The .End of a Magic Season Cancellation of Some Journals Possible by Eric J
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Zum KUNST!RASEN-Finale
09/2019 eventmagazin Starbariton Christian Gerhaher 25.9. Bundeskunsthalle weihnachtsplaner präsentiert 6. Dezember 2019 EDITORIAL Beethovenfest: Interview mit Nike Wagner ��������������������������������������������������� 5 Band aus der Region: Simon und Ingo ������������������������������������������������������������� 8 Happy Birthday: 50. Geburtstag Junges Theater Bonn �����������������������10 + 11 Bonnticket Inside: Mat Sinner ������������������������������������������������������������������������� 14 Kult: Biskuithalle – Die Party ��������������������������������������������������������������������������� 16 Happy Birthday: Ein Jahr Malentes Theater Palast ������������������������������������ 19 Liebe Kulturfreunde, Konzertgänger und Happy Birthday: 50. Years of Woodstock ������������������������������������������������������� 20 Musikliebhaber, die Open Air-Saison neigt sich leider tatsächlich schon wieder Hollywood Music in Concert ��������������������������������������������������������������������������� 22 dem Ende zu. Dabei hatten doch alle Beteiligten – sowohl Veranstalter als auch Fans – massig Spaß auf den tollen KinoSzene aktuell ���������������������������������������������������������������������������������������������� 25 Veranstaltungen, die es in diesem Sommer in Bonn und der Region unter freiem Himmel zu erleben gab. Allen voran der CD-Tipps ��������������������������������������������������������������������������������������������������������������� 32 KUNST!RASEN, der zwar mit der krankheitsbedingten Absage -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Three New Acts for Northside
MC50 2018-04-17 10:00 CEST Three new acts for NorthSide The festival has found room to add Yungblud, Soleima, and a special anniversary edition of MC5 to the line-up NorthSide announced this year's festival poster with 41 primary international acts at the end of February, but the festival has still been able to add another three acts to the NorthSide 2018 line-up. MC50 The most iconic beginning to a punk song ever was delivered by Detroit's own Wayne Kramer, who in 1968 shouted "And right now ... right now ... right now it's time to ... kick out the jams, motherfuckers!" from the stage of the Grande Ballroom in Detroit. That’s how the title song from the debut album "Kick Out the Jams" by MC5 starts, which today is considered one of the most important albums from the time just before the world fell in love with Sex Pistols, Ramones, Black Flag, and The Clash. To celebrate the upcoming 50th anniversary of the groundbreaking album, Kramer has gathered a new band around him, which he calls the MC50. The band consists of the guitarist Kim Thayil from Soundgarden, Fugazi drummer Brendan Canty, King's X bassist Doug Pinnick, and Marcus Durant from Zen Guerrilla. They will this summer perform all eight songs from the debut album plus other favorites from the MC5 catalog . MC50 will play Friday June 8th at NorthSide 2018 Yungblud One of the hottest comets on the English music scene right now is Dominic Harrison, who performs under the name of Yungblud. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
Command' Indie Act Aims for Older Audiences with Grand Royal Set by ERIC AIESE Its Growing Fan Base
Artists & Music At.The.Drive.In Takes `Command' Indie Act Aims For Older Audiences With Grand Royal Set BY ERIC AIESE its growing fan base. The band's Web NEW YORKAfter six years of the site featured reports and pictures indie life, El Paso, Texas, quintet from the studio as "Relationship" was at.the.drive.in is gearing up for the being recorded. In addition, the site big time, as Grand Royal prepares to offers an audio tour diary from the issue the group's new set, "Relation- band-the band members have called ship Of Command." The promotion- in from the road, leaving phone mes- al effort behind "Relationship" is al- sages that are accessible online. ready well under way, in preparation Concert -goers are encouraged to On The Rise. Universal artist Gabrielle takes a break between promotional stops for the set's Sept. 12 release. ATTHE.DRIVE.IN take pictures at live shows and post in support of the recent U.S. release of her sterling disc "Rise." Boasting collabo- After opening for Rage Against them online. "Fans are doing the rations with Johnny Dollar and Richard Stannard, the set has already sold The Machine on several dates, the band's teenage fan core. "It's an marketing for us," says Welsh. In 600,000 copies in the artist's native U.K., where it was issued earlier this year. The band recently embarked on a six- intelligent record," she says. "A 15- return, the band rewards them. title track is currently gathering support at top 40 and AC radio stations. -
UTEP Volleyball Media Guide
2007 UTEP VOLLEYBALL MEDIA GUIDE www.utepathletics.com 1 2007 UTEP VOLLEYBALL MEDIA GUIDE 2 www.utepathletics.com 2007 UTEP VOLLEYBALL MEDIA GUIDE www.utepathletics.com 3 2007 UTEP VOLLEYBALL MEDIA GUIDE 4 www.utepathletics.com 2007 UTEP VOLLEYBALL MEDIA GUIDE table•ofCONTENTS athletics•missionSTATEMENT Quick Facts .................................................1 The University of Texas at El Paso is committed to providing a nationally competitive athletics program as an integral component of the educational mission of the university. Athletic programs sponsored shall be in compliance WELCOME TO UTEP with the highest recognized standards of the institution and its athletics This is El Paso ........................ 2-3 governing bodies. Intercollegiate Athletics will operate in harmony with the This is UTEP ........................... 4-5 university’s stated mission and be committed to the intellectual, cultural, Miner Academic Excellence ...... 6-7 physical and social development of student-athletes. In particular, the Miner Village .......................... 8-9 Intercollegiate Athletics program shall serve as an educational opportunity for student-athletes Larry K. Durham Center....... 10-11 and as a focal point to bring the student body, faculty and community together. Intercollegiate Facilities .............................................. 12-13 Athletics will actively support diversity in participation in all athletic programs and operations. Women’s Athletic Excellence ................. 14-15 Gameday In El Paso ............................ -
ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
The Hilltop 11-22-1991
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 11-22-1991 The iH lltop 11-22-1991 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 11-22-1991" (1991). The Hilltop: 1990-2000. 39. http://dh.howard.edu/hilltop_902000/39 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. - Graduate school enhances research~ MORE FUNDS: Ayearaftera commission recommended that Howard become more research oriented, the Graduate School of Arts and Sciences has started a program to raise funds for more ed to bring in more money. students to conduct research. A3 By Depelsha R. Thomas ADUATE LOFAR Green is director of the Collaborative Core Unit Hilltop Staff Writer • in Labor, Race, and the Political Economy. DAVIS' DAY: Actor Ossie Davis He said, '''!'he~ groups are heading .attempts at will be on campus In acch{'dance with President Jenifer 's Howard Enrollment: 1,073 (based on 1990-91 figures) Howard Un1vers1ty to foster research systemati Monday as part of a 2000 pl')', the Graduate School of Arts and cally." lecture series spon Sciences 1s creating new initiatives to recruit top Number of programs: 30 Sadler said making the transition to a research sored by WHMM notch students and to make Howard a more institution is critical for the graduate school. -
(159) [PL5] Sample Some Of
Sample Some Of This, Sample Some Of That (160) [PL6] ✔ INEZ FOXX / Let Me Down Easy [Volt/Stax (LP)] PHFNG / Nie lubię [phfng (LP)] JOHN COLTRANE w/ Duke Ellington / My Little Brown Book [Impulse! (LP)] KAZIK / Na każdy temat [S.P. Records (LP)] JOHN COLTRANE QUARTET / Feelin' Good [UMG (LP)] FISZ / Bla bla bla [Asfalt (LP)] KRZYSZTOF KOMEDA / Niekochana [Power Bros. (LP)] FISZ / Bla bla bla (DJ 600V w autobusie remix) [Asfalt (LP)] DIONNE WARWICK / The Look Of Love [Duchesse (LP)] PEJA - SLUMS ATTACK / WOS [T1-teraz (LP)] BETTYE LAVETTE & HANK BALLARD / Hello, Sunshine [Charly (LP)] LUCJAN & SYMONO f/ Rico / Bądź luksusowy (remix) [Yaneck (LP)] GEORGE BENSON / The Changing World [CTI (LP)] DJ 600V f/ Tede / Świat zwariował w 23 lata (e?!) [RRX (LP)] PHFNG f/ Dwa Sławy / Teściowa (I used to love h.e.r.) (remix) [phfng (LP)] Sample Some Of This, Sample Some Of That (159) [PL5] ✔ VLADIMIR VYSOTSKY / Dom chrustalnyj [Melodija (LP)] KALIBER 44 / Konfrontacje [S.P. Records (LP)] SHARON REDD / Takin' A Chance On Love [Prelude (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem [RRX (LP)] JERZY MILIAN TRIO / Rewelacyjny Luciano [Polskie Nagrania (LP)] DJ 600V f/ Jajo, Grubas, Gano (HaiHaieR) / Nie jestem kurwa biznesmenem (remix) [RRX (LP)] NINA SIMONE / Four Women (DJ OBaH's Recycled Funk remix) [Bstrd Boots Nuggets! (7")] FISZ EMADE / Heavi Metal [Asfalt (LP)] BERNARD PURDIE / Lialeh [Light In The Attic (LP)] SINY f/ Roszja / Aleja życia [Blend (LP)] KLEEER / Tonight [Atlantic (LP)] TRZYHA/WARSZAFSKI DESZCZ / Sobota [RRX (LP)] SÈYFU YOHANNÈS / Mèla Mèla [Buda Musique (LP)] POE (PROJEKT OSTRY EMADE) / Nadzieja [Asfalt (LP)] ENNIO MORRICONE / Main Theme ("A Fistful Of Dynamite", O.S.T.) [Decca (LP)] PEJA - SLUMS ATTACK / Mój rap, moja rzeczywistość [T1-teraz (LP)] Sample Some Of This, Sample Some Of That (158) [PL4] ✔ SILNA GRUPA POD WEZWANIEM / Rozprawa o robokach [Polskie Nagrania Muza (LP)] KAZIK / Wewnętrzne sprawy [S.P. -
Cyclic Issue 32.Pdf
1 Cyclic Defrost Magazine Issue 32 | July 2013 www.cyclicdefrost.com Stockists Founder Contents The following stores stock Cyclic Defrost although Sebastian Chan 04 Editorial | Sebastian Chan arrival times for each issue may vary. Editors 06 Cover Designer | Jonathan Key NSW Alexandra Savvides 12 This Thing | Samuel Miers Black Wire, Emma Soup, FBi Radio, Goethe Shaun Prescott 16 The Longest Day | Chris Downton Institut, Mojo Music, Music NSW, Pigeon Ground, Sub-editor 20 Rise of the tape | Kate Carr The Record Store, Red Eye Records, Repressed Luke Telford 26 The Necks | Tony Mitchell Records, Title Music, Utopia Art Director 34 Arbol | Christopher Mann VIC Thommy Tran 40 Cyclic Selects | Bob Baker-Fish Collectors Corner Curtin House, Licorice Pie, Advertising latest reviews Polyester Records, Ritual Music and Books, Wooly Sebastian Chan Now all online at www.cyclicdefrost.com/blog Bully Advertising Rates QLD Download at cyclicdefrost.com Butter Beats, The Outpost, Rocking Horse, Taste-y Printing SA Unik Graphics B Sharp Records, Big Star Records, Clarity Records, Website Mr V Music, Title Music Adam Bell and Sebastian Chan WA Web Hosting 78 Records, Dadas, Fat Shan Records, Junction Blueskyhost Records, Mills Records, Planet Music, The Record www.blueskyhost.com Finder, RTRFM Cover Design TAS Jonathan Key Fullers Bookshop, Ruffcut Records Issue 32 Contributors NT Adrian Elmer, Alexandra Savvides, Bianca de Vilar, Bob Baker Fish, Chris Downton, Christopher Mann, Doug Happy Yess Wallen, Jonathan Key, Joshua Meggitt, Joshua Millar, ONLINE Kate Carr, Kristian Hatton, Luke Bozzetto, Samuel Miers, Twice Removed Records Stephen Fruitman, Tony Mitchell, Wayne Stronell, Wyatt If your store doesn't carry Cyclic Defrost, Lawton-Masi.