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3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
(159) [PL5] Sample Some Of
Sample Some Of This, Sample Some Of That (160) [PL6] ✔ INEZ FOXX / Let Me Down Easy [Volt/Stax (LP)] PHFNG / Nie lubię [phfng (LP)] JOHN COLTRANE w/ Duke Ellington / My Little Brown Book [Impulse! (LP)] KAZIK / Na każdy temat [S.P. Records (LP)] JOHN COLTRANE QUARTET / Feelin' Good [UMG (LP)] FISZ / Bla bla bla [Asfalt (LP)] KRZYSZTOF KOMEDA / Niekochana [Power Bros. (LP)] FISZ / Bla bla bla (DJ 600V w autobusie remix) [Asfalt (LP)] DIONNE WARWICK / The Look Of Love [Duchesse (LP)] PEJA - SLUMS ATTACK / WOS [T1-teraz (LP)] BETTYE LAVETTE & HANK BALLARD / Hello, Sunshine [Charly (LP)] LUCJAN & SYMONO f/ Rico / Bądź luksusowy (remix) [Yaneck (LP)] GEORGE BENSON / The Changing World [CTI (LP)] DJ 600V f/ Tede / Świat zwariował w 23 lata (e?!) [RRX (LP)] PHFNG f/ Dwa Sławy / Teściowa (I used to love h.e.r.) (remix) [phfng (LP)] Sample Some Of This, Sample Some Of That (159) [PL5] ✔ VLADIMIR VYSOTSKY / Dom chrustalnyj [Melodija (LP)] KALIBER 44 / Konfrontacje [S.P. Records (LP)] SHARON REDD / Takin' A Chance On Love [Prelude (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem [RRX (LP)] JERZY MILIAN TRIO / Rewelacyjny Luciano [Polskie Nagrania (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem (remix) [RRX (LP)] NINA SIMONE / Four Women (DJ OBaH's Recycled Funk remix) [Bstrd Boots Nuggets! (7")] FISZ EMADE / Heavi Metal [Asfalt (LP)] BERNARD PURDIE / Lialeh [Light In The Attic (LP)] SINY f/ Roszja / Aleja życia [Blend (LP)] KLEEER / Tonight [Atlantic (LP)] TRZYHA/WARSZAFSKI DESZCZ / Sobota [RRX (LP)] SÈYFU YOHANNÈS / Mèla Mèla [Buda Musique (LP)] POE (PROJEKT OSTRY EMADE) / Nadzieja [Asfalt (LP)] ENNIO MORRICONE / Main Theme ("A Fistful Of Dynamite", O.S.T.) [Decca (LP)] PEJA - SLUMS ATTACK / Mój rap, moja rzeczywistość [T1-teraz (LP)] Sample Some Of This, Sample Some Of That (158) [PL4] ✔ SILNA GRUPA POD WEZWANIEM / Rozprawa o robokach [Polskie Nagrania Muza (LP)] KAZIK / Wewnętrzne sprawy [S.P. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
00:00:00 Music Transition “Crown Ones” Off the Album Stepfather by People Under the Stairs
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under the Stairs. [Music continues under the dialogue, then fades out.] 00:00:06 Oliver Host Hello! I’m Oliver Wang. Wang 00:00:08 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Every episode, we invite a guest to join us to talk about a heat rock: an album that just burns eternally. And today, we have something for the blunted as we dive back to 1991, to talk about the debut, self-titled album by Cypress Hill. 00:00:27 Music Music “Break It Up” from the album Cypress Hill by the band Cypress Hill. Light, multilayered rap. Break it up, Cypress Hill, break it up Cypress, break it up, Cypress Hill Cypress Hill! Break it up Cypress Hill, break it up Cypress, break it up Cypress Hill Cypress Hill! Break it up Cypress Hill, break it up Cypress, break it up Cypress Hill Cypress Hill! [Music continues under the dialogue briefly, then fades out.] 00:00:39 Oliver Host The first time I ever saw Cypress Hill was at my very first hip-hop show, in San Francisco in ’91. Cypress, however, were not the headliners. That would have been the trio of 3rd Bass, then touring behind their radio single, “Pop Goes the Weasel”. Cypress Hill was the opening act, with only a slow-burn B-side, “How I Could Just Kill a Man”, to their name at the time. Of course, a few years later and this would all change. -
Plugged out Tompkins Ave That Made Them Feel »Strictly Dan Stuckie«, in a World the Jungle Brothers D
b/w reality chasing Mace (De La’s DJ/resident bear) on a push-scooter, takes an exasperated pause. He shakes his head under a thought bubble: »This video makes no sense.« But it did. Native Tongues had so much fun finishing each other’s thoughts, you sensed them in the studio even when they weren’t on the song. Tribe would burn through at least four different versions of »Scenario« while sorting out the final line-up. (These were hallowed spots.) »Buddy« invented the posse cut P L U G G E D O UT in the rapper’s cult of Me – beads on a string instead of gold rope narcissism. Often mistook for a heady granola rap commune, in the ›Golden Age‹ of Pub- lic Enemy’s and Boogie Down Production’s, the darker Native Tongue songs Dave Tompkins about crack addiction and incest occupy rap’s memory as much as »Bonita Ap- plebum.« Q-Tip’s conflicted »Sucka Nigga« could’ve had more on NWA than the FBI. Afrika Baby Bam of the Jungle Brothers coined the Native Tongue collecti- ve in the spirit of Bambaataa’s Zulu Nation and George Clinton’s Parliament- Funkadelic. The acknowledgments for Jungle Brothers’ second album – 1989’s »Done By the Forces of Nature« – read like the ultimate play list but was grou- ped according to time zones. Grouped according to time zones, Ultramagnetic is held solely responsible for The Future, a future where Kool Keith claimed his 1 3 4 he head of Chi-Ali is spinning. In fact, the entire chair of Chi-Ali is spin- voice could dim satellites. -
Plugged out 2013
Repositorium für die Medienwissenschaft Dave Tompkins Plugged Out 2013 https://doi.org/10.25969/mediarep/2252 Veröffentlichungsversion / published version Zeitschriftenartikel / journal article Empfohlene Zitierung / Suggested Citation: Tompkins, Dave: Plugged Out. In: POP. Kultur und Kritik, Jg. 2 (2013), Nr. 1, S. 134– 137. DOI: https://doi.org/10.25969/mediarep/2252. Erstmalig hier erschienen / Initial publication here: https://nbn-resolving.org/urn:nbn:de:hbz:6:3-20131111177 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. anderweitig nutzen. Mit der Verwendung dieses Dokuments erkennen Sie die Nutzungsbedingungen an. -
Old School Rap Album Free Download the Best Rap Songs of All Time
old school rap album free download The Best Rap Songs of All Time. Calling all hip hop heads, we're ranking the greatest rap songs ever. From old school classics and 2000s gangsta throwbacks to hype tracks and some of the most popular rap songs today, this list of good rap songs includes famous chart-topping singles everyone knows and underrated tracks only real fans will know. It's hard to keep track of the names of your favorite rap songs, so this essential hip hop playlist should come in handy. Whether you're looking for the hardest tracks, new and current songs hot on the charts right now, or lyrical hits, this list features a bunch of fire songs that will make anyone get lit. Vote up the best raps based on lyrics, the beat, catchy hooks, cool instrumentals, and everything else that goes into making a legendary hit. Do you agree with our top 100 rap songs? How about the top 10? If not, add your favorites and get those votes in! The Best Rap Songs of All Time. Calling all hip hop heads, we're ranking the greatest rap songs ever. From old school classics and 2000s gangsta throwbacks to hype tracks and some of the most popular rap songs today, this list of good rap songs includes famous chart-topping singles everyone knows and underrated tracks only real fans will know. It's hard to keep track of the names of your favorite rap songs, so this essential hip hop playlist should come in handy. Whether you're looking for the hardest tracks, new and current songs hot on the charts right now, or lyrical hits, this list features a bunch of fire songs that will make anyone get lit. -
The Choice Is Yours Download Black Sheep
The choice is yours download black sheep Choice Is Yours. Artist: Black Sheep. MB · The-choice-is-yours. Artist: Black Sheep. MB · The Choice. In Living Color - Black Sheep - The Choice Is Yours - Live 3. Play & Mp3 Download Size Mb ~ Time. The Choice is Yours. Black Sheep Choice Yours () - file type: mp3 - download - bitrate: kbps. Watch the video, get the download or listen to Black Sheep – The Choice Is Yours (Revisited) for free. The Choice Is Yours (Revisited) appears on the album A. Black Sheep Choice Is Yours free mp3 download and stream. Buy The Choice Is Yours: Read 15 Digital Music Reviews - На этой странице вы можете слушать Black Sheep — The Choice is yours и скачивать бесплатно в формате mp3. Текст песни Black Sheep The Choice is. Black Sheep - The Choice Is Yours - audio MP3 stream in full for free at UGHH. Black Sheep – The Choice Is Yours(Instrumental). Artist: Black Sheep, Song: The Choice Is Yours(Instrumental), Duration: , Size: MB, Bitrate: Download a free MP3 of "The Choice Is Yours" courtesy of CNET Download Music. Black Sheep - The Choice Is Yours (Deco's That Moombahton Bootleg). Download. Black Sheep - The Choice Is Yours (Live On In Living Color). sup guys, Just made this one to giveaway for my th follower on Soundcloud (and to up some of my other numbers). Bit of a wobble banger. "The Choice Is Yours (Revisited)" was a single featured on the Black Sheep's debut album, "A Wolf. Music video by Black Sheep performing The Choice Is Yours. (C) The Island Def Jam Music Group. -
Over 1000 Breakbeat List
Over 1000 Breakbeat List 1. Stop - Wake Up 2. Superman Ivy - Yes Yes Ya'll 3. Superman Ivy - Yes Yes Ya'll (Remix) 4. Superman Ivy - Yes Yes Ya'll (Acapella) 5. Superman Ivy - Yes Yes Ya'll (Instrumental) 6. Tha Alkaholiks - Make Room 7. Thalia - The Mexican (Disco Circus Remix) 8. The 45 King - The 900 Number 9. The Beginning Of The End - Funky Nassau 10. The Meters - Same Old Thing 11. The Poets Of The Rhythm - North Carolina 12. The Ying Yang Technique - LUDI 13. Black Eyed Peas - They Don't Want Music 14. Third World Lover - Kid Koala 15. Ultramagnetic MC'S - One To Grow On 16. Visionaries - Crop Circles 17. Watch Out Now - Beatnuts 18. Yellow Sunshine 19. Yoshida Brothers - Storm 20. Da Boogie Crew - You Boys (Remix) 21. Zion-I & The Grouch - Trains & Planes 22. RJD2 - The Horror 23. Rob Dougan - Clubbed To Death 24. RUN DMC - It's Tricky 25. Safri Duo - Rise (Remix) 26. Sapo - Been Had 27. Scooter - Bboys/Bgirls Rock Tha House 28. Skrip Breaks - Enemy Crush 29. Sorea - Soul In Panic 30. Souls Of Mischief - 93 Till Infinity 31. Southside Rockers - Jump 32. Stetsasonic - Talkin' All That Jazz 33. Stetsasonic - The Hip Hop Band 34. Superman Ivy - Rivers Crew Theme 35. Superman Ivy - Rivers Crew Theme (Instrumental) 36. Superman Ivy - Rivers Crew Theme (Acapella) 37. Superman Ivy - Seoul Futureshock 38. Superman Ivy - The Freshest Ivy 39. Superman Ivy - The Freshest Ivy (Acapella) 40. Superman Ivy - The Freshest Ivy (Instrumental) 41. Mark Ronson Feat. Ghostface Killah, Nate Dogg, Trife - Ooh Wee 42. -
''Moments of Clarity''and Sounds of Resistance: Veiled Literary
“Moments of Clarity” and Sounds of Resistance: Veiled Literary Subversions and De-Colonial Dialectics in the Art of Jay Z and Kanye West A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English Language and Comparative Literatures of the College of Arts and Sciences by Sha’Dawn D. Battle B.A., Central State University 2007 M.A., Wright State University 2009 November 2016 Committee Chair: Sharon Dean, PH.D. Abstract “‘Moments of Clarity’ and Sounds of Resistance: Veiled Literary Subversions and De- Colonial Dialectics in the Art of Jay Z and Kanye West” employs rap music as an object of inquiry into the question of contemporary manifestations of anti-Black oppression, demonstrating the ways in which the art of rappers Jay Z and Kanye West in particular, covertly elucidates the conditions and discursive and ideological mechanisms of power that make possible the exploitation, repression, and destruction of Black bodies in America. In the first two chapters, I argue that this illuminative potential is, in part, what attributes to the political utility of mainstream rap music. My first goal is therefore to make apparent mainstream rap music’s rightful place in Black liberation politics given its ability to unveil the functionality of age-old Eurocentric, white supremacist paradigms, such as rendering Black bodies incorrigibly animal, denying Black bodies access to subjectivity, or negating Black ontology. These ideologies give rise to exclusionary monolithic constructions of what it means to be human, pathological constructions of “blackness,” Black masculinity especially, and subsequently, the arbitrary conferral of power (to both state apparatuses and individuals racially coded as “superior”), which manifests in the form of systematic and institutional racism, and ultimately, Black male disembodiment. -
Diary Mix Tracklist
Diary Mix Tracklist INTRO – 1979 to 1987 Sugarhill Gang – Rapper’s Delight (1979) The Sequence – Funk You Up (1979) Spoonie Gee Meets The Sequence – Monster Jam (1979) Fatback – King Tim III (Personlaity Jock) (1979) Sugarhill Gang – 8th Wonder (1980) Kurtis Blow – The Breaks (1980) Arka Bambaataa and the Jazzy 5 – Jazzy Sensation (1981) Grandmaster Flash – The Adventures Of Grandmaster Flash On The Wheels of Steel (1981) Blondie – Rapture (1981) Afrika Bambaataa And The Soul Sonic Force – Looking For The Perfect Beat (1982) Masterdon Committee – Funk Box Party (1982) Man Parrish – Hip Hop Be Bop (Don’t Stop) (1983) Run DMC – It’s Like That (1983) Art Of Noise – Beatbox (1983) Double Dee And Steinski – Play That Beat Mr DJ (Lesson 1: Payo Mix) (1983) Run DMC – Sucker MCs (1983) Newcleus – Jam On It (1984) Doug E Fresh And The Get Fresh Crew – The Show (1985) Whistle – (Nothing Serious) Just Buggin (1985) Eric B Featuring Rakim – Eric B Is President (1986) Run DMC – Peter Piper (1986) Epee MD – It’s My Thing (1987) Big Daddy Kane – Raw (1987) BDP – D Nice Rocks The House (1987) Eric B And Rakim – I Know You Got Soul (Double Trouble Remix) (1987) BDP – South Bronx (1987) 1988 1989 BDP - Jimmy EPMD – So Watcha Sayin BDP – Still Number 1 BDP feat D Nice – And You Don’t Stop Sweet Tee & Jazzy Joice – It’s My Beat Def Jef – Black To The Future Audio 2 – Top Billin Nice and Smooth – More And More Hits NWA – Compton’s In The House (Remix) LL Cool J – Droppin Em BDP – Stop The Violence Special Ed – Got It Made Marley Marl – The Symphony (Remix)