Buyer's Guide to Loudspeakers 2017

Total Page:16

File Type:pdf, Size:1020Kb

Buyer's Guide to Loudspeakers 2017 CONTENTS • FROM THE EDITOR • ON THE HORIZON • BOOK FEATURE • HOW TO CHOOSE A LOUDSPEAKER • DESKTOP & POWERED • BOOKSHELF, STAND-MOUNT • FLOORSTANDING <$10K • FLOORSTANDING >$10K • SUBWOOFERS Buyer’s Guide to Loudspeakers 2017 SPONSORED BY A MASTERPIECE OF DESIGN AND ENGINEERING Renaissance ESL 15A represents a major evolution in electrostatic design. A 15-inch Curvilinear Line Source (CLS™) XStat™ vacuum-bonded electrostatic transducer with advanced MicroPerf ™ stator technology and ultra-rigid AirFrame™ Blade construction provide the heart of this exceptional loudspeaker. A powerfully dynamic low-frequency experience is rendered with unfl inching accuracy and authority courtesy of dual 12-inch low-distortion aluminum cone woofers. Each woofer is independently powered by a 500-watt Class-D amplifi er, and controlled by a 24-Bit Vojtko™ DSP Engine featuring Anthem Room Correction (ARC™) technology. Hear it today at your local dealer. 1 Buyer’s Guide to Loudspeakers 2017 the absolute sound MartinLogan_DLR_TAS_Renaissance_ESL15A_Buyer's_Guide_SPREAD_2016.indd 1 2016-03-15 7:49 AM 2 Buyer’s Guide to Loudspeakers 2017 the absolute sound Click here to go to that section CONTENTS • FROM THE EDITOR • ON THE HORIZON • BOOK FEATURE • HOW TO CHOOSE A LOUDSPEAKER • DESKTOP & POWERED • BOOKSHELF, STAND-MOUNT • FLOORSTANDING <$10K • FLOORSTANDING >$10K • SUBWOOFERS Contents SPONSORED BY You can’t tell anything about the loudspeaker until you listen to it. Don’t be in a hurry to buy the first speaker you like; audition several products. A MASTERPIECE OF DESIGN AND ENGINEERING Renaissance ESL 15A represents a major evolution in electrostatic design. FROM THE EDITOR ON THE HORIZON HOW TO CHOOSE A LOUDSPEAKER A 15-inch Curvilinear Line Source (CLS™) XStat™ vacuum-bonded electrostatic transducer with advanced MicroPerf ™ stator technology and ultra-rigid Julie Mullins welcomes you to our Neil Gader has the scoop on the Robert Harley helps you navigate the tricky process of speaker auditioning AirFrame™ Blade construction provide the heart of this exceptional loudspeaker. Buyer’s Guide to Loudspeakers. latest loudspeakers to enter the and purchasing in this excerpt from The Complete Guide to High-End Audio. A powerfully dynamic low-frequency experience is rendered with unfl inching accuracy and authority courtesy of dual 12-inch low-distortion aluminum cone hi-fi market. woofers. Each woofer is independently powered by a 500-watt Class-D amplifi er, and controlled by a 24-Bit Vojtko™ DSP Engine featuring Anthem Room Correction (ARC™) technology. Hear it today at your local dealer. DESKTOP AND POWERED BOOKSHELF, STAND-MOUNT FLOORSTANDING <$10K SUBWOOFERS Audience ClairAudient 1+1 V2+ Air Tight Bonsai MartinLogan Motion 60XT JL Audio e110 Micromega MySpeaker Aerial Acoustics Model 5T Vandersteen Treo CT JL Audio Gotham Audioengine HDP6 Passive Starke Sound IC-H3 Halo Elite ATC SCM19A REL T7i KEF Muo Crystal Cable Arabesque Minissimo Diamond Monitor Audio Gold 300 GoldenEar SuperSub XXL Our Top Picks in Desktop and Powered Dynaudio Xeo 2 Our Top Picks in Floorstanding <$10k Harbeth 40.2 Revel Concerta2 M16 MartinLogan_DLR_TAS_Renaissance_ESL15A_Buyer's_Guide_SPREAD_2016.indd 1 2016-03-15 7:49 AM B&W 805 D3 Focal Sopra Nº1 FLOORSTANDING >$10K Gamut RS3i Elac Uni-Fi UB5 MartinLogan Neolith Our Top Picks in Bookshelf and Stand-Mount Monitor Audio Platinum PL500 II Von Schweikert VR-55 Aktive Click here to read our Magico S1 Mk II Top Picks in every category Paradigm Persona 9H Legacy Aeris with Wavelet Processor Muraudio PX1 Audio Physic Cardeas 30 LJE Ryan Speakers Tempus III Our Top Picks in Floorstanding >$10k 3 Buyer’s Guide to Loudspeakers 2017 the absolute sound Premium sound solutions for every space. MartinLogan excels at doing things that have never been done, like integrating exotic Folded Motion™ driver technology, inspired by our legendary high-end electrostatic designs, into the aff ordable Motion® Series and reference Stealth™ Architectural Series. Smooth, refi ned sonic performance with stunning dynamic range and jaw-dropping clarity – MartinLogan magic in an application to suit every lifestyle. EM-ESL X Motion 40 Motion 60XT Motion SLM Motion Vision X Edge Axis Vanquish 4 Buyer’s Guide to Loudspeakers 2017 the absolute sound CONTENTS • FROM THE EDITOR • ON THE HORIZON • BOOK FEATURE • HOW TO CHOOSE A LOUDSPEAKER • DESKTOP & POWERED • BOOKSHELF, STAND-MOUNT • FLOORSTANDING <$10K • FLOORSTANDING >$10K • SUBWOOFERS Email the Editor: [email protected] or: TAS, 2601 McHale St. #100 Austin, Texas 78758 nextscreen, LLC chairman and ceo ............Tom Martin publisher ...................... Jim Hannon senior writers .................. Anthony H. Cordesman vp/group publisher ...........Jim Hannon editor-in-chief ................. Robert Harley Wayne Garcia executive editor ................Jonathan Valin Robert E. Greene advertising reps . Cheryl Smith acquisitions manager Jim Hannon (512) 891-7775 and associate editor ............Neil Gader Jacob Heilbrunn managing editor and Ted Libbey Marvin Lewis buyer’s guide editor ............Julie Mullins Arthur Lintgen MTM Sales Dick Olsher (718) 225-8803 creative director ................Torquil Dewar Andrew Quint art director .....................Shelley Lai Don Saltzman Scott Constantine production .....................Rachel Holder Paul Seydor (609) 275-9594 Steven Stone Alan Taffel webmaster .....................Garrett Whitten Greg Weaver reviewers & contributing writers Duck Baker Soren Baker Karen Bells Greg Cahill Stephen Estep Vade Forrester Andre Jennings Mark Lehman Sherri Lehman David McGee Kirk Midtskog Mark Milano SPONSORED BY Buyer’s Guide to Bill Milkowski Derk Richardson Loudspeakers 2017 Karl Schuster © 2017 Nextscreen LLC 5 Buyer’s Guide to Loudspeakers 2017 the absolute sound A MASTERPIECE OF DESIGN AND ENGINEERING Renaissance ESL 15A represents a major evolution in electrostatic design. A 15-inch Curvilinear Line Source (CLS™) XStat™ vacuum-bonded electrostatic transducer with advanced MicroPerf ™ stator technology and ultra-rigid AirFrame™ Blade construction provide the heart of this exceptional loudspeaker. A powerfully dynamic low-frequency experience is rendered with unfl inching accuracy and authority courtesy of dual 12-inch low-distortion aluminum cone woofers. Each woofer is independently powered by a 500-watt Class-D amplifi er, and controlled by a 24-Bit Vojtko™ DSP Engine featuring Anthem Room Correction (ARC™) technology. Hear it today at your local dealer. MartinLogan_DLR_TAS_Renaissance_ESL15A_Buyer's_Guide_SPREAD_2016.indd 1 2016-03-15 7:49 AM CONTENTS • FROM THE EDITOR • ON THE HORIZON • BOOK FEATURE • HOW TO CHOOSE A LOUDSPEAKER • DESKTOP & POWERED • BOOKSHELF, STAND-MOUNT • FLOORSTANDING <$10K • FLOORSTANDING >$10K • SUBWOOFERS From the Editor SOPRA REVEAL THE INVISIBLE Welcome to the new Buyer’s Guide to Loudspeakers! The more time THE PRESS IS UNANIMOUS! “I was capable of playing Our new 2017 Guide not only features 28 full-length loudspeaker reviews hand-se- I spent with the Sopra everything with aplomb lected by TAS editors, but you’ll also find: N°1s, the more eager “with a lot of power and “For me, these and power. The soundstage control behind them, I am was huge, expanding beyond I became to re-explore speakers are my my music collection always amazed at how much the speakers.” On the Horizon – A sneak peek at 16 of the hottest new loudspeakers to hit the Home Theater Review, of the flagship Focal sound is audio nirvana’’ Stereophile, Sopra No3 o present here’’ HiFi and Music Source, market. Sopra N 1 o ToneAudio, Sopra No3 Sopra N 2 How to Choose Loudspeakers – Robert Harley offers sage advice on all the factors you should consider before buying speakers. Premier Reviews – Brand-new reviews of the Starke Sound IC-H3 Halo Elite and the Crystal Cable Minissimo Diamond Edition, published here before they appear in print. Top Picks – We choose our recommendations for each category, from desktop and powered, to bookshelf, stand-mount, and floorstanders. No matter what your budget or sonic preferences, this Guide is designed to help you explore the wide range of loudspeakers across all design categories and price-points. Happy listening! CARRARA WHITE CARRARA BLACKLACQUER ORANGE ELECTRIC RED IMPERIAL VEINEER WALNUT Julie Mullins, Editor 5 AVAILABLE FINISHES SOPRA No1 SOPRA No3 www.focal.com $8999 SOPRA No2 $19999 $13999 6 Buyer’s Guide to Loudspeakers 2017 the absolute sound USA www.audioplusservices.com www.facebook.com/audioplusservices — CANADA www.plurison.com www.facebook.com/Plurison CONTENTS • FROM THE EDITOR • ON THE HORIZON • BOOK FEATURE • HOW TO CHOOSE A LOUDSPEAKER • DESKTOP & POWERED • BOOKSHELF, STAND-MOUNT • FLOORSTANDING <$10K • FLOORSTANDING >$10K • SUBWOOFERS On the Horizon Hot New Products Coming Your Way Neil Gader KEF LS50 Wireless The LS50 Wireless is a stylish and fully active music system whose architecture builds upon LS50’s lauded acoustic capabil- ities. The LS50 Wireless has advanced DSP crossovers that cor- rect for inherent time delays introduced in the crossover stage, and with KEF’s Uni-Q concentric driver arrays housed in acous- tically inert cabinets, remarkably even sound dispersion is now attainable in virtually every room. In his CES 2017 report, Neil Gader says of the LS50, “Sonically, it was everything I enjoyed in the original—heft, reasonable scale and precision, plus the added bass extension and control that are part and parcel of the active loudspeaker experience—a segment and solution that have achieved more high-end
Recommended publications
  • Lynn Olson: a Tiny History of High Fidelity
    A Tiny History of High Fidelity, Part 1 A Rainy Night in Portland, 1936. Thanks to the restoration movement, much of downtown Portland still looks like this. Where do I come from? Where am I going? Who am I? These ancient questions are with us still. With only the slightest of changes, they can be recast into a form that provides a guidepost to the music lover, the audiophile, the hobbyist, and the artisan-engineer. Where does the art of sound reproduction come from? Where is it going? What do I seek from this art? Radio! 1900-1930 In the first years of Electrical Amplification, engineers had their hands full just trying to master the complex and non-intuitive mathematics of vacuum tube amplifiers and oscillators. It is worth keeping in mind that vacuum tubes were electronics in the first half of the Twentieth Century; before Lee DeForest modified Edison's light-bulb, the only form of "amplification" were relays that could repeat and rebuild telegraph signals. Radio relied on tuned circuits, massive brute-force spark-gap transmitters, large long-wave antennas, and crystal-diode rectification that directly powered the headphones. The faint signal that wiggled the headset diaphragm was a infinitesimal fraction of the megawatts that poured in all directions from the transmitter. Records, of course, were purely mechanical and acoustic, and wouldn't work at all if it weren't for horn-gain in recording and playback. What we now think of as electronic engineering back then was electrical engineering, focussed on keeping AC power transmission systems in phase and specialized techniques for pushing a telephone-audio signal down hundreds of miles of wire without benefit of amplification.
    [Show full text]
  • Remote Sensing and Geotechnical Investigations of Expansive Soils Dr. Fekerte Arega Yitagesu 2012
    REMOTE SENSING AND GEOTECHNICAL INVESTIGATIONS OF EXPANSIVE SOILS Fekerte Arega Yitagesu Examining committee: Prof.dr. V.G. Jetten University of Twente, ITC Prof.dr.ir. A. Stein University of Twente, ITC Prof.dr. S.M. de Jong Utrecht University Prof.dr. E. Pirard University of Liège, Belgium Dr. S. Chabrillat GFZ German Research Centre for Geosciences ITC dissertation number 201 ITC, P.O. Box 6, 7500 AA Enschede, The Netherlands ISBN 978-90-6164-326-5 Cover designed by Demeke Ashenafi and Job Duim Printed by ITC Printing Department Copyright © 2012 by Fekerte Arega Yitagesu REMOTE SENSING AND GEOTECHNICAL INVESTIGATIONS OF EXPANSIVE SOILS DISSERTATION to obtain the degree of doctor at the University of Twente, on the authority of the Rector Magnificus, prof.dr. H. Brinksma, on account of the decision of the graduation committee, to be publicly defended on Wednesday March 28, 2012 at 14:45 hrs by Fekerte Arega Yitagesu born on February 16, 1975 in Addis Ababa, Ethiopia This thesis is approved by Prof. Dr. F.D. van der Meer, promoter Dr. H.M.A. van der Werff, assistant promoter Dedicated to my beloved mom! Acknowledgements What a precious aptitude (this research)! I have sojourned my PhD journey seemingly alone, but undoubtedly in support and collaboration with numerous individuals and organizations. I would like to take this opportunity to express my most sincere acknowledgments to all who contributed to bring this work to fruition. First and foremost, I would like to pay my deepest respect and utmost gratitude to my promoter prof. Dr. Freek van der Meer.
    [Show full text]
  • Price List 01/2020
    Focal Price List 01/2020 High-Fidelity Speakers End User Price list ALL PRICES AND SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE Effective Jan 1st, 2020 Subject to change without prior notice. All former price lists expire with the publishing of this version. ll prices are suggested net retail prices; ex works. Pro-Audio & Lighting Solutions There are applicable our General Terms of Business, only. www.pro-technica.com BUY ONLINE at www.MusicWorld.bg 1,20 EUR Aricles marked with *** (phase out) will be discontinued soon! EUR EUR ECPBR Model Description Netto + 20% DDS (ex. VAT) (incl. VAT) Всички цени са за брой, освен ако не е посочено друго! All prices are for single unit (piece) uless otherwise specified! High-Fidelity Speakers UTOPIA III PREMIUM EVO Ultimate acoustics 4-way floorstanding loudspeaker Grande Utopia EM integrates the Utopia III Evo line, with its legendary technological heritage. This exceptional high-fidelity loudspeaker boasts the latest exclusive innovations from Focal, and remains the ultimate choice... The sound architecture of Utopia III has been preserved, to reduce harmonic distortion in the fragile mid-range register, which is so very crucial for revealing the artist’s emotions. Both loudspeakers are equipped with the very latest Focal innovations: the NIC (Neutral Inductance Circuit) and the TMD suspension. The entire crossover system on the new speaker drivers has been redesigned. The rigidity of the Grande Utopia EM Evo cabinet has been improved using reinforcement rings positioned around the speaker drivers. The best components of their generation have also found their way into the line: cables manufactured in France, a denser acoustic material inside the subwoofer, and the double terminal boards.
    [Show full text]
  • Heritage Regimes and the State Universitätsverlag Göttingen Cultural Property, Volume 6 Ed
    hat happens when UNESCO heritage conventions are ratifi ed by a state? 6 WHow do UNESCO’s global efforts interact with preexisting local, regional and state efforts to conserve or promote culture? What new institutions emerge to address the mandate? The contributors to this volume focus on the work of translation and interpretation that ensues once heritage conventions are ratifi ed and implemented. With seventeen case studies from Europe, Africa, the Carib- bean and China, the volume provides comparative evidence for the divergent heritage regimes generated in states that differ in history and political orga- nization. The cases illustrate how UNESCO’s aspiration to honor and celebrate cultural diversity diversifi es itself. The very effort to adopt a global heritage regime forces myriad adaptations to particular state and interstate modalities of Heritage Regimes building and managing heritage. and the State ed. by Regina F. Bendix, Aditya Eggert Heritage Regimes and the State and Arnika Peselmann Göttingen Studies in Cultural Property, Volume 6 Regina F. Bendix, Aditya Eggert and Arnika Peselmann ISBN: 978-3-86395-075-0 ISSN: 2190-8672 Universitätsverlag Göttingen Universitätsverlag Göttingen Regina F. Bendix, Aditya Eggert, Arnika Peselmann (Eds.) Heritage Regimes and the State This work is licensed under the Creative Commons License 3.0 “by-nd”, allowing you to download, distribute and print the document in a few copies for private or educational use, given that the document stays unchanged and the creator is mentioned. Published in 2012 by Universitätsverlag Göttingen as volume 6 in the series “Göttingen Studies in Cultural Property” Heritage Regimes and the State Edited by Regina F.
    [Show full text]
  • Three Bookshelf Loudspeaker
    Three Bookshelf Loudspeaker Classic Series The NHT Classic Three is the best bookshelf we’ve ever built and we’ve built quite a few over the last 22 years. The Three offers great bass response (close to 40Hz in room), plus wide-open, natural sounding mids and highs. While it’s a really good speaker for home theater, the Three is simply remarkable for music playback. Stereophile Magazine’s Robert J. Reina said “...the Classic Three is a superb value, par- ticularly for those listening rooms in which size and cosmetics are important but whose owners are reluctant to give up performance in bass definition and extension and in high-level dynamics.” Soundstage’s Sid Voola said “...in some ways, I would be hard-pressed to discern the Classic Three’s performance from that of a similarly priced small floorstander. Add in the outstanding imaging and soundstaging capabilities and the Classic Three becomes a very compelling value, clearly matching or exceeding the performance of other bookshelf de- signs. The overall neutrality and rich midrange reproduction enhance this value further and lead me to conclude that the NHT magic has been preserved -- and then some -- in the Classic Three.” The Perfect Vision’s (AVguide.com) Chris Martens said: “As I see it, whether listeners are spending $800 or $80,000 on a new pair of loudspeakers, they want the same thing— namely, to get as close as possible to the heart and soul of the music. No other afford- able bookshelf speaker I’ve heard does a better job of that than NHT’s Classic Threes”.
    [Show full text]
  • Brubeck Collection Series 3: Music---Scores; Sketches & Parts Subseries A: Secular Music
    HOLT ATHERTON SPECIAL COLLECTIONS MS4: BRUBECK COLLECTION SERIES 3: MUSIC---SCORES; SKETCHES & PARTS SUBSERIES A: SECULAR MUSIC BOX 1: DB MANUSCRIPTS, 1940s 3A.1.1a: Lesson book dated June 21, 1927 3A.1.1b: “Lullaby,” 1941 [annotation “written for Iola at COP”; ms. lead sheet] 3A.1.2: “Blues for Bass,” 1945 [for solo Contra Bass] 3A.1.3: Composition Exercises, c1946 [pencil] 3A.1.4: Darius Milhaud Lessons, 1946-1947 [pencil & ink notes w/ musical examples] 3A.1.5: Untitled piano piece played by DB for composition competition at Mills, 1947; another ms piece which was published as “Sun Up” from “Reminiscences of the Cattle Country” [according to RG] [score pieces scotch-taped together] 3A.1.6: “Reminiscences of the Cattle Country,” 1946-47 [ink on vellum; 2 blackline photocopy; original pencil of “Dad Plays the Harmonica”] 3A.1.7: “Four By Four” and publishers proofs with Dave Brubeck’s notes in pencil (movt. 1 & 4), 1946-47; 1999 movt. 4; [ms. score; movt. 4 blackline photocopy] 3A.1.8: “Polly’s Dance,” n.d. [age of score paper & boogie woogie idiom suggests mid- 1940s; ms. score, piano & small orch.; incl. parts] 3A.1.9: Misc.Unident Manuscripts 3A.1.10: “Playland At the Beach,” n.d. c1948 [Octet score; blackline photocopy] 3A.1.11: Centennial Suite (movts. “A Allegro,” “B Largo,” “C Moderato” & D [“El Borracho”]) for 2 pianos, c1949 [ink on vellum & black line photocopy] 3A.1.12: “Hannah,” n.d. [bears annotation “discussed on tape 0.19; ms. score & parts] 3A.1.13: “Imagination/Sweet Lorraine,” n.d.
    [Show full text]
  • Sigma DSP for Active Speaker Systems ‐ Application Note Brewster Lamacchia 19‐Aug‐16 Momentum Data Systems
    Sigma DSP for active speaker systems ‐ application note Brewster LaMacchia 19‐Aug‐16 Momentum Data Systems http://www.mds.com Introduction The availability of low cost, efficient, high performance class D amplifier devices in the past few years has enabled the use of in‐speaker electronics for better performance in not just subwoofers but also in primary channels of consumer oriented audio components. The availability of A/D and D/A devices with enough dynamic range for high performance home audio has also been a key component in an active (powered) speaker design that uses DSP. While powered PA speakers for “Pro” audio have been available for a number of years, those systems typically lacked sophisticated signal processing and had limited performance parameters. Passive crossovers can be replaced with DSP based filters that allow optimal matching of woofer and tweeters (2‐ way systems) or more complex multi‐band drivers. With increased DSP processing not only can filters be implemented, but extra equalization to flatten the system response (or tune it for a specific sound characteristic) can be performed. That same DSP device can also be used to implement features that protect the drivers from damage due to thermal (overheating) effects of high power levels, as well as prevent hard clipping of the amplifier and/or excessive driver excursion, which have very audible side effects (increased distortion and heating for the former, and popping noise and/or mechanical failure for the latter). MDS has developed hardware platforms for in speaker electronics based on Analog Device’s Sigma DSP. The Sigma DSP integrates a number of useful peripherals and has a very simple and low cost power supply design.
    [Show full text]
  • Engineering the Future of Loudspeaker Design Graphical Solution of Electrical Filters Increasing Sensitivity of Fm Tuners Multip
    DECEMBER, 1956 50¢ ENGINEERING MUSIC SOUND REPRODUCTION The problem of building stable transistor amplifiers hinges on the stabilization of the individual stages. See page 47 for the details. Build this concrete.block speaker enclosure which is put to- gether like building blocks and which may be taken apart and reassembled easily in another location. See page 21. THE FUTURE OF LOUDSPEAKER DESIGN GRAPHICAL SOLUTION OF ELECTRICAL FILTERS INCREASING SENSITIVITY OF FM TUNERS MULTIPLE TAPE COPYING www.americanradiohistory.com SKITCH ...on his Presto Turntable "MY CUSTOM HI -FI OUTFIT is as important to me as my Visit the Hi -Ft Sowed .Salon nearest you to verify Mr. Mercedes -Benz sports car," says Skitch Henderson, Henderson's comments. Whether you currently own a con- pianist, TV musical director and audiophile. "That's ventional "one- piece" phonograph -or custom components- we be with the difference you'll hear why I chose a PRESTO turntable to spin my records. In think you'll gratified you records through custom hi -fi components my many years working with radio and recording when play your teamed with a PRESTO turntable. Write for free brochure, studios I've never seen engineers play back records on "Skitch, on Pitch," to Dept. AX, Presto Recording Corpora- anything but a turntable -and it's usually a PRESTO tion, P.O. Box 500, Paramus, N. J. turntable. MODEL T -2 12" "Promenade" turntable "My own experience backs up the conclusion of the en- (33'h and 45) four pole motor, $49.50 MODEL T-18 12" "'Pirouette" turntable gineers: for absolutely constant turntable speed with no 031/4,45 and 78) four pole motor, annoying 'Wow' and 'Flutter,' especially at critical with Hysteresis motor (Model T-18H), ,131.00 33'%s and 45 rpm speeds, for complete elimination of MODEL T -68 16" "Pirouette" turntable motor noise and 'rumble,' I've found nothing equals a (33%, 45 and 78) four pole motor, i.
    [Show full text]
  • Underground Club Spaces and Interactive Performance
    Underground Club Spaces and Interactive Performance: How might underground club spaces be read and developed as new environments for democratic/participatory/interactive performance and how are these performative spaces of play created, navigated and utilised by those who inhabit them? Kathleen Alice O‟Grady Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Performance and Cultural Industries December 2009 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. Acknowledgements This thesis is dedicated to my parents who have always believed in me and to my daughter, Maisie, who is my source of inspiration and joy. Gratitude goes to my PhD supervisors Professor Mick Wallis and Dr Martin Crick, both of whom have given me continued support and guidance throughout this research. Thanks also to my colleagues and my students at the School of Performance and Cultural Industries who have encouraged me and kept me going with their sense of humour, wise words and loyalty. Thank you to all the club and festival organizers that have allowed me access to their events, particularly those involved with Planet Angel, Synergy, Duckie, Riff Raff, Planet Zogg, Speedqueen, Manumission, Shamania, Beatherder, Nozstock and Solfest. Special gratitude to Fatmoon Psychedelic Playgrounds for allowing me the room to move creatively and to develop this practice in a supportive environment.
    [Show full text]
  • HI-FI+ GUIDE to LOUDSPEAKERS 2017 Sponsored by Raidho
    HI-FI+ GUIDE TO LOUDSPEAKERS 2017 Sponsored by Raidho GUIDE TO LOUDSPEAKERS 2017 HI-FI+ XT-5 Making the best better Meet us on facebook Raidho_XT-5.indd 1 30/10/2017 10.34 HI-FI+ GUIDE TO LOUDSPEAKERS 2017 (Sponsored by Raidho) U NEED 2 KNOW EDITORS’ CHOICE CONTENTS New offerings in three important Our Editors’ Top 5 picks in each loudspeaker categories loudspeaker category • 61 new Floorstanding Loudspeakers • Premium-priced Floorstanding • 25 new Standmount & Bookshelf Loudspeakers Loudspeakers • Affordable & mid-priced Floorstanding • 6 new Subwoofers & Other Loudspeakers Loudspeaker types • Premium-priced Standmount Loudspeakers HI-FI+ INTERVIEW FIVE GIFTED • Affordable & mid-priced Standmount LOUDSPEAKER DESIGNERS Loudspeakers • Mads Klifoth of AudioVector • Daniel Emonts of Dynaudio FEATURES • Daryl Wilson of Wilson Audio Specialties • The Complete Guide to Loudspeakers • Craig Milnes of Wilson Benesch • Standmount Loudspeakers—The Basics • Yoav Geva of YG Acoustics LOUDSPEAKER LEXICON HI-FI+ REVIEW INDEXES FOR ALL Loudspeaker lingo explained in LOUDSPEAKER PRODUCTS FROM layman’s terms ISSUE 100 TO PRESENT: • Review Index: Desktop and Standmount Loudspeakers, and • Review Index: Floorstanding Loudspeakers and Subwoofers HI-FI+ GUIDE TO LOUDSPEAKERS 2017: CONTENTS GUIDE TO LOUDSPEAKERS 2017: CONTENTS HI-FI+ EDITOR, HI-FI+ GUIDE TO LOUDSPEAKERS 2017 THE EDITORIAL OFFICE CAN BE PUBLISHER, HI-FI+ CONTACTED AT: Chris Martens Hi-Fi+ Editorial Tel: +1 (512) 419-1513 Office Absolute Multimedia (UK) Ltd Tel: +1 (512) 924-5728 Mobile Unit 3, Sandleheath Industrial Estate, Email: [email protected] Sandleheath, Hampshire SP6 1PA EDITOR, HI-FI+ MAGAZINE United Kingdom Alan Sircom Tel: +44 (0)1425 655255 Email: [email protected] Web: www.hifiplus.com CONTRIBUTING WRITERS Absolute Multimedia (UK) Ltd is a Alan Sircom subsidiary of TMM Holdings LLC, Jason Kennedy 2500 McHale Court Suite A Austin, Texas 78758, USA GRAPHIC DESIGNER Jenny Watson CHAIRMAN AND CEO Fonthill Creative, Salisbury Thomas B.
    [Show full text]
  • Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement
    Sharing Sounds: Musical Innovation, Collaboration, and Ideological Expression in the Chilean Netlabel Movement by James Ryan Bodiford A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in the University of Michigan 2017 Dissertation Committee: Associate Professor Christi-Anne Castro, Chair Professor Kelly Askew Professor Charles H. Garrett Assistant Professor Meilu Ho Professor Bruce Mannheim James Ryan Bodiford [email protected] ORCID iD: 0000-0002-9850-0438 © James Ryan Bodiford 2017 Dedicated to all those musicians who have devoted their work to imagining a better world… ii Table of Contents Dedication ii List of Figures vi Abstract viii Chapter I – Introduction: Sharing Sounds 1 A Shifting Paradigm 10 The Transnational Netlabel Movement and its Chilean Variant 14 Art World Reformation 20 Social Discourse, Collaboration, and Collectivism 23 Experimentalism, Ideology, and Social Movements 29 Methodology 34 Chapter Summaries 36 Chapter II – “This Disc Is Culture”: Mass Media Hegemony and Its Subversion in Chilean Musical Culture, 1965-2000 39 Mass Media Hegemony and the Culture Industry 44 Social Activism and Subversion 58 DICAP, Unidad Popular and the Emergence of Nueva Canción 1965-1973 64 Musical Dissemination Under Dictatorship (1973-1989): Alerce, Clandestine Cassette Distribution 80 Democratic Re-Transition and Post-Dictatorship Transformations in the Chilean Music Industry 1990-2000 96 iii Chapter III – “My Music Is Not A Business”: New Media Transformations
    [Show full text]
  • Quartet Quartet
    the dave brubeck the dave brubeck quartet quartet ,:( lc (, TJ o CI "9{ a LOJ+t i r.. .!r t ";$f- oiu q)(u >3 ).r fiU - 1T #tr ql *. +, Time Out th e dave brubeck Blue Rondo a la Turk; Strange Meadow Lark; Take Five/Three to Get Ready; Kathy's Waltz; Everybody's Jumpin'; Dave Brubeck (piono) with qUaftet Pick Up Sticks SBPG 52068 (s) Paul Desmond (olto), Gene Wright (boss), BPG 62068 (m) ind Joe Morello (drums) ICBSI Gone With the Wind Swanee River; The Lonesome Road; Georgia On My Mind; - Camptown Races/Short'nin' Bread; Basin Street Blues; lel Man Riveri Gone With the (s) RECORDS LPts Ol' Wind SBPG 62065 BPG 52065 (m) The Real Ambassadors Louis Armstrong and his Band; Dave Brubeck; Lambert, and Carmen McRae Hendricks and Ross, Space Everybody's Comin'; Cultural Exchange; Good Reviews; Countdown-Time in Outer Eleven Four; Why Phillis; Someday My Rem6mber Who You Are; My One Bad Habit; Summer Song; Countdown; Day; Blow Satchmo; The Real Ambassador, ln Prince Will Come; Castilian Blues; Castilian Drums; Kins For a Duet; theiurch; One Moment Worth Years; They Say I Look Like Fast Life; Waltz Limp; Three's a Crowd; Danse God; Since Love Had lts Way; I Didn't Know Until You Back to Earth SBPG 62013 (s) Told Me; Swing Bells; Blow Satchmo, t'n"'3"a. BPG 52013 (m) 620g3 (s) BPG 52083 (m) Tonisht Onlv! Melanitha; Wee'p No More; Talkin' and Walkin'; PHltlPS LP's Briar Bush; Paradiddle Joe; Late Lament; Strange Meadowlark; Tristesse; Tonight Only Brubeck's Best (Giant Jazz Gallery series) Feoturing cormen McRoe Keepin' Out of Mischief Now; Lover;
    [Show full text]