persona, and the controversy becomes more understandable. Ricky Riccardi makes abundantly clear in this new and valuable work that, although Armstrong may have devoted his entire life to entertaining his audience, it did not preclude serious artistic achievement at all stages of his career. Most writers, Riccardi included, use the transition from Armstrong’s leadership of his big band to the formation of the All Stars in 1947 as the demarcation between early and late Armstrong. Since Armstrong recorded from 1923 to 1971, his “late” period spanned some 24 years—exactly half of his entire recording career. Moreover, some critics felt that Armstrong’s contributions as a creative improviser ended even earlier, essentially dismissing much of his output after the Hot Fives and Hot Sevens. It is interesting to note how our concept of age has changed over the decades.
    [Show full text]
  • The Exotic Rhythms of Don Ellis a Dissertation Submitted to the Peabody Institute of the Johns Hopkins University in Partial Fu
    THE EXOTIC RHYTHMS OF DON ELLIS A DISSERTATION SUBMITTED TO THE PEABODY INSTITUTE OF THE JOHNS HOPKINS UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS BY SEAN P. FENLON MAY 25, 2002 © Copyright 2002 Sean P. Fenlon All Rights Reserved ABSTRACT Fenlon, Sean P. The Exotic Rhythms of Don Ellis. Diss. The Peabody Institute of the Johns Hopkins University, 2002. This dissertation examines the rhythmic innovations of jazz musician and composer Don Ellis (1934-1978), both in Ellis’s theory and in his musical practice. It begins with a brief biographical overview of Ellis and his musical development. It then explores the historical development of jazz rhythms and meters, with special attention to Dave Brubeck and Stan Kenton, Ellis’s predecessors in the use of “exotic” rhythms. Three documents that Ellis wrote about his rhythmic theories are analyzed: “An Introduction to Indian Music for the Jazz Musician” (1965), The New Rhythm Book (1972), and Rhythm (c. 1973). Based on these sources a general framework is proposed that encompasses Ellis’s important concepts and innovations in rhythms. This framework is applied in a narrative analysis of “Strawberry Soup” (1971), one of Don Ellis’s most rhythmically-complex and also most-popular compositions. iii ACKNOWLEDGMENTS I wish to extend my heartfelt thanks to my dissertation advisor, Dr. John Spitzer, and other members of the Peabody staff that have endured my extended effort in completing this dissertation. Also, a special thanks goes out to Dr. H. Gene Griswold for his support during the early years of my music studies.
    [Show full text]
  • Analysis of Selected Percussion Literature: Concerto
    ANALYSIS OF SELECTED PERCUSSION LITERATURE: CONCERTO FOR VIBRAPHONE AND ORCHESTRA BY NEY ROSAURO, SURFACE TENSION BY DAVE HOLLINDEN, URBAN SKETCHES FOR PERCUSSION TRIO BY LON W. CHAFFIN, TAKE FIVE BY PAUL DESMOND, AND DT SUPREME BY AUSTIN BARNES by AUSTIN LEE BARNES B.M.E., Fort Hays State University, 2010 A REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2012 Approved by: Major Professor Dr. Kurt Gartner Copyright AUSTIN LEE BANRES 2012 Abstract This is a report for anyone playing or teaching anyone of the following pieces: Concerto for Vibraphone and Orchestra by Ney Rosauro, Surface Tension by Dave Hollinden, Urban Sketches for Percussion Trio by Lon W. Chaffin, Take Five by Paul Desmond, or DT Supreme by Austin Barnes. The repertoire is analyzed by the method given in Jan Larue’s book Guidelines for Style and Analysis. The report includes interpretive decisions, technical considerations, harmonic analysis, and form. Table of Contents List of Figures ................................................................................................................................ vi List of Tables ................................................................................................................................ vii Dedication .................................................................................................................................... viii CHAPTER 1 - Concerto for Vibraphone
    [Show full text]
  • Music Can Bring World's Voices Together, Catholic Jazz Icon Says
    Music can bring world’s voices together, Catholic jazz icon says CINCINNATI – Music can be the language to help bring people together, crossing any nation’s boundary and driving freedom throughout the world, said jazz icon Dave Brubeck. Fifty years after the taping of his signature tune “Take Five,” the musician will be honored Dec. 6 with a lifetime achievement award from the Kennedy Center for the Performing Arts in Washington. In 2006 he was the recipient of the University of Notre Dame’s 2006 Laetare Medal. Brubeck, 88, discussed faith, sacred music, jazz and the importance of cross-cultural and international exchange with St. Anthony Messenger magazine in an article in the October 2009 issue. In 1958, Brubeck led his Dave Brubeck Quartet on a 14-country “goodwill” tour through Europe, the Middle East and Central Asia. The following year, the group recorded “Time Out,” the first jazz album to sell more than 1 million copies. The breakthrough album featured incorporated rhythms and beats from other cultures. “Something I had wanted to do was to experiment in different time signatures,” Brubeck said, explaining that early jazz reflected “simple marching beats” and not the complicated African- and Asian-influenced rhythmic sounds of drum choruses. Time, irregular meters and music drawing on other cultural idioms figure prominently in Brubeck’s music following “Time Out”: “Time Further Out” (1961); “Countdown: Time in Outer Space” (1962); “Time Changes” (1963); and “Time In” (1965). “Jazz represents freedom, freedom musically and politically,” he said. He noted that his 1958 tour targeted countries such as Afghanistan, Iran, Iraq, Pakistan, Turkey and India and was meant to show “how important freedom is.” “This kind of cross-cultural thing is something we should sponsor more because it is so important … to the world,” said Brubeck, who has performed for nine U.S.
    [Show full text]
  • Dave Brubeck's Definitive “Jazzanians”
    Journal of Jazz Studies vol. 9, no. 1, pp. 53-93 (Summer 2013) Dave Brubeck’s Definitive “Jazzanians” Vasil Cvetkov On December 5, 2012, American contemporary music lost one of its most important personalities—pianist and composer Dave Brubeck, who died one day before his 92nd birthday. His death marks the passing of one of the most creative and versatile musicians in American history. Widely known as an innovative jazz musician, Brubeck’s skills in writing and arranging music for classical ensembles went far beyond jazz traditions, making him a subject of interest and investigation for contemporary music researchers. He became an emblematic figure for those, who, like me, received a classical music upbringing and became fascinated by his ability to fuse jazz and classical sources into the specific style that eventually became his trademark. Despite having received a classical education, I have always been attracted by the jazz sound, so that discovering and demonstrating the plenitude of Brubeck's legacy became a natural research goal in my graduate studies. In planning this personal tribute to the late Dave Brubeck, I came to the conclusion that, perhaps, the most eloquent examples of his unique compositional style could be demonstrated around the story of a little tetrachord. Throughout a period of 17 years (1987-2003), it inspired Brubeck to create five important compositions and came to be known, by those who love Brubeck's music, as the “Jazzanians tetrachord.” The compositions varied in form, covering the full spectrum of jazz, classical, and fusion styles. I call these compositions “realizations.” Trying to trace Brubeck’s realizations chronologically through that 17- year period, I first examined published scores but discovered that there were mysterious gaps.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide
    Eli Yamin Celebrates the Dave Brubeck Quartet Curriculum Guide Eli Yamin Celebrates the Dave Brubeck Quartet Overview These six videos are presented and performed by jazz and blues pianist, composer, singer, producer and educator Eli Yamin. The videos vary in length from 3 to 12 minutes. The title of the series aptly denotes the content because Eli Yamin and his group of master musicians truly do “celebrate” 5 songs of Dave Brubeck. Each video examines and performs a specific song and its unique qualities. Although the focus is always the music, the lessons easily apply to literacy and language arts standards, grades 6-12. The amount of time spent on the lessons can be decided by the teachers, depending on students’ interest, needs, and planning. Below is a brief summary of the content of each video to help teachers decide which best suits their curriculum. It is recommended that all the videos be studied in order to provide a full scope of Brubeck’s music, but the lessons and videos can each stand alone. Dave Brubeck Brief Background Dave Brubeck was a famous jazz pianist, composer, and bandleader who lived from 1920 to 2012. He founded the Dave Brubeck Quartet in 1951 after playing for several years in his group called the Dave Brubeck Octet. His group became very popular in the 1950s, most notably for his combination of great melodies, strong sense of swing, and unusual meters and rhythms from around the globe. Some of his more popular songs are "Blue Rondo a la Turk," "In Your Own Sweet Way" and "The Duke." He collaborated with quartet member Paul Desmond on numerous compositions; Desmond’s “Take Five” became the first jazz instrumental to sell more than one million copies.
    [Show full text]
  • Buyer's Guide to Loudspeakers 2017
    CONTENTS • FROM THE EDITOR • ON THE HORIZON • BOOK FEATURE • HOW TO CHOOSE A LOUDSPEAKER • DESKTOP & POWERED • BOOKSHELF, STAND-MOUNT • FLOORSTANDING <$10K • FLOORSTANDING >$10K • SUBWOOFERS Buyer’s Guide to Loudspeakers 2017 SPONSORED BY A MASTERPIECE OF DESIGN AND ENGINEERING Renaissance ESL 15A represents a major evolution in electrostatic design. A 15-inch Curvilinear Line Source (CLS™) XStat™ vacuum-bonded electrostatic transducer with advanced MicroPerf ™ stator technology and ultra-rigid AirFrame™ Blade construction provide the heart of this exceptional loudspeaker. A powerfully dynamic low-frequency experience is rendered with unfl inching accuracy and authority courtesy of dual 12-inch low-distortion aluminum cone woofers. Each woofer is independently powered by a 500-watt Class-D amplifi er, and controlled by a 24-Bit Vojtko™ DSP Engine featuring Anthem Room Correction (ARC™) technology. Hear it today at your local dealer. 1 Buyer’s Guide to Loudspeakers 2017 the absolute sound MartinLogan_DLR_TAS_Renaissance_ESL15A_Buyer's_Guide_SPREAD_2016.indd 1 2016-03-15 7:49 AM 2 Buyer’s Guide to Loudspeakers 2017 the absolute sound Click here to go to that section CONTENTS • FROM THE EDITOR • ON THE HORIZON • BOOK FEATURE • HOW TO CHOOSE A LOUDSPEAKER • DESKTOP & POWERED • BOOKSHELF, STAND-MOUNT • FLOORSTANDING <$10K • FLOORSTANDING >$10K • SUBWOOFERS Contents SPONSORED BY You can’t tell anything about the loudspeaker until you listen to it. Don’t be in a hurry to buy the first speaker you like; audition several products. A MASTERPIECE OF DESIGN AND ENGINEERING Renaissance ESL 15A represents a major evolution in electrostatic design. FROM THE EDITOR ON THE HORIZON HOW TO CHOOSE A LOUDSPEAKER A 15-inch Curvilinear Line Source (CLS™) XStat™ vacuum-bonded electrostatic transducer with advanced MicroPerf ™ stator technology and ultra-rigid Julie Mullins welcomes you to our Neil Gader has the scoop on the Robert Harley helps you navigate the tricky process of speaker auditioning AirFrame™ Blade construction provide the heart of this exceptional loudspeaker.
    [Show full text]
  • The Modality of Miles Davis and John Coltrane14
    CURRENT A HEAD ■ 371 MILES DAVIS so what JOHN COLTRANE giant steps JOHN COLTRANE acknowledgement MILES DAVIS e.s.p. THE MODALITY OF MILES DAVIS AND JOHN COLTRANE14 ■ THE SORCERER: MILES DAVIS (1926–1991) We have encountered Miles Davis in earlier chapters, and will again in later ones. No one looms larger in the postwar era, in part because no one had a greater capacity for change. Davis was no chameleon, adapting himself to the latest trends. His innovations, signaling what he called “new directions,” changed the ground rules of jazz at least fi ve times in the years of his greatest impact, 1949–69. ■ In 1949–50, Davis’s “birth of the cool” sessions (see Chapter 12) helped to focus the attentions of a young generation of musicians looking beyond bebop, and launched the cool jazz movement. ■ In 1954, his recording of “Walkin’” acted as an antidote to cool jazz’s increasing deli- cacy and reliance on classical music, and provided an impetus for the development of hard bop. ■ From 1957 to 1960, Davis’s three major collaborations with Gil Evans enlarged the scope of jazz composition, big-band music, and recording projects, projecting a deep, meditative mood that was new in jazz. At twenty-three, Miles Davis had served a rigorous apprenticeship with Charlie Parker and was now (1949) about to launch the cool jazz © HERMAN LEONARD PHOTOGRAPHY LLC/CTS IMAGES.COM movement with his nonet. wwnorton.com/studyspace 371 7455_e14_p370-401.indd 371 11/24/08 3:35:58 PM 372 ■ CHAPTER 14 THE MODALITY OF MILES DAVIS AND JOHN COLTRANE ■ In 1959, Kind of Blue, the culmination of Davis’s experiments with modal improvisation, transformed jazz performance, replacing bebop’s harmonic complexity with a style that favored melody and nuance.
    [Show full text]
  • 166-90-06 Tel: +38(063)804-46-48 E-Mail: [email protected] Icq: 550-846-545 Skype: Doowopteenagedreams Viber: +38(063)804-46-48 Web
    tel: +38(097)725-56-34 tel: +38(099)166-90-06 tel: +38(063)804-46-48 e-mail: [email protected] icq: 550-846-545 skype: doowopteenagedreams viber: +38(063)804-46-48 web: http://jdream.dp.ua CAT ORDER PRICE ITEM CNF ARTIST ALBUM LABEL REL G-049 $60,37 1 CD 19 Complete Best Ao&haru (jpn) CD 09/24/2008 G-049 $57,02 1 SHMCD 801 Latino: Limited (jmlp) (ltd) (shm) (jpn) CD 10/02/2015 G-049 $55,33 1 CD 1975 1975 (jpn) CD 01/28/2014 G-049 $153,23 1 SHMCD 100 Best Complete Tracks / Various (jpn)100 Best... Complete Tracks / Various (jpn) (shm) CD 07/08/2014 G-049 $48,93 1 CD 100 New Best Children's Classics 100 New Best Children's Classics AUDIO CD 07/15/2014 G-049 $40,85 1 SHMCD 10cc Deceptive Bends (shm) (jpn) CD 02/26/2013 G-049 $70,28 1 SHMCD 10cc Original Soundtrack (jpn) (ltd) (jmlp) (shm) CD 11/05/2013 G-049 $55,33 1 CD 10-feet Vandalize (jpn) CD 03/04/2008 G-049 $111,15 1 DVD 10th Anniversary-fantasia-in Tokyo Dome10th Anniversary-fantasia-in/... Tokyo Dome / (jpn) [US-Version,DVD Regio 1/A] 05/24/2011 G-049 $37,04 1 CD 12 Cellists Of The Berliner PhilharmonikerSouth American Getaway (jpn) CD 07/08/2014 G-049 $51,22 1 CD 14 Karat Soul Take Me Back (jpn) CD 08/21/2006 G-049 $66,17 1 CD 175r 7 (jpn) CD 02/22/2006 G-049 $68,61 2 CD/DVD 175r Bremen (bonus Dvd) (jpn) CD 04/25/2007 G-049 $66,17 1 CD 175r Bremen (jpn) CD 04/25/2007 G-049 $48,32 1 CD 175r Melody (jpn) CD 09/01/2004 G-049 $45,27 1 CD 175r Omae Ha Sugee (jpn) CD 04/15/2008 G-049 $66,92 1 CD 175r Thank You For The Music (jpn) CD 10/10/2007 G-049 $48,62 1 CD 1966 Quartet Help: Beatles Classics (jpn) CD 06/18/2013 G-049 $46,95 1 CD 20 Feet From Stardom / O.
    [Show full text]
  • Evaluation of the Work of Jazz Pianist/Composer Dave Brubeck
    AN EVALUATION OF THE WORK OF JAZZ PIANIST/COMPOSER DAVE BRUBECK BY DANNY RONALD ZIRPOLI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1990 Copyright 1990 by Danny Ronald Zirpoli , ACKNOWLEDGEMENTS This writer is greatly appreciative of the valuable help given by many people. A very special thanks and acknowledgement are extended to my chairman, mentor, advisor, and friend, Dr. David Z. Kushner whose belief in my ability gave me the confidence to see this project to completion. Gratitude is extended to my other committee members Dr. S. Philip Kniseley, Professor John S. Kitts, Dr. Jeff A. Hurt, and Dr. Forrest W. Parkay. Their help and encouragement were most appreciated. I would also like to thank Mrs. Robena Eng-Cornwell Associate University Librarian, University of Florida, for her valuable assistance. This study would have been difficult to complete without the help of Mrs. Juliet Gerlin. She not only provided valuable support and source materials but also arranged for a personal interview with Dave Brubeck. To my mother, Margaret Zirpoli, mother-in-law, Eileen Cywinski, and father-in-law, John Cywinski, go my heartfelt thanks. Their faith and confidence in me were unsurpassed. I will forever be indebted to my wife for her help and moral support during this time. She truly helped me through my darkest hours. iii TABLE OF CONTENTS PAGE ACKNOWLEDGEMENTS iii LIST OF FIGURES vi ABSTRACT xii CHAPTERS I INTRODUCTION AND PROBLEM STATEMENT 1 II METHODOLOGY AND MATERIALS 5 III REVIEW OF THE LITERATURE 11 IV BIOGRAPHICAL SKETCH 18 V INFLUENCES AND STYLISTIC APPROACHES 37 Early Influences 3 7 Darius Milhaud Influence 56 Compositional Approach Polyrhythms and Polytonality 58 Influence of European Classical Composers Integration of Classical and Jazz Elements 67 Jazz Choral Compositions 80 Orchestral Genre — Elementals 88 Programmatic Inspiration — Keyboard Works.
    [Show full text]