Emma Mcchesney and Co

Total Page:16

File Type:pdf, Size:1020Kb

Emma Mcchesney and Co m0yuU (Read now) Emma McChesney and Co. Online [m0yuU.ebook] Emma McChesney and Co. Pdf Free Edna Ferber ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #11475292 in Books 2016-01-30Original language:EnglishPDF # 1 9.00 x .20 x 6.00l, .28 #File Name: 152376580186 pages | File size: 56.Mb Edna Ferber : Emma McChesney and Co. before purchasing it in order to gage whether or not it would be worth my time, and all praised Emma McChesney and Co.: 1 of 1 people found the following review helpful. Popular progressive fiction from the early years of the 1900rsquo;sBy JayliaEdna Ferberrsquo;s third and final book about savvy career woman Emma McChesney entertained me at least as much as the previous two, beginning with a flurry of excitement in the first chapter. After spending the last 15 years traveling between small Midwest towns or living in New York City, Emma sets off on a boat trip down the coast of the continent to sell her T. A. Buck Featherloom petticoats and skirts in Argentina, where she takes the country by storm. Based on the last two books I knew romance was headed Emmarsquo;s way, but shersquo;d been so determinedly independent I wasnrsquo;t sure I would like it--I did.Along with being good stories these books charmed and fascinated me by presenting a lively picture of how people lived, thought, worked, played, dressed, traveled, raised their children, and fell in love 100 years ago during the early decades of the 1900rsquo;s. In one chapter Emma was forced to deal with wealthy lady organizers bent promoting their pet cause, which wasnrsquo;t ldquo;Votes for womenrdquo; as I had guessed, but instead a self-righteous insistence based on their rigid uneven morality that working class ldquo;girlsrdquo; must be convinced to dress with drab unassuming modesty as befits their station. I would have been disappointed if Emma turned out to be an anti-suffragette, but Emma was right to poke a little good natured fun at these women.Ferber wrote all three Emma McChesney novels long enough ago that theyrsquo;re in the public domain so free ebook versions can be downloaded from sites like Project Gutenberg or here on . I listened to superbly narrated audio versions available on the Libravox website that made me almost enjoy my commute--I had witty Emma and her adventures to keep me occupied.0 of 0 people found the following review helpful. Always a winner!By Katherine HedlundI love Edna Ferber! She makes a small story, based around a petticoat company, seem like the biggest adventure out there. She invites you to love her characters, finding yourself inspired by their character and values. Her writing style is wonderful and beautifully descriptive. I will be sad when I've run out of her books0 of 0 people found the following review helpful. Not one of my favorite Edna Ferber books.By Kindle CustomerI personally believe that Edna Ferber's books should be included with or even before the boring depressing books of the likes of Steinbeck and Hemingway and all the other men that they forced me to read in high school and college. Most of her books are a slice of American life written in approximately the same time period. This book must be an early one. It kind of attempts to address insanity, divorce, and the newspaper business. I didn't finish it, I just went back and reread Saratoga Trunk. Edna Ferber was a 20th century American author whose novels, short stories, and plays were extremely popular during her era. She wrote the Pulitzer Prize-winning So Big, Show Boat, Cimarron, and Giant. "One of the most humorous and original love stories that has appeared for years." -- New York TimesAbout the AuthorBorn in Kalamazoo, Michigan, Edna Ferber (1885-1968) was a novelist, short-story writer, and playwright whose work served as the inspiration for numerous Broadway plays and Hollywood films, including Show Boat, Cimarron, Giant, Saratoga Trunk, and Ice Palace. She co-wrote the plays The Royal Family, Dinner at Eight, and Stage Door with George S. Kaufman and was awarded the Pulitzer Prize in 1925 for her novel So Big. [m0yuU.ebook] Emma McChesney and Co. By Edna Ferber PDF [m0yuU.ebook] Emma McChesney and Co. By Edna Ferber Epub [m0yuU.ebook] Emma McChesney and Co. By Edna Ferber Ebook [m0yuU.ebook] Emma McChesney and Co. By Edna Ferber Rar [m0yuU.ebook] Emma McChesney and Co. By Edna Ferber Zip [m0yuU.ebook] Emma McChesney and Co. By Edna Ferber Read Online.
Recommended publications
  • WGSS Womenarehuman V7 N11 1978.Pdf (11.26Mb)
    W01\1EN ARE HUMAN WOMEN'S STUDIES LIBRARY THE OHIO STATE UNIVERSITY Volume 7 November 17, 1978 Number 11 REVIEWS other ways. She does not seem to in- Materials in the OSU Libraries about, tend to paint such a negative picture-- for and by women (the location is in- but negative it is. On the other hand, dicated above each number). To de- Goldsmith is aware of some of the pos- termine if a copy is available call 422-3900. sible psychological reasons behind the behavior of this rather bizarre person; the trouble is that she plays armchair psychiatrist too often. Then there is WOMEN'S Gilbert, Julie Goldsmith. Goldsmith's enormously annoying habit STUDIES Ferber, a biography. of repeating herself, and others, from PS3511 Garden City, New York, chapter to chapter and using incredibly E66Z8 G5 Doubleday & Co., 1978. pretentious language. She glibly uses "lagniappe"--a word I had to look up Edna Ferber's biography has been writ- in the dictionary--and frequently attri- ten by her great-niece, Julie Gilbert butes its use to others, as in this Goldsmith, who certainly seems to want sentence, allegedly spoken or written us to like Ferber, remember her for the by Kate Steichen, then an editor: many huge books she wrote, and gain " ••• At Doubleday we iust didn't take an insight into how Ferber lived on a any lagniappe or gravy from authors--let scale comparable to her books. These alone agents." My response to that books are huge in scope, and huge in comes from an old favorite line in the verbiage.
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Grenell 1881 a NOVEL Grenell 1881 BOOK 1 in the THOUSAND ISLANDS SERIES
    Grenell 1881 A NOVEL Grenell 1881 BOOK 1 IN THE THOUSAND ISLANDS SERIES Lynn E. McElfresh River Skiff Press Grenell Island, NY This is a work of fiction. While real characters from history are represented, their appearance, personalities, mannerisms, and dialogue are imagined. Copyright 2019 © by Lynn E. McElfresh First paperback edition April 2019 Book design by Michelle Argento Maps by Michelle Argento ISBN 978-1-950245-00-0 (paperback) ISBN 978-1-950245-01-7 (ebook) River Skiff Press 16439 Grenell Island Clayton, NY 13624 To Uncle Otis, who started it all. Thousand Island Region 1881 Grenell Island 1881 CHAPTERone Saturday, June 11, 1961 CASTLE ROCK, GRENELL ISLAND, THOUSAND ISLANDS, NEW YORK The screen door creaked open, and I tiptoed barefoot out onto the deck before the rest of the cottage was awake. I inhaled deeply, feeling the moist, cool air course through my body. Ah! It was going to be a perfect river day. The St. Lawrence rolled toward the sea—smooth, shimmering and the most loyal blue. Across the water stood Murray Isle; we called it Hemlock Island when I first arrived. Its rocky shores are crowned with pines packed so closely together that they looked almost black. I took another big breath. That smell. What was it about the smell of the River? I’ve lived a lifetime of poetry and language but still can’t find the words to describe that scent or what it does to me. Today is our anniversary, the River and me. For eighty summers without fail, I’ve returned to Castle Rock.
    [Show full text]
  • Film Preservation Program Are "Cimarron,"
    "7 NO. 5 The Museum of Modern Art FOR RELEASE JANUARY 14 11 West 53 Street, New York, N.Y. 10019 Tel. 955-6100 Cable: Modernart EARLY FILMS TO BE REVIVED AT MUSEUM "The Virginian," Cecil B. DeMllle's 1914 classic, from the novel by Owen Wlster, with Dustin Famun who played in the stage version, will be shown as part of a series of eleven early films to be presented from January 14 through January 25, at The Museum of Modern Art. The Jesse Lasky production of "The Virginian" will be introduced by James Card, Curator of the George Eastman House Motion Picture Study Collection in Rochester, which is providing the films on the Museum program. At the eight o'clock, January 14 performance, Mr. Card will introduce the film and address himself to the controversy over the direction of "The Virginian," one of the early silent feature films. The fact that Cecil B. DeMille directed has been in dispute over the years. On the same program with "The Virginian," another vintage film will be shown. Tod Browning's "The Unknown" starring Lon Chaney. Made in 1927, it was an original story by the director, called "Alonzo, the Armless." According to The New York Times Film Reviews, a recently published compilation of the paper's film criticism, "the role ought to have satisfied Mr. Chaney's penchant for freakish characterizations for here he not only has to go about for hours with his arms strapped to his body, but when he rests behind bolted doors, one perceives that he has on his left hand a double thumb." Joan Crawford plays the female lead in the film, about which Roy Edwards writes in Sight and Sound, the characters and special effects add up to a "thorough display of grotesqueries." Other notable films that are part of this film preservation program are "Cimarron," starring Richard Dix and made in 1931 from Edna Ferber's popular novel; "Dr.
    [Show full text]
  • Tribal and House District Boundaries
    ! ! ! ! ! ! ! ! Tribal Boundaries and Oklahoma House Boundaries ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! 22 ! 18 ! ! ! ! ! ! ! 13 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! 20 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! 7 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Cimarron ! ! ! ! 14 ! ! ! ! ! ! ! ! ! ! ! ! ! ! 11 ! ! Texas ! ! Harper ! ! 4 ! ! ! ! ! ! ! ! ! ! ! n ! ! Beaver ! ! ! ! Ottawa ! ! ! ! Kay 9 o ! Woods ! ! ! ! Grant t ! 61 ! ! ! ! ! Nowata ! ! ! ! ! 37 ! ! ! g ! ! ! ! 7 ! 2 ! ! ! ! Alfalfa ! n ! ! ! ! ! 10 ! ! 27 i ! ! ! ! ! Craig ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! h ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! 26 s ! ! Osage 25 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! a ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! 6 ! ! ! ! ! ! ! ! ! ! ! ! ! ! Tribes ! ! ! ! ! ! ! ! ! ! ! ! ! ! 16 ! ! ! ! ! ! ! ! ! W ! ! ! ! ! ! ! ! 21 ! ! ! ! ! ! ! ! 58 ! ! ! ! ! ! ! ! ! ! ! ! ! ! 38 ! ! ! ! ! ! ! ! ! ! ! ! Tribes by House District ! 11 ! ! ! ! ! ! ! ! ! 1 Absentee Shawnee* ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Woodward ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! 2 ! 36 ! Apache* ! ! ! 40 ! 17 ! ! ! 5 8 ! ! ! Rogers ! ! ! ! ! Garfield ! ! ! ! ! ! ! ! 1 40 ! ! ! ! ! 3 Noble ! ! ! Caddo* ! ! Major ! ! Delaware ! ! ! ! ! 4 ! ! ! ! ! Mayes ! ! Pawnee ! ! ! 19 ! ! 2 41 ! ! ! ! ! 9 ! 4 ! 74 ! ! ! Cherokee ! ! ! ! ! ! ! Ellis ! ! ! ! ! ! ! ! 41 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! 72 ! ! ! ! ! 35 4 8 6 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! 5 3 42 ! ! ! ! ! ! ! 77
    [Show full text]
  • Cimarron River Basin
    r\ CIMARRON RIVER BASIN OPEN-FILE K SUBJECT TO Htviar GROUND WATER IN THE CIMARRON RIVER BASIN NEW MEXICO, COLORADO, KANSAS, AND OKLAHOMA Prepared by the U.S. Geological Survey Water Resources Division for the U.S. Corps of Engineers--Tulsa District Denver, Colorado September 1966 OPEN-FILE REPORT SUBJECT TO REVISION 211967 GROUND WATER IN THE CIMARRON RIVER BASIN NEW MEXICO, COLORADO, KANSAS, AND OKLAHOMA CONTENTS Page Introduction .......................... 1 Geologic setting ........................ 2 Ground water .......................... 5 Occurrence. ........................ 5 Bedrock aquifers ................... 5 Vamoosa Formation ................ 8 Garber and Wellington Formations. ........ 10 Rush Springs Sandstone. ............. 11 Rocks of Triassic age .............. 11 Cheyenne Sandstone or equivalents ........ 14 Dakota Sandstone. ................ 19 Surficial aquifers .................. 24 Origin and movement of water. .......... 25 Depth to water. ................. 26 Thickness of saturation ............. 27 Water in storage. ................ 28 Chemical quality of the water .......... 31 Growth of irrigation. .............. 31 Changes in water level. ............. 35 Potential yield of wells. ............ 38 Potential development ................... 40 Bedrock aquifers i .................. 40 Ground water Continued. * Potential development Continued. Page Surficial aquifers ................. 42 Problems resulting from development ........... 44 Partial solution of problems. .............. 46 Selected references. ....................
    [Show full text]
  • Show Boat Little Theatre on the Square
    Eastern Illinois University The Keep 1967 Shows Programs 1967 Summer 7-24-1967 Show Boat Little Theatre on the Square Follow this and additional works at: http://thekeep.eiu.edu/little_theatre_1967_programs Part of the Theatre History Commons Recommended Citation Little Theatre on the Square, "Show Boat" (1967). 1967 Shows Programs. 8. http://thekeep.eiu.edu/little_theatre_1967_programs/8 This Book is brought to you for free and open access by the 1967 at The Keep. It has been accepted for inclusion in 1967 Shows Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. "Central Illinois' Only Equity Stur lZlusic and Drama Theatre" Eleventh Season a May - October 1967 Sullivan, Illinois 6uy S. Little, Jr. Presents BRUCE YARNELL in "HOVJ BOAT" July 25 - August 6, 1967 6y S. littleI Jr. PRESBNTS BRUCE YARNELL "SHOI BOAT' Music by JEROME KERN Book and Lyrics by OSCAR HAMMERSTEIN 2nd Based on the novel "Show BoaP by EDNA FERBER wlth MARCIA KIN6 Jetill Little, Art KQSUI~John KelsoI Stwe S-:. EDWARD PIERSON and BUTTERFLY MaQUEEW Directed by ROBERT BAKER ::.:;:' Choreography by GEORGE BUNT Musical Direction by DONALD W. CHA@ Assistant Murical Direction by ROIBRT MCWCapW . .* Scenery ~esi~nedby KENNETH E. LlQ%f@. Production Stag. Manamr Assistant Stage Mmapr RICHARD GHWON BILL TSOKOS =MEN- Wk ENTIRE PRODUCTION UNDER THE SUPERVISION OT 5 :. --, . ' I CAST , , -: Captain Andy.. ..........................., ....................... ART -1 Ellie .........................................................
    [Show full text]
  • Edna Ferber Last
    EDNA FERBER’S WOMEN CHARACTERS, 1911 – 1930, AND THE REINTERPRETATION OF THE AMERICAN DREAM THROUGH A FEMALE LENS A Thesis Submitted to the Faculty of The School of Continuing Studies And the Graduate School of Arts and Sciences In partial fulfillment of the requirements for the degree of Master of Arts In Liberal Studies By Anne Efman Abramson, B.A. Georgetown University Washington, D.C. April 30, 2010 EDNA FERBER’S WOMEN CHARACTERS, 1911 – 1930, AND THE REINTERPRETATION OF THE AMERICAN DREAM THROUGH A FEMALE LENS Anne E. Abramson, B.A. Mentor: Michael Collins, Ph. D. ABSTRACT Edna Ferber (1885‐1963) was a Pulitzer Prize‐winning author and one of the most popular writers of her time. Today, however, she is rarely read in schools or colleges, although her plays are still produced, and the films based on her novels, plays and short stories continue to be appreciated by classic film lovers. This thesis demonstrates how Edna Ferber created female characters in the early years of the twentieth century who struggled against the constraints of society’s traditional female roles, who were the first in their nontraditional professions, and who achieved their own version of the American Dream. Edna Ferber also revisited American history with stories that highlighted women’s contributions to America. This thesis first introduces Edna Ferber, her background and her early years drawing from Ferber’s two autobiographies, A Peculiar Treasure, 1939, and ii A Kind of Magic, 1963. Second, it discusses the New Woman at the turn of the century; the American Dream, historically and in relation to Ferber’s female characters; and Edna Ferber as a middlebrow modern writer whose literary output had powerful cultural agency.
    [Show full text]
  • The Sea of Grass Auto Tour – Cimarron National Grassland
    The Sea of Grass Auto Tour – Cimarron National Grassland Points of Interest A. Prairie Dog Town POINTS OF INTEREST F - Point of Rock B. Eightmile Corner Ponds: These nar- C. Tunnerville Work Center A - Prairie Dog Town: Close-cropped vegetation in row ponds provide D. Santa Fe TrailThe Ruts Sea this area marks the site of a prairie dog town. The small water for wildlife E. Boehm Gas Storage Field F. Point of Rock Ponds rodents feed on the plants surrounding their burrows, and where bass, thereby removing cover for would-be predators. Bur- of Grass channel catfish Points of Interest rowing owls commonly inhabit abandoned prairie dog and bluegill may be 1. Artesian (Miracle) Well burrows. (We do not recommend walking in or through found for angling 2. Livestock Grazing the prairie dog towns.) enjoyment. Fish- 3. Cimarron Recreation Area ing ponds on the 4. Wildlife Habitat B - Eightmile Corner: The 1903 windmill stands near Grassland receive 5. Cimarron RiverAuto Tour the spot where Kansas, Oklahoma, and Colorado meet. more fishing pres- 6. Pioneer Memorial Since the early 1800s, the actual location of the junction sure per acre than 7. Santa Fe Trail was hotly disputed - surveys had contained errors and any other fishing 8. Oil & Gas Development markers had been lost in drifting sand. A marker from waters in Kansas. 9. Middle Spring the 1903 Carpenter survey is located 3/4 mile north, 10. Point of Rocks but acceptance of this survey was vetoed by President 11. Scenic Overlook Roosevelt in 1908. With the advent of satellite technol- ogy, the true geographic corner was marked here in 1990 by the Bureau of Land Management.
    [Show full text]
  • Geohydrology of the Oklahoma Panhandle Beaver, Cimarron And
    GEOHYDROLOGY OF THE OKLAHOMA PANHANDLE, BEAVER, CIMARRON, AND TEXAS COUNTIES By D. l. Hart Jr., G. l. Hoffman, and R. L. Goemaat U. S. GEOLOGICAL SURVEY Water Resources Investigation 25 -75 Prepared in cooperation with OKLAHOMA WATER RESOURCES BOARD April 1976 UNITED STATES DEPARTMENT OF THE INTERIOR Thomas Kleppe, Secretary GEOLOGICAL SURVEY v. E. McKelvey, Director For additional information write to~ U.S. Geological Survey Water Resources Division 201 N. W. 3rd Street, Room 621 Oklahoma City, Oklahoma 73102 ii CONTENTS Pa,;e No. Factors to convert English units to metric units ..•..................... v Ab s t raet .. .. .. .. .. .. .. .. .. .. .. I' of '" " " of .. .. ••• .. of " •, '" 7 I ntroduc t ion. ......•....•............................................... 8 Purpose and scope of investigation 8 Location and general features of the area.••..........•............ 8 Previous investigations .•.......................................... 10 Well-numbering system.•...............................•............ 10 Acknowledgments. .......•......................................... .. 13 Geology. ....•.•....................................................... .. 13 ~ Regional geology ill .. II II II oil II oil It It It "" oil 13 Geologic units and their water-bearing properties 16 Permian System...•.......................•.................... 16 Permian red beds undifferentiated...............•........ 16 Triassic System..•.•.........•...........•.................... 16 Dockt.JIn Group ~ 4 ~ #' ., of ,. '" ., # of ,. ,. .. ". 16 Jurassic
    [Show full text]
  • Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber's Giant
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Biodiversity Informatics Jim Crow, Jett Rink, and James Dean 5 Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber’s Giant (1952-1956) J. E. Smyth In December 1954, America’s best-selling historical novelist, Edna Ferber, wrote to director George Stevens emphasizing her continued interest in his production of her latest book, Giant. She believed that Giant’s value lay in its exposure of racial prejudice against Mexican Americans in Texas, and that its racial themes had become “more vital, more prevalent today in the United States than . when I began to write the novel.”1 Ferber hoped that one day Anglo oil millionaires like Bick Benedict and Jett Rink, the originators and perpetu- ators of these inequalities in the economic and social hierarchies of America’s new West, would be “anachronisms like the dear old covered wagons and the California gold-rush boys.”2 Later in May 1955, when shooting first began on the film, Ferber wrote to Henry Ginsberg, producer and co-founder of the inde- pendent film company, Giant Productions, “I don’t quite know why the motion picture presentation of Giant interests and fascinates me much more than the screen career of any of my other novels or plays. That goes for Show Boat, So Big, Cimarron, and many others. Perhaps it is because behind the characters and events in Giant there stands a definite meaning, a purpose.”3 Although Ferber had considered writing a historical novel about Texas as early as 1939, she only started to research the topic seriously after the war.
    [Show full text]
  • Bruce Walker Musical Theater Recording Collection
    Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN
    [Show full text]