Jumbo Gajah Biru Full Movie Malay Version

Total Page：16

File Type：pdf, Size：1020Kb

Jumbo Gajah Biru Full Movie Malay Version 1 / 4 Jumbo Gajah Biru Full Movie Malay Version 2 / 4 3 / 4 Jumbo Gajah Biru DVDRip (2010) Free Download ... Labels: Movie ( Malay ) ... Release Name: Jumbo.Gajah.Biru.2010.DVDRip[x.264.KaRL].. Khan kluay 2 (2009) on IMDb: Movies, TV, Celebs, and more... ... Release Dates (4); Also Known As (AKA) (4) ... Malaysia (Malay title), Jumbo gajah biru .... By connecting a Nintendo Wi-Fi USB Connector to the Jumbo gajah biru full movie malay online dating port of jumbo gajah biru full movie malay online dating .... Watch Jumbo Gajah Biru 2019 Movie on Putlocker Free Online. original movie title is khan kluay 2. It was renamed to Jumbo Gajah Biru for malaysia mark.. Film 'Jumbo Elephant Blue' is an animated film that has been translated Thai language to Melayu Language for the Malaysian market. The film .... This is taken from the movie Jumbo Gajah Biru originally Khan Kluay II and dubbed to Bahasa .... Jumbo Gajah Biru, atau tajuk asalnya Khan Kluay 2 (Bahasa Thai: ก้านกล้วย 2), ... di pawagam Malaysia, apatah lagi diselitkan alih suara bahasa Melayu yang .... Jumbo gajah biru Khan Kluay II / directed by Taweelarp Sriwootiwongse. Find in NLB ... Distributed and dubbed in Bahasa Malaysia by Astro Entertainment.. Jumbo Gajah Biru Full Movie Malay Version Of Multi &n.. Jumbo Gajah Biru Opening Song featuring Mila Jirin and Akim (in Dolby Digital .... Download jumbo gajah biru full movie malay version. image. Then her eyes blazed naked in a kind of. But as soon as the father came in, .... http://www.mediafire.com/?jmnxroztyuw. You might also like: Filem Sini Ada Hantu. Hantu Kapcai. Adnan Semp- it ( Online ) · Linkwithin. Labels: Jumbo Gajah .... Release Date: 11 March 2010. Language: Malay ... JUMBO GAJAH BIRU ini merupakan sebuah filem animasi dari Thailand yang dialih .... Download Full Pack Of Movies & TV Series,Software,Album Song,Mp3 ... Filem 'Jumbo Gajah Biru' merupakan sebuah filem animasi Thai yang telah dialih .... Watch free online Jumbo Gajah Biru Malay movie Trailer Malaysia Superhit Jumbo Gajah Biru Film ... General Release Date: 11 Mar 2010. Хэл: Malaysia + Sub: English | Жанр: Animation ... http://www.filesonic.com/file/27137655/Jumbo.Gajah.Biru.2010. ... Tags: animation, Movie .... VA - Hot Dance Vol.141 MP3 320 Kbps CBR | Release: 25.11.2010 | tracks: 20 .... Jumbo Gajah Biru Free Movie Download http://tinyurl.com/jewsy. ... Jumbo Full Movie Part 8/8 6 Years Ago . ... This is taken from the movie "Jumbo Gajah Biru" (originally Khan Kluay II) and dubbed to Bahasa Malaysia.. Setelah berakhirnya pertempuran gajah terkenal, yang berani dan berjaya Jumbo menjadi gajah kerajaan untuk Raja Naresuan The Great. Luna, isteri tercinta .... Akim sebagai Jumbo (gajah biru) dan Mila pula, Luna, isteri kepada Jumbo. ... Sdn Bhd yang merupakan pemilik hak cipta pengedaran di Malaysia. ... Boleh tengok dah movie tu.. tp kenalah ada 'RealMedia Player'... downlod .... Jumbo Gajah Biru Full Movie Malay Version Of Multi DOWNLOAD http://urllie.com/ufza1 Jumbo Gajah Biru Full Movie Malay Version Of Multi .... Jumbo 2 gajah biru. 195 likes · 3 talking about this. Movie. ... Movie. SHIN CHAN MALAY. Movie. YouTube azmanmovie. Video Creator. Kak Limah. 15c24738db 4 / 4 Jumbo Gajah Biru Full Movie Malay Version.

Copy Link

Recommended publications

Thai Animations and Folklore the POPULAR CONTENT in THAI ANIMATION Thai Folklore
Thai Animations and Folklore THE POPULAR CONTENT IN THAI ANIMATION Thai folklore Thai folklore is a diverse set of mythology and traditional beliefs held by the Thai people. Most Thai folklore has a regional background for it originated in rural Thailand. With the passing of time, and through the influence of the media, large parts of Thai folklore have become interwoven with the wider popular Thai culture. List of Thai Animation Movies 1979 The Adventure of Sudsakorn by Payut Ngaokrachang, Traditional animation. The only cel-animated feature film ever made in Thailand 2006 Khan Kluay directed by Kompin Kemgumnird, Kantana Animation CG animation. An Indian redubbed version Jumbo was released in 2008 List of Thai Animation Movies 2007 The Life of Buddha Kritsaman Wattananarong, Media Standard Co., Ltd. CG animation 2008 Nak Natthaphong Ratanachoksirikul, Sahamongkol Film International. CG animation 2009 Khan Kluay 2 Taweelap Srivuthivong Kantana Animation CG animation An Indian redubbed version Jumbo 2: The Return of the Big Elephant was released in 2011. List of Thai Animation Movies 2012 Echo Planet Kompin KeamkumnedKantana Animation CG animation Yak: The Giant King Prapas Cholsaranont Workpoint Entertainment CG animation 2018 The Legend of Muay Thai: 9 Satra Popular Thai Myths and Legends Phra Aphai Mani An epic poem written by the Thai legendary poet, Sunthorn Phu, also known as "the Bard of Rattanakosin". It is considered to be one of Thailand's national epics. It is also one of well-known Thai folklores that has been heavily adapted into films and comics. The main protagonists are Prince Aphai Mani, the mermaid, and the Pisue Samutr; a female yak who can transmute herself into a beautiful girl Popular Thai Myths and Legends Sunthorn Phu 26 June 1786 – 1855), is Thailand's best-known royal poet.[1] He wrote during the Rattanakosin period.
[Show full text]
Title タイのヒット映画に見る地域性と時代性 Author(S)
Title タイのヒット映画に見る地域性と時代性 Author(s) 平松, 秀樹 CIRAS discussion paper No.67 : 不在の父 --混成アジア映画 Citation 研究2016 (2017), 67: 57-63 Issue Date 2017-03 URL http://hdl.handle.net/2433/228836 Right © Center for Southeast Asian Studies, Kyoto University Type Departmental Bulletin Paper Textversion publisher Kyoto University タイのヒット映画に見る地域性と時代性平松秀樹本稿では、タイ映画のこの10年強の商業的に成功し表タイ映画興行収入ランク2004年～2007年 2004年た作品を中心に取り上げ、そこに見られる作品の傾向、 1 心霊写真および背景にある時代性・地域性を考察していきたい。 2 M.A.I.D 3 まず、タイ映画の興行収入ランクを概観したいが、風の前奏曲 4 Pattaya Maniac 信頼ある統計を探すのは難しく、一つの例として、近 5 Spicy Beautyqueen in Bangkok 年タイ映画を日本で精力的に紹介している「タイ映画 6 レター僕を忘れないで 7 ガルーダライブラリー」というサイトにあるタイ映画興行収入 8 The Eye 2（アイ2 ）を参考にしたい。ちょうど2004年から掲載せれてお 9 シスターズ 10 デッドラインり、主としてIMDb（The Internet Movie Database）な 2005年どのデータをもとに割とうまくまとめてあるので、上 1 トムヤンクン! 位10作品までを中心に抜き出すこととする（日本で公 2 The Holy Man 3 Hello Yasothorn 開あるいはDVD化されたものはその邦題、それ以外は英語 4 Rahtree Returns タイトル、英語タイトルのないものはタイ語題名をローマ字 5 Dumber Heroes 6 Necromancer およびカタカナで記した）。 7 ミッドナイト、マイ・ラブ 8 Ghost Variety ホラーとアクション 9 Seven Street Fighters 10 The Eye 3（アイ3）概観してまず目に入るのは、2004年１位の「心霊写 2006年 1 Noodle Boxer 真（ชัตเตอร์ กดติดวิญญาณ）」と2005年１位の「トムヤンク 2 ブルー・エレファント 3 Nong Teng Nakleng pukaotong ン!（ต้มยำากุ้ง）」であろう。ホラーとアクションというタ（ノーン・テン・ナックレン・プーカオトーン）イが世界に誇るジャンルの勢いを象徴している。「心 4 早春譜 5 See How They Run 霊写真」は、「シャッター（Shutter）（2008）」として落合 6 メモリー君といた場所正幸監督、奥菜恵出演でアメリカでリメイクされてい 7 ヌーヒンバンコクへ行く 8 Metrosexual る。戦慄の恐怖を誘う純正のホラーでありコメディ要 9 Dorm (My School) 素はなく、後で述べる別の人気ジャンルであるホラー・ 10 Loveaholic コメディとは一線を画している。2011年３位の「Ladda 2007年 Land（ลัดดาแลนด์）」もミュージカルにもなった人気ホ 1 THE KING ～アユタヤの勝利と栄光～（King
[Show full text]
Waltz with Bashir’ (2008)
วารสารวิชาการ Veridian E-Journal Volume 7 Number 4 January – June 2014 ผลงานสร้างสรรค์ ฉบับ International The Memory Machine Millie Young Abstract The purpose of this paper aims to discuss the suitability of material for the animated documentary, looking specifically at texts of a biographical nature, and discussing the mechanisms employed and issues with interpreting oral narratives and memory. From the analysis, I aim to suggest guidelines to my Thai undergraduate animation students so that they may gain ideas about the suitability of material and mechanisms that may help to create an animated documentary. The paper will discuss materiality: i) in terms of animation and it’s suitability for documentary. ii) with regard to the subject material to tackle an animated documentary iii) in relation to creating a story structure from oral narratives and memories and the mechanics of construction to get an authentic truth in an animated documentary Because the nature of animated documentaries is so broad, I have, for this paper, narrowed it to the sub category: subjective autobiographical and biographical works that encapsulate personal oral narratives from memories. I will focus on traumatic memories, which retell a event from a personal perspective, which is skewed by the teller’s own perspective in order to discuss the difficulties of memory itself. This category offers many examples of works to support further analysis and investigation by the students and appears to be particularly suited to the animated form. Introduction The purpose of this paper is to discuss the suitability and materiality of the animated documentary, looking specifically at texts of a biographical nature, and discussing the mechanisms employed and issues pertaining to interpreting oral narratives and memory.
[Show full text]
Vol.6, 2011 14
Animation Studies – Vol.6, 2011 Hannes Rall Tradigital Mythmaking New Asian Design Ideas for Animation Introduction “Tradigital Mythmaking” might seem to be an unusual venture at first - a German animator and animation scholar working with young Asian artists to create new concepts for animation that are based on Asian mythologies and artistic traditions. An excursion into my own artistic and research background will establish the project in a wider context and explain its motivation. My own past and ongoing work has largely been defined by the search for a very personal and genuinely German style of animation. I came to Singapore in 2005 to teach animation at the new School of Art, Design and Media at Nanyang Technological University. The multi-cultural society of Singapore offers a beautiful kaleidoscope of the rich traditions of the regional arts - of course, prominently Chinese art, but also Indian, Malay, Indonesian and Philippine art-styles. I found that this wonderful diversity was not yet reflected in animation. My local students seemed to look primarily elsewhere for inspiration: they were mainly influenced by manga and anime and also tended to copy the design style of the Hollywood feature animation as established by Pixar, Dreamworks and Blue Sky Studios. My initial impressions and findings were supported by scholarly research in the field. According to Engel (2009), “Very often, there is a reliance on derivative concepts in character design and storytelling. The Japanese anime-style and the American school of caricatured realism are used as templates to ensure commercial success. While the commercial prospects of such an approach are questionable, it obviously prevents full artistic success.
[Show full text]
不在の父混成アジア映画研究 2016 山本博之・篠崎香織編著 Absent Fathers—Cine Adobo 2016
CIRAS Discussion Paper No.67 不在の父混成アジア映画研究2016 山本博之・篠崎香織編著 Absent Fathers—Cine Adobo 2016 京都大学東南アジア地域研究研究所 CIRAS Discussion Paper No. 67 不在の父混成アジア映画研究2016 山本博之・篠崎香織編著京都大学東南アジア地域研究研究所 CIRAS Discussion Paper No.67 YAMAMOTO Hiroyuki and SHINOZAKI Kaori (eds.) Absent Fathers — Cine Adobo 2016 ©Center for Southeast Asian Studies, Kyoto University 46 Shimoadachi-cho, Yoshida Sakyo-ku, Kyoto-shi, Kyoto, 606-8501, Japan TEL: +81-75-753-7302 FAX: +81-75-753-9602 March, 2017 Cover Photo ©Hanuman Films 2 目次刊行にあたって山本博之… ……………………………………………………………………………………………………………………… 4 第１部特集不在の父… …………………………………………………………………………………… 7 『シアター・プノンペン』に見る家族のかたち ── 父の不在、復帰、そして父からの自立岡田知子… ……………………………………………………………………………………………………………………… 8 インドネシア映画に見る父子関係の乗り越え方 ── 『再会の時』『珈琲哲学』『三人姉妹（2016年版）』より西芳実…………………………………………………………………………………………………………………………… 19 フィリピン映画に見る父性の諸相 ── 恋愛ドラマを中心に山本博之… …………………………………………………………………………………………………………………… 30 シンガポール映画『セブンレターズ』に見る「母としてのマレーシア」イメージ ── 「覚悟」から見る東南アジア映画論に向けて山本博之… …………………………………………………………………………………………………………………… 39 『アット・ザ・ホライズン』に見る父子の関係 ── 格差社会を生きる２つの家族の物語橋本彩…………………………………………………………………………………………………………………………… 46 第２部国・地域別研究混成アジア映画の現在… …………………………………… 51 過去10年におけるシンガポールのヒット映画篠崎香織… …………………………………………………………………………………………………………………… 52 タイのヒット映画に見る地域性と時代性平松秀樹… …………………………………………………………………………………………………………………… 57 若手映画人によるラオス映画の潮流橋本彩…………………………………………………………………………………………………………………………… 64 シネコンの誕生とカンボジア映画産業の再起岡田知子… …………………………………………………………………………………………………………………… 69 第３部資料『痛ましき謎への子守歌』作品情報 ……………………………… 73 未完のフィリピン革命を問う山本博之… ……………………………………………………………………………………………………………………
[Show full text]
Pragmatic Development, Ideal for Investment
June 2014 Volume 24 No. 06 Thailand: Pragmatic Development, Ideal for Investment Thailand is setting the stage to strengthen its infrastructure, rebuild consumer CONTENTS confidence and set the economy back on track. The National Council for Peace Page and Order (NCPO) has appointed Air Chief Marshal Prajin Juntong as economic chief, and M.R. Pridiyathorn Devakula as head advisor for the economy and Thailand: Pragmatic Development, 1 finance. Ideal for Investment News Bites / BOI Net Applications 2 Former governor of the Bank of Thailand and deputy prime minister and finance Industry Focus: Gaming Industry 4 minister in 2006-2007, M.R. Pridiyathorn brings the experience and knowledge of Thailand’s economy that is essential to putting it back on track. Supporting him in New BOI Board Member 6 this role are two advisors with long government experience in economic roles: Dr. Samut Sakhon Expo 2014 7 Somkid Jatusripitak, who previously served in the government as deputy prime minister, 2001-2004, and finance minister, 2001 to 2003, as well as commerce Company Interview: Kantana 8 minister from 2004 – 2005 and Mr. Narongchai Akrasanee, who served as a Thailand Electronics Design Industry 10 former commerce minister, and as executive chairman of the Export-Import Bank of Thailand and in other roles. BOI’s Missions 11 Thailand Economy-At-A-Glance 12 The economic team is formulating policies that will stimulate the economy. The NCPO has initiated a payment plan for rice farmers of THB92 billion, which is expected to increase GDP by about 0.2 percent. There is also a commitment to quickly draft the 2015 budget, adding to the economic certainty.
[Show full text]
Chapter 2 Literature Review
CHAPTER 2 LITERATURE REVIEW The literature review provides details about the previous studies relevant to this research and the synopsis of the films Khan Kluay I and II. 2.1 Previous studies For decades, there have been many studies conducted about nationalism and racism in movies. Many of these studies focused on Walt Disney’s animations, especially his famous cartoon characters. As example, Rami Yashruti analyzed the filmic version of The Jungle Book (1967), and concluded that the racist undertones in the film are often exaggerated and overstated. King Louie’s speech “I Wanna Be Like You” has often been seen as highly racist. The jive accent of King Louie with the song and dance can be viewed as a mockery of African-American culture. The film seeks to show that they strive to be white, but they always appear like “monkeys”. Louie thinks that if he has the secret of fire, he will be human, but in truth he will always be a monkey. Another interesting point made in this study is about the voice of Baloo the Bear in The Jungle Book, who seems to represent immigrants. His characterization and New Jersey working class accent are suggestive of racist views of immigrants. Of note is that all the authority figures in the film have British noble accents, while the slang, jive, and working-class accents are reserved for vultures who speak in a working-class 7 Liverpool accents, and uneducated kingpins represented by King Louie and his monkey delinquents. At the same time, Bagheera, Col. Hardy, Shere Khan, and the wolf pack, all speak in distinguished British accents.
[Show full text]
SAS2015 / @Sas2015beyond
#SAS2015 / @sas2015beyond Conference Team Chris Pallant Conference Chair Craig Smith Siobhan Greaves Abstract Review, Conference Assistant Graphics, and Web Special Mention (alphabetical): David Bradshaw Head of School Felicity Clausen-Sternwald Events Management Nichola Dobson President, SAS Sarah Jeans UCA Support Max Letts Online Store Management Terri McManus Graphics Gavin Myers Head Chef Aylish Wood Abstract Review/UKC Support AND: our wonderful UG/PG student volunteers!! Welcome On behalf of the Vice Chancellor, I’m delighted to welcome all ‘Beyond the Frame’ conference delegates to Canterbury Christ Church University, hosted by the School of Media, Art & Design (Faculty of Arts & Humanities). The Faculty combines excellence in research and teaching and learning: all programmes of study are research led, focused on employability and student oriented. Colleagues from across the Faculty contributed to the REF 2014 with 90% of the Faculty’s research recognised as world leading or internationally significant. For the School of Media, Art & Design, these teaching and learning and research contexts literally have animation at the heart of their ‘storyboards’ (no pun intended). The School brings industry and academia together to teach, to learn and to research the various forms of animation, producing graduates who have equal facility in practice and scholarship. I wish the conference every success over its three days as it grapples animatedly with the practice-scholarship nexus in animation. Dr Keith McLay Dean of the Faculty of Arts & Humanities President’s Address Welcome to the 2015 Society for Animation Studies Conference. This years’ conference, in beautiful, historic Canterbury sees us back in the UK after five years and we are lucky to be in such a wonderful setting with great links to local institutions, all key areas of animation education in the UK.
[Show full text]
APES Program V4
TEXAS TECH UNIVERSITY — LUBBOCK, TEXAS September 19-21 Animation and Public Engagement Symposium 1 TEXAS TECH UNIVERSITY — LUBBOCK, TEXAS PROGRAM TEXAS TECH UNIVERSITY — LUBBOCK, TEXAS September 19-21 Welcome. It is our great pleasure to welcome you to Texas Tech University, Lubbock, for the sixth iteration of the Animation and Public Engagement Symposium, APES19. This annual forum offers an alternative view of the potential of animation beyond artistic expression, entertainment or publicity, and identifies new terrains that bridge animation with society at large. At APES, scholars and practitioners share their research and experiences in the field of animation as a therapeutic practice, an educational tool, as well as a platform for social engagement, and discuss ways of advancing and promoting interest in this area of studies. The symposium originated in the context of the groundbreaking research fostered by HEART (Healing Education Animation Research Therapy) UK, a center that investigates the processes and outcomes of animation practice in therapeutic, educational and informative ways within a variety of public contexts. By bringing together international scholars working on similar areas of interest, APES insures wider dissemination and major public impact for HEART’s work. Gathering scholars and practitioners from eleven countries and most of the US regions, the program reflects the growth and increasing global awareness of animation as a tool of and for public engagement. This is the first time that APES is being held outside of the UK and we are grateful for your presence and participation. We are confident that this symposium will yield new research connections and help forge new friendships.
[Show full text]
Key Success Factors in Running Animation Business in Thailand
KEY SUCCESS FACTORS IN RUNNING ANIMATION BUSINESS IN THAILAND SUJEEPORN WONGWAIWANIT A THEMATIC PAPER SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MANAGEMENT COLLEGE OF MANAGEMENT MAHIDOL UNIVERSITY 2015 COPYRIGHT OF MAHIDOL UNIVERSITY Thematic paper entitled KEY SUCCESS FACTORS IN RUNNING ANIMATION BUSINESS IN THAILAND was submitted to the College of Management, Mahidol University for the degree of Master of Management on May 2, 2015 ……………….………….…..……… Miss. Sujeeporn Wongwaiwanit Candidate ……………………….….…..……… ……………………….….…..……… Dr. Poomporn Thansatitdej, Assoc. Prof. Vichita Ractham, D.B.A. Ph.D. Advisor Chairperson ……………………….….…..……… ……………………….….…..……… Assoc. Prof. Annop Tanlamai, Asst. Prof. Randall Shannon, Ph.D. Ph.D. Dean Committee member College of Management Mahidol University i ACKNOWLEDGEMENTS I owe a debt of gratitude to Asst Prof. Poomporn Thansatitdej. Advisor of this Thematic Paper for the vision and foresight which inspire me to conceive this project who also offers a great deal of consultative advice and provide the golden opportunity to develop this interesting project. Without him considerable attention, true inspiration and comprehensive instruction, this research could not have been completed. In addition, I would like to thank all eight respondents for their complete cooperation, relevant information publishing in my research and valuable time. Eventually, I would like to extend heartfelt gratitude for my beloved family who always strengthen high motivation and generate a solid support to me actively. Sujeeporn Wongwaiwanit KEY SUCCESS FACTORS IN RUNNING ANIMATION BUSINESS IN THAILAND SUJEEPORN WONGWAIWANIT 5649206 M.M. (ENTREPRENEURSHIP MANAGEMENT) THEMATIC PAPER ADVISORY COMMITTEE: DR. POOMPORN THAMASATITDEJ, D.B.A., ASST. PROF.RANDALL SHANNON, Ph.D., ASSOC.PROF.VICHITA RACTHAM, Ph.D.
[Show full text]
Chapter 1 Introduction
CHAPTER 1 INTRODUCTION 1.1 Rationale Animations are generally considered a harmless form of entertainment for children, but a number of people argue that animations have also been produced for political propaganda, which sometimes involves nationalist sentiments and racist representations of the others (Ívansson 2). Propagandists tend to regard movies and animations as highly useful for disseminating nationalist ideologies to young people. In the United States after World War II, some animated films with nationalist propagandas, such as The Spirit of 43’ Donald Duck cartoon, were banned as they conveyed explicitly racist perceptions and attitudes. Those who were against this kind of movies contended that the ideologies embedded in these movies would make children misunderstand, stereotype, and generalize people from other societies as they could have been influenced by the bias and prejudice of those who produced the films (Sullivan, “Cartooning the Nation”). Significantly, there have been many discussions and studies about nationalism and racism in animations. Firstly, however, it is important to provide some background knowledge about nationalism and racism and their intimate relationship. According to Stanford Encyclopedia of Philosophy, nationalism can be briefly defined as the attitude that members of a nation have about national identity, which often involves common origin, ethnicity, or cultural ties. Nationalism can also refer to actions 1 taken by members of a nation when trying to achieve self-determination. Another meaning of nationalism is that it is a belief, or ideology that makes an individual become attached to one’s nation or country of origin <http://plato.stanford.edu/archives/sum2010/entries/nationalism/>.
[Show full text]
The Disney Influence on Kindergarten Girls' Body Image
THE DISNEY INFLUENCE ON KINDERGARTEN GIRLS’ BODY IMAGE Tanawan Asawarachan, B.Ed., M.Ed. Dissertation Prepared for the Degree of DOCTOR OF EDUCATION UNIVERSITY OF NORTH TEXAS May 2013 APPROVED: George S. Morrison, Major Professor Harry Benshoff, Committee Member Carol Hagen, Committee Member Anne Rinn, Committee Member Nancy Nelson, Chair of the Department of Teacher Education and Administration Jerry R. Thomas, Dean of the College of Education Mark Wardell, Dean of the Toulouse Graduate School Asawarachan, Tanawan. The Disney Influence on Kindergarten Girls’ Body Image. Doctor of Education (Early Childhood Education), May 2013, 105 pp., 14 tables, reference list, 167 titles. Media is now a part of the early childhood world. In many countries, including industrialized and developing countries, children spend more time consuming various kinds of media. The impact of media on children’s perception of their body images has been and continues to be a concern of parents and early childhood professionals. This research examined the influence of Disney movies on Thai kindergarten girls’ body images and self-esteem. Thai kindergarten girls completed three measures of body self-image: the Body Figure Preference Scale, the Body Esteem Scale, and the Self-Esteem Scale. The girl participants were randomly assigned to two groups: focused on a female theme (FFT) and focused on a non-human theme (FNT). The experimental group viewed “female” Disney movie themes, while the control group viewed “animal” Disney movie themes. Girls in the experimental group expressed greater body image dissatisfaction scores after watching Disney movies, which was an expected finding. Results from the present study suggest that girls in both groups become concerned about their body esteem after video exposure.
[Show full text]